Matt Morrison's Comic Reviews

Reviewer For: Kabooooom, Super Hero Hype Reviews: 1039
8.4Avg. Review Rating

A disturbing vision of a future yet to be, A Haunting on Mars seamlessly blends horror, science fiction and social commentary. It is highly recommended for all fans of cyberpunk, dystopia and quality comics.

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In the words of Bizarro, "This am a bad comic. Me am not looking forward to next issue. Me am not wanting to see more from Jason Aaron and John Timms. Or, in plain English, this is an imaginative book sure to appeal to every fan of Superman.

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Adler will certainly appeal to fans of the Sherlock Holmes stories but also to anyone who enjoys stories centered around smart women who don't let society get in their way. With complex artwork and a story that puts a unique spin on some of the 19th century's greatest literary heroines, this is one adventure you'll want to sign-on for.

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While Aerobicide may not appeal to everyone, those who fondly remember the 80s will find a lot to love about this book. With high octane action and colorful artwork, this is one one-shot I hope to see a second-helping of someday.

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If you're a fan of Robert E. Howard's heroine, Age of Conan: Valeria is a worthy origin story. If you merely like stories about strong women with a more realistic edge, it will suit that purpose as well. Highly recommended to all lovers of high adventure, even if they don't usually enjoy the fantasy genre.

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I can't speak for the Alien fans, but I suspect this series will satisfy them. Speaking as someone relatively green to the franchise, however, I can say that this is a damn good comic and it captures the essence of what I know of the setting, even as it offers us a new perspective on it. Alien sets a new standard for movie spin-off comics.

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All New Wolverine is a worthy continuation of the legacy started by Roy Thomas, Len Wein and Chris Claremont. I didn't know much about the woman who was X-23 going into this book and I still don't, really. Yet the final pages of this issue contain a hook that should offer Laura Kinney ample chance to discover who she is and prove that she is more than just a clone in future issues.

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The art equals Taylor's script in every respect. Nik Virella's character designs are deceptively simple, well-suited to both action sequences and the humorous talking-heads scenes. Yet Virella sneaks surprising amounts of detail into the backgrounds. Veteran inker Scott Hanna delivers his usual stellar job and the colors by Michael Garland are well-chosen throughout.

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A must-read for anyone who likes fun and funny comics.

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With that caveat, I can happily say that this is a book that every Bat-fan should be reading. On every professional level and possible aesthetic metric, this is a great comic.

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This book is as gloriously over-the-top and ridiculous as I feared. It is also shockingly good, and I'm not ashamed to say the final pages brought tears to my eyes.

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American Gods: Shadows #1 will be available for purchase on March 15, 2017 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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Another Castle #1 is not just a good send-up of a tired trope nor is it a brilliant bit of parody. It is a good comic, plain and simple. And you should be reading it and every issue to follow until the inevitable ever-loving ever after.

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In short, Ant-Man #1 is well-worth reading. The script is accessible, the hero is relatable and the artwork is cheerful. This is a title that is both fun and funny at a time when far too many comic books take themselves too seriously and that is a welcome thing.

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Those who would mock Aquamanwould do well to read this series. No longer focused on the “friend of the fishes” from the old Superfriends cartoon, this book is fast-becoming a political thriller on-par with the better episodes of The West Wing, albeit one in which President Bartlet occasionally slugs it out with a terrorist leader whose father he killed. That is not a perfect metaphor but Aquaman is a perfect comic.

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If you have yet to give this book a try, Aquaman #23 is a perfect entry point to the world of Atlantis. The writing is as complex and action-packed as any political thriller. The artwork flat-out looks amazing. This is one of the best books on the stands and that's no fish story!

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Despite being the conclusion of the Crown of Atlantis arc Aquaman #24 would be an excellent first issue for new readers ready to dive into the world of Arthur Curry. The story is gripping, though light on physical action and the art team delivers quality, uniform work.

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Dan Abnett has built upon the original mythology of Atlantis and its related characters in the DC Universe beautifully and strengthened the bonds between these characters which were sundered in the wake of The New 52. Of particular note is the interplay between Garth (a.k.a. Tempest) and Mera. This series is a must-read comic for any fan of the medium.

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Thankfully, Abnett has begun to give the original Aqualad some much needed definition and this book has never looked better with Stjepan Sejic handling the art duties.

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If you haven't given Aquaman a chance, this is the perfect issue to start with. Despite some references to the on-going saga, most everything until the final pages is explained for the benefit of new readers with only a minimal amount of exposition required. The artwork and action sequences are fantastic. This book is a definite must-read for anyone who likes good comics.

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Those who are already enjoying this series, however, will find more of the same quality action and adventure to which they've become accustomed.

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All in all, this is a wonderful first issue that will likely be unfairly ignored because it is so unlike the Aquaman we'll see on the big screen this weekend. Those who are willing to be patient, however, will likely find that patience rewarded as this series continues. With great artwork and a solid premise, this is one to keep an eye on.

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While I hope that we return to the adventures of Arthur Curry and Mera soon enough, I wouldn't mind sticking with this diversion a while longer.

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All in all this is one fine book that may make some more people into Aqua-fans.

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This may be Part Two of this storyline, but this is still a fantastic first issue for those readers who are curious about Aquaman after the movie.

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If you haven't been reading Aquaman, this is a fine place to start and see what you've been missing. The artwork is excellent and the story explains it all without feeling like a history lecture, even as it sets up the next age of Arthur Curry's adventures. Highly recommended!

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One of DC Comics' best books, and a secret treasure that deserves more exposure.

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If you haven't been reading the current Aquaman series, this is the perfect place to start. The artwork is solid and the story will introduce you to Aquaman, Aqualad and the city of Amnesty Bay and its people in an economical and amusing fashion. Highly recommended.

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Arrow: The Dark Archer proves to be a perfect companion piece to Season 4 of Arrow. The artwork is top-notch and the writing is true to the spirit of the show. You really feel as if you're looking at a lost Arrow storyboard!

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The artwork is of similar high quality. Ryan Kelly's characters all look distinctive and have unique appearances, which is surprisingly rare in most of the fantasy comics I've read. The colors by Jordie Bellaire are uncharacteristically muted and dark, but this suits the setting and quick establishes it as a dark, dreadful world. There are no colorful fairies or happy endings to be found here! In any case, this is a must-read for all fantasy fans.

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This is the best Avengers title I've read in recent memory. If this first issue is only a taste of what is to come, I think it a safe prediction that this will go down as one of the greatest runs in Avengers history. Whether you're a fan of the movies who has yet to get into the comics, or a fan of Captain Marvel, Iron Man, Black Panther, The Vision, Scarlet Witch, Captain America and Thor, you will want to check this out.

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Barbaric #1 is the best new comic of 2021 and a must-read for all fans of fantasy and action comics. Even if you do not fancy yourself a fan of those comics where wild warriors in impractical armor run amok, there is much in this series and its defiance of genre expectations to win you over. For the rest of us, there's a sarcastic talking axe who literally thirst for blood and gets drunk on it. Truly a comic with something for everybody!

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Barbaric: Axe To Grind is similarly thoughtful and well worth the reading by those who dismiss the fantasy genre as incapable of conveying deep thoughts along with the boobs and blood-letting. There is depth here, aye, and no small amount of craft in both the story and the art. If you've not boldly entered the world of Barbaric, this is an ideal place to begin!

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Barbaric is back and as great as ever. If you missed out on the original series, you would do well to grab this one-shot and see what you've been missing. This is a fine bit of fantasy, with swords, sorcery and satire.

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The best part about this issue, however, is how easily accessible it is to newcomers. You don't need any previous experience with the Barbaric series to appreciate this story. If you have enjoyed the Barbaric comics before, however, get ready for more of the same awesome action and art!

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The only real flaw with this issue is that it doesn't quite stand on its own. It can be read apart from Batgirl #28, as Simone provides more than enough exposition to describe the story so far, but readers will get so much more from this issue if they've read part one first.

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If you've haven't read the post-Rebirth Batgirl, this is a fine time to start. The story doesn't require any previous experience with the series to date. The artwork appears amazing throughout. This is a great comic, plain and simple and a must-read for all fans of Batgirl and/or Poison Ivy.

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If you haven't been reading Batgirl, now is the time to start. If you haven't read it in a while, it's time – like Barbara Gordon herself – to come home. Things may be different but unlike Burnside, the changes on this title are definitely for the better and the future for Batgirl is promising indeed.

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If you haven't been reading Batgirl, this issue is the one to start with.

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A must read for all lovers of quality comics!

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Required reading for any Bat-Fan.

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The best part about this book is I have no idea what to expect next month. The issue's ending leaves plenty of room open for several directions and my mind is racing considering the possibilities. To me, that is the sign of a great story, regardless of the medium – it provides pleasure as you read it and as you consider what comes next. In that regard, Batgirl And The Birds Of Prey is a great story.

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Fans of every incarnation of Batgirl will want to pick this book up. Yet it will also appeal to new readers who might not be familiar with these heroes who are seeking an entry point into the new Gotham City. Either way, this is one book you won't want to miss!

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I'm still of two minds about the wedding (cue the Two-Face jokes) but this Prelude To The Wedding issue is brilliant and stands on its own quite well.

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If Tom King's run on Batman left you cold, for whatever reason, now is the time to come home to Gotham City. Or if you're a tourist looking for a good place to start with Batman's adventures, welcome " this is your stop. The new creative team offers a fresh start and a bold new direction while delivering everything we love about Batman in a single story. Highly recommended.

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This is another fine issue of what promises to be a legendary run.

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Granting my inherent bias toward anything by Tom Taylor or Otto Schmidt as individual artists, this is one of the best Batman comics I've ever read. If you've ever liked Alfred Pennyworth as a character or, like me, miss Otto Schmidt's work on Green Arrow, this is a must-read. There is little else to be said beyond that.

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Time will tell if this is a worthy sequel to the original series, but so far it is a welcome return to form.

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While Sean Murphy is now telling a more traditional Batman story than the original White Knight, he is doing so in an nontraditional way and it is glorious. The story and the artwork continue to be on-point, with Matt Hollingsworth's colors providing the perfect finishing touch.

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This is another solid issue of a great mini-series and if there's any justice in this world, we'll soon see Sean Murphy writing a monthly Batman comic in 2020.

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The only real flaw to this book is that while it is accessible to newcomers who have not read the original White Knight series, you get much more out of the story if you have read the original. That being said, the initiated would do well to check out this one-shot, as would fans of Janson's artwork.

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We know how this Batman's story ends, in a rest home as he struggles against dementia to write his history before he forgets it. However, there is no indication of what the journey before that point holds. That in itself makes Batman: Dark Age #1 worth reading.

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Beautifully illustrated by different artists with a script by three different writers, Batman: Lost #1 perfectly replicates the sensation of a fever dream. I'm not sure if that was the exact intention but it's a glorious trip regardless.

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While even the most dedicated Bat-fans may feel burned out with all the Black Label offerings of late, Batman: One Dark Knight is a must-read. The writing and the artwork are top-notch and there's a variety of covers for the collectors to consider. You won't want to miss this!

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If you're a fan of Batman: The Animated Series, this is one book you won't want to miss. Come to that, if you're any kind of Batman fan, you won't want to miss this book.

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While it would be better for new readers to go back and read the first 13 issues building up to it, Batman: The Adventures Continue #14 is a good comic. This is everything a Batman story should be and a wonderful continuation of the classic animated series. Here's hoping this series stays around a while longer.

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In short, if you're looking for an excellent Batman story that is friendly to new readers, you can't do better than Batman: The Detective #1.

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Tony Daniel and Danny Miki's artwork is as fine as ever making this book a must-read for anyone who enjoys a good alternate universe story as well as those reading all the Dark Nights: Metal tie-ins.

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Francis Manapul delivers his usual stellar work on the issue's art. Manapul's pencils are eye-catching and the use of colors wonderfully varied, with different palettes being used for each setting.

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The Dark Knights Metal crossover event continues to pick up steam, as The Murder Machine rolls along. Though little happens in this issue to shed light (no pun intended) on the plans of the Dark Multiverse League of Batmen, the story contained within this issue is an enjoyable one and the artwork looks amazing throughout. This book is a must-read for anyone keeping up with The Dark Knights Metal saga or anyone who enjoys a good Elseworld story.

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Batman: The Red Death #1 proves a thrilling Elseworlds adventure. Fans who enjoy the monthly The Flash comic will want to pick this one up to see their favorite creators spinning a darker sort of story with the same characters. And it goes without saying that this is essential reading for everyone following the Dark Knights: Metal saga.

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I already stated that this comic should be required reading for any fan of the Batman franchise. That sentiment goes double for anyone who loves Harley Quinn. This is one hell of a good read and you'd be a damn fool to pass this book over.

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The slow-boiling style has served this series well so far, however, and it is clear that Murphy is building to something big. The artwork is just as subtle and surprising as the story, making this a must read for all Bat-Fans and anyone who enjoys a good neo-noir story.

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If you haven't been reading this series, don't wait for the trade!

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Batman: White Knight #5 goes on sale on February 7, 2018. Reserve it now on Comixology.

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The only thing more impressive than Murphy's artwork is the ease in which he takes the various conflicting elements of Batman's history and works them into a coherent story.

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With an original concept that simultaneously builds upon the long history of its characters, a thrilling script and fantastic artwork, with amazing colors by Matt Hollingsworth and epic lettering by Todd Klein, this is the greatest Elseworlds story since The Dark Knight Returns.

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Suffice it to say that Sean Murphy brings his epic tale to a proper conclusion.

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Riley Rossmo was the perfect artist to detail this journey into madness and James Tynion IV does a fantastic job in telling the tale.

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Call it what you will, but I enjoyed the first few issues of Beyond Real that I was allowed to read. I think science-fiction and fantasy fans looking for something new will find it in Beyond Real. It may start out as a familiar tale of love lost and reality challenged, but I think it will go on to surprise you.

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In short, this is a fantastic looking comic, with colorful, animated art that seems to jump off the page and a spirited story. If you're a Bill & Ted fan, you'll want to pick this one up. It is most excellent and non-bogus.

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Elon Musk and his acolytes will find little to laugh at in Billionaire Island: Cult of Dogs. The rest of us, however, will find it a welcome distraction from the collapse of society as we know it.

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While Billionaire Island is unlikely to be a hit with anyone who has a vested interest in pretending trickle-down economics work, Pugh and Russell have once again proven themselves capable of crafting a high-quality funny book. I guarantee this will provide you working stiffs with a few minutes distraction from the existential horror of your increasingly bleak existence. Enjoy!

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I know some fans were nervous about this new Birds of Prey, given the absence of Barbara Gordon and Huntress. Trust me, however, when I say that this is explained as part of the story and there is a good, logical reason for their absence. This is, simply put, the best Birds of Prey has been since the days of Gail Simone and Nicola Scott. If you like comics, you will love this book.

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If you've never been exposed to the Birds of Prey and Harley Quinn, this giant-size collection will give you ample opportunity to sample the many great creators who have handled them. It's also worth picking up if you're already a fan and have read half these stories already. It's a rare thing for me to give an anthology a perfect score, but Birds of Prey Giant #1 has more than earned it.

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Black Canary fans rejoice! While Cabot, McGee and Quirk's take on Dinah Lance is different, the heart of the Bird of Prey we love beats fiercely within Black Canary: Ignite. A must-read for any fan of the character and anyone who enjoys good YA entertainment.

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Rejoice, Black Widow fans! This new series has bite!

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Fans of Titan Comics' earlier Blade Runner titles will find this to be an excellent capstone on Ash's story. Newcomers would do well to seek out Blade Runner 2019 first and start the story at the beginning. In either case, this is a fitting and thrilling continuation of the movies.

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Blue and Gold are back and thank goodness for it! There isn't a BWA-HA-HA to be found within these pages, but this book is guaranteed to make you smile. Grab it now while you still can, before it becomes the Greatest Book You Can't Get A Hold Of!

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Even if you don't enjoy weird tales, Blue Book is an engaging, thrilling read.

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If you missed out on the first Blue Book series, here's your chance to have a first encounter with fantastic horror!

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Officially this is the last chapter of the first story arc of the new Books of Magic. Unofficially, this is a good place to start reading this magical little series before the next "book" starts next month. Kat Howard's story is riveting and is perfectly brought to life by Tom Fowler and Jordan Boyd's artwork. Todd Klein's lettering, as always, is amazing. Perhaps the strongest title of the Sandman revival, this is a must-read!

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I enjoy a good subversion of the standard fairy tale tropes and Books of Magic #9 is a great one.

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If you've never read a John Constantine or Tim Hunter comic before, this is a surprisingly accessible one and a solid issue of this series for the long-time fans.

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Border Town is everything a Vertigo Comics series should be " bold, brassy and unashamed to comfort the disturbed and disturb the comfortable. The right people will find it horribly shocking and offensive. For the rest of us, it will leave us laughing and having learned something.

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This is easily the best new series Vertigo Comics has published in years and a must read for any fan of the comics medium and supernatural horror.

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Far more than just a "Southwestern Stranger Things" expect this series to clean up at The Eisners in 2019.

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Captain Carter is here and it's about time! Put simply, this is an engaging series and it is one I plan to read on a regular basis in the future. More than a simple distaff take on a classic formula, this is an enjoyable, adventurous title centered around a strong, smart hero that everyone can enjoy.

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However, despite the novel concept, the pacing throughout the issue is disjointed. Most pages are dialogue free, as we follow Venom the Dog through subterranean San Francisco. Then the narrative and visuals changes direction five pages away from the ending. The best way to describe the abruptness of this issue is to introduce John Carpenter to the end of the horror film Audition. The issue feels like a quick read, and then -BAM!- out of nowhere, there are parasitic worms, Carnage, and a soliloquy on Carnage's new philosophical life view.

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One of the best new offerings from Marvel comics this year and hopefully one that will find an audience with the upcoming fans sure to come to the comic shops after the movie is out.

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No previous experience with Captain Marvel is required. It's a perfect entry point for those curious newbies who just saw the movie and a great introduction to some of Marvel Comics' other great heroines.

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All in all, Marvel Comics couldn't have published a better book in anticipation of hooking the new readers that the Captain Marvel movie seems certain to attract. There's no complicated backstory to unpack here " just one super soldier kicking butt and taking names. It isn't the most in-depth analysis of Carol Danvers' but it is great for what it is " a solid adventure story with wonderful art which profiles one of Marvel's mightiest heroes for the benefit of new readers.

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Those readers not yet exposed to the Lion Forge superhero line will find this a warm welcome.

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A thoughtful story more focused on the people in costumes than the costumes themselves, this is one to pick-up.

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If Gail Simone's goal was to tease me with just enough of the Lion Forge superhero line to make me read the rest of their books, Mission Accomplished.

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It is unfortunate that this book will probably be passed over by those who fear its tie-in to Batman #50 is a cheap marketing ploy. This book is the real deal and one that should be well worth reading for a long time to come.

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Click on the image above to view the full-size page in another tab.I've heard some say that DC Black Label might as well be called DC Bat Label for all the dark Batman stories it produces. While that's a fair complaint, Catwoman: Lonely City is a noir masterpiece that exemplifies everything DC's adult imprint should be capable of. Well done, Mr. Chiang!

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Clean Room #1will be satisfying to fans of Gail Simone and Jon Davis-Hunt's previous works. It will also be an enjoyable read for fans of Hitchcockian thrillers and horror books in general.

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If you have yet to give Clean Room a shot, this issue marks a wonderful opportunity for you to correct that mistake. While reading the whole series from the first issue would be preferable, one can enjoy this issue without having read any of what came before. This is easily the best horror comic in years!

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I recommended Codex Black for anyone looking for a change of pace from the usual young adult graphic novels or something devoted to a culture that doesn't get a lot of representation in the world of comics. The characters are spirited, the story is fun and the artwork is amazing and eye-catching.

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If this is your first visit to the world of Hyboria, prepare yourself for a surprising treat. And if this isn't your first time to ride with Conan or Red Sonja, be ready to recall the days of high adventure as never before. This is a great comic that will please sword-and-sorcery genre enthusiasts and newcomers alike.

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As a follow-up to the first issue, it's a disappointment, but as its own story, Conan The Barbarian #2 is a much stronger comic.

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This is a Conan comic for the ages, by Crom!

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If you've never given Conan the Barbarian a shot or understood the appeal, give this issue a try. And if you are already a fan, by Crom, you will love this issue!

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The artwork by Mahmud Asrar and Matthew Wilson proves the equal of the story. The deserts of Hyboria have never looked quite so imposing and the first image of Conan, soaked in blood (most of it not his, naturally) is the most striking to come from this series so far. This book is everything a fan of sword and sorcery comics could dream of.

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All in all, this is a fantastic first issue for the new creative team. Zub perfectly captures the adventurous spirit of the original Robert E. Howard stories and, with Antonio's art, waves together a book that feels like you're watching an old-school Dungeons and Dragons dungeon crawl play out. That might not be everyone's cup of tea, but it made me want to pick up some dice and roll up a new barbarian character.

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If you're never read a Conan comic before, this is a fine one to start with. If you're well familiar with the Cimmerian, you'll find this issue a worthy one. My only complaint is that a book called King-Size Conan should have at least one story from Conan's days as King of Aquilonia.

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Those who have never read a Conan comic could not ask for a better introduction to the first son of sword-and-sorcery than Conan the Barbarian #1, and those who are already fans of Conan will find this first chapter to be everything they could have hoped for. As the barbarian himself might say, "By Crom, this is an fine tale!

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This issue proves a worthy conclusion to what has easily been the best saga in the monthly Conan comic in over five years. Cullen Bunn writes Conan with a wit and cunning few writers have equaled. The artwork by Sergio Davila, coupled with the colors of Michael Atiyeh, brings the visceral world of Hyboria to life wonderfully.

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This issue presents an excellent opportunity for new readers to start the series. Despite being dubbed the first part of an adaptation of Howard's The Devil In Iron, the story is all Bunn's original work. If you enjoy a good ripping yarn, full of action and high-adventure, you'll love Conan The Slayer #7.

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I've moved from mere ambivalence to outright antipathy regarding Convergence as a whole. Yet I can endorse Convergence: Nightwing/Oracle #1 without reservation. If you miss Simone's Birds of Prey or Chuck Dixon's Nightwing, this is definitely one to pick up!

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Think the body-swapping story is played out? Think again. With strong characterization and amazing artwork, Crosswind #1 puts a cool new spin on a classic concept. Based on this first issue, Crosswind seems to be a sure-fire hit and easy Eisner contender. The characters are immediately interesting and the artwork is fantastic. This is one series you'll want to get in on at the ground floor.

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Crosswind continues to be one entertaining book. The script offers up a fresh twist on the old body-swapping story. The artwork is simply amazing. This book should be on the short-list for every graphic novel award in existence.

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Gail Simone and Cat Staggs continue to impress on this twisted little series about a housewife and a contract killer who find their minds having switched bodies.

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Cat Stags and Gail Simone knock it out of the park in this final chapter for what has been declared the series "first season". It will be interesting to see what future volumes bring and how this series will be adapted into a live-action TV show.

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Based on this first chapter, Dark Ages seems poised to become Marvel Comics' next Age of Apocalypse. Given the talent involved, however, I suspect it will be far better. MCU Fans who have yet to give the source material a try after watching What If"? would do well to check out this series. So would everyone else.

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Dark Crisis is a great comic. It is everything a crossover comic book event should be, with high stakes and bold artwork. Yet it defies the usual clichs by being more about people than cosmic doom and by not killing off C-listers by the dozens just to show that This Is A Serious Story and Things Will Never Be The Same Again. For the first time in a long while, that actually seems to be the case at DC Comics.

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For some reason, the continual shifting in art styles does not seem so severe or distracting here as it did in The Forge. This is a gorgeous book from start to finish and all the artists involved should be proud of their work here. I'm still not sure precisely what awaits us in Dark Knights: Metal but I'm more anxiously awaiting it now.

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Dark Knights of Steel #1 will appeal to both fans of DC Comics and fantasy alike. I think it safe to say that Tom Taylor and Yasmine Putri have a hit on their hands. This will be the next great Elseworlds to dominate the imaginations of fans everywhere.

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Like a rolling storm, Dark Knights of Steel continues to grow in power with every chapter. Tom Taylor's script finds new ways to surprise the reader, putting new spins on classic characters in this fantasy setting and even introducing some new characters into the mix.

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Even if you haven't been buying the Dark Nights: Death Metal saga up until now, it's well worth picking up this issue to see this all-star team of creators at work. There's not a dud comic in the bunch and these would all be fitting final stories for these heroes, even if I thought there were a chance these really would be their last stories. Once more into the breach!

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While it may not be a home run as part of the Dark Nights Death Metal event, The Secret Origin is a brilliant commentary on the state of DC Comics and an exploration of why we read superhero comics. That message, delivered alongside some amazing artwork, is ample reason to pick this one up, even if you haven't been reading the miniseries so far.

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It is a rare thing for an event book to live up to its hype. Dark Knights: Metal #1 is such a rarity. The DC Comics Universe has been changed before but for once it doesn't seem like hyperbole to say that nothing will ever be the same again!

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The cover for the issue says it all " if you can't take joy in an armor-clad Batman, Superman and Wonder Woman riding a Joker-faced dragon, this is not the book for you. For many of us, Dark Nights: Metal was the prog-rock epic turned comic we never knew we'd wanted and this final chapter proves the perfect rocking finale!

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Dark Spaces: Wildfire #1 releases on July 20, 2022.

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I can't say that I enjoyed Days of Hate #1 but that is not because it is not a good comic. It is brilliantly written and well-illustrated. Unfortunately, I find myself unable to separate myself from my own reality in entering its world. This is not the usual far-flung escapist dystopian literature with mutants and zombies and leather-clad amazons in classic cars with spikes on the bumpers.

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Black Canary is in this book too and the story and art are amazing. This is easily the best of the DC Comics/Looney Tunes crossovers to date and a must read for anyone who likes both. Even the back-up story, rendered in a traditional Looney Tunes house-style, is a hoot!

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Everyone involved in DC Pride #1 should be proud of their work on this book. The stories assembled here are all about the heroic ideals of Truth, Justice and Freedom and tap into the core of what superhero stories should be. Anyone who finds anything objectionable about this would do well to read more comics.

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DC Vs. Vampires could have been a silly, stupid book with no purpose but cashing in on Halloween and the horror market. Thankfully, it proves to be so much more than that. This book is a must read for all fans of vampire fiction and DC Comics.

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If you're any kind of fan of the DC Universe or horror, you need to be reading this book. Highly recommended.

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More than a mere zombie comic, DCeased will pull on your heartstrings and not in the way that the undead eviscerate the living.

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It is a rare comic that can make you both laugh out loud and weep openly. DCeased #5 is such a comic. There is nothing more to say beyond that, save that if you haven't already been reading this book, start now.

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This is a fitting conclusion to a spirited mini-series.

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Horror fans will find a lot to like about Dead Seas #1. Fans of Cavan Scott and Nick Brokenshire's work on various Star Wars books would also do well to check it out. Dead Seas is a lively read!

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Maybe Deadbox resonated with me because my first job was in a small town video store; a slice of Americana as dated today as the five-and-dime and the town milkman. Somehow I doubt that. In my opinion this may be the finest bit of social satire Mark Russell has ever written and one of the best anthologies of weird tales since the original Twilight Zone. It is a must read for all fans of quality comics.

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In fact, the whole of Descender #1 is damn good. Sci-fi enthusiasts will find it entertaining, as will fans of Lemire and Nguyen's previous work. But by all rights this comic should be picked up by anyone and everyone who enjoys good comics.

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If you haven't been reading Detective Comics, you've been missing out on one of the best Batman books in recent memory. Despite having a large cast and involved backstory, this issue is easily accessible to new readers and I'd suggesting starting here before you lose any more ground.

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Paired with the artwork of Alvaro Martinez and Raul Fernandez, this is a must-read for all fans of The Gotham Knights. And yes, that is officially the new team name for the group operating out of The Belfry.

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The new art team prove equal to the task of matching Tynion's scripts, making this one book you shouldn't miss.

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James Tynion IV's writing and handle on the characters is as strong as ever, making his the best Bat-book on the stands once more.

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The only real flaw to this issue is its inability to be quickly absorbed by casual readers. The mythology James Tynion IV has woven at this point is too vast for that. Thankfully, the artwork is fantastic, meaning established fans of this series will have another great issue to look forward to.

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I stand by my assertion that this is the best Batman book on the stands right now. If you've ever loved Batman and the whole variety of characters that were developed around him, you need to be reading this book.

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Ryan Hill is spinning a wonderful story and this issue ends on one heck of a stunning page.

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A solid book for those who like a good ripping yard that is equal parts horror movie and murder mystery.

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This is just what this series needed to start off after the landmark Issue #1000. This is a great Batman story and one heck of a mystery!

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Those children of the Nineties who chuckle at the cover of this issue and Spectre shouting "I am Vengeance!" as Batman shouts "I am the Night!" will likely enjoy this issue as much as I did" as will everyone else.

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If you haven't been reading Detective Comics, you've been missing out on a wonderful series that is, for what my money is worth, the best of the regularly published Batman books and this issue is a great place to start seeing what you've been missing.

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All in all, this remains the best bimonthly Batman book on the stands.

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Still the best of the main Batman comics by a wide margin.

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A flawless book and a worthy conclusion to one of the best Year of the Villain stories.

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In short, if you're in the market for a fantastic Batman story or a good mystery that doesn't require a lot of investment, Detective Comics #1017 is just what you need.

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Don't forget to pick up the first part from Detective Comics #1018 (if you haven't already) and prepare to enjoy one of the best stories featuring the Dark Knight Detective in recent memory.

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From its classic horror movie cover to the spine-chilling conclusion, Detective Comics Annual #1 is one fine book.

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While some fans may find it derivative, Devil's Reign is a welcome entry point into modern Marvel Comics. Time will tell if the rest of the series will match this first issue. As it stands, however, this is a promising start to something big.

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After an amazing opening arc which played out like the original 2009 Arkham Asylum game with The Terror The Flaps In The Night in place of Batman, this issue of Darkwing Duck proves to be an easily accessible one-shot perfect for new readers. Writer Aaron Sparrow has perfectly captured the voices of the characters from the original cartoon series and created a villain worthy of Darkwing Duck's already fantastic rogues' gallery. Likewise, artist James Silvani perfectly emulates the house-style of the original show's artwork, making every panel look like a lost animation cel. This is one family comic that truly is fun for readers of all ages!

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No previous experience with Darkwing Duck– the show or the comic – is needed to enjoy this issue. However, should you want to experience the saga as it began, the collection of the first four issues of the current volume just went on sale recently. Either way, this is one of the best all-ages books on the stands today and it's a must-read for anyone who enjoys a good, fun and funny read.

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I shall be sorry to see it go. Yet part of me hopes that the talk of an upcoming Disney Darkwing Duck Vol. 2 is not just talk. So please – if my word as a critic has ever meant anything to you – buy this book. Check out the TP collection of the first four issues. And tell the management of Joe Books LTD that you want more.

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Doom himself could not have crafted so worth an epic of Doom's adventures.

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All in all, this is a comic worthy of the Doom name.

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One of the best comics in Marvel's stable and a must read for anyone who enjoys a good story about a fantastic anti-hero.

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If you have not been reading this most excellent series, Doctor Doom #7 is the perfect place to start and see what you have been missing out on. With amazing art and solid scripting, it's one of the best books of 2020 so far. Even if you're not a fan of the Fantastic Four, this book may turn you into an acolyte of Doom.

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Even if you aren't as big a fan of Starman as I am or have yet to read any other Black Hammer comics, there much to admire in Doctor Star & The Kingdom Of Lost Tomorrows. This is everything awesome about classic comic books viewed through the rose-tented goggles of modern day superheroics. I highly recommend it.

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This is one trip to the stars that won't burn you.

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Everyone will enjoy a spirited story with amazing artwork. Grab the back issues of this one while you can, kids. This will be one to remember!

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Jeff Lemire, Max Fiumara, Dave Stewart and Nate Piekos have created a modern masterpiece and a must read for any fan of illustrated fiction and the superhero genre.

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Fans of Rose Tyler will rejoice in this volume, as will fans of the Eighth and Eleventh Doctors. Empire of the Wolf is a ripping yarn in the grand tradition of classic Doctor Who. Highly recommended to all Whovians.

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The whole creative team is in fine form and those who like the current Doctor Who series will find more to enjoy in Missy #1.

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This is a brilliant Doctor Who story that will please established fans and entrance newcomers. Ignoring all the other behind-the-scenes factors regarding the Fugitive Doctor, this is a good comic. It presents us with a Doctor, a companion and a mystery, paired with a few thrills and some monsters, epically illustrated. You can't ask for better as a Doctor Who fan.

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The most miraculous thing about The Lost Dimension to date has been that every individual chapter has been entirely accessible to new readers. Even those new to the world of Doctor Who could pick up this comic and get a painless introduction to one of the richest universes in all of fiction. So if you have a non-Whovian in your life who needs a little push or are a Whovian who just doesn't like comics, consider this book your golden ticket into a whole new world.

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If you're a classic Doctor Who fan, you will love this book. And if you aren't, this book may yet turn you into one. It's that good!

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If you haven't given Doctor Who a chance, you couldn't do better than making this book your entryway into a bigger universe. The story is fantastic and the artwork stunning. I would advise having an experienced Whovian friend on hand, however, so you have someone to talk to afterward who can explain all the little bits you might have missed.

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The Lost Dimension hasn't been your typical crossover event. And thank goodness for that! The quality level has been much higher and the novel idea of making the extra issues optional for regular readers is a nice touch. Any Whovian worth their salt should consider this story mandatory reading material, comic-reader or not.

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Scott conveys Captain Jack's character just as well as artist Cris Blson encapsulates John Barrowman's likeness. The action sequences in this issue flow smoothly from panel to panel and the designs for the various alien races depicted are truly unique and memorable. This comic perfectly captures the essence of the Russell T. Davies era of Doctor Who and is a must-read for all fans of Captain Jack and Torchwood.

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If you've never experienced a Seventh Doctor story, this is a good one to start with.

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Doctor Who: The Tenth Doctor #1 will be out next Wednesday, July 23rd from Titan Comics. Grab a copy at your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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The miraculous thing about The Tenth Doctor comic is how it remains easily accessible to new readers while being steeped in its own mythology and the mythology of the original Doctor Who shows. Despite being largely concerned with set-up and tying-up loose ends from the previous stories, the script by Nick Abadzis explains everything new readers need to know smoothly and efficiently.

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If you're a Whovian who has yet to get into the wonderful world of comics or a comic reader who wonders what all the fuss about Doctor Who is, this issue would be a wonderful introduction to both worlds. It won't be nice and it won't be safe. But it will be the thrill of a lifetime!

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Doctor Who: The Third Doctor #1 will be available for purchase on September 14, 2016 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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Doctor Who: The Third Doctor #5 will be available for purchase on February 22, 2017 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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Writers George Mann (Doctor Who: The Eighth Doctor) and Cavan Scott (Doctor Who: The Ninth Doctor) have delivered the perfect treat into our stockings. Those Whovians who just can't wait for this year's Doctor WhoChristmas episode will find this holiday special to be just that. Watching Clara and The Doctor contend with all manner of festive madness is highly amusing And fans of the classic Doctor Whoseries will be gratified by the reveal of the culprit as well as the touching ending.

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This first chapter of Beneath The Waves will prove a welcome appetizer for those Doctor Who fans anxiously awaiting the main course of Series Ten this weekend. It was a good bit of planning on Titan Comics' part to release this book this week. George Mann continues to impress as the author of The Twelfth Doctor series, perfectly capturing the voice of Peter Capaldi's Doctor and spinning tales worthy of the TV show. The artwork by Mariano Laclaustra and Carlos Cabrera proves equally astounding. If you're a fan of the show, you'll be a fan of this comic. And if you aren't a fan of the show, this comic may make you into one!

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The conclusion of Beneath The Waves proves a perfect conclusion to an exciting and thrilling Doctor Who story.

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Comparisons to the show aside, this is a fantastic comic. Every element " the story, the art, the colors " work together in perfect harmony. If you're a Whovian who is going through withdrawls thinking of the long wait until this year's Christmas special, you would do well to start reading this series.

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The Doctor is back and better than ever!If you've been going through Doctor Who withdrawals since the end of Series Nine, this book is the cure. It is a must-read for all Whovians, with a great story and amazing artwork.

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If you've never watched Doctor Who before, this issue is a wonderful introduction to the universe. Conversely, if you're a Doctor Who fan who has never read a comic book, this is a good issue to start with, being about the love of the medium and a good story. And this is a good story. - See more at: http://kabooooom.com/2016/05/doctor-who-the-twelfth-doctor-year-two-5-advanced-review/#sthash.WiRIQZZN.dpuf

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If you've never read a Doctor Who comic before, this would be a great one to start with. There's no pesky backstory or continuity to concern new readers beyond a blurb on the title page explaining the concept. The story is easily accessible, with a likable heroine in the middle. And the artwork looks just plain fantastic!

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Don't know much about Domino? Doesn't matter. Gail Simone provides the perfect introduction to the character with this fun-filled first-issue.

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I've never cared much for X-Men, X-Force or any of the other hundreds of X-titles. Yet after two issues, I am hooked on Domino. I can't wait to see what Issue Three has in store!

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If you haven't been reading this series, you should correct that mistake immediately.

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The first story arc on this series is over and it ends as amazingly as the story which preceded it. I never thought I could really care about a character like Domino (90s gun-bunny heroines leave me cold) but Simone has crafted a cunning take that won me over.

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If you haven't given this book a try, this is the perfect issue to start with.

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This annual has a little something for everyone who is a fan of Domino " old school or new school, there's great art and good stories aplenty.

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Honestly, I don't know what else I can say to drive home how great this book is. Except that it's Gail Simone writing Deadpool. Did I mention that? Or the Grease tribute? Oh well " just buy it!

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All in all, this is one hot book that deserves to be a monthly series once this mini is over.

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While the controversy over this series and its reasons for existing may rage on, it cannot be denied that Doomsday Clock #4 is a solid piece of high-quality work. Taken from the context of its origins, it is what it sets out to be " a riveting origin story for a fascinating character, that can miraculously be enjoyed free of the context of any other work.

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In short, this is an inventive comic for the young and the young at heart. Scott Snyder and Jamal Igle have created something special. I look forward to reading more of Dudley Datson's adventures in the future.

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The only real weakness to Earth-Prime: Stargirl #4 is that it doesn't seem to advance the overall storyline of the series that much, apart from revealing the identity of the mystery villain tying the different Arrowverse series together. Ignoring that, it is a solid comic with a great story that can be enjoyed by both fans of the show and newcomers alike. If, for some reason, you haven't given Stargirl a try, this issue is a fine place to start.

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Like Elric: The Ruby Throne before it, Elric: The Dreaming City is a worthy adaptation of Michael Moorcock's work and a riveting read on its own terms. Fantasy fans will want to check this one out, whether or not they're familiar with the original novels.

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This is a daring little adventure series with fantastic artwork, sure to be a hit with any fan of alternate histories and powerful female leads.

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Click on the image to view the full-size image in another window.I wasn't sure what to expect from Endless Winter when I read the solicitations but I approve of it most heartily now after this first chapter. It may not be the be-all and end-all of DC Comics 2020 season but it is a solid story with fantastic art and some great character moments. This is easily the best crossover event to come out of DC Comics in some time.

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This is a very powerful story that I wish had lasted longer than it did. Ultimately, it accomplished what it set out to do, and delivered a powerful and emotional ending in doing so.

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Fantastic Four #10 is that rarest of all comics " an event tie-in that can be read by regular readers and crossover followers with equal ease.

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All in all, this is one wedding special that, for once, actually is special.

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The Conan comics franchise is in good hands at TItan Comics based on this first outing. I'll be looking forward to the first official issue come July and I doubt I'll be alone in that. If you've never read Conan the Barbarian, this is the place to start, by Crom!

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It remains to be seen if book this will prove more popular in this day in age. I can easily see the joke going over the heads of many readers. Still, those who appreciate the satirical edge of Judge Dredd will find Fighting American an enjoyable read.

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If you're a fan of The Flash TV series who has yet to give the comics a try or a regular reader who just hasn't gotten around to this wonderful book, The Flash #13 proves a wonderful opportunity for you to correct your mistake and start enjoying one of DC Comics' strongest titles in the Rebirth era. This issue provides a wonderful entry point into the world of Barry Allen. It's also a heck of a holiday comic, with an uplifting ending and some amazing artwork in the bargain!

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If you haven't been keeping up with The Flash, this is the perfect time to catch-up.

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The artwork by Howard Porter looks fantastic but is also filled with many clever touches, such as Porter referencing some of his older work in Wally West's "time seizure" flashbacks. Throw in some amazing colors from Hi-Fi and Steve Wands' stellar lettering and this is one fantastic book!

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What's truly amazing is how, despite being crafted as a tribute for older fans who grew up with Wally West as "their Flash", this comic is just as accessible to new readers, despite being the final issue of Flash War.

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All in all, this is probably the most underrated title DC Comics is publishing today and one of its best.

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The artwork by Scott Kolins is everything you could hope for. There's a reason Kolins was considered the definitive Flash artist by a generation of fans and he's still got it over a decade later. If you haven't been reading the Rebirth Flash series, this is the perfect place to start and see what you've been missing.

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The issue stumbles only in that it isn't a great place to start reading the series. It could be managed, but it would be like walking into a movie that is halfway over. Apart from that lack of instant accessibility, this is as fine an issue of The Flash as one could hope for.

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If you aren't a fan of The Trickster, you may well become one by the end of this issue. And if you are a fan of the Trickster" well, James is back in all his glory and the trick in this episode will also be a treat.

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If you haven't been reading The Flash, now is the time to see what you've been missing!

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This new retelling of Barry Allen's origins is shockingly fresh and exciting. A must read for any fan of the Scarlet Speedster.

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This is everything a Flash comic should be and precisely the kind of origin story we should have gotten when the New 52 reboot started.

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Taken on its own terms, however, this story is a fascinating study of Len Snart's character and a great issue for new readers to start with.

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All in all, this remains one of DC Comics best books.

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I believe in years to come this run of The Flash will be viewed favorably alongside the work of Geoff Johns and Mark Waid. If you haven't been fortunate enough to read any of the recent The Flash comics, throw down $8 bucks for a DC Universe subscription and start catching up. You won't regret it.

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The Flash #786 is a miraculous book. Despite being a middle-chapter tie-in to a crossover event, it is easily accessible to new readers. The story is gripping, the characters instantly likeable and the artwork all-around amazing. If you haven't been reading The Flash, here is where to start.

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If you haven't been reading The Flash lately, this annual is a fine place to start. Easily accessible and full of electrifying action, this is a must read for all fans of The Flash and lovers of good superhero stories. I will go so far as to say that this is the best thing DC Comics has published all year and one of the strongest single-issue stories of the decade.

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I loved Geoff Johns' run on The Flash so it does my heart good to see Wally taking center-stage in this annual and the story bringing back a character from that time period. This issue also brings back one of Johns' original Rogues, who it appears will have a major role in Flash War. Couple that with the fantastic artwork of Howard Porter, Christian Duce and Hi-Fi and you have a perfect comic!

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Would that this issue had come out before Young Justice #1, so that book might have made a little more sense!

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This is, quite simply, everything a Spider-Man comic should be " funny, touching and simply heroic.

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On ever conceivable level, this series is Spider-Man done right!

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All in all, this may be the single finest Spider-Man comic I've read in two decades. A must read!

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If you haven't already started reading Friendly Neighborhood Spider-Man, you are missing out on the best monthly Spider-Man series in years. This issue marks the perfect opportunity to rectify that mistake. Excelsior!

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This is easily the strongest Spider-Man comic on the shelves right now.

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This is the best monthly Spider-Man book there is, bar none.

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A splendid coda to what is probably Marvel Comics' most underrated title from the past year.

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The artwork by Ariel Olivetti looks fantastic. This proves no surprise given his previous work on Future Quest as well as the recent Green Lantern/Space Ghost one-shot. The only real weakness to the artwork is some occasionally forced expressions but Olivetti's style proves a good fit for the strong, space-opera aesthetic of Parker's story. Those who enjoyed the originalFuture Quest series will find Future Quest Presents #1 to be more of the same.

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This was the Aquaman series set-up I didn't know I wanted. A shame we won't see more of it beyond this event, because it was fantastic.

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While I'm a fan of both Ram V's writing and Otto Schmidt's art (seriously, his time on Green Arrow was highly underrated), I think Future State: Catwoman is one of the strongest entries in the series to date. The story doesn't presume any familiarity with the characters and the flow of action from panel to panel is truly intense. I can't wait to see the second chapter!

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Unlike most of the Future State books so far, Future State: Wonder Woman proves optimistic and easily accessible to new readers, being a fresh start rather than a continuation of another story. Yara Flor is an engaging heroine and it is easy to see why The CW has already expressed an interest in a television series centered around her based on her first appearance here. With fantastic artwork and a solid story, this isn't just a must-read for Wonder Woman fans; it's a must read for every comic reader.

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Future State: Superman/Wonder Woman #1 is everything a first issue should be, setting up the characters with an engaging story and a minimum of exposition. It's one of the best books of the Future State line so far. I'm looking forward to the next chapter immensely.

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Robin Eternal is virtually flawless in every respect.

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This book is as energetic and acrobatic as its title character. If you like the Bat-Family but are reluctant to give Future State a try, this is the book to buy.

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While offering two entirely different kinds of detective stories, Future State: Dark Detective can be enjoyed by just about anyone. I can't vouch for how accurate it is to earlier Grifter comics but the Batman story offers a twisted cyberpunk take on Gotham City unlike anything I've seen before. For that alone this issue is worth picking up.

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This book can be easily enjoyed by any Batman fan or Superman fan, regardless of how interested you are in the Future State event.

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must read for all Wonder Woman fans!

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It's always worth the investment when Mark Russell and Steve Pugh work together and this book is no exception.

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The Next Batman #2 is a mixed bag, but in this case variety is the spice of life. There's a little something for everyone here, whether you like high action, personal drama or light entertainment. This is easily the best of the Future State offerings so far.

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I think the highest complement I can pay this new Ghost Rider book is that the first issue made me want to read more. I can't speak as to how well it fits what came before, but Percy and Smith are firing on all cylinders, in my estimation. This series promises to be a wild ride.

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Fans of all of these creators will be well-pleased by Gideon Falls #1, as will fans of conspiracy fiction and horror. It is unclear just what kind of story we may be in for with this series, but it is clear that story will prove interesting and well-told, both textually and visually.

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This new Green Arrow series embodies the strength of DC Comics new Rebirthline. This book is both easily accessible to new readers while illustrating everything that made these characters beloved icons in the first place. If you're an old-school Arrow-head who has been left wanting over the past decade of lackluster Green Arrow and Black Canary stories, rejoice! Your homecoming is here.

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If you haven't ever read Green Arrow, this is a great time to start.

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If you have yet to give the newGreen Arrow a chance, this issue marks a wonderful opportunity to see what you've been missing out on. If you're a long-suffering Arrow-head wishing for a return to the good-old-days when men were men with goatees, women were women in fishnets and a comic could be socially aware while still presenting a kick-ass action sequence or two, now is the time to come home. Either way, this book is a great read and one of the strongest titles of the Rebirth line.

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Whether you're a new reader or an old one, a fan of The CW series or not, Green Arrow #26is one team-up everyone can agree on. The writing is fun and accessible. The artwork is skillful on all fronts. This is one to pick-up!

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Ignoring politics, this book is still a top-notch thriller and Percy's take on the characters is pitch-perfect. I particularly enjoyed Lex Luthor's Sherlockian analysis of Green Arrow and Superman assessment of Oliver Queen. "They tell me you've changed," Superman says referring to The Flash and Woner Woman, "and I can see for myself. It's true. You're still a disagreeable, sarcastic, loose cannon" but I'm proud of you."

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If you haven't been reading Green Arrow, you've been missing out on one hell of a ride. If you have been reading Green Arrow, this issue is more of same mix of fine art and high action you've come to expect. This is a damn good comic!

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The issue is not completely without flaw, however. The Black Canary/Red Arrow sub-plot settles itself far too quickly. And the final pages' connection toDark Knights: Metalfeels terribly forced. Yet despite these minor imperfections, Green Arrow #31 is a damn good book and it's one you should be reading.

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Benjamin Percy has written the perfect jumping on issue for those readers lured in by last month's tie-in with Dark Nights: Metal and guest artist Jamal Campbell proves a match for the other excellent artists who regularly work on this title.

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It seems that Benjmain Percy is trying to clear the series of those elements that were introduced in order to better emulate the TV series Arrow. Even if this isn't the case, this is one issue every Arrow-head will want to pick up!

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Juan Ferreyra's artwork is as fantastic as ever, thankfully. I regret that due to the constraints of the Internet I can't fully show you this awesome two-page panel-spreads that are his bread and butter. Still, I've grown fond of Ferreyra's style and use of color and think I will follow him wherever he winds up when the new creative team takes over in two months. Until then, we have one more issue and The Trial Of Oliver Queen to look forward to.

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Green Arrow #38 is the end of an era and I am sorry to see this creative team's run end. Still, as Ollie notes in the ending coda of the issue, "As much as some things have changed, others never will." I hope that one of the things that doesn't change is the level of quality and effort put into this series by its future writers and artists.

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While this issue is sure to send those who whine about politics in their comics screaming to their Twitter accounts Green Arrow #42 offers a serious look at a real problem without pretending to offer any easy solutions or an enemy that can be beaten into submission. What's most amazing is it does it in a way that is balanced and nuanced, defying the usual cliches that sneak into stories like this.

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Green Arrow #43 is a political book and it is not the least bit apologetic about that fact. There is a certain vocal minority in the comics-reading community who will hate this book on general principle. Thankfully, as satisfying as it might be to buy this book just to annoy them, it's a damn good action/adventure comic with powerful art and well worth reading for non-political reasons.

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With amazing art and a fast-paced script, coupled with the best take on Black Canary in recent memory, this is one to watch.

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Enjoy this series while you can, kids. We won't have it for much longer and I won't stick around for what follows.

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In times to come, this brief run on Green Arrow shall be viewed as an all too brief treasure, akin to Warren Ellis' tenure on Hellblazer.

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Black Canary fans will want to check this one out for the awesome action sequences and Dinah's development of a logical secondary superpower for her to have that makes her an even better foil for Count Vertigo.

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Regardless, Green Arrow Annual #2 manages the neat trick of being an accessible continuation of the story of Justice League: No Justice and a pitch-perfect introduction to the character of Oliver Queen and the status quo of his life in the reality of DC Comics Rebirth. If you haven't been following Green Arrow before, this is the issue to start with.

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Green Arrow #1 hits the bullsye! If you're a fan of the Arrow Family, this is the book you've been waiting for. And if you aren't an Arrow Family fan, you'll be one after reading this issue.

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Overall, this issue is a fantastic, fun read and a wonderful entry point for newcomers. If you haven't read Green Lantern in a while, or ever, this is a great place to start. This series has found a place in my heart and on my pull-list. Highly recommended.

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Halloween Man #19 is a powerful comic about a harsh truth and the sort of thing many people will say should not be examined in comics. Because it is too soon. Because it is too much. Because comics should be about happy stories where the good guys always win. Yet it isn't always apparent who the good guys are " a fact Solomon Hitch knows all too well " and I say this is precisely the kind of art we need to examine these issues in considering how to stop these things from happening as much in the real world.

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Halloween Man #22 is that rarest of all beasts; a comic book conclusion that stands on its own and doesn't require you to have read Part 1 to understand it. I wouldn't recommend this, however, if only because Halloween Man #21 was also an excellent comic and should be read on its own merits. Still, the fact that this book was so easily accessible was welcome after a long wait between issues and is one more reason to recommend Halloween Man to anyone who likes pulp action, romance and vampire dinosaurs.

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Halloween has come early and this book is all treat with no tricks, save the magic of a stellar creative team breathing life into another great Halloween Man comic.

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All in all, I'd recommend this book to anyone who enjoys horror, humor or superheroes. A new reader could jump into this issue with little difficult, but I'd suggest catching up with the earlier issues on-line. This is a fantastic book that always leaves me wanting more.

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If you haven't been reading Halloween Man, you've been missing out on one of the best independent comics this side of Solar City. This Broken Man issue is a perfect introduction to Drew Edwards' world. And ignoring that this is the prefect time of year for a spooky story, It's also free to download at Global Comix. No tricks. All treat.

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If you haven't given the world of Halloween Man a try just yet, this issue is a good place to start. And there's no better time of year to explore it than right now, as the weather is turning cold and the nights are getting longer. If you like classic superhero stories and classic horror with heart, you'll love Halloween Man.

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Simply put, Halloween Man: Superdeformed is an obvious labor of love for all involved and a hell of a good read with great artwork to boot. If you still haven't given Halloween Man a chance after all this time, this book is the perfect place to jump in, read the origin story and be introduced to the whole cast of characters.

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Harleen deserves credit for attempting something new and ground-breaking with the character of Harleen Quinzel while building on what came before. How well it succeeds in the end remains to be seen, but this first chapter is the best thing to come out of DC's Black Label line to date, with strong writing and amazing artwork. It is a must read for every fan of Harley Quinn.

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This was a fantastic series from start to finish, that is sure to spark debate for sometime to come. With any luck it will be the first of many such stories we'll see from Stjepan Sejic.

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All in all, this is a great start for The Year of the Villain and a great introduction for those who are new to this series.

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While new readers could jump on with this issue and get a good feel for Aydis and her story, I would suggest reading this saga from the very beginning. As it stands, Heathen #9 is a welcome return to form and a must-read for anyone who enjoys stories of powerful women and Norse mythology

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If you've never read a Hellblazer comic before, Rise and Fall is a fine place to start. If you have read a Hellblazer comic before, it will be like meeting an old friend for a drink down at the pub, where everything is just as good as you remember it.

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I'd say this would be a good jumping-on issue for this series, but this is the last issue before it restarts as Gods of War. Still, this comic is good for what it is and a fine ending to a good story. Who would have thought you could use Hercules to tell a story about the pitfalls of social drinking as an alcoholic?!

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Whatever the actual explanation is, this fascinating book will keep me reading what is easily the biggest new horror hit of 2018.

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It is about honoring the past and what came before, but finding new ways to change it up for the modern age. Everything old may be new again, but I think this issue will prove truly timeless.

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Even if you're not a video game fan, Injustice 2 is an enjoyable comic from start to finish. With great characterization, fantastic artwork and a fair amount of humor, this is one book that should be on every comic lover's pull-list.

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I can think of no higher complement for a writer than this. Taylor took a character I'd rather not existed and told a story that made them likeable. Such is the skill that he displays every week in this series and such is the reason why I sing this series' praises.

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If you haven't been reading the comics set in the Injustice universe, this is a fine place to start. Though born of a single bad day and one of the darkest events in recent comics history, Injustice 2 #13 shows that there is light and hope in this setting as well. There are other great things I could talk about, but I'd rather you discover them for yourself " this book is that good.

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Injustice 2 continues to be more than a mere video game tie-in book. In terms of quality, both in art and story, this is as fine a comic as you will find anywhere. It is one of my favorite titles and one I recommend whole-heartedly, even to those who haven't played the games.

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Taylor is matched by the excellent art team on this issue. Bruno Redondo is one of the most underrated artists working in the industry and Juan Albarran's inks complement his pencils perfectly. Finish their work up with Rex Lokus' colors and Wes Abbott's letters and you have one of the best looking books on the stands!

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If you haven't readInjustice 2 before, now is the perfect time to give it a try. You don't have to have played the video games to understand the story and the book is surprisingly accessible given its rich mythology. Indeed, the only reason not to check this issue out would be if you preferred to start at the beginning with the original Injustice: Gods Among Us series. Either way, you're in for a treat!

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All in all, this is one fine comic that can and should be appreciated by anyone who likes a good story about redemption and heroism.

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The only thing that prevents me from whole-heartedly recommending Injustice 2 #35 to everyone is the fact that I think it far better to start where it all began than try and jump into the story at this late date. It is possible, certainly, but not practical. Those already familiar with the world of Injustice, however, will find this issue to be as great as what they've enjoyed before.

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If you haven't been reading Injustice 2 for fear of it being in accessible to non-gamers, rest assured that is not an issue. While this issue is not a good introductory point, the series presents a fascinating look at one of the best developed Elseworlds in DC Comics history. Those who have not given the original Injustice: Gods Among Us series a go would do well to try it.

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Tom Taylor's scripts provide the perfect balance between action, humor, drama and horror. Daniel Sampere's art is just plain awesome, with Rex Lokus and West Abbott providing the perfect finishes to the complete package.

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Injustice 2 #39 is heavier on the action than usual but Tom Taylor still finds time in his script for those wonderful little character moments that make this series so magical. Couple this with some energetic art from Bruno Redondo, Juan Albarran and Rex Lokus and you have one fantastic book!

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I will say that Harley Quinn fans who enjoy Harley being portrayed as an actual doctor will particularly enjoy this issue. So will everyone else. Read it!

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Fans of the classic comedy-themed Justice League will want to check this issue out for the Blue and Gold sequences, which are easily the equal of everything Keith Giffen and J.M. DeMatteis did with the characters. BWAHAHAHA indeed.

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Suffice it to say that this book and its creative team find new ways for me to be astonished every single week and I love this book for that as much as I love its novel (and sometimes incredibly deviated) takes on some of DC Comics most beloved characters.

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Do you like stories full of action, romance, comedy and horror " sometimes all four on the same page? Do you enjoy colorful artwork with exciting visuals? Do you like tons of gorillas fighting each other, with the occasional crocodile man, whale woman and man-bat for variety? If so, then you will love this comic!

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The story itself, unsurprisingly, is fantastic. I'll spare you the details beyond saying that Tom Taylor delivers his usual mixture of high drama and rising action with a few moments of comedy along the way. I will also say that if you dislike certain infamous aspects of the movie Man of Steel or are a fan of Young Justice,you will want to check out this issue for its ending sequence.

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The artwork proves equally excellent, with the usual gang of artistic collaborators showing their skill with every panel. Bruno Redondo's layouts offer the action of Taylor's story a smooth and natural pathway to progress. The inks of Juan Albarran and the colors of Rex Lokus further enhance the finished product, with Wes Abbott's lettering appearingespecially easy on the eyes. All in all this is one fantastic book and a must read for fans of Supergirl!

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This book is one of DC Comics' most unappreciated treasures!

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This issue is not the end of the series but it might be the end of the beginning of the tale of Injustice 2. I'm not certain how long it is scheduled to run but I can stay this much. Tom Taylor's scripts continue to surprise me. Danielle Sampere's pencils are perfectly completed by Juan Albarran's inks, Rex Lokus' colors and Wes Abbott's letters. This remains one of my favorite comics and is far more than a simple video-game tie-in book.

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As a reader, I love Tom Taylor's cliff-hangers. As a critic, I'm annoyed because his stories defy easy summation and there's no way I can talk about Injustice 2 without spoiling the story for potential new readers beyond saying "You have to read this!"

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The artwork is fantastic too. Daniel Sampere and Juan Albarran are one of my favorite penciler/inker pairings and every page of this issue is a prime example of why this is so. Throw in some great color art by Rex Lokus and Wes Abbott's perfect placement of the word balloons and you have one fantastic book!

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The artwork is as amazing as always when Daniel Sampere, Juan Albaraan and Rex Lokus are involved. Sampere's pencils are clear yet divinely detailed. Albarran's inks offer the perfect enhancements and shading of the original art, with Lokus' colors providing a fine finish.

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It's a fair bet that this issue will appeal to those Young Justice fans who miss seeing Connor and Cassie in the mainstream DCU, everyone who misses Blue Beetle in any capacity and fans of Booster Gold and Lobo. And if you're not a fan of these characters and the creative team, you will be by issue's end.

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Suffice it to say that Bruno Redondo draws many things that are as funny as Tom Taylor's dialogue and this is one of the funniest things I've read in some time.

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If you haven't been reading this book, start with the first volume and catch up!

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A must-read issue of a must-read series.

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Far more than a mere video game tie-in, this book excels in every arena. A must read for anyone who loves DC Comics in all its wild weirdness.

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This book is everything that is creative and wonderful and beautiful about superheroes and comics and you should be reading it. Even if you aren't a brazen romantic like me who is touched by the story of a crocodile man and whale woman finding love.

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Great story. Great art. Great Gotham, why aren't you reading this?!

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It's a great story from Tom Taylor, with fantastic art by Mesers.

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Reading this comic first thing as I sat down at the computer was something of a tradition for me on Tuesday mornings. I shall miss this series greatly and reread it often, which I think is the highest complement any artist can hope for regarding their work. I'm telling you for the last time " this series was a true classic and a must-read for anyone who likes superheroes.

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This annual issue is a fitting capstone for a series that few expected to be any good, much less a New York Times' best-seller and critical darling.

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If you have yet to visit the world of Injustice, these two comics are a perfect entry point. The first issue neatly summarizes the story thus far for new readers (but you really should read the original series!) and the second one is filled with Harley Quinn's special brand of madcap hilarity. The artwork looks astonishing and perfectly captures the spirit of the writing. This is a fun comic, plain and simple.

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Injustice: Ground Zero #24 is a worthy ending to a wonderful series. We haven't seen the end of the Injustice reality, thankfully. A sequel to the original game will be coming out in two months time and with it a new comic, written by Tom Taylor. The future of Injustice may be a dark place but the future for the fans of this series is bright indeed!

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This amazing script is well-matched by some equally amazing artwork. Bruno Redondo gives every moment of this issue the gravity it deserves, with his characters looking particularly powerful in this outing. His pencils are perfectly enhanced by the inks of Juan Albarran and the colors by J. Nanjan are appropriately bold. Even the letters by Wes Abbott convey an extra little oomph!

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If you haven't given Injustice a chance before now, you have been missing out on one of the best books of the last five years and should take steps to correct your mistakes immediately. And if you're looking for another good comic to read, check out Tom Taylor's independent series The Deep " Volume 1 & Volume 2. It's a kid friendly but not at all childish comic about a family of underwater explorers and Taylor is currently developing it into an animated series. It, as well as the whole of Injustice, are highly recommended.

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If you've given up on Injustice, for whatever reason, now is the perfect time to come back. Nothing has changed except for the writer. This remains one of DC Comics best books.

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If you haven't given Injustice: Gods Among Us a chance, you would do well to pick up that first issue and binge upon every issue between it and this one. There is darkness here, yes, and a number of truly disturbing scenes. Yet, there is also hope and humanity. And the darkness only serves to make the light seem all the brighter and better.

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The most astonishing thing about this issue is one could jump into it without having read any of the previous Injustice comics and follow along fine. For that reason alone, I must once again recommend it to anyone and everyone who is a fan of Harley and Ivy, alone or apart. Though I may sound like the political commercials that are continually rerun on various streaming services at this time of year, I'll gladly repeat this once more; the universe of Injustice is one of the best locales of the DC Multiverse and well-worth reading even if you are sick of evil Superman stories.

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If you have not yet ventured forth into the world of Barsoom, you will find no better starting place than this issue. Despite being heavily based upon the mythology ofEdgar Rice Burroughs' world, it is easily accessible to new readers. More than that, it is a true ripping yarn with excellent artwork.

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It remains to be seen if John Constantine, Hellblazer: Dead in America #1 will lead to a new monthly series. Certainly, there's ample room for John Constantine in the Sandman Universe, and the possibility of a crossover with the Nightmare Country spinoff is interesting. If this is to be the last hurrah of John Constantine, however, it is a hell of a good start.

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A welcome return to form and a sign that DC Black Label might be worth something ignoring all the Harley Quinn mini-series after all. It's also a must read for all John Constantine fans, of course.

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The bastard is back and if you haven't already been reading the revived John Constantine: Hellblazer, now is the time to start.

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Sadly, thanks to certain dark powers at AT&T, John Constantine: Hellblazer is on the chopping block despite having barely started. Thankfully, a resistance effort of sorts is underway. So please, for the sake of artful comics that speak truth to power, buy this book. Sign the petition endorsed by no less a personage than Neil Gaiman. Keep buying this book and let DC Comics know that we want this book to stay around a long while. Or to get a new Constantine monthly series with the same creative spirit, since apparently this one is ending with Issue #12 and being given a chance to bring its larger story arc to a close. Just give us more Constantine, please!

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It remains unclear if this version of Harley will remain free of The Joker's curse. Somehow, I doubt it. But with fantastic artwork and a well-executed set-up, this story remains one to watch even if it does start to tread a well-worn path as it continues. A must-read for any fan of Harley Quinn, true-crime buffs and anyone looking for a different sort of detective comic.

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This is Justice League and superhero comics the way they should be done.

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On every level, this is the Justice League done right.

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With Scott Snyder achieving the increasingly improbable with every passing script and the amazing art of Jorge Jimenez, this book is required reading.

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If you haven't been reading Justice League, this is the perfect place to start.

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James Tynion IV perfectly captures the voices of all the characters involved and Guillem March masterfully reflects each character in his designs.

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Fun and funny in equal measure, with a stunning ending I can't wait to see resolved, this is everything superhero comics should be.

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All in all, this book is probably the weirdest mainstream title DC Comics has published since Grant Morrison was allowed to write JLA. It's also probably the best.

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Paired with the art of Javier Fernandez and the colors of Hi-Fi, this is one fantastic comic and a great entry-level issue for those readers who aren't yet reading one of DC Comics' best titles.

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Confused by the current Justice League storyline, the Year of the Villain crossover or just need a good place to jump into this book? The issue you've been waiting for is here!

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Better to pick up the trades and start at the beginning, if possible. But if it isn't, this is a fine first issue for seeing what you've been missing. Easily one of DC Comics' strongest titles right now.

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This issue is a prime example of why this is the greatest run on Justice League since Grant Morrison's twenty years ago.

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The artwork by Alvaro Martinez Bueno and Raul Fernandez continues to impress, showing the same craft and skill seen during their run with Tynion IV on Detective Comics. With Brad Anderson on the colors and Rob Leigh providing the letters, this book is a clear contender for an Eisner next year on every level.

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A wonderful jumping on-point for new readers, this series is magically fantastic!

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A perfect jumping on issue for new readers, or anyone who enjoys horror.

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The script is well-matched by Francis Manapul's artwork, which is equally bombastic and appropriately world-shaking. Mere words cannot describe this issue. Just buy it.

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In a better world, this would be the only comic determining the ultimate fate of the DC Multiverse instead of the plethora of Doomsdays were are waiting to have resolved in Heroes In Crisis, Doomsday Clock, Justice League and The Dreaming. Simply put, this book is a damn fine read.

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I hadn't planned on picking up Justice League Vs. Suicide Squad #1 this week. Now I can't wait for the next issue!

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If you haven't already been reading No Justice, hope like heck your local comic shop still has the first issue in-stock. You do not want to wait for the trade or the start of Scott Snyder's new Justice League book. This is one to pick-up and save for future rereading!

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If you've yet to join Conan intreading the jeweled thrones of the Earth under sandalled feet, this comic would be a fine place for you to begin your adventures in the world of Hyboria. The story is great. The artwork equally so. And I cannot wait to see what Truman and Giorello have in store for us next. By Crom, this is Conan at his best!

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Knighted is the best book of its kind since Irredeemable and sure to bring a smile to Batman fans who enjoy a good joke. And make no mistake " this book is a very good joke. Yet it may also be a good foundation for a new superhero universe.

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Last Flight Out contains all the action of a summer blockbuster and a message that is timely without being preachy. Backed by solid artwork, this is one flight you won't want to miss!

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The only real flaw to Surviving Megalopolis so far is a minor lack of accessibility.While new readers can start with this book and have the story so far explained to them, those who have read the whole of Leaving Megalopolisfirst will get so much more out of this issue. It's not enough to negate my full recommendation of this book to all fans of dystopia horror and twisted superhero stories but I would strongly advise reading the original Leaving Megalopolis first.

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While it might have benefited from showing multiple points of view instead of limiting itself to Sam's perspective (I would like to see a follow-up novel from the viewpoint of Phillip's sister Hilde, for instance.) Liebestrasse is a good book. If this is a taste of what Comixology's Originals line has to offer, I can't wait for the full-course meal. A must-read for fans of historical fiction and anything written from an LGBT perspective.

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While many of us may be waiting for Superman, this book shows that Lois Lane is the hero the world truly needs.

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This comic is no mere TV tie-in. It is a wonderful continuation of the Vertigo legacy. God willing we'll have another 74 issues to complete what may become known to future audiences as the Unholy Trilogy. And if God isn't willing, perhaps The Devil will give us our due?

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If you, like me, haven't ever read a Ms. Marvel comic before, this is a great one to start with. And if you're already a fan of Kamala Khan, this issue seems to be a perfect continuation of what came before. Highly recommended.

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While the sword-and-sorcery purists may turn their nose up at this sci-fi fueled offering, the spirit of Conan is strong within Conan 2099. You may take the barbarian out of Hyboria and hand him a lightsaber, but nothing can tame Conan's barbaric spirit. The artwork proves as impressive as the story, which is thankfully accessible to newcomers to both the 2099 and Conan settings. Buy it, by Crom!

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The Monkey Prince is an interesting addition to the DC Comics universe. This first issue is, likewise, a fantastic introduction to one of the most refreshingly originally yet oddly timeless concepts I've seen in some time. Highly recommended.

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If you liked the first issue, you'll love the second issue. Though the humor will be lost on those who don't get this sort of thing, Joel Hodgson and his writers perfectly translate the humor of the show into a comic book format.

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Ned, Lord of the Pit will appeal to those who enjoy Lucifer (the comic and the show), as well as fans of Neil Gaiman, Gail Simone and comedic urban fantasy. There's a lot of dark humor and non-sequitur conversations amid all the supernatural elements. It all flows together naturally, however, from the arguments regarding the office politics of Heaven to Ned's kvetching about the insanity around him. It's well worth reading and I can't wait for Volume 2.

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In short, this is a perfect first issue. Established fans of the character will love it. Newcomers will have no trouble getting into it. This is the Nightwing book fans have been demanding for years. Say hello to your new favorite read.

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If you haven't been reading Nightwing and don't want to wait for the Volume 1 TP Leaping into the Light that comes out later this month, this annual is a good place to jump in and see what you've been missing. I recommend both highly, however. But if you only pick up one book this week, this should be it.

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If everything you know of Thor and Loki comes from the comics and movies, prepare yourselves for an education and an enjoyable read. The second volume of Norse Mythology is the equal of the first. This is a finely made comic and a worthy gift to the gods of Asgard.

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If all you know of Norse Mythology came from a certain other Marvelous comic company, you are in for a treat reading this volume. If you are a Gaiman fan curious how the master's words are adapted into a comic form, rest assured this all-star team of artisans does not play fast and loose with their craft. This is a great comic and I'm looking forward to the rest of the series.

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While Not All Robots is hardly the most subtle piece of satire Mark Russell has ever written, it is probably the most necessary. It also has some damn fine looking robots (courtesy of Mike Deodato Jr.) for those who only care about the pretty pictures. I highly recommend this book to anyone who likes the classic Twilight Zone and lovers of science fiction with a silicon soul.

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Gail Simone, Adriano Melo, Kelly Fitzpatrick and Simon Bowland have perfectly captured the anarchic spirit of Jack Cole's original Plastic Man comics and neatly updated their sheer insanity for the modern day.

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This comic is twisted. This book is hilarious. The visuals are twisted. The art is fantastic. The only bad thing about it is that it is a limited series.

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This is one of the funniest books I've read all year and I want more " it is that wang!

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Longtime Poison Ivy fans will enjoy this book as will those comic readers looking for something good that lies off the beaten path. This first issue's story is somewhat light on action and heavy on exposition, but this is easily forgiven how well everything is assembled. The artwork proves equally excellent. I think this is one comic that will leave readers itching for more.

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If you've had the good fortune to enjoy Barbaric, you'll love Queen of Swords just as much. And if you haven't read Barbaric yet, you can jump into this book without any issue. A must read for all fans of dark fantasy and dark humor!

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As such, I speak to you today not as a critic. Nor as a fan. But as a proselytizer. Heed the lessons this book has to offer. And read on, lest you never read again!

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This is a worthy ending to an excellent saga and what Simone and Geovani have accomplished with this series is truly revolutionary.This shall be the definitive Red Sonja run for generations of comic readers. It is an epic worthy of The Nemedian Chronicles. And I lament that we shall not see its like again.

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So rest easy, Red Sonja fans. The She-Devil's garb may have changed, but the foul-mouthed, ginger-haired Curse of Hyrkania is alive and well. Long may her legends be told!

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There are those who will turn up their nose at this book because of its use of comedy or because it dares to depict Red Sonja in something other than her traditional costume. Let them. Comicsgate may not approve of it, but Mark Russell and Mirko Colak have delivered a Red Sonja that can be enjoyed by people who read comics rather than wanking over cover art.

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If you haven't been reading Red Sonja, now is the time to start and this is the issue to start with.

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The artwork by Walter Geovani is unsurprisingly excellent. This is a given considering Geovani's long experience in drawing Red Sonja, which he collaborated on with Simone. Geovani sports a unique style which is streamlined yet detail driven and he depicts an English manor with equal skill to how he draws a squalid Hyborian city. Paired with the vivid colors of Adriano Augusto and the excellent lettering by Simon Bowland, this is one comic that will appeal to new readers as well as pulp aficionados.

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While this may not be easily accessed by those who missed the first mini-series, fans of both Dungeons & Dragons and Rick & Morty will enjoy this series.

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If you're looking for a good action-packed comic series, look no further. Yet beyond the martial arts mayhem, Robin #1 is a fantastic introduction to one of modern DC Comics' most interesting characters and the current state of the Batman universe.

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Rogues is a must-read for anyone who enjoys a good story about bad people. Fans of The Flash will enjoy the story's focus on the villains, but true crime buffs will thrill at the concept. If nothing else, it should be encouraged as a supervillain study set outside of Gotham City.

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Fans of penny dreadfuls and pulp fiction will find much to admire in Salty Seductions of the Salacious Sea. The script by David Doub perfectly captures the flavor of a Victorian thriller. The artwork by Pat Binder is crisp and clear, reminding me of Aaron Williams' work on Nodwick. I cannot vouch to the quality of Halo Toons' colors (having been sent a pre-color preview of the book) but I imagine they will be brilliant based on her eye-catching work on other titles. I highly recommend it and the first Miss Tilney series.

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Even those who have little liking for sword-and-sorcery would do well to give Savage Sword of Conan #1 a try. With a spirited story and visceral artwork, it's an immediately memorable and eye-catching experience. Fantasy fans will fall in love at first sight and exclaim "Crom and Mitra!" This is the Conan comic fans have been waiting for.

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A must-read for all fans of the genre and any Game of Thrones fans looking for a new addiction now that the show is ended.

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A great story, amazing art and a free game along with a short story. By Crom, this is the perfect Conan comic!

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This is a different sort of Conan story, but one to do Robert E. Howard himself proud.

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The first chapter of Scales and Scoundrels will engage any fan of high fantasy and all-ages adventure bold enough to give it a try. The story by Shirtless Bear-Fighter writer Sebastian Girner offers a perfect balance of action and humor. The artwork by Galaad is expressive and colorful, well-suited to this book's young target audience. I imagine this book will find a welcome home in the collection of any reader who enjoys Adventure Time or the books of Tamora Pierce.

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Like The Bible, I fear the message of Second Coming will be lost on those who most need it, preferring instead to believe in what they believe it to say, as they justify their own prejudices. Those who approach this book with an open heart and open mind, however, will find an enjoyable story and, perhaps, some degree of illumination.

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Those who missed the original Second Coming could enter the saga with this issue and feel like they haven't missed a thing. I would advice against this, however, as the first volume was fantastic and this issue, while good, is not quite representative of what the series as a whole has been like to date. The second issue blurb promises more of Jesus reacting to how humanity has changed his teachings over the past two millennia and hijinks will no doubt ensue. I look forward to them.

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If you enjoyed the first two Second Coming series, Second Coming: Trinity will offer more of the same quality comic content. Mark Russell is comics' finest social commentator and his script here is a prime example of why that is so. The artwork by Richard Pace and Leonard Kirk is fantastic, and well backed by the colors of Andy Troy and Rob Steen. My only reservation in recommending Second Coming: Trinity is that you really should read the first two volumes first, though you could easily pick this book up and read it without having done so.

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This book continues to impress!

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To put it simply and sweetly, this is a wonderful graphic novel. The art and story are fantastic and it is a well-plotted and thoughtful examination of the Christian faith in America. No wonder the powers that be were so eager to shoot it down! Then again, they were just as quick to condemn another truth-teller over 2000 years ago, if memory serves.

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With every passing issue, I become more and more enamored of this series.

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Like many comedic examinations of faith and society, it proves far more efficient at deconstructing the problems with organized religion and the world and posing solutions than more serious theses. The fact that this analysis comes through well-crafted artwork and funny one-liners does not diminish the power of its message.

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It is too early to tell if future issues will return to the black comedy that made Simone's first Secret Six so memorable once the cast is better established. Still, this first issue is one heck of a hook for new readers and it is an enjoyable opening taken on its own terms. This is definitely a series to keep an eye on and a must read for anyone looking for something new and unique.

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Actually, I do have a confession to make in this last paragraph, dear readers. I may have given a few secrets away with this review. A man of letters such as myself can be very cunning in hiding things between the lines. But while I may have my sport with you readers, you can be assured of one thing – you will all enjoy Secret Six as much as I do.

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I can't speak to how fans of the original series will feel about it, but I enjoyed Shadowman #1 immensely. The setting is unique enough to spark interest and genre enthusiasts who like dark anti-heroes will embrace Jack Boniface. The artwork is simply fantastic and the story engaging enough to bear further reading.

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I'm still not much for martial arts action stories, but I found myself enjoying this comic immensely. I imagine fans of the genre will find it more than satisfactory, as well those undoubtedly curious about the character with all the publicity regarding the upcoming Shang-Chi movie. Whatever the case, this is a great comic I recommend to everyone.

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If you haven't been reading Shazam! you've been missing out. This is a fun little comic that should be on everyone's pull list. Don't wait for the TP " grab the back-issues now!

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Sheena: Queen of the Jungle #6 is a welcome return to form. Beyond de Souza restoring his own unique history and supporting cast for Sheena, the story is a well-paced ripping yarn backed by fantastic art. I'm wild about Sheena again for the first time in a long while and I can't wait to see the next issue!

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With a great script, amazing art and an interesting hero, Shuri is one title worth picking up.

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With gritty artwork and a smart script, Slots puts a new spin on the classic story of the fixer going for one more score. I'm not certain that Dan Panosian (Conan/Red Sonja) intentionally designed Stanley Dance to look a little like Bruce Willis, but the characterization put me in mind of him " a seedier David Addison ala Randy Robinson from The Wrestler. Whatever the inspiration, fans of Panosian's previous work and heist epics won't be gambling much if they play these Slots.

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This second issue of Slots is heavy on the exposition and low on action but Dan Panosian is as good a storyteller as he is an artist and makes it a riveting read anyway.

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The early previews of Sons Of The Devil #1 offered a brief glimpse of what appeared to be a promising new horror series. It can now be said that promise has been fulfilled. This book will please enthusiasts of the horror genre as well as comic fans looking for something new and unique. - See more at: http://kabooooom.com/2015/03/comic-review-sons-devil-1/#sthash.75Fxt09I.dpuf

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Fans of Star Trek and comedy sci-fi will likely check this one purely for the pedigree of writer David A. Goodman, who was a writer on both Enterprise and The Orville. Space Job should have much broader appeal, however, and will be enjoyable to anyone who enjoys a good laugh. It boldly goes where no parody has gone before!

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If this is a taste of things to come, this could be the best Spider-Man mini-series in recent memory.

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This is the best Spider-Man mini-series to come out in the last ten years. This is a must-read for anyone who loves classic Spider-Man or alternate history tales.

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You may have to wait for the trade at this point if you're not already reading this series but this should be mandatory reading for any fan of Marvel Comics, Spider-fan or no.

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Thankfully, Zdarsky's story has plenty of other surprises in store, even if long-time Spider-Man readers can guess the plot points before they come. That, coupled with the excellent art by Mark Bagley, Andrew Hennessy and Frank D'Armata, make this book a must-read for all fans of the Spider-Man saga.

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Stargirl Spring Break Special #1 is the quintessence of everything good superhero comics should be. It is bright. It is hopeful. It honors the past while acknowledging we can be better today in building a better tomorrow. It is also one heck of a read that will leave you wanting more.

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Static Season One is everything a reboot should be. It honors the past and maintains the heart of a good idea, while reestablishing it for new generations. If you're any kind of superhero fan, even if you never read the original comics or watched Static Shock, you should be reading this book.

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A must read for fans of the classic run as well as a great starting point for new readers.

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If you aren't reading this book already, you need to start now.

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Suicide Squad hasn't been this good in years. If you haven't been reading it, start now!

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If you are a fan of Spurrier, Campbell, Bellaire and Bidikar on other comics, you will want to give Suicide Squad: Blaze a try. If you're a fan of Suicide Squad, regardless of the era or the creative team, you will also want to give this one a try. In fact, every comic reader 17 and up with the stomach for a bit of dark humor amid the horror should read this book.

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Super Trash Clash is an enjoyable slice of nostalgia for Gen Xers and elder Millennials, but may also appeal to those modern gamers who want to learn about how things were back in the day when arcades were commonplace and video game consoles a hot new commodity. Edgar Camacho's artwork invites favorable comparison to that of Bryan Lee O'Malley and his writing has the heart of O. Henry. The reader truly feels for Dul as she fights through the 90's Kid equivalent of A Christmas Story. This graphic novel will sing to anyone whose parents spent hours in line at the Toys R' Us trying to secure a copy of Super Mario Bros. 3.

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Bottom line: If you enjoy neat twists on classic characters, are a fan of the Iron Man movies who has yet to give the comics a shot, or just a lover of twisted humor and good artwork – you should give Superior Iron Man a try.

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All in all, the 2023 Superman Annual is everything a good comics annual should be. It is an introduction to the series' status quo and a continuation of the current story. This issue will also give readers a new appreciation for Superman's underrated supporting cast.

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Superman: Son of Kal-El is everything a Superman story should be, even if it is about an entirely different Superman. The script introduces Jonathan Kent perfectly and the artwork impresses throughout. Even if you're not a fan of the Man of Steel, you would do well to check this book out.

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If you haven't given Superman: Son of Kal-El a try yet, this is a great issue to start with. And it goes without saying that you should pick this issue up if you're a Dreamer fan who wants to see more of the character now that Supergirl has come to a close. Hopefully we'll see more from Nicole Maines and Nia Nul in the future outside of the realm of dreams.

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Sir Terry Pratchett once defined good fantasy as any story that made you look at something familiar in a new way. By that definition, as well as any other, Superman: Space Age #1 is good fantasy. It may be too early to make Eisner predictions so soon after SDCC 2022, but I'm willing to predict that this book will win several awards in 2023.

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If you're any kind of Swamp Thing fan or enjoyed any of Wein's work over the years (and if you're any kind of comic reader, you SHOULD have, even if you didn't know it), you should check this book out for that reason alone.

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Miraculously – for a tie-in book – no previous experience with Swords of Sorrow, Red Sonja or Jungle Girl is needed to understand or enjoy this issue. New readers can easily dig into this book without worrying of the backstory involved. And those who are already fortunate enough to be enjoying Swords of Sorrowshall enjoy this mini-series as well.

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If you enjoyed Minor Threats, The Alternates is a worthy sequel that expands the same universe. And if you haven't enjoyed Minor Threats (which just came out in TP), it will still appeal to anyone who enjoys tales of weird heroes in a world they never made!

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The promotional materials for Tooth and Claw #1 described it as a combination of Conan, Game of Thrones and Kamandi – an eclectic mix, to be sure! But also an inaccurate one. If it must be compared to anything, best it be compared to another Image Comics series – Saga. It's nothing like Saga, of course, but like that beloved series by Brian K. Vaughan and Fiona Staples, Tooth and Claw offers us something wholly new and unexpected. And if you are a fan of fantasy in any form, you would do well to give it a try.

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The Beautiful Death may prove beyond the grasp of many comic book readers. There is little in the way of action and plot in this first chapter and the characters are hardly memorable. Those who rise to its challenge, however, will be rewarded with an unusual and rewarding reading experience.

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Death-Defying Devil #1 is a perfect introduction to a forgotten hero of the Golden Age, which neatly modernizes the concept while capturing everything that made the character so interesting. With an action-packed script brought to life through fantastic artwork, this is a must read for anyone who likes good superhero comics.

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The spirit of Neil Gaiman's masterpiece remains as strong as ever in this must-read series.

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Simon Spurrier captues the essence of Gaiman's original characters and the artwork by Bilquid Evely, Mat Lopes and Siimon Bowland is equally worthy of The Sandman's legacy. This is easily the best book of the new Vertigo revival.

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Simon Spurrier continues to keep the spirit of Vertigo Comics alive in the Sandman universe, with a script worthy of Neil Gaiman himself.

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It's a masterful bit of writing worthy of Neil Gaiman himself. The artwork by Marguerite Sauvage (a favorite of mine since her run on Red Sonja) proves a perfect partner in bringing the script to life, crafting what I feel may be the best artwork this series has ever seen.

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If you're a fan of The Flashand Arrow on The CW, you would do well to check out this comic series. With excellent artwork and scripts by the show creators, it truly feels like a lost episode of the TV series.

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Superhero deconstructions have been done to death but Nick Wilson sets itself apart by establishing Nick as an honestly good man we want to root for rather than the cliched total screw-up desperate to reclaim his former glory. That, plus some excellent artwork from Starman/JSA artist Stephen Sadowski make this one to check out.

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What's impressive is that the issue avoids the obvious jokes inherent to a "What if Clark Kent had to work for Lex Luthor?" scenario while still hanging a lampshade as to what they are doing.

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As for the story, this comic continues to impress. The only bad thing about The Further Adventures of Nick Wilson is that it is a limited series and I'll have no more of it to look forward to after next month. Still, who knows " Maybe there will be further, further adventures to tell in the future? We can but hope.

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Fans of both cosmic horror and cozy mysteries will find a lot to enjoy in The House of Lost Horizons. Even readers whose tastes don't gravitate towards one genre or the other may find this one interesting enough to be worth a read. And it goes without saying that Hellboy fans will love this one.

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The Last Barbarian is sure to excite fantasy fans looking for something unique. It may also appeal to gamers who enjoy comedic send-ups of the usual sword and sorcery clichs.

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Ignoring the implications of what this might mean to Carol and her history in the comics, this book is a great character study with fantastic artwork and well worth reading on its own terms.

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Suffice it to say that for once the hype about a story changing things forever is accurate and that the origins of Carol Danvers will never be the same.

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For now it is enough to say that this is one fantastic book, with a great story and wonderful artwork, that is well worth reading, whether or not you've ever been a fan of Carol Danvers as Ms. Marvel, Binary, Warbird or Captain Marvel before.

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The New Champion of Shazam is a breath of fresh air in a musty room. This is the kind of book DC Comics should be publishing more of, instead of endless Bat-books and repetitive event comics. If you liked the Shazam! movie and are anxiously awaiting Fury of the Gods, this will do a fine job of tiding you over until then.

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I say again without hyperbole that The Nice House On The Lake is the first great work of horror fiction based around the collective fear of the early 21st century. Politically brilliant, philosophically deep and utterly gorgeous, this is one to read even if you aren't typically a fan of psychological thrillers or supernatural horror.

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The Other History of The DC Universe goes beyond mere history and nostalgia to present a new view of the DC Universe. If you've ever read the classic Black Lightning comics, you'll want to reread them with new eyes after reading this book. If you haven't, you'll want to seek them out. This book educates and entertains in equal measure and I'm looking forward to reading the rest of the series.

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With this second chapter, The Other History of The DC Universe continues to impress and be required reading for anyone who fancies themselves a fan of DC Comics or an expert on comics' history. Even I learned some things from this book and it should go without saying you should check this out if you're a Teen Titans fan.

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A must-read for fans of horror and supernatural detectives. The Roadie rocks!

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Highly recommended to neophytes and old mates, this is the Constantine comic we've been waiting for!

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It is a bit hard to judge each individual book based on the previews contained within this volume. Despite the different art-styles in play, the whole host of stories gel together beautifully. In this respect, they are a perfect encapsulation of the spirit of the original Sandmanseries, which also united many different stories and art styles into one glorious whole.Further analysis will have to wait until the new series reveal themselves but, based on what we see here, the newSandman Universe is a dream come true.

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If you are a fan of The Sandman, Nightmare Country is a dream come true. It has its own voice and look, while still seeming a natural continuation of Neil Gaiman's saga. Newcomers to the series and horror fans will love it as much as the old guard.

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In short, if you are a fan of fantasy, mature comics, and high adventure, you should quest to your comic book store and procure a copy of Savage Sword of Conan #1. This is sure to be the start of something special, and you will curse the gods should you miss out on this one.

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Though this issue is light on action following the tense opening fight scene, Dan Abnett does a fantastic job of keeping things moving as we see The Silencer head back into her old world.

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Even with the talent involved, I wasn't expecting to like this series as much as I do.

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For my money, this is till the strongest of the New Age of Heroes titles.If you like action movies, you'll love The Silencer!

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This is one fantastic book that proves that action fiction can be smartly written.

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It's no surprise that Spectacular Spider-Men is good. It would be more surprising if it were not. Fans of Greg Weisman's writing and Humberto Ramos' art will be among those least shocked by the quality of this book. The rest of us will simply enjoy seeing Miles and Peter teaming up again.

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If you haven't given this series a shot, do so!

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This issue seemed far truer to the classic Fantastic Four spirit that this book is meant to emulate and I think Lemire has finally found his feet now that the base concept is established.

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If you haven't been reading this book already, this is the perfect issue to start with and see what you've been missing. It is, dare I say it, Terrific!

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If you missed out on the open arc of The Tithe, you might look into picking up the recent collection of the first four issues. But if you can't do that, rest assured that you can jump into this book with no previous knowledge of the story so far being necessary. This issue is a good starting point for new readers and a great read.

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here are some people who will say that The Unbeatable Squirrel Girl is stupid. These people should be pelted with stale acorns. Well, perhaps that's a bit much. But there's a whole big Marvel Universe out there and there is room enough for books like The Unbeatable Squirrel Girl that poke fun at how gloriously silly superhero comics can be while telling a great story with fun artwork.

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If you haven't been reading The Unbeatable Squirrel Girl, you should rectify that mistake immediately. This is one book that, like its eponymous heroine, can't be beat. Seriously, it's right there in the title!

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I've seen many dismiss Unbeatable Squirrel Girl due to it's silly story-lines and upbeat artwork. Their loss. This book is a welcome antidote to the grimness that has taken over the Marvel Universe and proof thatgreat comics don't have to take themselves seriously.

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Unbeatable Squirrel Girl may not be everyone's can of cashews, but as far as comedy comics go, you'd have to be nuts not to like it!

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With a racially diverse cast of smart girls who kick butt, certain groups will accuse this comic of tokenism and pandering, but Unstoppable Wasp is perfect for what it is " a fun book about science and sisterhood.

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It is a rare thing for a creative team to pick up a character synonymous with another creative team and not only match the work that introduced that character but surpass it. With The Variants, Simone and Noto have managed that feat, producing the most interesting and accessible Jessica Jones story ever told in the comics.

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The story continues to pull the reader deeper into the world of The Weather Man, leaving us wanting more after the issue is over. This is one of the best stories I've ever read in a comic.

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This is a high-octane issue full of more of the amazing art and fast-paced storytelling that seems to be the benchmark of quality for this title. After only four issues, I think it is safe to say this is my favorite new title of 2018.

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In wrapping up the first part of this incredible tale, Jody Leheup and Nathan Fox give us not only an exciting and well-drawn conclusion but a cliffhanger worthy of a good sci-fi show. I can't wait for Part Two in 2019!

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The story by Bartosz Sztybor establishes an intriguing mystery and draws upon the mythology of the setting while still being accessible to newcomers who might come into this comic knowing nothing of The Witcher.

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Fans of The Witcher series will find The Ballad of Two Wolves to be a welcome continuation of Geralt's adventures. The story by Bartosz Sztybor does a fine job of emulating the original novels of Andrzej Sapkowski, putting a dark twist on a classic fairy tale. The artwork by Miki Montllo is perfect, with fluid action, rich colors and distinctive character designs. Best of all, this story is easily accessible to anyone who hasn't played The Witcher games or seen the Netflix series. If you haven't explored the world of The Witcher before, this book is a perfect entry point.

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Fans of the Netflix series, the games and the original novels will find Fading Memories to be a worthy addition to the world of The Witcher. Those few comic readers unfamiliar with the franchise may be impressed enough to give it a try based on this first chapter. It will also appeal to those sword-and-sorcery fans looking for a change of pace from Conan and Red Sonja.

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If you haven't taken a trip to The Wrong Earth yet, this issue is a good one to start with. Waid perfectly presents the setting and Kirk's artwork is as amazing as ever. This continues to be one of the most underrated series on the shelves today.

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I missed out on the first few issues of The Wrong Earth and I'm sorely regretting it based on what I've seen here. Do not make my mistake, gentle reader. Get in on this series while the getting is good! And it is good!

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Fans of the twisted humor Cornell displayed in his previous writings will not be disappointed with this outing. Parker's artwork is equally inventive, with one particularly vivid sequence depicting the band mates' differing reactions to the world around them after taking mushrooms. If future issues can maintain this level of quality, This Damned Band promises to be an amazing spectacle.

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All in all, ThunderCats #1 is a solid start for what promises to be the revamp fans have been dreaming of for years. It is also a welcome introduction to the franchise for new readers. Once again, ThunderCats are on the move, and it's about time.

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Titans #5is more than a thrilling blockbuster of a comic. It's a perfect encapsulation of one of DC Comics most under-rated and – in recent years – under-served heroes. The classic Wally West is back and thank goodness for it. So if you're a reader who only knows about Wally West from The Flash TV series or The New 52 comics, pick up this book and prepare for the run of your life.

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If you haven't given the new Titans series a shot, now's the perfect time to begin reading it. If you're a fan of the classic Titans comics, now is the perfect time for a homecoming. This isn't just one of the best books DC Comics is publishing today – this is one of the best comics being published today.

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If you haven't been reading Titans, you've been missing out on one of Rebirth's hidden treasures. With a riveting script and amazing artwork, Titans #12 proves both a perfect entry point for new readers as well as a much-needed examination of one of DC Comics most neglected heroines. Here's hoping a Tempest solo story is next.

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Titans #19 is a perfect jumping on issue for new readers. Dan Abnett walks new readers through most of the series' subplots without being overly-expository. The new art team of Pelletier and Hennessy prove a market improvement over the previous one. Jump on this book now, folks!

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This book, thankfully, is awesome and a fitting capstone to the original series.

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If you are a Teen Titans fan, this is the book you've been waiting for. If you aren't a Teen Titans fan, this book will make you into one. This is the best first issue of a Titans comic since Wolfman and Perez worked their magic over forty years ago.

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This book is everything a first issue should be. It is an action-packed adventure and a brilliant glimpse at a new world. If Hill and Caselli can maintain this momentum, this could easily become one of Marvel Comics' strongest titles.

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Ultimate Spider-Man #1 is everything Spider-Man fans have been demanding for years. It offers solid artwork, witty scripts, and familiar variants of the beloved Spider-Man characters. Like the 2000 Ultimate Spider-Man series, it is a perfect distillation of what made Spidey Marvel's flagship character and a new take on the original legend.

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Aesthetically, Ultimate X-Men #1 is unlike any X-Men comic ever published. In base terms, however, it is the quintessential X-Men story. It is about growing up, overcoming trauma, and coming to terms with who you are. It is a great start to what promises to be a great series.

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While the story by Matthew Rosenberg was good, what really blew me away was the art by Salvador Larroca and Guru-eFX. Some panels appeared to have been drawn to be cover art, instead of just pages in the comic. Color me impressed.

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I will allow myself one bold prediction;Undiscovered Countrywill be the next Saga. Not just because it is a great work of imagination (although it is that) but because it will be the independent title everyone goes gaga over and wonders "Why didn't I pick that one up when it first came out?" Don't let that happen to you. Pick up Undiscovered Country as soon as possible. Do it for America.

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Unnatural Order is sure to hold a place of honor on the shelf of fantasy comic classics, next to The Sandman and Saga. Do not sleep on this book, readers. Grab the first issue as soon as your comic shop opens.

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If you haven't had the good fortune to encounter the Doom Patrol before, Unstoppable Doom Patrol #1 is a great place to start. If you're a fan of the show curious about the comics, you'll find enough that is familiar to feel at home. And if you just like plain goofy but comics, why, you'll love this too!

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If you're a Vampire The Masquerade player, you'll find this comic an enjoyable companion to your own game and may find use for the character sheets and gaming resources the comic also contains. If you're a comic reader who enjoys urban fantasy and horror, this will be right up your alley. I dare say even if this isn't your cup of tea, Vampire the Masquerade is so well-executed you may well enjoy it anyway.

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Fans of Cornell and Broxton's previous work on Knight and Squire will find Vampirella of comparable quality, though there is little humor in the same vein as that book. (No pun intended!) Those like myself who are new to the world of Vampirella will find this book to be a gripping introduction.

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The Way of X is a surprising and powerful comic. It tackles big philosophical issues regarding its world and ours, even as it introduces new readers into the modern X-Men setting without fear or apology. With solid artwork and thoughtful writing, this is one to keep an eye on.

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This book is fantastic on every front and a must read for anyone who enjoys a good superhero comedy series in the same vein as Justice League International.

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A must-read for all fans of fun and funny superhero stories.

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This book is one of the best things to come out Marvel in 2018 and it will win an Eisner if there's any justice in this world.

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Mourn this book, all ye who still seek quality. We shall not see the likes of BRODOK ever again and the world is much poorer for this book's passing into limbo. Hopefully we will seen this series again in the next world. Or, alternatively, fighting the Great Lakes Avengers for page time in some future crossover.

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Piotr Kowalski brings Starks' script to life with an appropriate level of grit. The monsters are all visually distinctive and the action of the story is well-paced, with even the simple scenes of characters speaking to one another conveying a dark undercurrent of menace. All in all, this is one comic horror fans will want to pick up.

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The artwork is top-notch, with Nguyen changing up his style between the scenes set in the past, modern times and the stories of Todd's grandfather. (These last moments almost seemed to parody Frank Miller's work on Ronin, but I am not certain that is intentional.) The colors by Iwan Joko Triyono are equally well-varied based on the setting and the letters by Micha Myers are well done. White Savior is a must-read for all fans of a good comedy and samurai fans looking for a spirited satire.

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With a great story and artwork, this chapter of The Witching Hour is quite bewitching.

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If you haven't given this new run on Wonder Woman a chance, this is the perfect issue to start with.

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If you haven't been reading Wonder Woman, this is the place to start.

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The only respect in which this issue falters is in its cover, which spoils the final cliffhanger of the comic. Sadly, the synopsis of this issue made the same mistake, robbing the reader of any sense of surprise as to just how our heroes survive the arena. Despite this minor problem, this comic should be on the pull list of every fan of The Amazing Amazon and Conan The Cimmerian.

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While it's still unclear just how Diana came to be in Hyboria " or if she is the girl in Conan's memories in the flashbacks of his youth " the mystery is intriguing and the artwork by Aaron Lopresti, Matt Ryan and Wendy Broome brings that mystery to life beautifully.

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Hopefully Simone and Leopresti are on the short list of creators who will be writing Conan's adventures in 2019.

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This final issue delivers a most fitting conclusion and if The Powers That Be at Marvel Comics have any sense, they will hire Simone and Lopresti to work on their upcoming Conan series.

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Even if you're not much of an X-Men fan, X-Men: Red #1 is well worth checking out. Rather than being steeped in such deep continuity that you'll require a Masters Degree in advanced Clarmentology just to know who is fighting who and why, this book proves easily accessible to new readers. It has good artwork and features an exciting script that is both fun and funny.This is everything an X-Men comic should be.

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If you aren't the sort of person who normally enjoys X-Men, you should give X-Men: Red a try. Between the amazing artwork by Carmen Carnero and a story by Tom Taylor that redefines the X-Men for the 21st century, this is a must-read!

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I've never been much of an X-Fan, but even I love this series.

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If you're an X-Men fan, this series will make you look at the characters in a new light. If you aren't an X-Men fan, this book will turn you into one. With great stories drawn from today's headlines, memorable characters and fantastic artwork, X-Men Red is a must-read for all fans of the superhero genre. This is X-Men done right!

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This is the only X-Men book I read and one of the few I'd argue everyone should read.

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There is little else I can say about X-Men Red #10 without giving the game away. Suffice it to say, if you're a fan of Marvel Comics in general, you need to check out this issue, even if you don't normally read X-Men Red. It is that good!

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The script is well interpreted by Yildiray Cinar, who proved a perfect choice to illustrate this story given his previous work on the equally high-concept Superior Iron Man. All in all, this is an interesting story that should appeal to most science-fiction fans, which requires no previous experience with the Green Lantern mythology of the Year of the Villain.

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Overall, this is a must-read for all fans of The Riddler and a respectable Year Of The Villain tie-in.

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Whatever its influences, Young Justice: Targets hits the mark. Fans of the show will love it, but newcomers who have yet to explore the world of Earth-16 will find this book a ready portal towards seeing what they've been missing. Here's hoping we see more Young Justice comics like this one and confirmation of Season 5 shortly!

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If you like swashbuckling or stories of urban heroes, Zorro: Man of the Dead is sure to leave a mark on your heart. Thankfully, those who have missed out on the series to date, like me, will soon have a chance to read it on-line.

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While some might be reluctant to give this Black Label series a shot given the line's reputation for shock humor and bloody business, Superman: The Last Days of Lex Luthor is the kind of comic aimed firmly at adults that doesn't feature any adult content beyond a complex story about life and death. It is highly recommended to everyone who ever believed that a man could fly and those who ever wondered how he might fall.

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I'll consider it a miracle if Kyle Starks and Chris Schweizer manage to avoid a lawsuit or a firm punch from the third fist concealed under Chuck Norris' beard. With any luck that legal shutdown and lethal strike won't arrive until after we've seen the rest of The Six Sidekicks of Trigger Keaton. This is one of the funniest comics I've read in some time.

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Somehow, I didn't hate this. I probably won't keep reading it, but this is probably the best Venom Vs. Carnage story ever.

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It remains to be seen if the upcoming Man Of Steel mini-series will give Super-fans reason to be hopeful about the over-hyped Coming of Bendis. As it stands now, this book works best as a tribute to what was rather than an inspiration for what superheroes should be. Not exactly a strong start for a creator meant to be revitalizing an entire line.

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Despite this oddity and a little redundancy in the story, The Adventures of Supergirl will satisfy Kara's many fans. This comic perfectly captures the spirit of the show and there's nothing here that would be considered inappropriate for most audiences. Parents may need to help their own super-kids with reading some of the words.

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This series will likely flow more smoothly as a single story in a trade paperback, but it is a ripping yarn despite some minor pacing problems in this chapter.

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The artwork of Rona is as detailed as the setting and story. There is much about Alpi's adventures that will seem familiar to Magical Girl fans, from the general look to the character types. There is more unique than not, however, and genre enthusiasts would do well to check this out, as would anyone looking for a good All Ages Manga for their young readers.

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While this book won't win any points with the comics-gate community, true crime fans will find American Carnage quite engaging.

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The only real weakness Last Days Of Ant Man possesses is that it is slightly inaccessible to those who haven't been reading the Ant-Man monthly series. Thankfully, new readers will get a chance to see what they've been missing out on in a few months when the series starts over with a new #1 and " if the final page is at all accurate " a new Scott Lang who is somewhat less firmly on the straight-and-narrow path.

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Aquaman is in good hands and this new series is an excellent continuation of the character's legacy. He may never know the love and respect of mainstream audiences that his counterparts in the Justice League enjoy, but that is not the fault of this creative team. This series shows why Aquaman has endured as a concept for over 70 years and why the character has earned his place among the elite of DC Comics' heroes.

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Despite some minor flaws, Aquaman #15 is still a solid issue. The story, while simplistic, has many memorable moments. The artwork, while a little stiff at times, looks largely fantastic. This remains one ofDC Comics' best books.

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It would spoil too much to explain why Jones proved a perfect choice for this issue. Suffice it to say that Jones' talents are well-exploited by the issue's end. More, anyone who enjoys weird horror and a bit of Lovecraftian influence in their stories would do well to check out this issueif only for Jones' artwork. Suffice it to say that I will continue to watch this series closely and recommendAquaman #34to those who have yet to give this series a shot.

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All the pages look fantastic, if different, and this remains one of DC Comics' most underrated titles.

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Those who are already reading this series will find this issue to be typical of the high quality they've come to expect. All others would do well to start where the current storyline began and catch up as quickly as possible.

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Despite being a bit slow, this issue is still skillfully done on every front.

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All in all, this is one of DC Comics most underrated series.

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If you're looking for a good place to start with Aquaman, this is it.

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Aquamen #1 may leave some fans feeling like a fish out of water, throwing the reader into the deep end with little exposition to act as a life preserver. Thankfully, the action is engaging enough and the artwork attractive enough to make it worth treading water. Hopefully there will be smoother sailing in later issues, but I'd still say it's worth diving into Aquamen #1.

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That said, Arrow Season 2.5‘s whole is far more than the sum of its parts. The excellent writing of the main story more than makes up for the artistic short-comings and the DCTV Universe Suicide Squad need their own spin-off comic immediately. As is, this book is a must-read for all Arrow-Heads.

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If you're a fan of Arrow, you should definitely be reading this series. It manages to be suspenseful and exciting, despite existing between seasons. And even the slower issues have a lot to offer the discerning Arrow-head.

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Arrow Season 2.5 wasn't the greatest comic ever made. But it did what it set out to do. It gave us some good stories and it added some definition to the mythology of Arrow. If you're a fan of the show and haven't been reading this book, now is the perfect time to see what you've missed as we wait for Season 4 to begin.

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The series' only flaw, as with Descender, is that it is so slow-paced. Granting that this is an introductory issue, there isn't much here besides exposition. This is what ultimately led to my dropping this series as a monthly purchase and waiting for the trades, as I personally found Descender to be more enjoyable as a graphic novel than a periodical. Still, for those who are patient, this promises to be a phenomenal follow-up.

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Honestly, I'd recommend this book just for the concept of BRODOK. Apart from that, Kelly Thompson writes a great character-driven comic that is full of laughs up until the last page.

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Anyone who ever ranted to see Mad Max: Fury Road crossed with Marvel Comics would do well to check this one out.

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I was prepared to dismiss Avengers: Twilight as a half-hearted attempt to ride the cape of a classic story. After one issue, I'm still not convinced it might move beyond its base concept. I will allow, however, that it is a competently executed examination of the same problems Dark Knight Returns presented. I think it also has the potential to become something special.

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While it will not be everyone's cup of tea, the new Barbarella series is a good read. The story does a fine job of paying tribute to its source material while satirically striking at modern society and the artwork is sexual without being crude. Those who are curious about what came before would do well to check out Kelly Sue DeConnick's recent English translation of the original Barbarella.

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Despite some spotty science this month, Batgirlremains one of the best books to come out of the DC Universe Rebirth. Hope Larson has brought Barbara Gordon back to her former glory and Chris Wildgoose has given the book a truly unique look. If you like good books with smart, strong heroines, you should be reading Batgirl.

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As far as holiday one-shots go, Batgirl #18 is fairly harmless. The action is satisfying enough and well captured by the art. There are several honest laughs in the dialogue and the book looks amazing. The only problem is that, in her effort to create a modern-day Scrooge, Hope Larson has made a villain who would be too over-the-top for Green Arrow " a comic whose primary villains, it should be noted, are a cabal of Satanic slave-trading bankers! Get past that point, however, and this is one fine book.

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A definite step-up from the last issue, Larson's script improves immensely when she's focused on the action and less on trying to be topical.

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As it is, I did enjoy this issue, but I find myself dreading Batgirl #26 more and more. This issue shows that Paul Pelletier is a competent artist and that Scott can write stories I enjoy. I'm just not certain that I want to buy what they are selling if all we have to look forward to is more stories like Value.

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It is not bad in terms of quality, but there is enough darkness in Gotham City already and I've grown accustom to Barbara Gordon's stories being ones that affirmed hope rather than spitting on it. It may be good for what it is, but I don't think it's a good thing.

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Batgirl and The Birds of Prey is precisely the kind of comic that Rebirth was meant to create. It's easily accessible to new readers while still offering a nod to what came before. The characters are likable, the action thrilling and the artwork fantastic. In short, it's a fun read.

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This isn't enough to sink the story but it does make one long for a more clearly defined origin arc ala what Roy Harper received recently in Green Arrow. As is, Batgirl and The Birds Of Prey #9is an enjoyable work taken on its own merits. Just don't try and make it mesh with Dinah's other appearances in the DC Universe and you'll be fine.

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Despite these minor issues with the artwork,Batgirl And The Birds Of Prey #14 is a wonderful one-shot introduction to one of DC Comics' most underrated books. If you enjoy stories with strong women who aren't generic "Strong Female Protagonists", comics that deliver the perfect mix of action and humor or books that are just plain fun, this should be on your pull-list.

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Batgirl And The Birds Of Prey: Rebirth #1is the best of both worlds. Fans of the original series will be glad to find something close enough to what they remember to satisfy the nostalgia itch while still leaving enough mysteries to be surprised. New readers will find a solid story with amazing artwork starring some of DC Comics best heroines.

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Although the first issue of this mini-series is now available in the comic shops, a digital version is also available on-line. Printed in a motion-comic style, with the artwork changing slightly with every click, the digital edition of Batman '66 Meets The Green Hornet is worth a separate purchase. The final effect is very much like watching an episode of either of these classic superhero shows.

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All in all, Batman '89 is an amusing work of nostalgia that perfectly captures the spirit of the films it is meant to follow. While a little rough at times, due to the inherent differences between film and comics, this is still an enjoyable read sure to please fans of the first wave of Batman movies.

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I'd suggest picking up Batman #102 along with this issue for the sake of seeing the whole story, but a new reader could jump in with this issue if needed. With impressive artwork from two teams and a solid, if uninventive, story, Batman #103 is a prime example of why this has been my favorite Batman book for a while now.

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Batman/Dylan Dog #1 is a perfect introduction to one of Italy's most popular comics. While this sort of crossover is an acquired taste, Batman and Dylan Dog are highly complementary characters. I believe this book will satisfy all but the most partisan of purists.

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Murphy's artwork remains on-point and Dave Stewart's colors as suitably vivid as in earlier outings. The only flaw to this diamond is that it cannot stand on its own and some familiarity with the original series (to say nothing of Batman Beyond) is needed to fully appreciate it. I envy those readers new to this wonderfully wicked world for the journey they are about to begin, though as an old fan this return to Gotham City is far from unpleasant.

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This series may not break any new ground but it's good for what it is " a solid Batman story that continues the story of the game universe.

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As I said earlier, the only real flaw to Three Jokers #1 is that it doesn't recount the build-up to this story that well and throws new readers into the deep end of the pool with little chance to acclimate themselves before things start to get strange. While this is a fairly big problem, fans of these creators and those who know what they need to know going in will find this to be a ripping yarn. This is The Joker story we've literally been waiting to see for years and it thankfully proved worth the wait.

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Despite my misgivings over the opening flashback, I found myself enjoying this book immensely. I am looking forward to the next issue. Fans of the world of White Knight will be deeply satisfied by this series, as will Harley Quinn fans who delight in a Harleen Quinzel that is an evil genius only playing at being a blonde bimbo.

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Isabella's writing is as strong as ever, though the artwork by Clayton Henry seems oddly flat with characters that are a little too smooth and streamlined. Still, there's enough right with this book to make it a must-read for anyone curious about the character in the wake of the approaching CW series and fans of the classic comics.

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Fans of the Blade Runner franchise will find Blade Runner: Origins to be a satisfying addition to the canon. Those who weren't already won over by either of the films or the earlier comics probably won't find anything here to change their minds. That being said, this comic convert a few cinephiles into comic readers.

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Fans of Mark Russell's writing and stories that examine the nuts and bolts of Marvel Universe politics will get a kick out of Blade: Vampire Nation. I suspect that fans of Blade and horror comics in general would be better served waiting for a title with more bite. Still, for what it is, this is a good read.

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It's a bit slow for those who already know Tim Hunter's story but it's a solid introduction for newcomers and the artwork is amazing. Definitely worth picking up.

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This Books of Magic series is proving to be far slower-paced than the original Gaiman series. It's not bad " just different " but it is now apparent that Kat Howard is taking her time with this story and setting up the rules of magic in this reality.

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Breath of Darkness #1 releases in February 2023 from IDW Publishing.

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Coates' story is unfolding at a leisurely pace, with little in the way of action or plot development in this issue. Despite this, it's a fantastic character study of Steve Rogers and has a lot of little touches that build Steve up wonderfully.

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Those who don't enjoy classic horror or vampire stories will find little to enjoy in Captain Kronos' adventures. Genre enthusiasts, however, will love it for the treasure it is. The series will also find appeal among fans of Red Sonja, who may see Carla " here allowed a more active role than in the original movie " as a spiritual sister to the She-Devil-With-A-Sword.

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Hopefully those readers who came here for the War of the Realms tie-in will stick around to enjoy this wonderful little series some more next month.

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The artwork is visually arresting, with a smooth sense of motion inherent to every panel Ilias Kyraiazis draws. The characters expressions are punctuated by the thick inks of Auguste and the vivid colors of Dennis Yatras. Hassan Otsmane-Elhaou also knocks it out of the park with the lettering. All in all, this book will stick with you long after you put it down.

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While this series probably won't win over readers who aren't already fans of sword-and-sorcery comics, Conan fans will find this book fit for a King of Aquilonia!

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Those who prefer their Conan comics to be full of blood and cheesecake had best move on. While Aaron's development of the female characters could be better, this is a solid tale in the classical romantic vein of Robert E. Howard himself. This is Conandone right, by Crom!

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This story, for what it is worth, pleases me, with a bold story and strong artwork. I'll be eagerly awaiting the final chapter next month, though I'll be sad to see this story end.

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Those who are not already fans of Conan or dungeon-based fantasy adventures will probably not be swayed by this story. That is their loss. For those who are bold and enjoy a good ripping yarn shall find this issue to be as refreshing as Aquilonian brandy.

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Click on the image above to view the full page in another tab.Conan The Barbarian #25 is a worthy anniversary issue, offering an introduction to the Cimmerian hero for those who might need one and more epically illustrated tales of high adventure for those who know him already. If sword-and-sorcery be to your liking, make haste for the nearest comic shop and claim your copy today!

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Though the Howard purists may turn their noses up at it, this is a spirited team-up book that introduces new readers to Howard's heroes wonderfully.

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If Constantine The Hellblazer has a weakness, it is that it lacks broad appeal. It's a great horror book but those readers who aren't fans of the character or the genre will have little reason to give this one a try. That being said, this book will be a welcome treat for old-school Hellblazer fans as well as recent converts from the Constantine TV series.

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As per usual, Ming Doyle and James Tynion IV spin a most enjoyable tale. It's always a hoot when John and Swamp Thing are forced together and this issue does a great job of acknowledging the characters' shared history without needing to recap Alan Moore's greatest hits. Despite the nods, this issue is easily accessible to new readers and a good jumping-on issue for those who haven't given this series a shot yet.

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It would be easy to dismiss Cosmic Cadets as a kid-friendly take-off on a certain space franchise involving exploration. Certainly the idea of kids in space has been done before by other comics. Thankfully, Ben Crane's script is smarter than that and Mimi Alves' artwork is inventive. The colors by Priscilla Tramontano are also good. I personally found Cosmic Cadets to be the most enjoyable thing this side of Spaceman Spiff and it is 100% free of Wil Wheaton whining. Highly recommended!

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Unless you're a fan of the Arrowverse following their Crisis on Infinite Earths event, there's not much reason to give this issue a shot. It's solid work by some fine professionals, but there's not much to appeal to the common clay of comic fans who don't care much about TV. That being said, what is here is done well and I personally enjoyed it as an Arrow-head.

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Cyberpunk 2077: You Have My Word #1 offers a solid introduction to the world of Night City. Genre enthusiasts will love it, but this isn't likely to win over the uninitiated who never dreamed of hacking a computer telepathically. Fans of the game, however, will find this to be an excellent add-on.

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The humorless need not consider Damage Control, but they are unworthy of its joy. The rest of us, who can enjoy the idea of Nightcrawler and Quicksilver being recruited to work the mailroom on a busy day without thinking too hard about it, will find this book hilarious.

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If you haven't been reading Daredevil, this new issue is a fine place to start. Zdarksy's story is accessible and the artwork by Checchetto and Gho proved a perfect match to the aesthetic of Hell's Kitchen. In short, this is a damned good comic.

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This is Daredevil done right, but those who aren't already fans of Matt Murdock probably won't be won over by this run.

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It is oddly fitting to see the Man Without Fear as a Man of the Cloth. I doubt this new status quo will stick for long, but this is an engaging first issue. The art is somewhat weak at points, but there is far more good than bad in this new Daredevil.

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I don't suspect this series will trigger a sudden demand for more Dark Agnes stories. More is the pity, for what we see here should encourage more stories like this and (dare I hope) an eventual crossover with Red Sonya or Red Sonja? Perhaps the world is not ready for such a story, even if I am. Regardless, fans of Robert E. Howard's work and swashbuckling action in general would do well to give Dark Agnes #1 a try.

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I would suggest reading the original Dark Ark if you haven't already, but this comic seems to be a worthy follow-up to that series.

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This disunity between art and story is not enough to ruin the power of this comic. Dark Days: The Forge #1proves a strong introduction to what promises to be an interesting mini-series. It may leave readers with more questions than answers but whatever else may be said about it, it isn't dull.

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Dark Nights Death Metal Infinite Hour Exxxtreme may not be essential reading. Thankfully, it doesn't pretend to be that. Indeed, the comic is much like Lobo himself; unpretentious and straight-forward. It's a funny book for those who like high action and low comedy with solid artwork throughout.

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As a tie-in to the greater story of Dark Nights: Death Metal, Rise of the New God is a failure. It does nothing to advance the story and makes the whole idea of gods doing battle incredibly mundane and dull. And yet, that is the point. In deconstructing the idea of event comics, Tynion has accomplished that which few authors have and told a tale that truly made me think. And his ideas are brought to life beautifully by the art team.

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In either case, I enjoyed reading Dark Nights: Death Metal Trinity Crisis #1. As a fan of these creators, I am satisfied and think other readers of the Dark Nights series to date will enjoy it. Newcomers would do well to go pick up the original Dark Nights: Metal and try to catch up.

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Still, the first story makes Green Lantern/Huckleberry Hound worth picking up, if you enjoy the old Hard-Traveling Heroes style of topical commentary.

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In the end, DC Love Is A Battlefield #1 is like most anthologies. If you aren't a fan of the characters or creators involved, there's not much reason to pick this one up. However, as someone who likes seeing Harley and Ivy in love, a thrilling story with Hawkwoman kicking ass and comedic stories about superhero teenagers stressing over a first date, there was a lot for me to like here and there's probably at least one story everyone can enjoy.

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The general look is often inconsistent and, in some cases, awkward. There is, for instance, one panel where it looks like a wide-mouthed Captain America is eating an invisible foot-long sandwich. Still, the story is good enough that I can ignore the flaws in the artwork.

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Deadpool #1 is not likely to win over those who haven't already embraced Wade Wilson as their unlikely anti-hero savior. For those who only know him from the movies, however, this is the perfect entry into the world of the comics. For those who are already fans, this is a solid reminder of everything Wade Wilson is, opening what promises to be an eventful and fun run.

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Death Vigil #1 is a promising start to what may prove to be the best new supernatural series of 2014. It is a must read for all fans of the urban fantasy genre as well as those who enjoyedThe Sandman or BPRD. Even those comic readers who are not fans of this sort of story would do well to check this one out for the interesting characters and (pardon the pun) gallows humor.

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This first issue is somewhat of a slow start but the cliff-hanger conclusion promises action aplenty as the miniseries continues. Fans of the genre will find Deep Gravityto be an enjoyable piece of work. Even comic readers who aren't much for heavy sci-fi may enjoy it, provided they can get past the stock characters.

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Thrilling and majestic in appearance, Detective Comics #947 is a fantastic book from start to finish. The book ends with a number of open cliffhangers and I can't wait to see what the next story-line holds in store.

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Bryan Hill tells two fantastic stories here, capturing the essence of Jefferson Pierce in one story while crafting an interesting new villain in the other.

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This is an interesting one-shot that establishes one of the more intriguing Batman villains in years.

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All in all this one will please most Bat-fans, though little about it stands out.

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If you're a Bat-fan of any stripe or a fan of any of the creators on the lengthy list above, this book is worth the rather hefty price tag. Just be warned that it might not be as collectible as you may hope and be warned that not everything within may be to your liking.

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. This is a solid annual and must-read for fans of spycraft and superheroes.

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Regardless, this remains a wonderful series and a perfect exploration of Doom's character.

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On the whole, this first chapter of The Four Doctorsproves a promising start. What flaws exist are minor things and do not distract from the enjoyment of the individual components thus far. Whovians are certain to enjoy this epic tale.

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All in all, this is a wonderful start for The Eleventh Doctor's third year. The story is appropriately action-packed, silly and serious in equal measure with the artwork matching the tale beat for beat. Fans of the Matt Smith era of Doctor Who will find this book enjoyable.

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The Lost Dimension #2 proves a serviceable story. The script more than makes up for the occasionally dodgy artwork, though one wishes Cris Bolson had been able to work on this issue alone. Still, this chapter holds the momentum of the series to date and readers will be left clamoring for the next issue at the end.

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It remains to be seen if this fifth chapter of The Lost Dimension will be essential to the final storyline. As a momentary amusement, it has value, despite the erratic artwork. Whovians who can suffer a bit of visual uncertainty in the name of a good story will find this special to be just that.

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All in all, fans of The Ninth Doctor, Rose Tyler and Captain Jack Harkness will find this comic to be a satisfying continuation of their adventures.

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While long-time Whovians will get the most out of this story and the inherent humor of throwing the modern-day Mickey Smith against an older (from his perspective) Doctor, this issue is amazingly accessible to new readers. If you're a comic fan who likes superhero stories who has wondered about the fuss over this Doctor character, this would be a fine first issue to start with.

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As strongly as this mini-series started, the ending is a bit anti-climactic. Cartmel's story would make for a great episode of the television series but his sense of pacing as a comic book writer is a bit off.

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Doctor Who: The Tenth Doctor: Year Three #5 will be available for purchase on May 17, 2017 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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Fans who have been enjoying Titan Comics' Tenth Doctor series with love this first chapter of "The Good Companion". Everyone else, however, may be a bit lost. Such is the double-edged sword of this series' plotting under writer Nick Abadzis, who has built upon the mythology of the original television series to create his own rich epic.

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Despite this, fans of the series will love Doctor Who: The Tenth Doctor: Year Three #12 immensely. Newcomers would do well to check out the first volume and catch-up as quickly as possible.

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The only real weakness to this issue is the same problem that most TV tie-in comics possess. While fans of the current Doctor Who series will love this book, it does little to open itself up to comic readers who might discover the show through this book. The book isn't entirely inaccessible to new readers, but Whovians will get far more out of it than non-fans.

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Despite that flaw, Doctor Who: The Twelfth Doctor #11 proves to be an enjoyable read. The quality of the script more than makes up for the minor flaws within the artwork. If you haven't read a Doctor Who comic before or even watched the show, this would be a good place to start.

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The Boy With The Displaced Smile proves an unexpected interlude from the story started in the last issue but it is not an unwelcome one. The story by James Peaty sports a novel concept (i.e. place The Doctor in a 1950's sci-fi thriller movie setting) and runs with it. The artwork by Life Sucks artist Warren Pleece suits the weird horror tone of the story and establishes the appropriate atmosphere. Fans of classic Americana horror would do well to check this out, as would fans of The Doctor!

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If you know a comic reader who has yet to get into Doctor Who or a fan of the show who doesn't like comics, this may be the gateway into a whole new world they need.

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Those who have been enjoying this series so far will find it to be more of the same in spite of the flaws with the art.

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While it's unlikely to win over ideological purists, Doomsday Clock #1 works quite well taken on its own terms. It's far too early to make comparisons between this series and the original Watchmenbut this series seems to be moving in an interesting direction. It may yet crash and burn, but it will be a spectacular wreck if it does!

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Not as great as the original of course and I wish Johns were writing his own original material instead of fan fiction nobody asked for" but this book is not bad.

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Gary Frank's and Brad Anderson's art is as impressive as ever and Johns' frame story " a Film Noir movie about a double-crossed detective " is engaging on its own, even outside of the cosmic shenanigans and the meta-narrative. Though it remains to be seen if this series will become a standard, it is an interesting read.

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This issue may not win the good doctor more regular patients, but this is the Doctor Strange series fans have been waiting for!

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George Mann (Doctor Who: The Twelfth Doctor) writes a ripping yarn and establishes the story well enough, though there's little to distinguish the characters from the usual fantasy hero tropes. I suspect this is because it is presumed anyone reading this comic will already be familiar them. The artwork by Kieran McKeown is wonderful, and well served by the fantastic colors of Michael Atiyeh. The lighting effects used in the dungeon scenes are of particular note, with a glow that looks like real fire-light effusing every panel with a torch in it. Fantasy fans who have yet to explore the Dragon Age setting would do well to check this book out.

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On the whole, the Superman and Lois section of Earth-Prime is an improvement on the first issue. Its only major flaw is that it barely seems to be connected to the crossover event it is meant to be a part of and is a decidedly generic Superman book with none of the unique flavor of the Arrowverse setting. That being said, it is a good Superman book and even those comic fans who don't watch the show can enjoy the first two comics in this issue.

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All in all, Earth-Prime: Legends of Tomorrow #3 offers a spirited look at one of the most underrated superhero series around. It's humorous tone may have turned off more dour fans, but for my money no single show has captured the sheer creative weirdness of the DC Universe so well as Legends of Tomorrow and this comic is a perfect encapsulation of the show's appeal.

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While there are many horror comics seeing publication this October, one could do far worse than to give Edgar Allan Poe's Snifter of Death a try. Fans of Ahoy Comics' earlier Edgar Allan Poe collections will find this to be a worth continuation of the concept and fans of Mark Russell's dark comedy will also want to be sure to pick this up.

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I can't speak to the quality of the adaptation, having not read the original novel, but I found this graphic novel to be an interesting biographical account of one man's adolescence and how he reconciled who he was with what society and a distant father pushed him to be. The artwork is exquisite, with painted panels that look like what a comic by Claude Monet might have been had he been born four decades later and gone down a different artistic path. While the most likely audience is LGBTQ comic readers, this book deserves a larger audience of art aficionados and those who can appreciate a good story about feeling lost in yourself.

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Despite owing a debt to The Dead Zone for its base concept, ExtraOradinary offers enough twists on the classic tropes of super-power origin stories and precognitive powers to stand alone as a memorable and unique work. Despite some rough spots in the artwork, fans of both horror and superpowers will find ExtraOrdinary to be everything its title suggests.

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In a few brief pages, Slott and Bianchi perfectly capture the grandeur of Doom and how, in many ways, he is a far more heroic figure than anyone in The Fantastic Four.

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Slott rebounds wonderfully after last month's outing, with a fun story that defies most of the usual conventions regarding superhero teams meeting for the first time.

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This is an interesting start to the new storyline and I must admit Slott has me hooked.

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This is a solid book, but strictly for those recruits who have already signed on to the Browncoat army. Newcomers will be totally lost and are advised to check out the TV show first.

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Firefly continues to be a solid little series bound to please Browncoats everywhere. The artwork is a little rough and indeed a bit sloppy in spots, but that suits the rough charm of the original television show and has the same spirit.

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This series will satisfy fans of the original series quite well, though it's unlikely to make comic fans not already familiar with the show into Browncoats.

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Those worried about having the mystery behind Saffron solved can rest assured that the devil woman will remain as much an enigma as she ever was. Here's hoping she shows up again in the new monthly Firefly series to plague her ex-husband once again.

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Despite a few wrinkles, The Flash #11is a solid, enjoyable comic. The artwork is largely excellent despite some small flaws. The story is a true ripping yarn. AndStarman fans will rejoice at the continuing adventures of The Shade, as he is written true to form.

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I dare not spoil the plot or the ending of this issue. Suffice it to say, if the rest of The Color of Fear matches The Flash #23 in quality, this may be one of the best Flash comics ever.

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Joshua Williamson's story is enjoyable and unloads a lot of exposition without getting flat. And the artwork is fine throughout, though one wishes for a little more consistency.

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Ignoring the disunity between the tone of the story and the aesthetics of the artwork, all of the creators at work on this book are at the top of their respective games. Unfortunately, the final effect of their working together is like trying to play chess with a checkers set.

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As a Dark Nights Metal tie-in, The Flash #33 is good. It falters somewhat in that it comes just as The Flash started a new story-line and has almost nothing to do with the last issue. Still, Joshua Williamson does a great job explaining the story so far for The Flash fans who might not have been reading Dark Nights Metal and Howard Porter's artwork looks fantastic.

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Time has not slowed Kolins's stride and his work here is the best this series has seen in some time. Williamson's script is equally strong, though it does set up a plot beat at the end regarding an undercover operation at the GCPD that makes little sense logically.

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If you haven't given The Flash a try, this is the perfect point to start the run.

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Good as it is, as Part Three of the current Perfect Storm storyline, The Flash #42is not a good issue for those who are new to this series to start with. New readers would do well to track down The Flash #40 and start from there, with the understanding that the artwork between issues is somewhat erratic and the story a fast-paced one.

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Scott Kolins, who drew much of Geoff Johns' run on The Flash that introduced Zoom, proves the perfect artistic partner to Williamson's script. The artwork suffers somewhat from the inks being a bit thin and the colors being a bit bright. Still, this is a solid issue that sets the stage for Flash War well enough.

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While very little ultimately happens in this issue, apart from setting up the scene from the very beginning of Flash War, Williamson's grasp of these characters is phenomenal and Howard Portrer's art puts an amazing amount of energy into every scene, even the ones that just involve the characters talking to one another.

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The strange thing about this issue is that despite being the third chapter of Flash War, it's surprisingly accessible to new readers. Moreso than the earlier issues, in fact, which required knowing a fair about the recent history of The Flash. While I'd still suggesting starting with the first TP. Lightning Strikes Twice, this is not a bad place to start reading The Flash.

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As the final chapter of Flash War, this isn't an ideal entry point into the series. For those who are already running alongside Barry Allen, however, this is a fantastic issue and worthy conclusion to the saga so far.

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If you haven't been reading The Flash, this issue marks a good point to start. Joshua Williamson is one of the best writers I know of when it comes to delivering exposition in a smooth and natural fashion and the current storyline has a lot to unpack.

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This is a respectful, if not fantastic, issue of The Flash with good artwork and a solid story.

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The only real weakness to The Flash #55 is that while a new reader could jump into the story with this issue, there's enough subplots here so that only the established fans can truly appreciate everything that is going on. Regardless, this is still a solid book with good art that will give fans of The Flash everything they could hope for.

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It's not perfect, but it's a great introduction to The Trickster and a wonderful one-shot to get your feet wet if you have yet to give the current The Flash series a try.

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This is the prefect jump-in issue for The Flash if you haven't been reading Williamson's run so far.

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Scott Kolins artwork looks as amazing as ever, but I think Luis Guerrero's colors are a bit bright for this story. The comic looks washed-out at times, despite Kolins' inks being thicker than usual this time around and the shading of the finished artwork looking amazing. Unfortunately, the artwork can't help the fact that this issue is largely inaccessible to new readers, despite being the first part of a new storyline. Still, fans of Williamson's run onThe Flash will love it.

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While I need a few more issues to judge, this new direction for The Flash is not the complete disaster I feared it would be. That may sound like damning with faint praise, but it is indicative of how I felt given my high standards for the series and anything involving Green Arrow in a supporting role. Adams' perfectly captures the essence of these characters' voices and the art team bring his script to life wonderfully. I can't wait to see the next issue.

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Longtime fans of The Flash will be pleased by this issue. Readers following the continuing mystery first revealed in DC Rebirth #1 will want to pick up this issue in order to see the latest clues.And those fans of the TV Series looking for a good entry point into the world of the comics couldn't ask for a better first issue than this one.

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If you only buy one comic about punching Nazis and taking back America this week, make it this one.

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Despite its flaws, Friendly Neighborhood Spider-Man #1is everything I expected and most of what I hoped for. It is a good Spider-Man comic, if not a great one, but the potential is there for it to become something special. Long-time Spider-Fans will find it enjoyable, if nothing else.

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Frontiersman is Green Arrow fan fiction. It is also, thankfully, incredibly good Green Arrow fan fiction that brings to mind the best days of Mike Grell's run on the book. If you're a fan of idealistic heroes of the old school, as well as a certain Emerald Archer who doesn't have his own comic at the moment, you'll want to check this one out.

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Click on the above image to view the full-size page in another tab.Future State: Harley Quinn may not be everyone's cup of tea, but fans of the Queen of Clowns will definitely want to check this one out. So will Batman fans who want to see more of the new Gotham City and fans of neo noir cyberpunk. You might even try sharing this one with your manga-reading friends who turn up their nose at superhero comics.

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Another uneven anthology, though this one is more good than bad. In fact, if it weren't for the lackluster story and terrible artwork of the opening chapter (which I'm pretty sure was ripped off of a Warhammer 40,000 novel), I could gleefully give this one a perfect 5/5 rating.

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Suffice it to say that old-school Captain Marvel fans who disliked Geoff John's reimaging of Shazam might get a kick out of this issue, despite its fairly dark tone, along with anyone who enjoyed Miracleman.

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This book could be a wonderful gateway comic for Supergirl fans of all ages or Shojo enthusiasts.

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Despite that rough artwork, the book is still worth picking up.

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In the end, your enjoyment of Generations Shattered may come down to how much you like the creators involved and how willing you are to read yet another Crisis comic. This series is unlikely to be essential reading, but it is a ripping yarn on its own terms and that's more than some comics can manage.

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Whether you're a long-time Arrow-Head, a fan of the Arrow TV series looking for a good place to start with the comics that started it all or just someone who loves good action-packed comics, Green Arrow #35 is a must-read. Its only real flaw is that as good as it is, it tries to do a little too much with its subplots and some elements of the issue feel tacked-on as a result. The bits focusing on Oliver Queen, however, are top-notch.

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All in all, fans of Arrow and the Arrow-heads of old will find much to enjoy in the new Green Arrow. Just don't take things too seriously and ask questions like 'Why doesn't John King doesn't just reveal Oliver Queen's secret identity to the world?"

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Is Green Arrow a perfect comic? No. But it is a damned good one and an inspiring read for those looking for a slice of hope in an imperfect world.

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Thanks to that, and Mairghread Scott's flawless portrayal of Oliver Queen's inner voice, the execution is far better than the base concept. The artwork is also amazing, with Matthew Clark, Sean Parsons and Jason Wright offering up a classic comic-book running battle that unfolds with a clearly defined sense of style and a perfect sense of pacing.

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If you're a fan of Green Arrow, you need to pick up this special, if only for the walk down memory lane and a tip of the bycocket to the creator who made it all possible. If you're not a fan, some of these stories may well make you into one. Just be ready to ask your friendly neighborhood comic shop about ordering some trades. I personally recommend starting with Quiver.

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Green Arrow: Rebirth is everything Green Arrow fans have been wishing for. Black Canary fans will be pleased to see that Dinah Drake has not been turned into a damsel in distress or a “plus one” for the sake of making Green Arrow look better. It isn't perfect but it is a good first step in the right direction after years of erratic treatment for both heroes. And as far as the DC Rebirth line in general goes, this is an encouraging first step.

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Is The Green Lantern #1 the game-changer we were promised? Not quite. Yet it is a solid introduction to the concept of The Green Lantern Corps and it has some of the best art you'll see in a comic book this year and that is no bad thing.

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Newcomers will have no trouble jumping into the story. And old-timers looking for a good place to jump back into the series will find that it's like they never left.

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Gun Honey is a solid crime adventure that puts the thrill in thriller. While it's unlikely to win over those that aren't already in love with the genre, fans of Hard Case Crime's previous publications or similar series like Jon Sable: Freelance or Criminal will want to give this a try.

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This issue is filler that does nothing to advance the plot of Dark Nights Metal but it is amusing in spite of that.

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Let those who wish to avoid controversy and real-world issues in their comics likewise avoid this issue. The rest of us, quite sensibly, will enjoy Halloween Man's moral complexity and watching a half-zombie beat up Klansmen.

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It hits more than it misses, but it is still the most lackluster issue of this three-part mini-series. Granted, I say that in the same sense that Return of the Jedi is the weakest of the original Star Wars movies. It's a good comic, but it could have been better.

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All in all, this is another fine issue of Halloween Man which showcases why the series has been an independent darling for two decades.Fans of classic pulp and the works of Edgar Rice Burroughs would do well to check this issue out, as one would anyone looking for a tale of weird romance this Valentine's Day.

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There's nothing quite like Halloween Man on the stands and American Nightmare is another solid entry in the saga.

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Despite a few minor imperfections, this latest chapter in the Halloween Man saga is as sweet a treat as anything you're likely to find in your bag this Halloween.

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Still, if you're looking for a solid independent horror hero title this Halloween, this book will fit the bill. Just be sure to pick up Part One first.

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I can't vouch for how well this continues the story of the original Harbinger comics. That being said, I found The Harbinger #1 to be an interesting and effective introduction to the concept. Superhero fans would do well to give this series a try.

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This mini-series may not win Pam and Harleen any new fans, but it will certainly satisfy their existing fan-base and it's a fantastic tie-in to Year of the Villain and Justice League Dark.

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All in all, this is one comic sure to please Harley Quinn fans and anyone who loved Batman: TAS.

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Yet despite its lack of sea-fairing gorilla pirates (a conceit I fully expect to see either Gail Simone or Tom Taylor tackle at some point), Hawkman #1 is a ripping yarn born of the same pulp fiction aesthetic that inspired Indiana Jones.

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This is a solid book that is redefining one of DC Comics' most underrated heroes.

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If you only read one comic about a sentient planet possessed by a ghost wizard this week, make it Hawkman #5!

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While this results in a rather trippy read as we see Hall fighting his way through some kind of psychic landscape, it succeeds in its goal. That and the artwork by Bryan Hitch and Kevin Nowland make this issue worth reading, even if it isn't much of a tie-in.

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While Hellboy: Krampusnacht is unlikely to win the Hellboy franchise any new fans, the faithful will find this holiday special enjoyable. The story is true to form, if a tad predictable. That said, the artwork is wonderful and fans of Adam Hughes will be astonished at what he accomplishes here.

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Despite that, there is much to like about Hercules. The story has a great opening hook and sufficient humor for those who like that in a Hercules story. And there's a heaping helping of high-adventure and mythic action for those who don't care much about a drunken Herc booty-calling Black Widow. Much like its titular hero, Hercules is not perfect but you can't help but like it despite the flaws.

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All in all, Hex-Wives is a fine continuation of the Vertigo Comics revival and one heck of a good read.

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While those who aren't fans of dystopian fiction will have little reason to give High Level a try, there is enough in this first issue to encourage genre enthusiasts to stick around. I suspect this may read better in the trade, but the characters and story so far suggest this could develop into the next Saga.

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Not much happens in this issue, but it looks fantastic enough to make me stick around a while longer to see what secrets and mysteries the House of Whispers may yet hold.

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Incoming! is an enjoyable book that offers newcomers a taste of everything Marvel Comics will have to offer in the coming year.

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Click on the above image to view the full-size page in another tab.The artwork by Xermanico is solid, apart from a few oddly thick outlines here and there, where the inks are strangely heavier for no apparent reason. The flow of the action sequences is fantastic, however, and the colors are suitably vibrant throughout.If you enjoyed Infinite Frontier #0, you'll want to continue to pick this series up. It's still unclear just where this story is going, but it's been one heck of a ride so far and seems likely to continue to impress. Thankfully, the great character scenes more than make up for the meandering pace.

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At this point, I doubt my praises of this series will win you over if they haven't already. Nor do I think The Powers That Be at DC Comics will listen to me when I say that we need Tom Taylor and Daniel Sampere working on Justice League ASAP. Still, I have to say it " this is a great comic. I fear you readers may get sick of my reviewing this series only to talk about how amazing it is but I don't think I'll ever get sick of talking about it.

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Though the surprising twist at the end of this issue is hardly surprising for those readers who have been paying attention , it's still enjoyable to have one mystery confirmed and the action of the issue is as fine as the artwork.

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The artwork by Xermanico is largely excellent, though a bit over-inked in places. This obscures the details of the pencils in several scenes. Thankfully, the bright colors chosen by J. Nanjan offset this to a degree, but there are still some moments that look far too dark for the aesthetic of Green Lantern. Still, this is a minor flaw in an otherwise amazing comic.

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Injustice 2 Annual #1 isn't likely to win many converts to the glories of the Injustice universe. This is not due to any lack of quality but rather due to the purpose of this volume. It is not written to attract new readers " it is here to answer the questions of the established fan base who wonder why Wonder Woman is the way she is and whatever happened to Perry, Gary, Terry and the rest. It accomplishes that goal well-enough but could have been a little better when it came to showcasing just why this setting has won so much loyalty.

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Really, the issue's only weak-point – apart from the aforementioned accidental spoiler – is this world's take on Wonder Woman. I cannot fault Brian Buccellato for this as the problem was present in the reality of the game world this comic is based on and he's taken steps to work around this point in the past. Yet the idea of Wonder Woman being this wishy-washy whiner who pines for Superman and wishes that he'd notice her in the wake of Lois' death rather than being honest with Clark about her feelings or taking action on them just doesn't ring true. Despite this, I still find this to be a good read and I can't wait to see what the rest of Year Five holds in store.

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Injustice: Gods Among Us: Year Five Annual #1brings to mind a quote often attributed to Abraham Lincoln – “People who like this sort of thing will find this the sort of thing they like.” This comic is enjoyable for what it is and fans of Injustice will find this a fitting capstone for the series.Still, it's a shame that the finale couldn't be quite as revolutionary as what came before.

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this ultimately proves to be an excellent issue of one of the best series on the shelves today.

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Whatever else may be said about his comic, it isn't your typical Iron Man book and it's sure to keep things interesting for some time to come.

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Fans of Mignola's earlier works and weird horror in general will enjoy Jenny Finn #1 immensely, even if they don't quite understand everything they see.

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Despite a misstep, this is still a solid mystery comic putting a unique twist on the classic Harley Quinn and Joker relationship.

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Despite being largely devoted to exposition of Cyborg's powers and setting up the next branch of the crossover, this is an enjoyable little comic.

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This is a solid comic and a must read for anyone who likes superheroes.

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All in all, Justice League continues to exceed expectations. It may not be everyone's cup of tea, but I for one love this high-concept prog-rock album of a book.

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This series continues to impress, with Scott Snyder throwing everything but the kitchen sink into this little epic.

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All in all, Justice League continues to be one of DC Comics' best titles, despite some minor kerfuffles in the artwork. This is superhero comics done right.

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Ignoring how unfriendly this series is to new readers, this is a solid issue that offers more of what makes Justice League so beloved.

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Justice League #25 may not be what it was sold as, but it is a solid issue of one of the best books on the stands right now. Just be warned that newcomers should skip the first half of the book and this is a great introduction to what has been going on in the DC Universe and what comes next.

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A solid issue of a solid series, but not an ideal one for newcomers.

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Fans of Swamp Thing would do well to check this one out, despite the issues with the art.

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If you're ready to know more about Kang (to the degree that anyone can be said to know Kang), this issue is a fine place to start. It is a ripping yarn in the fine tradition of the Mighty Marvel Mythos.

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I'm not quite sure what to make of Karmen after a single issue. Like a dream, its purpose and meaning elude me. But also like a dream, I find myself having enjoyed the sensation, even as I struggle with the details and trying to describe it. Perhaps, like a dream, it cannot truly be shared, but must be experienced? If that is the case, I encourage you all to experience this dream.

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The only real flaw to King Conan #1 is that it is more likely to appeal to established Conan fans than newcomers. It is not inaccessible to new readers, thank Mitra, but the old guard will get far more out of this than anyone who just happens across this issue. That being said, this issue will prove a welcome treat for sword-and-sorcery fans everywhere.

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Hellboy fans and mythology buffs will find much to admire in Koshchei The Deathless #1. It seems unlikely that new readers will be won over by this tale, but Mignola's story will prove perfectly accessible to them. Couple a rich story with some equally enjoyable artwork and you have one fine comic.

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While Loki #1 won't be everyone's glass of wine, it's a solid start for those who enjoy a spirited story of trickery unbound. Those who only know Loki from the Marvel movies would do well to pick this one up and learn the truth behind the God of Mischief. And the lies too, of course.

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Lucifer #14 may not be the ideal entry point that it was promoted as but it is still a fine book. The story is gripping and it reestablishes the status quo which the rest of the series can build on expertly. The artwork looks just plain amazing. Truly, the only flaw with this book is that you have to have read Neil Gaiman's The Sandman, Mike Carey's Lucifer and Garth Ennis' Hellblazer to truly appreciate the story. Old-school Vertigo fans will love it, though.

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And so the second volume of Lucifer ends " not with a bang or a whimper but with a satisfying, if somewhat rushed, conclusion that leaves the door propped open for a revival later. The rumors are that Vertigo is considering revamping the series, crafting something similar in tone to the Lucifer TV series. Personally, I hope these rumors are just rampant speculation as it would be a poor thing for the last vestige of Vertigo Comics' once-great shared universe to be shelved purely for the sake of a television tie-in.

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While Bela Lugosi may be dead, it cannot be denied he found a form of immortality that rivaled that of his most famous character. Fans of classic horror and Lugosi's work may learn a thing or two about the old master they never suspected in this splendid book. Even those who already know will find this retelling of Lugosi's legend a worthy one.

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All in all, I think X-Fans of all stripes will be satisfied by this series. The progression of the characters is logical, from what I've seen of the new X-Line. The artwork is impressive. Hopefully these Marauders will keep sailing for some time.

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While this quirky little series may not be everyone's cup of tea, I personally loved Martian Manhunter #1. It has some flaws but there is far more wrong than right and more than enough good to encourage continued reading, even ignoring the explosive cliffhanger ending.

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A must-read for all fans of Doctor Doom, whether you like the 2099 setting or not.

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Marvel Team-Up #1 is a solid reintroduction to a classic concept with a twist and a solid story with strong art on its own terms. While it's unlikely to hold onto a steady readership (a continual problem with series based around rotating casts) this first issue is riveting and is sure to appeal to fans of both Spider-Man and Ms. Marvel. Hopefully the high level of quality will continue as the team-ups and creative teams change.

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The ending of this mini-series won't surprise anyone. Despite this, Dan Abnett does deliver a surprising path to the obvious ending and the artwork by Lan Medina and Norm Rapmund flows as smoothly as the waters that Mera commands.

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Mindset is a unique reading experience. I suspect it will probably read better in a TP format and its slow pace may not be everyone's cup of tea. That being said, fans of cyberpunk and smart storytelling would do well to give it a try.

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I'm not sure how I overlooked the first Minky Woodcock graphic novel The Girl Who Handcuffed Houdini, but I fully intend to seek it out based on what I saw of Cynthia Von Buhler's work here. Minky Woodcock: The Girl Who Electrified Tesla is a must read for fans of pulp fiction, alternate histories and brassy dames.

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Undoubtedly the intent of this book was to inspire interest in the upcoming Morbius film. While I'm largely indifferent to seeing Jared Leto mincing his way through another comic book movie after Suicide Squad, I wouldn't mind seeing more of Morbius in the comics if his stories were all this well crafted. Horror fans and anti-hero enthusiasts will really be able to sink their teeth into this book.(I know. I know. At least I didn't say this is a vampire book that doesn't suck.)

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Despite this rough opening, there's enough promise to Motherlands to warrant picking up the second issue. While the world concept may be derivative, there's enough twisted humor here to forgive the basic concept. Even with that, the book is worth checking out for Rachael Stott's excellent artwork, which looks fantastic with the finishes added by colorist Felipe Sobreiro and letterer Simon Bowland.

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This book is still a solid and often darkly hilarious read but the varying parts don't quite match up.

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Good as it is to have original artist Rachel Stott back, the shock value that drove the first two issues of this series is starting to wear a bit thin.

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The writing perfectly adapts the idea of the show into a graphic format and the artwork by Todd Nauck, Mike Manley, Jack Pollock and Mimi Simon perfectly captures the anarchic spirit of the show as well as the styles of the public domain comics utilized for the riff.

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It may not be everyone's cup of tea, but I for one hope we'll see more of the Crow Crypt-Keeper in the future.

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New Mutants #1 is a rollicking good read, if you don't mind doing a little homework.

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This is not a story for those who wish to contemplate the gentle play of light, as if this were an Ukiyo-e print or a Kurosawa film. This is a story for those who want to gape at a villain called Thunder-Thighs, whose style of combat, "Two Trees Bearing Heaven," involves crushing people between his legs. Orphan and the Five Beasts is not subtle, but it is enjoyable.

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While this series may not appeal to all audiences, genre enthusiasts will find much to admire in this first issue of Past Aways. The artwork is great and it has a brilliant concept. Hopefully future issues will bring about more interaction between the core cast to better establish their personalities past a series of stock traits.

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While well-crafted, this comic is unlikely to win over anyone who is not already a fan of the genre. Still, it stands as a fine example of a high-quality fantasy comic series. So sword-and-sorcery enthusiasts as well as comic-reading role-players would do well to give Pathfinder: Origins a try.

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Those coming into Peacemaker: Disturbing The Peace #1 expecting the same hijinks-filled hilarity of the HBO Max series will be sorely disappointed. That being said, there is the start of an interesting story here and the artwork matches that story, beat for beat. Readers should come in with an open mind and not expect the Garth Ennis of The Boys and The Pro.

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All in all, this is a great comic that is sure to appeal to fans of the character and dark comedy in general.

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While this is intended to be the first part of a limited series, the quality of this issue inspires the hope that we might see more of the Power Pack with this creative team in the future. It's not high art, but it is a fun read and those are rare enough these days to be nurtured. Highly recommended for the young at heart at any age.

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Those who like their Frank Castle to be a silent sentinel and a creature of nightmare will love this new Punisher series. Rosenberg is able to spin his story through the other characters in this issue, leaving Kudranski to handle developing Frank Castle's personality through the artwork. All of this builds to a fantastic cliff-hanger that promises big changes for the Marvel Universe as a whole and a strong future for this series.

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Some many dismiss Radio Apocalypse #1 as a gimmick-driven comic that uses music to distinguish itself from all the other post-apocalyptic comics on the shelves. Your mileage may vary, but I personally think the comic stands on its own even if you don't elect to play along with the interactive element. In either case, the end of the world never sounded so good.

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All in all, I think fantasy fans will find Rangers of the Divide to be a worthy addition to the genre.

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Still, BPRD fans will enjoy this book for what it is, though newcomers are unlikely to be impressed.

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Pop Mhan's artwork falters a bit in how unevenly applied the inks are but this is still a solid first issue that all of Raven's fans will appreciate.

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A solid, but sedate story.

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As it stands, this remains a most enjoyable comic, albeit one that is drastically different than the common sword-and-sorcery series.

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Crom take the purists! This is an enjoyable read!

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This hasn't been your typical Red Sonja comic and for that we can all give thanks.

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Presumably they needed this issue out in time to set-up the next storyline, which will also necessitate another Red Sonja special where Dragan's son turns to dark sorcery to secure his empire. If it's anything like the series to date, that will be one to enjoy as well.

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At its core, this book is a ripping yarn meant to thrill the reader " a task it accomplishes admirably. Walter Geovani's poses feel a bit forced at points, but the action of the issue flows smoothly enough otherwise and Simone's script sizzles throughout. Damn the purists to The Abyss! This is a fine comic in the tradition of the original 1970s' Marvel pulp comics.

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Overall, Red Sonja fans will be pleased by this mini-series and newcomers to the legend of the She-Devil with a Sword will find this to be a spirited introduction to the queen of sword-and-sorcery. The only ones who will want to give this a miss are those who don't like low fantasy and high adventure or Howardian purists who will not stand for the good name of Bel being besmirched by a lawyer.

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While not quite as satisfying as the original in terms of being an educational tool, Painscape is just as funny and well-illustrated as the original Rick and Morty vs. D&D comic. That being said, I want a trilogy! 100 years of Rick and Morty vs. Dungeons and Dragons".

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This series may not hold much crossover appeal for comics readers who aren't already fans of Robert E. Howard. And the quality level can vary wildly from issue to issue. But for those who are bold and appreciate good value for your comics-buying dollar, Robert E. Howard's Savage Sword is well worth the purchase.

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Rogue Sun #1 is original and daring. While the individual components may seem familiar, their assembly is something different and the execution is masterful. A must read for all superhero fans!

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Sally Of The Wasteland may not be everyone's cup of tea. Still, it will appeal to anyone who ever stayed up to catch the Late Late Show broadcast of movies like Deathstalker II: Clash Of The Titans or A Nymphoid Barbarian In Dinosaur Hell. It will also hold the attention of anyone who has a fondness for stories set after the end of the world as well as those who don't take their action comics too seriously.

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This is a welcome throwback to the days of yore at Marvel Comics and a fine example of sword-and-sorcery done right.

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Despite not quite living up to the promise of its first chapter, old-school Conan fans will love this one.

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This book is a must read for all Red Sonja fans, yet will be easily embraced by those who have yet to learn of the glory of the She-Devil With A Sword.

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Despite all of this, the comic works if taken as light entertainment. Consider the serious implications of how Batman's super-powered colleagues could keep the peace more effectively than he could in his town or speculate on just where Wonder Woman is storing her newly-forged, W-shaped Wonder-rangs and you'll have a bad time with this book. Relax and enjoy the revelation that Wonder Woman is on short list of "Things Even The Joker Is Not Crazy Enough To Try And Fight" (along with the IRS) and you'll have a ball.

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This series won't win any converts to the Browncoat cause. At least, not as easily as a marathon of the Firefly DVD set. But devout fans will be able to tough out the sloppy artwork for the sake of a ripping good yarn of a story.

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Serenity: No Power In The ‘Verse #1 will be available for purchase on October 26, 2016 from your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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I'm not sure quite where this series is going after a single issue, but Henderson and Garbett have my interest; no small accomplishment given I'm not much for horror titles. Make of that assessment what you will. Perhaps horror fans will find this to be typical of the trade? Yet I think most will appreciate the originality of Shadecraft's execution, even if a story about the monsters in the dark is not all that original.

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Bottom line? Shazam! is a magical book and a must-read.

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As it is, this is still a solid series, but I do wish it's release schedule was more reliable and that it retained a single artist.

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She-Hulk #1 effectively establishes Jen Walters' new lease on life and offers newcomers a welcome jumping on point to her adventures. While not as overtly humorous as previous She-Hulk series, Rowell's writing captures Shulkie's personality well enough and the artwork by Antonio and Renzi is worth the price of admission alone. This is a strong title for a strong character.

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There's still some aspects of the development of the world that trouble me, such as the fact that The Elder and The Chieftaness don't have proper names. I'm also faintly amused that the writers researched a proper derogatory native word for "outsider" (i.e. cowodi) and reference a rather obscure regional monster called The Mapinguari for this issue, but still have Sheena cursing Damballa " an African deity, whose name they misspell. Nit-picking aside, this is a solid comic and I fully plan to check out the next issue.

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All in all, if you aren't already reading Sheena: Queen of the Jungle, I think I'd suggest waiting for the trade. Coming in with this issue would be like walking in on the middle of a movie. Granting that it is a good movie, this is one book best sampled in one sitting.

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What I found was the first chapter in what will hopefully be a long-running series aimed at those adventurous youngsters not quite old enough for Dungeons and Dragons but old enough to appreciate Adventure Time or Gravity Falls. Norman Shurtliff has a gift for writing exciting but not too scary adventure stories and his artwork is friendly and thrilling at the same time. If you have a young fantasy fan who likes comics, this will be an ideal read for them.

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Though aimed at younger readers, this is one fun book that most superhero fans will enjoy.

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Definitely worth picking up if you have a kid who is into superheroes or loved Spider-Ham in Into The Spiderverse yourself.

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Still, despite the flaws in the art, this is still a solid issue of a fantastic mini-series. I can't wait to see how it is concluded next month.

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While unlikely to win-over anyone who isn't already a die-hard Star Wars fan, this first issue will please fans of the original trilogy and everyone who has enjoyed Marvel's Star Wars comics since they regained the license in 2015.

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Pak's tale of Jabba as a fixer is good enough, despite Jabba barely figuring into the story at all.

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Competently executed, but hardly outstanding, Star Wars fans will still eat this up.

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Click on the image above to view the full page in another tab.I think most Star Wars fans will appreciate this new Obi Wan series. It may not offer any bold insights into the series' first Jedi, but it is still a good series, with fantastic artwork and an enjoyable story. And that is no small thing.

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This first chapter of Stargirl: The Lost Children is a conflicted book, but that mirrors the conflict in the heart of DC Comics. I think most readers are tired of big events and the books I hear discussed most enthusiastically are the ones unconnected to big events. Yet it is apparently the big event books that drive the sales of the monthly series, if not the trade collections. I don't know what the answer is. All I know is that there were parts of this book I enjoyed very much, though they made me wish for a series that doesn't exist on our Earth.

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While Subgenre looks like it is merging two schools of genre fiction into some rough chimera, it is clearly building towards a bigger point. What that point may be is unclear, but I think it will be amusing seeing where this story goes.

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Suicide Squad #26 may be a bad issue of Suicide Squad but it's a good continuation of the Gotham Resistance story-line and the Dark Knights Metal saga. Great characterization paired with amazing illustrations makes for one hell of a read.

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Suicide Squad; War Crimes Special #1 is not arevolutionarystory. Yet it is more than a welcome slice of nostalgia. More than anything else it is proof positive that John Ostrander can still craft a good, topical political thriller nearly three decades after he first revived Task Force X as a new kind of team at the height of The Cold War.

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Based on this first issue, Supergirl: Being Super might not be everyone's cup of tea. The focus on character over action may turn away some readers. Those who have been looking for a good comic to give the super girls in their lives who love the Supergirl TV series, however, will find this series to be a welcome treat.

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I could practically hear the familiar John Williams' score as I read Superman '78 #1 and I imagine many other superhero fans who grew up believing that a man could fly will find the same enjoyment in this book that I did. I just hope this book proves successful enough for a sequel and that we might see Robin Williams as Mr. Mxyzptlk; one of many "what might have been?" possibilities for the unmade Superman sequels.

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Superman #41 may not have been the revolutionary comic some readers had hoped for but it's a solid foundation for what could be something special. In any case, this is Superman the way it should be done! And if you've ever wanted to believe that a man can fly " or at least leap tall buildings in a single bound " it's worth a read.

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While this book won't be everyone's cup of tea, it's still an uproariously funny title that should appeal to anyone who doesn't take their comics too seriously and thinks bow-ties are cool.

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While purists may question the main character's characterization here, Taskmaster #1 remains an enjoyable read. The artwork is solid throughout and the script is funny without sacrificing its high-octane action scene quotient. It is also easily accessible to newcomers.

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While the continual shifts in story and setting may turn off those readers hoping for a more traditional superhero origin, I found The Blue Flame #1 to be a fascinating and unique introduction to the kind of hero I wish we saw more of these days. With solid artwork backing its narrative, this is one to watch.

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The only real flaw to The Brave and The Bold is that so much of this first chapter is devoted to setting things up, that it seems to breeze by too quickly. I suspect this series may read better in its eventual trade-paperback collection. As a monthly book, however, it is far from bad and well worth checking out, especially if you're a Wonder Woman fan or like Celtic mythology.

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For those who have read The Sandman, this first chapter of The Dreaming will prove a satisfying homecoming. New readers may have a bit more trouble adapting, but this text is far from unfriendly and the artwork encourages close examination. Should this series continue to build and improve from here, a new golden age of Vertigo Comics may be upon us.

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As it stands, this is a solid comic and a good start to the second story arc.

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While unlikely to hold much appeal for those who aren't already part of the creators' established fanbase and genre enthusiasts, there is much to admire about The Fade Out. Those who give this series a shot will find it an enjoyable piece of pulp fiction.

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The Flash: Season Zero is an enjoyable book that will hold appeal even to those who don't watch the TV series. This issue is a particularly good jumping on point for new readers. And it is also a welcome treat for those Flash fans who can't wait for Season Two to begin this fall.

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This deconstruction of superhero tropes continues to amuse, but I found a bit more enjoyment in the essay in the back of the book where Eddie Gorodetsky discusses clichs in sitcoms and how repetitive reality shows evolved from them.

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The Good Asian offers a unique spin on a classic formula, ironically updating a tired trope for the modern age, while addressing the sins of the past. While it is likely to only appeal to genre enthusiasts, fans of noir detective stories will find this to be an engaging change of pace, If the rest of this series continues in this vein, Edison Hark will be able to stand alongside Spade and Marlowe in the annals of great detectives.

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I still suspect The Hard Place will prove a smoother ride once collected in trade-paperback format. Not much happens considering this is the first part of a five-chapter series and it may be maddening to read this story in a monthly format. Then again, with a strong concept and artwork to match it, The Hard Place will doubtlessly please those who enjoy The Fast and The Furious movies or comics like Initial D.

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The Joker #1 is more focused on Jim Gordon and Punchline than the title character. That may be a good thing if you believe, as I do, that The Joker should always be a force of nature or a supporting player, but never the focus of a story. The best thing I can say about this book is that it was full of surprises and unpredictable, just as The Joker should be.

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The Mighty Valkyries is a powerful read and an impressive first issue. While some familiarity with Jane Foster's story is helpful and the first chapter might have benefited from a bit more exploration of Jane's past for the benefit of newcomers, those readers who are caught up on how Modern Marvel differs from the movies will find a lot to enjoy in this issue.

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The New Golden Age is just the shot in the arm the JSA needs. Hopefully this will be the start of something big for DC Comics' first superhero team and a revival of one of comics' most underrated franchises. The upcoming JSA and Stargirl series will tell that tale. For now, at least, the future and the past are looking good.

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While it will have a hard time winning over those readers who have little use for weird war tales or cosmic horror, The Secret Land offers enough unique elements to hook genre enthusiasts with a new twist on classic themes. With solid art and likeable protagonists, this will be one to watch in the future.

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The series may have limited appeal to those who don't like high-octane action series or stories focused on assassin protagonists. Personally, I think those who enjoy series like John Ostrander's Suicide Squad will find a lot to like about The Silencer. I know I can't stay quiet about how good I think it is.

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Miss Tilney is an effectively written penny dreadful, though it suffers somewhat in this first chapter in that our title character barely seems to be involved in the action of the issue.

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Thor fans and fans of Marvel's cosmic series would do well to check this one out. I won't say why but you'll want to read this one for certain.

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Time Before Time is a truly timeless work, sure to appeal to fans of dystopian science-fiction. I don't think it will win over any who aren't already fans of the genre, but this is a solid opening chapter for what promises to be a great graphic novel.

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If you haven't given Titans a try, now is the time to do so.

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Titans: Rebirth #1 is not merely a comic book. It is a affirmation of everything the Teen Titans stand for as a concept. Now, as always, they are Titans Together. And if this issue is any indicator of what the future has to hold, they – and a new generation of readers – will be together for a long time to come.

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Simply summed-up, Translucid #1 is a solid first issue. Its inspirations are clear but its purpose is no less enjoyable with that knowledge. The artwork is wonderful and the story will leave you desperate for Part Two at its conclusion.

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Unsurprisingly, Manapul's artwork is equally elegant. The whole of Trinity #1 makes a case for more American comics spurning the assembly-line method of creation in favor of a single writer/artist overseeing most aspects of a book's creation. The only real flaw is that despite the wonderful character moments there is little weight to the story. Still, there is more than enough here to justify optimism for the future of this series and a cliffhanger that promises more action to come.

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Ultramega is not a cheerful book, but it is a timely one that redefines the Kaiju and Sentai genres through a mature and thoughtful lens. Also, you get to see giant monsters rip each other's arms off.

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Sadly, Vampirella #666 fails as an introduction to new readers. It is, however, a successful continuation of the excellent work Priest and Gndz previously presented. I suspect Vampirella Beyond will read better in the inevitable trade paperback collection than it does from month to month.

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Despite a little wonkiness in the artwork, this mini-series does have something for everyone. Those who are unfamiliar with Eddie Brock and his better half will get a decent introduction to who Venom is, even if his supporting cast is left unintroduced. Long time fans will get to learn the secret origins of the symbiote's first partner, in a story Marvel Comics history buffs are sure to enjoy as well. It's not perfect, but it's far from bad.

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Readers who enjoy a good mystery or tales of street-level justice will find Vigilante: Southland an enjoyable tale. My only criticism of the series as a whole is that Donny's newfound heroism must be born of a fridging. I cannot help but wonder how revolutionary a comic focused on Dorrie would have been. Still, I cannot fault this story for what it is. And Vigilante: Southland is damn good.

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Science-fiction fans looking for something different may find this to be a Trip worth taking, provided you don't expect Robert Heinlein.

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Fans of the mecha and kaiju genres will definitely want to check out We Ride Titans. It will also appeal to LGBTQIA drama enthusiasts, though it remains to be seen if Kit's sexual orientation is tied into the reasons she left her family behind. In either case, this is a series to keep an eye on.

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More laid back and less action-filled than earlier issues, Thompson's strength still lies in her tight characterization and dialogue.

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Diego Olortegui does a great job of depicting this. Unfortunately, the inks are a little thin at times and Chris O'Halloran's colors are oddly muted, washing out moments that should be depicted in bold, vibrant colors. Still, there is far more good than bad about this book. It is a must-read for all fans of old-school Spider-Man stories.

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Fans of Devin Grayson and Yelena Belova will want to pick this up, but there's little to recommend it to anyone else. It's a good, but not great comic, which doesn't seem to hold much significance except to those mapping out the current history of Black Widow and everyone tied to her. A blurb at the end suggests Red Guardian and Yelena will be showing up soon in Kelly Thompson & Elena Casagrande's new Black Widow title, which may retroactively make this comic more relevant.

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There is also not much in the way of character development in this first volume. We get very little sense of who Theo and Marie are beyond their powers. Thankfully, what little is revealed grips the reader, and leaves them wanting to read more about them and this world.

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This book perfectly captures the spirit of Wolverine and why he is the best at what he does.

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Ignoring the interludes with the Amazons, this issue does a fantastic job of showing just who Yara is and why she's destined for greatness, even if her destiny is not yet obvious to anyone. Jolle Jones' art is as fine as ever and draws the reader into the story effectively. Paired with the colors of Jordie Bellaire, the final effect is breathtaking. This is one gorgeous book and one that is well worth reading, if somewhat slow to start.

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Still, Stephen Byrne's artwork continues to astound, with the many sight gags planted into the background making this issue a worthy investment of your money and time, if you haven't already been reading Wonder Twins.

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While Wonder Woman #58 may not be an ideal introduction to the character and the status quo of her world, it is a serviceable one, backed by solid artwork. This will be a series to keep an eye on for some time, as it is clear Wilson and Nord are building to something epic.

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A serviceable issue with a powerful ending that will hit you in the gut like a wayward truck.

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Your enjoyment of X-Men '97 #1 will depend on how much you enjoyed the original show and the follow-up series. If you want to see more of these versions of the X-Men or felt cheated that the new show didn't show the early days of Jean Grey's pregnancy, this comic will provide. It may also satisfy those looking for an easily accessible X-Men book while waiting for X-Men: From The Ashes to begin.

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While I can't say this sort of story is my cup of tea, I imagine that fans of Booth and Nicieza will eat it up, as will fans of the 1990's X-Men books and cartoons. Despite that, this is a serviceable comic and the idea of a retro X-Men anthology is a solid one on its own. This issue is also worth grabbing if you're a fan of Cyclops and the Summers family, for reasons I dare not define.

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Despite it being fairly typical in terms of plot (how many X-Men stories opened with a jailbreak?), Taylor's humor make this one stand out as something special.

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There's little room for the quiet character development that Taylor is famous for, but he does manage to sneak a few laughs into the story in spite of this timely concept. There's lots of epic action scenes, however, well illustrated by Mahmud Asrar and Ive Svorcina.

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This is one X-Men book sure to appeal to everyone - even those like me who don't much care for X-Men.

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In the end, Dark X-Men #1 is likely to appeal to fans of the darker X-Men comics of the 1990s. The detailed, visceral artwork is a throwback to that era, and the main story is as light on characterization as it is heavy on bloodshed. Thankfully, it's not all doom and gloom though it sets the stage for some dark days ahead.

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Ultimately, I'm not sure who the intended audience for Age of Conan: Belit is. The reputation of the character will scare off feminist fantasy enthusiasts. The cover will likely drive away the YA audience. And Conan purists will turn their nose up at the attempt to appeal to another audience. It isn't bad for what it is and it is well-presented, but I'm hard pressed to think who, apart from existing Conan fans, might be a good fit for this series.

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The action is enjoyable and the artwork is suitably gritty, but there's nothing in this first issue that really qualifies as amazing or fantasy. Genre enthusiasts might enjoy the series once it is collected in a single volume, but there is little here to stir the souls of newcomers and inspire one to deliver a barbaric yawp.

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This annual is a harmless yet ultimately forgettable "Elseworld", whose surprise ending will likely be figured out by most readers within a few pages.

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It serves well enough, however, but this is hardly the best this title has to offer.

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I haven't been entirely sure what to make of this series at times, but Kelly Sue DeConnick's story has been a fascinating one, if hardly typical of the Aquaman series of late.

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Scott Snyder spins a magnificent tale, but three artists with drastically different styles leaves this book muddled and muddy.

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Despite its rough edges, Avengers: Mech Strike #1 is pretty good for a toy tie-in comic. It may even, I hesitate to admit, be good beyond being what it is; a simple story with largely decent artwork about superheroes fighting giant monsters and then getting giant robots to better fight the giant monsters.

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The artwork for the issue is great, however, with Wildgoose, Marzan Jr. and Lopes doing their usual stellar job on the pencils, inks and colors. The only sore point is Larson's script, which would be quite enjoyable if it weren't for the political non sequiturs grinding the story to a halt.

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While I'm willing to allow for anything being possible in comic book science, a make-up company accidentally creating life with a face-wash formula is more than I can believe. Throw in some sloppy artwork from Scott Godlewski (who seems to have some trouble with drawing eyes and depicting details beyond close-ups) and some odd color choices from John Rauch and this is one Bat-Book that can be easily skipped.

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It's worth muddling through for the sake of the story but just barely.

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This is a rather odd comic, all things considered.

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I fear Hope Larson and Chris Wildgoose have forever spoiled me on this series. Batgirl #26 is not a bad comic but I found no joy or sense of hope in reading it. Perhaps those who missed the tragic bleakness of the New 52 run on Batgirl will be pleased by this book, but I was not. As far as I'm concerned, this is a step back away from what Rebirth was meant to accomplish.

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Thankfully, the art isn't bad enough to distract from the story but this is one issue of Batgirl and The Birds of Prey that isn't up to its usual high standard. This is unfortunate because there's the start of a decent story here underneath the layers of exposition. Hopefully things will be back to normal next month.

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Unfortunately, Roge Antonio's artwork gets sloppier with every passing issue and there are several pages I'd swear were half-sketched layout sheets rather than fully detailed comic pages.

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I've said it before and I'll say it again " Yanick Paquette needs to be drawing this book instead of just doing the covers.

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The good news is my prayers for a new art team for this comic were answered. The bad news is that Roge Antonio was replaced with Marcio Takara, whose work here is sadly closer to his recent sloppy and over-inked run on Detective Comics than his work on All-New Wolverine.

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The Benson sisters' scripts are as strong as ever. Unfortunately, the erratic artwork of Roge Antonio that drove away many readers is still here as well.

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Despite being the third part of Full Circle, it stands on its own as a story surprisingly well and offers a pitch-perfect take on the Oliver Queen/Dinah Lance relationship. The artwork is as lackluster as ever, sadly, with Roge Antonio clearly recycling several faces and Marcelo Maiolo's colors being as washed out as ever.

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As it stands, there's no reason to pick this issue up unless you've already been enduring the artwork for the sake of the story so far.

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Despite this, everything still comes down to that question " can you abide idiot Booster for the sake of a joke? Personally, I cannot, but that doesn't change the fact that this issue is technically accomplished purely in the terms of its craft beyond the premise.

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It's a good place to start reading if you're curious about Batman after the wedding issue but beyond that it's nothing special despite some fantastic artwork.

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As much as I've loved Williamson's work on The Flash, even he can't make me care about the trappings of Tom King's Batman run.

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Just one more issue of this nonsense before I can go back to just reading The Flash and not caring about Batman.

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Decent, but only die-hard Batman fans need pick this one up.

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The artwork for this issue is good, if nothing else. I loved Cully Hammer's work on The Shadeand his artwork here is of comparable quality and composition. Laura Martin delivers a stellar job on the colors and Deron Bennett is a master of the printed word. I just wish this fantastic art team had been given a story that was more easily accessible to the new readers it was meant to attract to illustrate.

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The artwork is still fantastic and the link to Dark Nights Metal has finally been made clear but only the most devout Batman readers will have any hope of following this story.

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Fans of the Birds of Prey books will want to check this issue out, despite its flaws, as will any fans of the original show hoping to see more of Jimmy "The Jazzman" Peake. The solid story outweighs the occasionally off-model artwork and there's far more good than bad to be found here.

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Dan Abnett's script is strong enough and The Drowned is easily the most unique and unsettling of The Dark Knights to date. Unfortunately, the formula for most of the Dark Knights solo-stories (Dark Knight shows up, Justice League counterpart shows up, they fight, Dr. Fate shows up to save the counterpart) is starting to get stale.

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Sword and sorcery fans may enjoy it, but everyone else will wonder why they bothered.

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Cloaked is not a bad comic, being competently executed. Unfortunately, one can't escape the feeling that we've seen this story told before and told better elsewhere. Still, Film Noir fans and Batman fans looking for a change of pace should give it a try.

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Jason Aaron's script is forged of the Howard mold, with its central idea taken from the first line Conan ever spoke in any short story. Alas, the art is less inspired, and is barely legible even at the best of times.

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This is a serviceable issue of Conan The Barbarian, but not a great one.

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This isn't a bad comic, but it's hardly an outstanding example of the genre.

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In the end, Conan The Slayer #10 is merely serviceable. Those who want to see Conan flight a giant monster while a buxom blonde screams and further imperils herself will not be disappointed. Those who have become accustomed to the deeper works Cullen Bunn and Sergio Davila created in the past will find themselves wishing for something different.

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As a fan of Black Canary and Green Arrow, I loved this issue. I must admit, however, that there's little to hold the interest of those who aren't already fans of Black Canary and Green Arrow. There's no grand revelations about Dark Crisis that make it essential reading for the collectors and continuity buffs. It is, however, a good love story, for those who enjoy those.

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It's good as far as art for arts's sake goes but this series has become empty calories as far as I'm concerned.

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Those who are expecting high comedy will be disappointed but those who might enjoy a slice of nostalgia that perfectly replicates the cheesy but enjoyable feeling of a good 1970's low-budget kung-fu action movie will want to check this out.

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Fans of Taylor's previous work and zombie comics will be able to cope with the artwork for the sake of the story, but mainstream superhero fans will likely want to steer clear of this miniseries.

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At least Barbierie portrays Dejah as a competent warrior in the few moments we see her in action. Nevertheless, I cannot recommend Dejah Thoris. It has excellent artwork but the story does a greater disservice to the Warrior Princess of Mars than even the most gratuitous of Frank Cho pin-ups.

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Thankfully, these issues don't drag this comic down completely. If one can work past the erratic inks, there is a great story at the heart of Detective Comics #957.This issue is a must-read for all those who have missed Stephanie Brown, be it as The Spoiler, Robin or Batgirl.

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Unfortunately, the artwork is a muddy mess, with three inkers killing any chance at a uniform look and Joe Bennett's take on Clayface looking nothing like the character we've seen in earlier issues.

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The art, unfortunately, does not match the script. Between Jason Wright's odd choice of bright colors and Jesus Merino using thick inks to outline his pencils but hardly any inks at all for shading, the artwork for this issue looks oddly off-putting. Somehow, it looks far brighter than any Batman comic should and yet the individual line-work seems oddly over-emphasized.

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While not as friendly to new readers as his previous opening issues for new story lines on Detective Comics, this first chapter of Batman: Eternal continues to develop James Tynion IV's understated redevelopment of the Batman Family for the Rebirth era.

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This comic averages out to be okay in the end, but this is still a serious step down from the past two issues.

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With this issue, I'm finally convinced that Bryan Hill has gone off the rails and the Bat-Office is ignoring the rest of reality for the sake of the story they want to tell.

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Thus far, Doctor Who: Ghost Stories seems unlikely to satisfy those fans who hoped to see more of The Ghost and Lucy Fletcher following The Return Of Doctor Mysterio. It isn't a bad book but the tone of the story thus far doesn't seem to match the episode it is based on. The artwork is competently executed but hardly exciting. At 99 cents a chapter, it's hardly a bank-breaking investment but there's little to recommend this series to any but the most devout of Whovians.

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Would I recommend Once Upon a Time Lord? Only to the most die-hard of Doctor Who fans. It isn't bad, but there's far better Doctor Who stories out there that cover the same ground, and Slott has written better.

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Doctor Who: The Eleventh Doctor #1 will be out next Wednesday, July 23rd from Titan Comics. Grab a copy at your local comic book store (Don't know where that is? Here you go.) or digitally via Comixology.com.

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In the end, this issue is merely average. A good story and a great artist are benched by their association with a less-skilled artist. Hopefully when Year Two begins Cris Bolson will be back as the series' solo artist.

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The artwork by Gary Frank and Brad Anderson is fantastic but Geoff Johns' script has yet to say anything significant.

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The art by Gary Frank and Brad Anderson is still fantastic, but it seems to be a pretty layer of paint on a largely empty house.

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As it is, Doomsday Clock #12 is an ending. Not really a good one or a bad one but it is a conclusion. Then again, nothing really ends, does it?

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The grand irony of Earth-Prime: Batwoman is that despite the best efforts of its creators (and some overly large editor text boxes) it is geared more towards the established Arrowverse fanbase than newcomers who might stumble across this book at their local comic shop. It's not completely inaccessible, but it also isn't the best story for drawing in new readers. This is the same problem that keeps fans of various superhero media from getting into comics, which are often seen as having too much backstory to get into. That being said, if you're already a Batwoman fan, you'll want to pick this issue up.

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In the end, Event Leviathan is tolerable but your ability to enjoy it will depend upon how well you can withstand BM Bendis' clunky exposition for the sake of Alex Maleev's artwork.

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Presumably fans of the original Excalibur series will be on firmer footing, but on the whole this book is an insular reminder of why I typically avoid X-Men comics.

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Despite this unevenness, Eye of Newt #1 is still a promising start to what should be an excellent series. Whatever flaws exist in the artwork are more than made up for by the moments where the visuals work perfectly. And the story – while satisfying all the tropes of a typical boy's story – has enough new spins and interesting ideas to make it seem like an original tale.

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This issue isn't bad, but the creative team has done far better.

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Unfortunately, the artwork is as muddled as the story is brilliant. With four artists working on this issue in interchangeable order, there is no sense of unity to the book. Nothing really looks bad, as such, but there is no clear visual aesthetic and no purpose for the discontinuity. Fantastic Four fans will enjoy themselves, but this issue won't win over any new readers.

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Muddy and muddled, this series needs a single solid artist working with Slott, who can put their aesthetic stamp on this in the same way as past Fantastic Four artists. In the end, this is a decent comic book, but it is hardly fantastic.

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All in all, while Fantastic Four fans may find Life Story to be an interesting diversion, there is little in this first chapter to hold the interest of anyone else. Russell's script doesn't make the same bold strides that Spider-Man: Life-Story did with the same setting and the artwork, while competent, is not outstanding.

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It's a crying shame the story is so flat because the artwork is gorgeous. Adriana Melo, while not an adherent of Jack Kirby's style, boasts a similarly bold aesthetic that has the same sense of scope that the New Gods demand. Hi-Fi's colors are equally well suited to this sort of story, but it's a bit of a waste given the actual story. Fourth World fans will enjoy this series, but few others will.

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Loyal Browncoats will be able to ignore the erratic artwork for the sake of the story but this series seems unlikely to convert anyone into a Firefly fan.

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Always a book only a Browncoat could love, only the most die-hard of Serenity fans will bother with this one. Perhaps not even them.

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Overall, this is a solid issue of The Flash but not a great one. The script is strong and it's good to see the Wally West subplot finally developing some momentum. Yet the artwork is oddly forced and looks unnatural at times, but it's nothing longtime fans of the character will find themselves unable to work through.

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Come to that, most of the dialogue in this issue seems a bit off, perhaps due to Michael Moreci being involved in the writing? At least the artwork by Pop Mhan looks good but that's cold comfort when this book is usually great.

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The story in this issue is unfortunate on several levels, with one of the more interesting female characters introduced into this series in the Rebirth era randomly rushed into villainy for the sake of pure drama.

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The Flash #36 isn't a bad book and it's a good jumping-on point for new readers. This issue is still far rougher than usual, however, and not representative of the usual level of quality from this creative team. It is good, not great, but well worth fighting through the rough-spots to enjoy.

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Joshua Williamson's command of the characters continues to be fantastic, but this series needs a good, regular artist that can match his writing and it needs it fast.

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The artwork by D'Anda and Guerrero seems oddly off, even ignoring D'Anda's obvious panel recycling.

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Di Giandomenico's style is an acquired taste, but the visual conceit of depicting the speedsters with squiggly lines to suggest their continual motion is a marvelous conceit. It just works much better in a story where not ALL the characters are moving at super-speed.

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Joshua Williamson adds in a few good character moments and the artwork by Carmine Di Giandomenico is good enough, but ultimately there's nothing here Flash fans haven't seen done before and done better.

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A serviceable issue, but sadly soulless, like most of DC Comics' forced tie-ins.

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Overall, this issue is underwhelming and far weaker than the sum of its parts. The good parts, however, deserve consideration on their own merits.

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The final page suggests that big things are coming with a revamp of a classic Flash villain. I think it would have been better had Shinick and Henry decided to open with that story instead of this frankly lackluster one. The Flash #763 isn't a bad comic but it's a painfully ordinary opening for a new run following after the Legion of Zoom. Still, there is potential here and a hope that something better is building.

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All in all, Flash Forward is what it is - an editorial mandated event with little heart behind it, though it does look good enough.

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With Dark Crisis approaching, it is hard to say what effect (if any) Flashpoint Beyond might have upon the DC Universe. The cruel irony is that for all its dependence on earlier stories, it is best considered on its own terms. Within that vacuum. it is a passable read. Time will tell if it might be something more.

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Tom Taylor still spins a strong story and has good handle on the Fantastic Four beyond Human Torch, whom he wrote in an earlier issue. It's enough to make me want to read a Fantastic Four comic by Taylor some day, but there's a lot of titles I hope to see Taylor write someday. As it stands, this issue ultimately evens out to okay, due to the ever-shifting art style.

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Even Dale Eaglesham's artwork can't save this issue, which is dire, joyless and doesn't go anywhere. In other words, it's everything a Flash comic shouldn't be, though it does look good.

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The Suicide Squad comic presumes the reader is already familiar with the concept and characters involved, yet makes little effort to be funny or get us emotionally invested in any of the characters.

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More could have been done to introduce the casts, but regular readers of Justice League Dark and Justice League should enjoy it.

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I'd say it's worth picking up just for the story at the start, but I wouldn't recommend reading past it.

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George's Run will mostly appeal to nostalgia buffs and scholars of the Golden Age of Television. Yet I believe it may also capture the heart of anyone who dreamed of meeting their heroes and becoming their friends.

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Fans of the spider-powered Gwen Stacy will love this book but it seems unlikely to win her any new fans.

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Unless you just plain don't like cyberpunk dystopias, you have no reason to miss Goddess Mode #1. Even then, this is still worth a peek to make certain, as this is unlike any comic you're likely to have seen.

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Green Arrow #24 is something of a disappointment. Despite Benjamin Percy rushing this issue to its conclusion, there's no payoff or resolution to speak of. Juan Ferreyra's artwork remains excellent but can only do so much to dress up this lifeless ending.

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In the end, that is the best thing that can be said about Green Arrow #32 " it accomplished what it set out to do. It brought Oliver Queen into the Dark Knights: Metal story-line and, much like Green Arrow himself, it did it with a certain ham-fisted style.

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The whole plot involving Moira's resurrection has killed the momentum of Oliver's trial and I'm eager for it to be resolved so that we can move on to more interesting stories.

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At least Juan Ferreyra's artwork is still amazing but there's only so much junk plotting I can tolerate in the name of good art.

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As rushed as it may be artistically and as many questions as the script leaves me with, this comic is still a grand acknowledgement of what a great character Roy Harper is and how tragically stupid his death was.

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Presumably the people who have been reading the latest Infinity War mini-series may find this engaging but the rest of us will be horribly confused and the artwork isn't good enough to make it worth muddling through the story.

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Overall, this book may please fans of the previous Guardians series but its largely inaccessible to new readers.

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Hawkeye: Kate Bishop #1 is a decent enough introduction to its title character, but it pales in comparison to her earlier appearances. While it isn't a bad book by any means, I think those fans of the new Disney+ series looking for more stories of Kate in action would be better served tracking down the trades of the Matt Fraction/David Aja Hawkeye series than picking up this book. Established fans of Kate Bishop, however, will want to grab this just to see what Kate's been doing since West Coast Avengers ended.

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The plot isn't ground-breaking but it's not like the original cartoons were all that complex either. The script by Rob David and Lloyd Goldfine does a good job of capturing the essence of the characters (despite it doing a poor job of introducing most of them) and there are a few novel touches that speak to their love of the characters. Chief among these is the unveiling of the issue's narrator, which won't be much of a surprise for most readers but will prove most gratifying on the final page.

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Like a slow boiling gumbo, House of Whispers is taking its time to get properly prepared. It remains to be seen, however, if readers will stay around long enough to see what it is cooking up.

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While Injustice 2 #11 provides important historical context of how Kara Zor-El came to Earth in the Injustice universe, it does little more than that. Tom Taylor does his best to dress up a familiar story with some good character moments but there's only so much he can do. Similarly, Mike S, Miller's artwork is competently crafted but there's nothing here that stands out and grabs the imagination.

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Taylor breathes new life into The Amazons and fans of the Wonder Woman movie will like his take on the familiar characters. Mike S. Miller's artwork is less enjoyable, full of forced-poses and awkward expressions.

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Fans of a good spy story and Fantastic Four will want to check this mini-series out, regardless, but there's little to interest a general audience.

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Iron Fist enthusiasts may love this series, but newbies will find it unfriendly. While the story tries to offer an introduction to Danny Rand's world, it abandons the reader just as the party is starting. The artwork also clashes with the story and it is not a friendly sparring match.

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Liam Sharp's artwork looks great but there's not much "there" there in Robert Venditti's script.

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Is it worth buying Justice League #59 purely for the glory of the Justice League Dark back-up? Can one truly tolerate a world full of demons for the sake of an angel? That is a decision you will have to make for yourself. For me, this book averages out as decent, at best, and were it still possible for me to purchase Justice League Dark on its own, I would do so.

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Click on the image above to view the full-size page in another tab.Justice League #75 may be the most anticlimactic first issue of any new creative team in recent memory. This is largely because this issue has nothing to say beyond "Read this book that is coming out later. The sad thing is that despite its many flaws, I still found this more enjoyable than any issue of Brian Michael Bendis' Justice League.

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Overall, this issue is something of a disappointment after the first special, with the characterization being paper thin and the story fairly standard stuff for a team series. Taken as a work of commentary however, the book becomes a brilliant piece of satire, albeit it possibly unintentionally. I can't say I liked it much but neither did I dislike it.

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Easily the weakest of the new Sandman Universe offerings so far for how little it takes advantage of the characters and settings, Lucifer is not entirely bad enough to be worth disregarding yet.

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In addition to some historical reprints and interviews, there are enough good stories with solid artwork to redeem the most painful parts of Marvel Voices Pride #1. It is a mixed bag, as most anthologies are, but not without its charms despite a few rough edges.

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Fans of the original story and Alex Ross will likely enjoy this series but I'm not sure about more general audiences.

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All in all, only the most die-hard of He-Man fans need give this book a look-see. Newcomers will be completely lost, assuming they aren't bored by the lack of action. The nicest thing that can be said about this book is that it definitely feels like a He-Man story, so those who feared that Orko would be trying to sell dime-bags purely because of Kevin Smith's involvement can rest easy.

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As far as imitations go, this is a good one and there is enough here to encourage Kirby devotees to continue reading.

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Fans of Champions may enjoy this series, but it is hard to recommend it to anyone else. Familiarity with the characters is assumed, so new readers will be left in the dark. The story, while competently executed, is far too derivative of earlier series. And the artwork is merely okay, apart from a few oddly awful panels. Despite this, it's better than Civil War, but that's damning with faint praise.

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Despite all this, Pop #1 is an enjoyable read. It isn't quite the satirical sci-fi classic that it has been promoted as, but it isn't a bad book. There's enough good in this first issue to suggest that this series will improve with time and it may prove to be a more solid read in its final collected edition.

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Post Americana's first issue is serviceable, if unoriginal. It's possible Skroce's story could move in unexpected directions in later issues. Even if it does not, the action is solid enough and the excellent artwork is reason enough to continue reading this series, which reads like a good piece of Fallout fan-fiction.

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All in all, Pretty Violent is a delightfully twisted take on the superhero genre, though it is hardly original and barely readable.

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This sci-fi series may find a way to distinguish itself in later chapters but there's nothing in this first issue that drives me to want to pick up Issue #2.

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Later issues may help to better define Pietero's character, but this issue leaves new readers with little reason to stick around and find out.

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Overall, fans of the current Red Sonja series will like it, but it's unlikely to win over any new fans.

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Fans of Niles' work and Red Sonja will probably want to pick this up once it is collected into a trade. This isn't a bad comic by any means, but it should have been more given the talent involved. Hopefully it will prove to be more than the sum of its parts.

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Fans of these artists may enjoy Redlands #1 for the visuals alone. Horror enthusiasts may be willing to forgive this prosaic opening for the promise of something different in future issues. Everyone else, I fear, will find little reason to pick up Redlands #2.

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Sadly, that is not enough to make Royal Blood worth reading. The story isn't bad but ultimately has very little plot or point. Still, the great artwork is worth looking at and the most enthusiastic of fantasy fans and history buffs may enjoy this book despite its standard story.

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In the end, there's very little to recommend this issue or this series. The action of the script is good and Waid goes out of his way to show how awesome Agent Coulson is as a character. Unfortunately, the same effort wasn't applied to the rest of the cast and readers who aren't already familiar with the show won't have much to catch their interest. The artwork is merely decent, apart from the coloring, which is abysmal. All in all, this is typical of the kind of mediocre work one expects of a tie-in comic.

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The back-up comic with art by Goran Gligovic is more to my liking and is an amusing take on Robin Hood sure to satisfy most fans of the bold outlaw. Would that we had gotten more of this tale than 20 pages of an easily annoyed amazon and a over-excited satyr! Fantasy fans might enjoy this book, but all others can give this one a pass.

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Despite the issues with the art, I still found myself enjoying the story immensely. The script by Marguerite Bennett and Christina Trujillo works past its standard plot to establish Sheena's personality, if not her backstory, for new readers.

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Still, Sideways #1 is competently executed, if uninspired. The artwork by Kenneth Rocafort is largely excellent, though his linework gets a little too involved at times in the close-ups. The colors by Carlos M. Mangual are well-chosen, giving Derek's largely black costume some excellent definition by varying the shades of grey as the light hits it. This is not a bad comic but there's nothing here that excites me enough to pick up a second issue.

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Despite this, the basic story shines through the unclear artwork. Overall, this is a strong start to what promises to be an interesting series. Sovereign is a must-read for all fans of good fantasy.

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Fans of the spy genre will find Spy Superb enjoyable. I fear it doesn't have much broad appeal. Still, for what it is, it is a good book.

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Fans of good anti-hero comics and Captain Marvel will likely enjoy this, but most audiences should seek a guiding light elsewhere.

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This isn't a bad comic but only die hard Star Wars completeists and Lando fans need bother.

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All in all, there's nothing here to drive off those who are interested in the continuing mystery of Krypton's destruction. Fans of Supergirl, however, may find themselves hard-pressed to care about a story that is competently handled but largely lackluster.

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In the final analysis, this new Supergirlseries is serviceable but not outstanding.The artwork is good, despite a few minor hiccups. The story isn't bad, though the structure is weird and the cast apart from Kara aren't memorable at all. Still, this is a good enough base that something better might be built upon its foundation.

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Sadly, Supergirl Woman of Tomorrow #1 is doomed to be recalled as DC Comics' latest failed effort to do something of note with Kara Zor-El as an edgy outsider. The lackluster story looks pretty, but dull coloring takes the finish off of it. Those Super-fans hoping to see comics featuring a Supergirl who acts like Melissa Benoist will have to wait a while longer.

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Ultimately, your enjoyment of this series will come down to how much you can tolerate forced artwork for the sake of a good story. Personally, I don't think it is worth it, but this issue ultimately evens out to average if you ignore the politics and a few cringe-worthy panels. At least we're not getting Aunt May's O-Face.

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The only wholly worthwhile element is Hi-Fi's colors. Easily the weakest of the Dark Multiverse books to date.

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Only the most die-hard of Bat-Fans and Dark Multiverse completists need bother with this issue. It has nothing to do with the original Hush storyline, which is forgivable. The fact that it is centered around a dull protagonist and features a predictable "twist" ending is not. The by-the-numbers artwork is tolerable, but only that.

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Regular Teen Titans fans may lament the lack of Starfire, Raven, Beast Boy and the rest of the team in this issue. As well they should. As a continuation of its own story-line,Teen Titans #12isn't very good. As a continuation ofDark Knights Metal, however, it is fantastic. Good as it is, it would have been better had this Gotham Resistance mini-series been released as its own book or had found some way to better make use of The Teen Titans in their own title.

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Fans of Glass's work on Suicide Squad may enjoy this issue but as competently executed as it is, I personally see little here to encourage me to keep reading Teen Titans.

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In the end this is a good story, robbed of greatness by artwork that just doesn't work.

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The Man of Steel #1 is a solid Superman story but nothing more than that. The bits focused on Superman being Superman are fantastic. The parts involving the new villain are beneath the creators involved. So far, this series is proof that Superman doesn't need to be redefined for a new generation of readers " he needs to have what he already is looked at in new and unique ways.

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Is this a bad comic? Not entirely. But it's hardly the grand event it was promoted as.

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While a solid comic, this isn't the slam-dunk the early press suggested, though there is ample room for improvement.

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Lemire's script does a fair job of replicating the feel of the old Fantastic Four comics this series is meant to emulate. Unfortunately, he's starting to cross the line from tribute to parody.

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Thunderbolts #1 isn't a bad comic but it's unlikely to win over new fans. The artwork is competent but doesn't suit the serious story. The plot and character development may improve in future issues, but it's unlikely I'll return to confirm that.

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Titans #1is a good enough comic but something of a disappointment given how outstanding the lead-in issues were. Still, there is enough good here to encourage continued reading. With any luck this weak start will build to something bigger and better.

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Titans #8 isn't a bad comic and it's a good starting point for new readers who are curious about the series. Unfortunately, this issue isn't Brett Booth's best outing and Dan Abnett's character scenes are starting to get a little repetitive for the long-time readers. A little more variety in the conversation and a little more consistency in the artwork would do this series some good.

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The final chapter of The Rise of Troia is a serviceable conclusion but not a particularly exciting one.

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A larger problem is the artwork, which resembles completed coloring book pages thanks to the bold colors, thick inks and forced poses. It doesn't look bad but there's little sense of subtlety to it and the whole thing is just strange.

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Ultimately, I consider Titans #23 to be a disappointing book given the talent involved. Dan Abnett is capable of writing great character pieces but it seems that his heart isn't in it anymore with the new line-up and the story has him seemingly going through the motions.

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Sadly, the artwork is all over the place, as one might expect from a special that features eight artists and six colorists!

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There is little about Vote Loki #1 that stands out, for good or ill. Ironically, much like its protagonist, it is not good or bad – it is just there. And, like Loki, the book has some small charms but it shows signs of being capable of being much more than it is.

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Despite these flaws, What If? Dark: Spider-Gwen #1 is a serviceable What If? story. Spider-Gwen fans will appreciate it as a new take on the idea of Gwen Stacy as a hero. Classic Spider-Man fans may have trouble with the details, but should enjoy it as a light read.

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This is not a bad book, but it is not that great either.

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All in all, this comic is good but not great. Long-timeXena fans will thrill at the story, though new readers may be slightly confused. The artwork is largely serviceable but contains a few oddities uncharacteristic of a usually excellent art team.

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The biggest problem with this book is the artwork. Miller's best days as an artist are behind him and the cartoonish turns of several panels ill-suit the intense story. Alex Sinclair's colors do little to help matters, brightly emphasizing what might have worked had it been cast in shadow like the original 300.

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The artwork is good, but that's not enough to make this worth reading, even with the book only costing a quarter.

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The 2023 Amazing Spider-Man Annual can be easily skipped by most Spider-Man fans. Those seeking a continuation of the stories of Hallows' Eve and Fall of X will enjoy it, but there is very little Spider-Man to be seen. A larger problem is the overall uneven level of quality between the two stories.

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Wonder Woman #1 is a fantastic looking comic, but the story will seem unpleasantly familiar to fans of the character. It is possible that Tom King might put a spin on the idea that will distinguish it from the original Amazons Attack. Unfortunately, this first issue offers little hope that will be the case.

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Trite and overwritten, the only saving grace of this issue is Szymon Kurdanski's excellent artwork and Brad Anderson's colors.

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This book was incredibly hard to read. Andy MacDonald is a decent enough artist, but his visual storytelling skills need some work.

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In the end, your enjoyment of Amazing Mary Jane will come down to your ability to cope with terrible artwork to enjoy a well-written story. I wasn't up to the task, great though Williams' dialogue is. Hopefully she'll find a more capable partner on future projects.

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In his notes at the end of the book, Straczynski says the reason he wrote this series was that he really wanted to write a noir comedy. While he captures the feel of the noir detective novel fairly well, the comedic elements of the story fall flat. The kindest thing that can be said about Apocalypse Al is that it isn't a bad supernatural detective story – it's just a wholly unoriginal one that isn't that funny.

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Easily skipped by all but the most devout Aqua-fans.

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As in season 3, Laurel is a fifth wheel – an unnatural presence in Oliver's world whose inclusion in the story seems forced. The issue might have been better were Laurel to affirm her friendship with Oliver here and confirm that – in spite of everything that came between them – she believes he has changed and has become a good man. Alas, we instead get Felicity delivering another repetitive speech about how Oliver is far different than the killer he once was and how he should not doubt that.

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Dark comedy is a difficult thing to pull off and Tom King totally blows the punchline in this issue.

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Batman: Damned is representative of its creator's core talents. Unfortunately, this means that Bermejo's beautiful artwork is pretty wrapping paper disguising the revolting cow-pie of Azzarello's bleak, lifeless writing. In the end, this book is damned awful.

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Sadly, this amazing artwork does little to hide the overly complicated and rushed story. This comic – and indeed this series – are a tale full of Sound and Fury, signifying nothing. The only reason I'm planning to pick up next month's issue is out of a half-hearted hope that the mysterious white-clad blonde ninja chasing after Dinah (the one mystery not yet explained) will turn out to be her long lost sister Sara.

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If I were to summarize Blue Beetle Rebirth in a single word, it would be disappointing. I'm honestly not sure who this series is aimed at. New readers will find the material largely inaccessible. Fans of the characters won't appreciate the liberties taken. And the best parts of the issue are those taken directly from DC Universe Rebirth #1. All in all this does not bode well for this series' future.

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There is little to recommend continued reading of Cyborgbased purely on this first issue. The issue does a good job of explaining Victor Stone's background and powers but there's no sense of the personality of the man behind the machinery. Likewise the artwork is technically proficient but largely lifeless. Ironically, it is the mechanical nature of the art and story that makes Cyborg Rebirth #1 a dull, if well-crafted, reading experience.

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The artwork is great, but not nearly worth enduring the lackluster story and cardboard characters. Leave this one on the shelf and wait for someone at DC Comics to develop the sense to update this tired concept to Text H For HERO.

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It can be hoped that Dissonance will scan better in a single-reading once the trade-paperback edition arrives. Unfortunately, there is little here, apart from the artwork, to make me want to read the second issue to see if it gets any better.

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Madame de Pompadour once said that one can tolerate a world of demons for the sake of an angel. Personally, I would not recommend tolerating the horrendously awful main story of this comic for the sake of the brilliant back-up.

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The uneven artwork by Francesco Manna doesn't help matters, with odd proportions and differing levels of detail for certain characters in the same panel.

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All in all, I can't recommend Factory save to the most enthusiastic of post-apocalyptic fiction fans. The artwork is incredibly unappealing. The story's slow pace offers nothing to encourage readers to continue on to its second installment. Worst of all, it is just plain dull!

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In the end, Fantastic Four may have a new #1 issue and a new creative team but that's all that's new. Fans of the First Family of Marvel may enjoy it, but new readers will have little reason to continue on with the saga past this first issue.

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It seems that Greg Pak's story is about to peter out, as all the various subplots are rushed in this penultimate chapter to bring everyone together, despite hardly anyone being anywhere close to each other for most of the past few issues.

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This book is fit only for the most die-hard of Titans enthusiasts and definitely not for newcomers.

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Only the boldest Super-Fans need apply.

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Genius isn't as smart as it wants to be. The artwork isn't bad, but it proves incapable of conveying the story that the writers have to explain on page one so the audience will have some vague idea of what is going on. There is little to recommend this book to anybut the most devout fans of the true crime genre.

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On the whole, this new direction for Green Arrow is two steps backward. This might be a good first issue for a new horror series for Vertigo Comics. But ultimately there's nothing here that really speaks to this being a Green Arrow comic apart from the hero being named Oliver Queen.

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Despite all this, I still have hope that there is a swerve coming. I hope that this issue truly the last we've seen of stereotypical hacker and whiny coward Henry Fyff and that – with Diggle returned – we will also see the return of Felicity Smoak. I hope that Shado turns face before this arc ends and that Emiko will shortly follow Fyff into Comics Limbo. Most of all,I hope that Dinah will save herself and become the cavalry Ollie needs in the final part of this story.

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Green Arrow #39 does not negate Percy's work on Green Arrow. It would be giving the creative team far too much credit to suggest they were even capable of that. Green Arrow #39 does stand, however, as a stark reminder of the sorts of comics that made DC Rebirth necessary in the first place.

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Those who thought Tom King couldn't possibly annoy audiences anymore after the debacle of Batman #50 and the wedding of the year that wasn't will be stunned to find he has managed that task with Heroes In Crisis #1.

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In the end, James Bond: 007 is unlikely to win over those who aren't already fans of Bond or Garth Ennis. It is unapologetic in being what it is. Thankfully for Dynamite, it is also everything the fans might hope for.

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Overall, this issue seems rushed and ill-conceived, presumably meant to put Aquaman front and center in the world of comics just in time for his solo movie. One wishes they had taken the time to plan out something better.

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If this is any indicator of what Bendis has in store, however, they'll probably have to wait even longer for a Legion comic worth reading.

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MASK: Mobile Armored Strike Kommand #1 is proof that some things are best left in the past. There's a wonderful idea at the heart of this book and the artwork is good from a technical viewpoint. Unfortunately, the constant tonal shifts in both the writing and the artwork coupled with the inaccessibility of the material to new readers make this book one trip down memory lane best forgotten.

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I wanted to like Man Without Fear but there's so little to admire about it.

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I suspect Port Of Earth might work better as a straight science-fiction novel than as an illustrated story. The base idea is sound but the execution " in terms of scripting and color art " leaves much to be desired. Hard science-fiction fans may enjoy it but most audiences will not find this port to be a hospitable place to dock.

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In the end, Real Heroes fails to live up to the potential of its premise. It isn't a bad book, but Bryan Hitch has little to say beyond the base concept of "the cast of Avengers does Galaxy Quest". Alas, there is little indication that this book will be as inspiring as the former film or as funny as the later.

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A largely pointless and easily skipped mess, that will only appeal to those sad souls who think the 1990s were the height of the American Comic Book industry.

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Is this second chapter of Birth of the She-Devil a bad comic? No, but it is a bad Red Sonja story, that would be more appropriately titled Raka " Birth Of A Chaos Mage or Ozzyus " Birth Of A Cohort. Fans of the artists might consider picking it up but there's nothing here for Red Sonja fans.

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Retcon #1 fails to be "all-new" or "all-different", delivering more of the same tired covert superheroic schlock. The artwork is messy, the story mediocre and there's no sign of the big idea promised by the sales blurb. In short, Retcon #1 needs another reboot to be worth reading.

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Sheena #0 was a disappointment. Sheena #1 is a greater disappointment, with bland art, blander colors and a plot that would have been cliched in The Golden Age. It seems those hoping for the grand return of the first superheroine will have to wait a while longer for a book worthy of The Queen Of The Jungle.

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I had hoped after Sheena #6 that the tide might be turning on this series, as I've enjoyed Marguerite Bennett's writing in the past. Unfortunately, her efforts " with Christina Trujillo " to revamp the Steven E. De Souza revamp fall flat and are made worse by Maria Sanapo's artwork.

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Ultimately, Snelson: Comedy Is Dying is a meandering mess with sloppy artwork and no apparent point. Of course that's just my opinion. I could be wrong.

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This is a terrible story with good artwork that completely assassinates the character of Peter Parker in the name of shock value, to sell a story that couldn't be promoted on its own merits.

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Folks, it takes a lot for me as a librarian to say you're better off playing a video game than reading a book. But if the book in question is Spider-Man: Velocity? Go play more Spider-Man PS4 instead.

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Compared to other comics that Marvel has released to expand the Star Wars Universe, this is one part of the canon that I think we could have done without. Like Jar Jar Binks.

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Overall, there's little reason for any but the most die-hard of Star Wars fans to pick up this book. Caper-story enthusiasts will be disappointed by the lack of an actual heist or any indication of a heist to come in later issues. And comic fans will be turned off by the mediocre artwork and dry plot.

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The artwork by Ivan Reis, Joe Prado and Alex Sinclair is fantastic but it's a pretty paint-job on a story that is anything but super.

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It's telling that the best parts of theSuperman: Leviathan Rising Special #1 are those that have nothing to do do with the Leviathan storyline. It is to be hoped that the new Lois Lane and Jimmy Olsen series might get a sizable sales boost from the preview here. As for the rest of the book, the Leviathan organization may be rising, but this(anything but) special crashes and burns exiting the gate before it can get onto the runway.

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I'll probably read the upcoming Superman and Action Comics series out of morbid curiosity and my sense of duty as a critic to see how this all finally pays out. That being said, I wouldn't pay money for this book and neither should you.

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In the past, I've praised Titans for being remarkably good with hoe accessible it is to new readers. This issue proves a sad exception to that rule.

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Apart from the wonderful art, there's little to recommend Wonder Woman: Rebirth #1. There's no real story to this issue – merely an affirmation that things are screwed up and that Diana will need to fix them. What we needed was a bold declaration of who Wonder Woman is and what she stands for. What we got was a promo-book, promising that we'll be getting to that in the months to come, with Diana's modern adventures in the odd-numbered issues and a new Wonder Woman: Year Oneunfolding in the even-numbered ones. So stay tuned, kids, and be sure to drink your Ovaltine!

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Unfortunately, the good artwork is not enough to make up for the dull script and inaccessible story. Those X-Fans seeking to satisfy their nostalgic twinges should rewatch the original cartoons. And those readers looking for an X-Men comic they can easily get into without worrying about a complicated backstory should look elsewhere.

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Honestly, there is nothing to redeem Batman Vs. Ra's Al Ghul one and I feel all the sadder for having read it. I think the only reason this isn't being ripped apart as the worst new comic of the week is because all the critics are saving their poison pens for a Legion of Superheroes comic that is completely devoid of Legionaries. As it is, I would encourage those unfamiliar with Adams' work to pick up a TP of Green Lantern/Green Arrow instead of this issue.

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On the whole, there is little to recommend C.O.W.L. #1. The story fails to utilize its concept or its time period, the characters are shallow and the artwork is an overall mess. Those who are interested in a retro superhero story detailing a society adjusting to an organized superhero group would do well to look up the Eisner, Harvey and Shuster winning series The New Frontier.

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In the end, Conan fans would do well to wait for the upcoming Conan The Avenger series.

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In the end, there is little to recommend this new series to all but the most devout of Conan fans. Van Lente's script might be tolerable despite its plot-holes were it backed by decent artwork. The one bright side is that Dark Horse has apparently elected to continue their policy of rotating the artist on this series so we may have a worthy artist in two months time.

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In the end, Conan the Avenger is counterfeit Conan, unworthy of the legacy of sword-and-sorcery's greatest hero. The artwork is greatly improved from when this series started, but the story – while involving – has turned Conan into a passive figure. And that is the last thing Conan should ever be!

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All in all this is a mess of an issue, with sloppy artwork, muddy colors and characters that don't resemble the characters from the original show physically or spiritually.

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Fans of The Flash can skip this series, as can anyone but the most die-hard of DCEU enthusiasts. Taken on its own terms, this book is dull and ugly. As a companion to the film it ties into, it is impossible to judge. Better to go read the excellent The Flash comics by Jeremy Adams and Fernando Pasarin than endure this.

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It's hard to say what's messier " Rossmo's linework or Bendis' script. Either way, avoid this book.

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This entire issue is a throwback to the kinds of Green Arrow comics Rebirth was meant to put an end to. The only good aspects of this book are the covers by Mike Grell and Tyler Kirkham and the fact that this was just a fill-in issue.

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Green Arrow #48 is a creative failure on every conceivable front. Bring back the Bensons, DC Comics! Give us Daniel Sampere and Juan Albaraan! Save us from this dreck!

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Good riddance to bad rubbish.

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The poor writers tend to portray John as a right selfish bastard. The great writers showed John to be a bloke with good intentions who honestly tried to make things better only to have things go wrong. By that definition, Simon Oliver is a poor writer, who has no real grasp of Constantine's character. John is a scoundrel but he'll ultimately try to do the right thing. The final panel of this issue tells you everything you need to know about Oliver's take on John Constantine and whether or not you should keep reading this series.

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Tom King's superhero snuff-film on paper continues to underwhelm, as we are given an entire issue to examine the therapy of three characters who are dead and thus any analysis of their character is completely pointless.

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Lords Of The Jungle may be notable as the first official team-up between Tarzan and Sheena. Unfortunately, that's the only notable thing about this book. Save perhaps how notably disappointing it is on every single creative front.

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Millar's fans and the movie executives he seems to be writing for exclusively will probably enjoy MPH. The rest of us, who enjoy stories about likable characters who act in a heroic manner, would do better to stay away.

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At the price of twenty-five cents, Red Sonja #0 is over-priced. The story is unoriginal and the dialogue is as flat as Sonja herself is well-rounded. The artwork is mired in fan-service, made worse by Gomez's own limitations as an artist. Do not be persuaded to give this book a chance based on the low price. It is not worth it.

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In the end, I am thankful that I have James Gunn's The Suicide Squad to look forward to later this week, because after reading Suicide Squad: Get Joker! I find myself in need of a reminder just why I generally like the Suicide Squad concept. Avoid this book like the plague and go treat yourself to the original James Ostrander run or Tom Taylor's Bad Blood if you want to read a good Suicide Squad comic this week.

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Potential readers would be better served in seeking out any of these books, shows or movies rather than wasting their time with The Fuse.

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The on-going subplot regarding what happened to Lois and Jonathan continues to drag on in the typical Bendis fashion, with no resolution in sight, though the artwork by Jason Fabok is fantastic. If this is what we are to expect from Superman comics from now on, the future is looking bleak for The Man of Tomorrow.

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The on-going subplot regarding what happened to Lois and Jonathan continues to drag on in the typical Bendis fashion, with no resolution in sight, though the artwork by Jason Fabok is fantastic. If this is what we are to expect from Superman comics from now on, the future is looking bleak for The Man of Tomorrow.

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In the end, there is nothing to recommend Young Justice #1. This book is not worth money or your consideration. Those seeking a good Young Justice comic book would do well to invest it in a DC Universe subscription and check out the excellent new Young Justicecomic by Greg Weisman and Christopher Jones instead.

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