Frankly, I just don't get Blue Book. Maybe it's because all of the information here is something I've read about before, but I hope that a third installment of this comic is preceded by some research on how to make history more interesting in comic form. Read Full Review

Plot
This comic includes two stories, the first in the main and long story that is open for several installments and the second is a short story with a single installment:

BLUE BOOK 1947 written by JAMES TYNION IV with art by MICHAEL AVON OEMING and lettered by Tom Napolitano: This chapter continues to narrate how the UFO cult had several high moments from 1950 to 1995, with moments of silence, where many of the isolations and Proof of the existence of extraterrestrials is only hoaxes by scammers. From alleged ship metals to the infamous autopsy of an Alien.

The creation of MUFON, a society of civilians who investigate sightings, but without scientific basis.

Since the sighting of Kenneth Arnold in 1947, the frenzy of conspiracy theories has never stopped, Roswell-New Mexico in the United States has become a tourist city dedicated to UFOs and extraterrestrials. The alleged fall of an extraterrestrial ship at this site is explained after many years as a US government project to use spy technology on Russia with hot air balloons, something that was confirmed. Apparently all this UFO madness has served to direct attention elsewhere.

Conspiracy theories have abounded for more than 70 years, where the US Government created Project Blue Book to analyze this information and continue using it as a smokescreen.

The best theory in this comic is that the Aliens were created by Joseph Mengele, the sadistic Nazi pseudo-scientist who survived World War II and created abnormal beings with children and sent them in unmanned ships to crash in the United States and create paranoia.

This penultimate chapter includes a lot of information and historical data narrated in such an attractive rhythm that it gives the feeling of reading/watching a documentary.

The art uses blue and black tone and color palette, which, aided by excellent body language, explains how events occur, providing a veil of mystery and suspense.

Rating 5 out of 5

TRUE WEIRD “50 BERKELEY SQUARE” by John Harris Dunning, John J. Pearson and Aditya Bidikar: this short film tells the mysterious address in London where there is a building with a supernatural being that has caused suicides or our snapshots.

Rating 4 out of 5 more