Aquaman Giant #4 is an excellent issue! The reprints are all grea, with the “Throne of Atlantis” and Mera chapters being obvious standouts, the Teen Titans reprint is a real treat! However, the two original stories are the real gems as they both do a wonderful job with character. They also go deeper than the average story while also appearing to be building something. Aquaman Giant #4 is currently available at Walmart. Originally solicited to arrive in comic shops on May 13, it will most likely be delayed.

In all aspects this issue fits neatly in the Batman T.V. show universe. Script and art trick the reader to believing he or she is in front of the television 49 years ago. Sit back and enjoy. Its not often we are allowed to have such unbridled fun with comics in this day and age.

VerdictGrant Morrison's idea of “The Black Casebook” is used masterfully by Tomasi and company. Not only does Detective Comics Annual #2 integrate the idea of “bizarre and unexplainable” cases, it is peppered with phenomenal character moments. However, the issue succeeds because these aspects are molded into one coherent tale that plays off the history and the iconic elements of the Batman.

“The measure of a life is a measure of love and respect

While this issue fits into the larger story being told in Green Lantern, it also stands on its own as it introduces and examines some really intriguing themes that set up something further down the line. It's a great character focused issue that just doesn't stop. Just when you think you've figured it out, it goes a bit further and gives a whole new way of looking at Jessica and Hal Jordan. The ideas here go far beyond the current Green Lantern comic or the concept as such in the DC Universe. Fear is something we all understand and something that the world has been dealing with rather prominently in various ways in recent years.

VerdictEven if you haven't been following this title, this issue is new-reader friendly. Don't be afraid to jump in! Carter continues to come to grips with his past in the first half of the issue which really sings! Once the Shadow Thief makes his appearance, it's hard to tell how much “Year of the Villain” is affecting what's happening or if it is still all a part of the plan.

It should come as no surprise that Robert Venditti is able to channel some of the magic of James Robinson's Starman. Both writers are extremely sensitive to character and have a sense of DC Comics history. So far, it's been rather subtle, even though a deeper examination reveals that it seems he been drawing on it since Hawkman #1. Hawkman #17 solidifies it and at the same time feels like a real “Venditti book” as the writer pushes things to another level entirely with the final page. You don't want to miss an issue of this series. It's never too late to jump on….

Hawkman #18 shows that this series keeps getting better! The Shade's appearance in the last arc was a real treat, and the appearance of Hawkwoman in this issue demonstrates that Venditti will continue to build these characters and the concept. If you aren't reading this comic you should be! He's just scratching the surface, there's unlimited potential here to build a long lasting series.

More Hawkwoman! Give me more Hawkwoman! Hawkman #19 is one of those comics that just leaves you wanting more. Not only does the issue whet the appetite for more Shayera and development of her shared history with Carter, but the discovery Tyrant makes at the end of the issue opens up a new avenue. Venditti always finds a way to outdo himself issue after issue.

For character there's no one better than Venditti right now. Combined with his uncanny ability to surprise and outdo himself issue after issue, it's no wonder Hawkman is DC's best series and no wonder that Hawkman #20 is a gem. While he is creating a new mythology for Hawkman, he also manages to pull in some Silver Age nostalgia with the Atom, Adam Strange and of course, Shayera. You can't go wrong with this title!

From my perspective, this is yet another fantastic issue! When I was first discovering DC back issues from the '60's three of my favorite characters were Adam Strange, the Atom and Hawkman. This issue for that alone gets my highest praise! Along the way there are numerous elements that make this a great comic. By putting character at the forefront, Hawkman #21 is an exciting and fun read that demonstrates a palpable bond between Hawkman, the Atom, Adam Strange and Hawkwoman.

Well? What did you expect? Hawkman #22 is another great issue by Venditti and Pasarin! Don't delay get your issue of Hawkman today! There's a nice emotional element that will surely be developed for Shayera and the camaraderie between these characters is delectable! The overall theme of redemption that has been central to this run on Hawkman is both interesting and meaningful! It demonstrates Venditti's strength as a writer, allowing character to drive the story.

Great runs on comics manage to balance action, character and world building. Robert Venditti has shown that he's a master of character driven stories that reveal something about human nature along the way. Hawkman #23 is an example of one of those issues that puts character and world building at the forefront. Moreover, the thoughtful reader will take time to examine what's being said and the issue will get better. That's when you read it again. You should probably buy it again as well. Prepare, yourself to be moved emotionally and intellectually when reading this issue!

It's too easy to say again that this is the best ongoing comic DC is publishing, but it's still true. There is a depth to Venditti's writing that is missing from too many comics. Wonderfully, the art is just as striking. They fit together perfectly as the art team builds on the character and depth of story to present a really unified whole. Sometimes, comics have great writing and passable art, or beautiful looking pages under an abysmal script, but with Hawkman you get the whole package…if, only each issue could be double length!

The horse is dead, I can't beat it anymore. Hawkman is easily the best comic being published by DC. Period. There's a depth and universality to Venditti's writing that is striking and meaningful. Jeromy Cox maintains a cohesive look to book whether it's Fernando Pasarin, Marco Castiello or Marcio Takara providing the pencils- and they're all great pencillers! Tell your friends, tell your enemies, they should all be reading Hawkman. It's a win-win situation. If you are not reading Hawkman you are missing out.

Over the past two years, Robert Venditti has been exploring Hawkman's new status quo. Along the way we've learned about all of Hawkman's past lives and how he's reincarnated through time and space. Hawkman #26 wraps up the storyline with the Lord of the Void, but also ties a bow on the first 26 issues as Hawkman and Hawkwoman defeat the Lord of the Void. This issue brings everything together beautifully in a satisfying manner while also setting the Hawks off in the next step of their lives, or is it just earlier in their life?

Hawkman #27 is a must buy issue for fans of the Justice Society of America. You won't be disappointed. Hopefully, this is the introduction of the JSA for a new ongoing series by Robert Venditti. It would be especially wonderful if it took place in the '40's. Perhaps, there is a place for a new World War II era continuity. It's hard to let the original go due to the work put in by Roy Thomas in the '80's on All-Star Squadron, but if anyone can do it, I trust Venditti.

You didn't think think this last arc would go out with a whimper did you? Venditti and Company make Hawkman #28 an exciting lead in to the finale with beautiful art and a great character driven story that takes the character back to his origins in Flash Comics #1. It serves as not only a statement on Hawkman's history, but also his connection to Shiera/Shayera. Even if you haven't read any of the previous 27 issues, Hawkman #28 will make you a believer!

Hawkman #29 is simply beautiful. That's the easiest way to describe it. Venditti not only wraps up his run, but gives the reader a “final look” at the character in much the same way Alan Moore did with Superman in “Whatever Happened to the Man of Tomorrow?” While there are always more stories to be told, this last arc gives the Hawks a satisfying ending as Moore's tale does for the Man of Steel. Hawkman will be back some day, but it's hard to imagine it being better than this. Thank you Robert Venditti, Bryan Hitch, Jeromy Cox, Will Conrad, Jeremiah Skipper, Pat Oliff, Richard Starkings, Rob Leigh, Tom Palmer, Fernando Pasarin, Oclair Albert, Wade Von Grawbadger and anyone else I've missed- your work is greatly appreciated! Now where's that 6/5 rating???

No Hope, no Love " how do you get a Wonder Woman like this? Betrayal and the brutality of humanity at its worst can create it. This is a very well done look at a Wonder Woman that doesn't have the benefit of a positive example of mankind as her paramour. You'll enjoy the movie references too!

I'm too verbose to be speechless (see above), but this issue is a triumph of character work. I don't play video games and I have no idea what this game is like, but I wish this comic would continue under this creative team. Would the main DCU Batman be allowed to grow and emote this much. It doesn't matter if you've read any issue of this series or none, if you have a basic understanding of Superman and Batman you will enjoy it. Everyone should buy this comic! Can I give this a 6 out of 5?

Legend of the Swamp Thing Halloween Spectacular #1 is not only a fitting issue for the Halloween season, but a literate and beautiful example of the variety that comics can provide. Take a step into the swamp and let yourself be scared and enthralled by the stories here…you'll be glad you did!

This heavily character driven story is a must for Superman fans! While out of any particular continuity, it is essentially part of a longer Superman screenplay. It reads like it and finds a lot of new ground in its introduction of Lois Lane and Clark's challenges upon his arrival in Metropolis. Don't pass this one up! The forward by Marv Wolfman is worth the price of admission"wait"this isn't a movie?

The Mystery in Space #75 Facsimile Edition is a time capsule into the past. Not only does the reprint include the landmark first meeting of the JLA and Adam Strange, it has significant connections to the new Black Label Series, Strange Adventures by Tom King, Mitch Gerads and “Doc” Shaner. While it's not necessary to read one to understand the other, the connections provide a continuity. Adam Strange has always been a different character, a “modern” extension of Edgar Rice Burroughs' John Carter of Mars archetype. Adam uses his brain first. Not something every comic character does. Give this facsimile edition a chance and see if it doesn't present a unique character! And don't forget, the creative team is a Comic Book Hall of Fame lineup!

This issue tells you everything you need to know about Dick Grayson and his role in the post-Rebirth DCU. It also answers all the lingering questions from Grayson. It would be difficult to imagine a better comic, strong characterization, a plot that involves a few surprises and a set up for the exciting story starting next issue. Dick Grayson will continue to be the star of one of DCs best titles.

Overall, this issue is a good read. DC needs more books like this that feature some of the characters from DC's past. This take on the Unknown Soldier certainly has a lot of mileage left in it. Additionally, more stories based on real-life events like's Giunta's could provide a lot of interesting and enlightening material. I still think James Robinson and Phil Winslade's George Saint, SAS is a character worthy of additional development. Show DC you want more issues of Our Fighting Forces Giant!

Chilling Adventures of Sabrina #9 is another outstanding comic book. Each issue has built on the previous to take the reader down a dark and mysterious path with Sabrina Spellman. If you like horror comics with a heart and brain, this is a series you should be reading. This is one of those series that transcends the medium and it deserves that extra 6th rating out of 5. Now, if Jon Goldwater can just chain up Roberto Aguirre-Sacasa and Robert Hack in a basement somewhere so they can knock out about 25 or 30 more issues".

Like last issue, Peter Milligan tells the story through his characters and the reader is completely invested in them. Happy Hour #2 is even better than #1. Milligan is not afraid to add a little bit of humor to make the reader smile, and despite the protagonists own reactions to happiness, it's an incredibly clever device. Even though Jerry and Kim seem to feel they should be, you can't be miserable all the time, can you? Examining genuine emotions, this issue is another winner from your mates at Ahoy!

Happy Hour continues to be an interesting and thought provoking series from Ahoy Comics. Milligan and Montenat deliver the goods again! There's so much in this issue that takes the story in new directions, an already great series just got even better! It's not too late to jump in!

Beating a dead horse would be funny to the happy police in the world of Happy Hour, but I'm doing it here because it bears repeating: Happy Hour is simply a fantastic book! If you like great stories about well-developed characters that provide insight into the human condition…well, go buy it! Happy Hour #4 satisfies on every level of comic reading!

It should come as no surprise that Happy Hour #5 doesn't disappoint. If anything, it could be the strongest issue of the series. This penultimate issue takes things to a new place as it also emphasizes the greater theme of the series. There aren't many series that are able to provide such a thoughtful statement on the human condition, but Happy Hour seems to do it easily and with a strong emotional component that is palpable.

Happy Hour is smart, funny and insightful. It discusses the human condition in a unique and entertaining manner quite unlike anything else. Happy Hour #6 ends with a brilliant ending that works on multiple levels and keeps the reader thinking long after the reading is over. Don't miss this special comic, even if you have to wait for the collected edition. It doesn't get much better than this.

Supergirl: Woman of Tomorrow #1, is a great start to what seems to be a pivotal story for Kara Zor-El. It's a great spotlight on this iconic character in what appears to be a significant point in her life. The art is simply outstanding and along with the lettering, the visual appearance of the book is a joy to behold. It's an 8-issue journey that promises to surprise and enrich the reader.

Supergirl: Woman of Tomorrow #2 is a stunningly good issue. The art by Biquis Evely and Matheus Lopes is beautiful and stunning and worth the cost of the book alone. Capping it off is Tom King's untraditional writing approach that allow for multi-level interpretation. If you choose to skip this series you are really missing something remarkable.

Quite simply, Supergirl: Woman of Tomorrow #3 feels like an Eisner Award winning "Best Issue." Top to bottom, front to back, inside and out it is simply immaculate. It exemplifies everything great about comics as an art form and it also exists as a sample of how literate and artistic comics can be. This is the kind of issue that creators strive to make. Whatever I've said in the review about, it doesn't do the issue justice. So, do yourself a favor and buy this issue. You don't have to buy the rest of the series, but if you get this issue I think you'll have a hard time not getting the rest.

It's no secret that Tom King relies on his previous experiences in the CIA for some of the emotional content in his stories. It doesn't always work- see Identity Crisis. However, this series as evidenced in Supergirl: Woman of Tomorrow #4 is a high watermark of comic book storytelling which sees King translate those experiences masterfully.

While this issue seems to slow down, it provides some important character moments for Ruthye and indicating she may be on the verge of a sea change in her reason for living. While Kara gets some character reinforcement it's her connection to the greater DC Universe that is significant, and not just the contemporary DCU, but perhaps a more traditional DCU. Could this story be part of any incarnation of Kara Zor-El? And, of course it's in a beautiful package as Evely and Lopes demonstrate again why they are one of the premiere art teams in comics.

It's almost an afterthought, but this issue sets up what is clearly the end run of the series. And, it's a great moment at the end when Supergirl finally confronts Krem. It's a real testament to the quality of the issue, that this excitement is overshadowed by the beautiful exploration of Kara's character. This is an issue one could read without any context and still "get it." And, then you'd have to get the rest"!

Supergirl: Woman of Tomorrow #7 is yet again, in broken record fashion a stunning issue both visually and story wise. It has depth, it has emotions, it has a literate sense that rises above what we have come to expect in great comics. As long as the story lands the ending, this will go down as a benchmark in the medium, and if it doesn't, the art won't suffer the same fate, Evely and Lopes are an iconic artistic pairing.

While Supergirl: Woman of Tomorrow #8 isn't the best issue of the series, it is not far off the pace. It's really just some of the technical aspects of King's ending, because the content works wonderfully, connecting the reader to both Ruthye and Kara. As expected, the art is as stunning as ever and gives the reader a taste of what could come for Kara in her future. While the series connects the reader with the frailties of the human psyche, it also offers hope and the satisfaction of persevering through the difficult moments in life while revealing one's own inner strength.

VerdictFor those lamenting the upcoming demise of Vertigo, Young Animal is probably for you! Doom Patrol: Weight of the Worlds #1 blends satire with emotional resonance and intellectual depth through a thematic approach to storytelling. It's aimed at a reader looking for something more, but still manages to retain a sense of “fun!”

The level of emotion in Doom Patrol: Weight of the Worlds #2 is a highlight in the comic book medium. It's a great thing to know that Young Animal Comics routinely approach a title with an underlying theme that is far deeper and richer than even the best of any mainstream super-hero comic. It's not all good vs. evil here, it's emotional and mental health that are stake. Any one of us can learn from the Doom Patrol.

Doom Patrol: Weight of the Worlds #3 is another fun, engaging, weird adventure with the original misfits of the DC Universe. While a break from the deeply emotional story in last issue, Way and company keep the reader entertained with another unique approach to storytelling that surely promises an equally entertaining and inventive follow up next month as the team will have to deal with the information they've uncovered.

Doom Patrol: Weight of the Worlds is quickly becoming a “feel good” book. And, it's not overly saccharine or trite. There a genuine emotional connection that revolves around healing, both in the moment with Rita, and Cliff as he continues to do good works for others. This comic is like no other title that I know of. It should be commended for tackling the theme of healing.

After reading Doom Patrol: Weight of the Worlds, you will feel better. You will feel a little happier, a little lighter- you will feel that the “weight” has been lifted. It's possibly the only comic that is actually “good” for you. And, I mean that in a mental/ emotional way. It's not all unicorns and sunshine, but it manages to put things in the proper perspective. Gerard Way and Jeremy Lambert have taken this issue off, but Becky Cloonan and Michael Conrad make the transition seamless. Plus, it pulls in nostalgic elements and references to creators of the past that are probably worth checking out already if you haven't. I can't say exactly what it is, but I feel like “Clark” is a young Gerard Way. No proof, just a feeling. It is unlike any other series I can think of.

Despite the fact that only 6 issues of Doom Patrol: Weight of the Worlds will be published in 2019, hopefully, the greatness of this series will be recognised by professionals in the field. Last month, Becky Cloonan and Michael Conrad's Eisner Award worthy issue. It seem like a no-brainer that when combined with Way and Lambert's themes and approach on the entire series recognition is due. They've worked in a recognisable framework to consistently create something truly unique and wonderful.

Thematically, Doom Patrol: Weight of the Worlds #7 wraps up the series in a beautiful way. The Doom Patrol has always been a different kind of title, but this run under Gerard Way's Young Animal imprint has been especially satisfying. With the delays to this title, one should undoubtedly go back and read all 7 issues in one sitting to get the full effect. Thanks to all the wonderful creators on this title, especially Way, Nick Derington and Tamra Bonvillain who started it all in Doom Patrol #1 way back in September, 2016! Missing you already…

As with all Young Animal titles, Eternity Girl approaches things differently and attempts to tell a different kind of story in order to reveal something about our shared existence through a unique lens. There's a lot of room to expand the scope of the story telling with Caroline's powers and way of experiencing the world. The potential for this book is limitless.

Eternity Girl, Young Animal's newest title is just as different as any of the others in the line and may perhaps be the best of the bunch. There's raw emotion and a clever science fiction concept at work. It also addresses a huge question: Can one destroy the universe and still be the hero?

This book has a unique approach to storytelling which is both challenging and rewarding. It is necessary in order for the reader to truly understand what Caroline is experiencing. The multiple plot lines create a complex story that will undoubtedly provide a surprising payoff. However, the journey is just as rewarding, which places this title on a higher tier than most comics.

This is an extremely entertaining issue that will not only make you think but bring a smile to your face as well. It's an unusual tale that starts out completely abstractly, but ends up making complete sense in the end and fits right into the narrative of the larger story. Now, only Caroline has to figure out how she fits into the larger story….

With this being a mini-series, this issue wrapped up the story line effectively and explored the importance of choices one makes in one's life and the impact those choices have on one's own happiness. This is some real high level thinking and clearly an analog for situations people face in the real world. Everyone has crises in their lives and often making the right choice is important, and sometimes it has to start with just getting up out of bed every morning.

This is a solid start for a Plastic Man series. The character has always been unique and iconic. He's one of the few characters from the Golden Age of Comics that are neither DC or Marvel creations that people know. Giving Plastic Man a city all his own that can be a bit of a throwback should allow the character to thrive and exist in the types of stories that suit him best.

The team is rolling with this issue! Plastic Man is shaping up to be a successful take on the character that will hopefully graduate into an ongoing from this same creative team. As the story develops so do all the characters and there's a genuine dynamic between Plas and his friends.

Plastic Man is a classic character who deserves the best. He's getting it here as both Simone and Melo clearly understand the narrative and visual needs of the character. We can only hope this will turn into a monthly ongoing. While Plastic Man has a number of mini-series in the past, this one seems to find the right balance between Jack Cole's classic creation and a niche in the contemporary DC Universe. The element of humor is often undervalued in modern super-hero comics. This is actually the antithesis of Plastic Man. Simone and Melo understand how to utilize this to the benefit of the comic.

This may be the best issue of the series so far as the humor hits just right and the depth of the characters is on full display. The reveal of the Durlan fits the plot perfectly and brings in the larger scope of the DC Universe. Hopefully, Simone and Melo will get the opportunity to continue this series. They bring the right balance of humor and depth to this classic character.

This is a fun and emotionally satisfying end to this mini-series. The last page promises us that Plastic Man will return, and with Janet out there, she certainly the odds on favorite to be the antagonist in Plas's next outing. Hopefully, Simone and Melo will return and continue to give us more of their faithful, yet modern take on the character.

Like their other work on Swamp Thing, Ram V and Mike Perkins do such a great job of storytelling it doesn't matter if this issue is the story you wanted. The focus on character and making the reader relate to Levi make it easy for the reader to go with it and enjoy this new take on a favorite. It doesn't always work, but the execution in this first issue of The Swamp Thing promise that this will be a great series!

Make no doubt about it, The Swamp Thing #2 is proof that this is one of DC's best books in the "Infinite Frontier" era. The creative team is doing it the old fashioned way, they aren't trying to re-invent or destroy the wheel- they are letting character drive the story, pepper in a couple solid mysteries and wrap it up in magnificent art and colors. You won't be disappointed!

There are some comic book runs that are nearly perfect. It may seem premature to say that this one of them, but The Swamp Thing #3 indicates the opposite. V, Perkins, Spicer and Aditya seem intent on giving it their best effort to make it one of those all-time "perfect" runs. At the very least, it's one of the best comics being published. It's time to get on board at the beginning if you haven't already.

The Swamp Thing#4 is a glorious journey through the Green. The pacing is incredible as it allow Ram V to go wide and deep as Levi beings to learn what it means to be the Swamp Thing, but also what it means to be human. The art by Mike Perkins and Mike Spicer is simply gorgeous and evocative of many emotions. As times the colors seem to weave their own magical message as they are there for a purpose other than keeping this form being a black and white comic. Don't make a mistake and pass up this series. The character has a legendary pedigree of creators-Wein, Wrightson, Moore et al..- and the current team is producing work at that same level. Remaining character focused, The Swamp Thing is one of the best books out there, and probably DC's very best.

Since the end of Future State, DC seems to be publishing generally high quality books all around. It's been since Rebirth that it's been this way. The Swamp Thing is not only one of the best, it may very well be the best! It's easy to see with an issue like The Swamp Thing #5. There's just no drop off issue to issue as the series has a deep thoughtfulness that resonates well beyond a comic book story. It's a hallmark of the character and these creators are doing a spectacular job of following in some big footsteps.

If you thought they would falter on the back half of this series, you were wrong. The Swamp Thing #6 is another amazing issue that is not only beautiful, but thoughtful and touching. I'm running out of superlatives, finish the series already so it can be enshrined alongside other Swamp Thing classics. It will be a shame when this series ends, so enjoy it now!

If you're picking up The Swamp Thing #7, it's clear you're not going anywhere. Somewhat surprisingly, this issue is also not a bad place for a new reader to jump on. If you weren't sure about The Swamp Thing, this issue does a good job of recapping where things are while also giving an interesting look at Levi's character. Of course you should go back and get all the issues, but this isn't a bad place to jump in to one DC"s best series.

The Swamp Thing #8 brings us closer to the conclusion of this limited series. We get some revelations that push the story further about Levi's origins and his brother, Jacob. The religious allusions work extremely well in making Levi a different kind of Swamp Thing. Perkins and Spicer continue to deliver one of the most beautiful books out there. Still hoping this turns into an ongoing, it's definitely deserving of an ongoing.

The Swamp Thing #9 feels like an issue that is deigned to remind that reader that this series is something special. It has that same feeling of innovation that Steranko's work did. Perhaps it's not as earthshattering and new as Steranko's stuff, but there's no doubt that this is a high point in comic book storytelling. Swamp Thing has always seemed to attract the best creators, so it's no surprise that this series evokes great stories of the past.

The Swamp Thing #10, thankfully doesn't wrap up the series. Readers will be treated to another 6 issues! However, when we last saw Levi at the end of issue #9 he was in a bit of a mess. You'll have to read it to see how he gets out, but when you do, you will enjoy it! This is simply one of DC's best title's right now if not THE best.

The Swamp Thing is one of those series that even the bits in the "Negatives section don't actually affect the rating. There's interesting character bits, a theme that relates to anyone and everyone and some exciting plot points all delivered in some truly beautiful and evocative art. You really can't ask for anything more. And, it's not like the creative team is ticking boxes, it's simply a creative team at a pinnacle of their comic book making abilities.

The Swamp Thing won 2021 by getting an extended life of six additional issue for a "season two in 2022. This issue exemplifies why this happened- the creative team understands the character, his world and how to tell stories that touch the reader while connecting to the past and pushing forward with new ideas that are germane to the concept.

We certainly can't get to The Swamp Thing #14 without The Swamp Thing #13, but that's exactly what this issue is- a transitional issue. Within the context of the greater story it works fine, but it's not going to bring in any new readers. That said, there's still a lot of ideas that keep this series at the top of DC's titles right now.

The Swamp Thing #14 demonstrates the deeper themes that Ram V brings to his comics. It's easy enough to be excited by a classic good vs evil story even if there are conflicted/ambiguous characters, but this comic takes it even further by getting to the core of the theme of man vs nature. It's both cerebral and emotional at the same time which is truly a magnificent feat. It will make you think and feel.

The Swamp Thing #15 is another fantastic issue of a fantastic series. V's writing is at times beautiful and at times moving. As one would expect, it's hard to believe we're down to one issue. This continues to be great comics. If the way we get great these books has changed and they're going to come in storylines, as opposed to a continuous series that run for years and years, then The Swamp Thing is an example of how to do it right. It would be nice to see this creative monthly on an ongoing Swamp Thing series, though!

With The Swamp Thing #16, this run of everyone's favorite "muck-encrusted mockery of a man, culminates in it's 18th issue (counting Future State) with a deeply thought provoking finale to a deeply thought provoking series.

Joelle Jones does a marvelous balancing act as she adds a bit more to Yara Flor's story as she gets into Cassie's investigation of Hippoylta's murder. The personal approach to both Yara and Cassie in Trial of the Amazons; Wonder Girl #1 is the key to making both aspects work, and the art is just glorious. While it's hard to not wish we simply got Wonder Girl #8, Jones makes it all together.

Trial of the Amazons: Wonder Girl #2 is a standout issue of art and storytelling. It also has the honor of revealing one of the crucial plot resolutions for the Amazonian event. There's a lot to like in the issue and can be enjoyed out of context of the rest of the series as well. It may even be the issue that will get readers to go back to the previous chapters if they haven't bee following the storyline all along.

Overall, the Aquaman 80th Anniversary 100-Page Super Spectacular is a solid issue that commemorates the character if not the different eras always effectively. The covers will get you through on that count, but it could get expensive if you wanted to collect 'em all! There's a lot to enjoy and a couple stories serve as portents of things to come that appear to be quite good. It's just sort of ironic that Black Manta and Jackson Hyde seem like they are poised to take Aquaman and the Aqua-Family's place.

Green Lantern 80th Anniversary 100-Page Super-Spectacular is an extremely fun trip through the history of the wielders of the green ring. Outside of the Alan Scott tale, they all deliver that nostalgia and sense of of scope of those who have worn the Green Lantern power ring. Most importantly, they focus on character. They not only remind the reader of a particular time or era, but reconnect the reader with why the Green Lantern concept is transferable to so many different individuals. Unfortunately, Alan Scott's story is unable to do the same thing, feeling like something new rather than something familiar. Oh, and G'nort (see above) wonders where his story is!

It doesn't seem to matter who Robin is, the concept of the character persists because each iteration has become a fan favorite over the years. Despite readers often preferring the Batman as a lone Dark Knight, Robin has earned his place in Batman's mythology. This issue both celebrates the characters and demonstrates the importance of a Robin's place in Batman's life.

You can't go wrong with the Wonder Woman 80th Anniversary 100-Page Super Spectacular. It's wonderful in every way. It's an example of comics being fun and providing sheer unadulterated joy on every page. Wonder Woman is the iconic female super-hero, and she will always be important. Even if you don't necessarily like her or her stories, one should at least understand her significance and respect that. Diana easily has another 80 years in her, but this issue is a beautiful celebration of her first 80 years. Need another 6/5 rating for this issue.

Grant Morrison's excursion into the lore of the Green Lantern universe continues to be well executed and engaging. Green Lantern: Blackstars #1 presents a creative approach to storytelling all while feeling familiar to readers. The subtle aspects of Morrison's craft are critical in making the issue a must-read for comic fans.

Green Lantern: Blackstars #2 is even better than last issue. Morrison touches on so many ideas that will most likely remain undeveloped, but they enhance the "new world" created by the Miracle Machine. It's Morrison's love of the DC Universe that shines through and create the sense of fun with his references as well as being able to get to the core of Jordan's character.

Morrison does a great job providing misdirection from Hal's actual endgame. It sets up his twist wonderfully and allows Hal to pull out a victory all stemming from the character traits that define Green Lantern 2814.1. Green Lantern: Blackstars #3 is a worthy finale to the interlude between seasons one and two of The Green Lantern.

Shade is back in all her introspective wonderful weirdness! On a new path, Shade continues to explore the meaning of life and now death as only an alien in a human body can do, and yet it remains so familiar.

This issue is another standout from Castellucci, Zarcone, Parks and Fitzpatrick. Shade, the Changing Woman #2 is not only representative of the series, it is also the first among equals. It is as good as the best we've seen in the series (Shade the Changing Girl included, of course!) We all learn what it's like to be human as we grow and mature, it's not often we get to experience someone else's journey so intimately.

The emotional depth and complexity of this issue is a perfect example of why Young Animal Comics are unique in their approach to story telling. It's wonderful to see comics produced in this way. This may not appeal to the average readers, but it is certainly notable and significant. This title consistently finds an emotional line that is different and compelling. The emotional resonance with this book is unparalleled.

This most recent run of Shadeis approaching the climax as Shade is on the way to saving the Earth from the invading Cray, but more importantly she's on the way to saving herself as she learns the value of the human heart. If we could all learn such a lesson.

Loma Shade will apparently have her showdown with Rac next month as the Cray are poised to invade Earth and destroy it. The strength of the metaphor in this title continues to make this one of the most unique titles published by DC Comics. While it may not be an easy issue to jump into the series, it's well worth picking up the previous issues after giving this one a shot!

This unique title will be missed as this is the last issue of this run of Shade. The finale wraps up the loose ends, but also sets up what comes next as Loma enters the next phase of her/his life. This concept as executed brings something different to storytelling both technically and emotionally. It's a real treat to read this series, as it challenged as much as entertained.

So far, Batgirl and the Birds of Prey does a better job of reintroducing the Birds of Prey concept than the New 52 version. However, it is a bit of a mixed bag in that the characterization of the individuals doesnt fit as well as the dynamic between the characters. This issue was stronger than last months Rebirth issue, but the "DCYou" characterizations are distracting and remind the reader that this is not the classic Birds of Prey and that something is just not quite right.

This is a stronger issue and you can feel the story building and the team coming together with great promise. The Birds all get moments to shine and with the intensity of their purpose increasing Batgirl and the Birds of Prey #2 is a great read and a perfectexampleof a book on the rise.

This title is really finding its way. The continued emphasis on character combined with the mysteries and twists in this issue put this on par with the best DC Comics has to offer.

This is the Birds of Prey you've been waiting for. Over the past few issues, piece by piece these characters have becomefamiliar and developed into the concept that was so successful pre-"New 52." If you were a fan of the Birds then, it's time to come back and give this title a try.

This was a great character driven conclusion to an opening arc that continued to improve issue to issue. The Birds of Prey are back and have bonded in this Rebirth era whilst keeping intact most of the dynamic that worked so well in their pre-Flashpoint incarnation.

Batgirl and the Birds of Prey is in top form. This has surpassed the "New 52" run and is taking the best from the classic run and making it fresh and modern. The Bensons have managed to make this title feel contemporary and familiar at the same time. Great storytelling relies on great characterization and chemistry. For a concept like Birds of Prey, it is integral. The Birds could sit around a room and talk and it could still be the best story of the year. It's like that with this concept. Maybe, because it's a book that features all female leads it lends itself to this. No matter what, this title has become great.

Two issues in a row, Batgirl and the Birds of Prey has successfully channeled the best of classic Birds of Prey while maintaining a focus on character and not seeming derivative. This type of execution will quickly elevate this title to the upper echelon of DC's publications.

With issue #9, Batgirl and the Birds of Prey proves that while evoking classic Birds of Prey elements, there is room to grow and find inspiration from classic comics of days gone by. The key is always being able to make it seem fresh and new. Developing the characters in this title is the single most important aspect and that's happening. It only looks to get better next issue with Green Arrow and Nightwing joining in the fight!

Batgirl and the Birds of Prey continues to feel familiar and maintain a continuity from it's classic incarnation, yet also be fresh and contemporary. There is just the right amount of nostalgia for long time fans but not so much that it alienates new readers. Hard to go wrong with this title!

A year in, this title is hitting on all cylinders. It truly feels right as the Birds have developed that family dynamic. And it doesn't stop there. The Bensons' storytelling is centered around character and emotional conflict. And it's all equally presented visually by Roge Antonio and Allan Passalaqua. Even a new reader will find this issue entrancing. Character and emotional connections will always bring new readers in.

Another great issue of a great book! This title continues to charge forward in the right direction with great characterization and playing with the sense of nostalgia that is part of the "Rebirth" retooling of the DC Universe.

The bonds between the Birds are strong and this change of pace issue is not only fun but also heartwarming. Throw in Catwoman and Ivy and there's the makings of an even bigger family. It might take their formal permanent addition to take the inner turmoil of the Birds of Prey to the edge.

Batgirl and the Birds of Prey #15 continues to build on the foundation laid in the first year. The characters always come first, and the dynamic between the main characters drive the series. This looks to be extra fun with the added Bat-family characters along for the ride this time.

Batgirl and the Birds of Prey #16 is another outstanding issue. The hopeful quality of the allied heroes and "villains" demonstrates that it's possible to put differences aside for a common cause. Perhaps, it's a lesson we can all use once in a while.

Men! Women! They have to live together! And, the Birds of Prey and friends figure out how to stop the slaughter of the men in Gotham City through the classic example of pulling together for a common cause. There is a true hopefulness in this issue that is only matched by the characterization that gets us there.

It's nice to have a one off story. But, it's even better when that story is meaningful. Batgirl and the Birds of Prey #18 not only tells a fun story of international espionage, but it also adds to the relationship between the three main characters. The Birds of Prey concept has always been about the relationship between the characters, and the success of this version is no different. This current version has managed to find that sweet spot with the characters and it's just a joy to see them interact. My only question is when Zinda will rejoin the team.

This is a great start to a new story arc. The opening sequence hits all the right notes as Oracle and the Birds are in classic form. The story itself raises some serious moral dilemmas that should prove captivating as Barbara attempts to sort out what's happened. It appears that Helena will do some growing as well as she has reached out to her mother.

With the team back on the same page, the Birds are poised for the end run of this series as Batgirl and the Birds of Prey sadly faces cancellation in the next few months. The set up seems that it will leave the team intact and closer than ever, ready for another outing, hopefully in a short time.

On its final run, it is more apparent that this run of Birds of Prey is doing everything right. This is one of the most interesting and unique concepts and deserves an audience. Perhaps, jumping on at the end sends the right message to the powers-that-be. The intimacy of the conflict and intimacy of the lead characters will always make the Birds of Prey stand out from the rest of the crowd.

Over the past two years, this series successfully grew out of the “New 52” into theRebirthera to embrace both modern and dare I say the classic Birds of Prey into a formidable title that gelled into an amalgam of all eras. It never felt derivative, only inspired. This series will be missed. Please, show your support and make this a “must buy” this week.

Batgirls #1 comes out of the gate at the top. It hits in places that many comics don't. Not enough comics focus on characters and their relationships with one another. Tom Taylor and Bruno Redondo are doing this over in Nightwing and it's beautiful. And, that's what Batgirls #1 is- simply beautiful. This issue's filled with lots of positivity, and it stays with you. People are what are important in life and that message comes through loud and clear. This is the kind of comic that deserves to be a top seller and is of the quality to make good on it.

Like the last issue, Batgirls #2 is a joy to read. The focus on character and interesting technical execution make it another must-read issue. These are characters you'll love if you give it a chance. If you're enjoying Nightwing, it's the perfect book to flesh out the Bat-verse. It definitely feels like the companion title. They are both character-focused and they both draw the reader in to the world in relatable and life-affirming ways that accentuate love, family and friendship.

Batgirls #3 is another fine issue that is of a certain type of comic we don't get nearly enough of. Between quality and quantity of content focused on character, it's one of those comics that you really enjoy reading and makes you feel good as you share the lives of Barbara Gordan, Stephanie Brown, and Cassandra Cain.

Batgirls #4 is a perfect example of the type of comic book series this is. It successfully recalls some of DC's best series of the past with a broad appeal with the right amounts of humor. It feels like a complete title that delivers the action/ adventure as well as human moments that will keep readers around as they get to know and love these characters.

Batgirls #5 is another fine example of why this is a special title. It's not rocket science either. Babs, Cass and Steph are three women working together to help people. The series follows not only Cass and Steph's maturation as women and crime fighters, but it highlights what makes all three of them special. This issue is definitely focused on Babs, but we've seen that focus switch in the first five issues of the title. It's the characters, it's always the characters.

Batgirls #6 is another great issue. It wonderfully balances some humor with action/ adventure and plot with character. The bottom line is FUN. I can't stress that enough. And, if you're paying attention it will make you feel good as well.

Batgirls #7 is just that kind of comic that always makes me smile. It's that good. It's been that way all the way through the series so far. Fans of Nightwing should definitely be reading this, it's the obvious companion book in content, quality and approach. Seer has been a part of the narrative since Batman #115 and she's finally getting the spotlight. The next issue looks to be another fun adventure with Steph, Cass, Babs and Dick!

I'm just sort of stunned. This is a wonderfully complex title with fun and touching relationships. The series gets the details right, the details that make the characters engaging and relatable to the real world. You're pulling for these guys! Not just Dick and Babs, but Steph and Cass as well as they are sort of carving out their own superhero family as a subset of the larger Bat-family. The overall vibe is one of positivity, and it's lovely.

There is a broken record that plays throughout my reviews of this title, and that's the emphasis on character. Ultimately, it's what makes or breaks a title. Batgirls #9 is a perfect example of how characters drives a story and keeps a reader engaged. It's these characters' lives we here for, right? That's what counts. That's what keeps readers coming back.

Character driven comics will never go out of style. They may not always get the headlines or the hype, but they are substantially better on the whole. There's just more to enjoy, and Batgirls #13 gives the reader a lot to chew on and think about. Some comics are better when you think about them and let them sink in, others deteriorate as soon as you start thinking on a deeper level. Batgirls, is of course, the former, a series that is ultimately about people and relationships and gets better as it sinks in.

Batgirls #14 gives readers the "silent treatment in a a unique chapter of the current story arc that began in Batgirls 2022 Annual. The story is an emotional journey, but Jonathan Case does a stellar job in his storytelling and coloring. It's a special issue that will be even more significant when this story wraps up. It can also be enjoyed as a one-off, and it's hard to imagine it not drawing new readers in who are checking out the title for the first time!

A high level of disparate emotions makes Batgirls #15 an excellent exploration of relationships. That's what really matters, right? The people in our lives? This title makes this consistently important and therefore, consistently quality storytelling. This is a unique and special title, and the tease of the Mad Hatter in the subsequent storyline is something to be excited about.

Batgirls #16 strikes the perfect balance between action, plot, character, nostalgia and emotion. We shouldn't be surprised that it's yet another great issue in this series. Inductive reasoning should tell us that! We didn't even get to mention the fun use of all the expected Alice in Wonderland motifs one would expect in a Mad Hatter story!

Batgirls #18 is an interesting issue with a fun plot that provides an interesting idea for the relationship between the citizens of the Hill and the Batgirls. There's really strong images as well and the issue leans into its strengths of relationship and characterization even down to the small details.

Get out a few tissues for the tears you'll have to wipe away as they roll over your smile as we say good by to Batgirls. Batgirls #19 goes out with an inspiring and thoughtful message coupled with some great action, excellent art and beautiful colors. Perhaps, one day we'll meet again, this could be just the beginning.

This issue gets Tomasi's run headed in the right direction with some solid detective work which filled out the plot, putting Batman in motion to find his adversary. Now that it's clear to the Batman the purpose of these attacks, it is also clear to the reader that it is a celebration of those who have helped developed the Dark Knight into the man he is. It proves to be interesting as these characters are explored in the run up to Detective Comics #1000.

While this issue doesn't move the story forward as much as last issue, the escape is well executed and an exciting bit of reading. Additionally, the insight into Batman's mind on both a personal and technical level is interesting and unique. We don't always get that deep inside Batman's head to understand how he sees and feels these situation. Keeping the fight with the shape shifter to a minimum and showing more of Batman's thought process to go after Hugo Strange next would have improved the issue.

Exploring Batman's past is a lot of fun. Reaching back to Hugo Strange is a nice touch that connects the story with the history of the character. What seemed to be a trip right back to Detective Comics #27 veers off this path a bit and the Demon is not a character one usually associates with core Batman characters. Wedging Silas Stone into Batman's origins feels a little off as it distracts from the history trip that it appeared this story would be. Despite this the final page suggests a real confrontation between the Batman and the boy who would become the Bat which IS at the center of Batman's narrative.

This story arc leading up to the historic Detective Comics #1000 has been a bit of a roller coaster. However, this issue brings everything together in a satisfying and meaningful way. Tomasi manages to show Batman at his most pathological, but also at his most human all while paying tribute to the origin of the character who debuted 80 years ago. While this arc is understood when read all together, this issue is most satisfying all by itself.

There's a lot to digest with this issue, and there a few really great stories along with some good ones. There are only a few that seemed a little odd or just didn't quite hit the mark for a celebration issue. It's a solid anniversary issue for celebrating the Dark Knight, but not perfect. However, “The Legend of Knute Brody” is worth the price of admission alone. There's a lot to enjoy, as well as different types of stories presenting something for everyone. And, “Medieval,” while not standing out by itself, does do a good job of whetting the appetite for the next arc in Detective Comics,which starts next month in issue #1001!

This is a very accessible tale that begins a new era in Batman's history, but it doesn't try to do anything more than tell a solid Batman story with some effective characterization in a classic mystery with familiar and likable characters. While the arc has a long way to go, it starts off on the right foot.

Detective Comics #1002 is a very good issue that doesn't telegraph its punches. It would've been easy for the Arkham Knight, having already displayed disdain for Batman and his methods to come at him with everything right away. There's more to the Arkham Knight just as there's more to the Batman, and this issue suggests that they may end up realizing this about each other.

VerdictThe surprise reveal of the Arkham Knight's identity is executed excellently! The journey is clearly worth it in the case of Detective Comics #1003. This issue while having a major plot element also delves into the Bruce/Damian dynamic while providing a bit of retro fun. The questions it raises with the reveal of the Knight's identity are probably more entertaining…. This issue succeeds on multiple levels and should not be missed. So far, the surprises herein are more satisfying than the arc which preceded Detective Comics #1000.

VerdictIf this issue is the actual facts, Detective Comics #1004, has just derailed what was shaping up to be a nice arc. The incidentals of Astrid's origin are so unreal that it calls into question the veracity of the story itself. It feels like there should be something more underneath the surface. While that's always possible, taken for what it is, Detective Comics #1004 comes across like a bad movie script for a comic adaptation from the '90's…bitten by a radioactive insane asylum or some such… what did you think was going to happen when the girl's playmate is the Joker?

VerdictWhile the mechanics of this story are solid, Astird's motivation and background make her a forgettable character. Batman and Robin shine, though as Tomasi continues to have fun with this one-of-a-kind father and son duo. Don't be surprised to find a smile on your face as a little bit of camp goes a long way. Though Astrid escapes interment at Blackgate, let's hope she just keeps out of trouble and Detective Comics finds some better Bat-villains.

VerdictIf you've been waiting to see a new story with the Spectre, wait no longer. Mood and tone are the highlights of Detective Comics #1006 and it's possibly the best issue of Tomasi's run so far. The supernatural world of the Spectre invades Batman's Gotham City to great effect!

VerdictWelcome back classic Spectre! If you had any questions about who he is or how he got his powers, this two-parter answers all those questions. It's also a nice argument for a new Spectre series. There's plenty of dark, mysterious macabre pages herein, and they lay the groundwork for a new series nicely. Just what exactly is the Divine Hand? Oh, Batman's pretty good, too!

VerdictThis wonderful throwback tale not only features the Clown Prince of Crime, but it successfully recalls a classic era through style as well as numerous references to classic Batman tales of the past. The postscript with Mr. Freeze feels like a different story entirely, and it's good that it does, because the Joker doesn't need any sort of urging to give Batman a “fun” night out.

Detective Comics #1009 is a fun and exciting issue that presents a classic Batman without the over-the-top pathology that his character often gets. He's grounded, and there's a bit of humor that lightens the mood just enough, but not so much that it doesn't feel like a Batman story. It's a great iteration of the Dark Knight.

While the plot moves along, the strongest part of this issue is the tale of the two old men on the island. The whole bit is very reminiscent of a Spirit story by Will Eisner. Eisner would often use the Spirit to tell a tale about human nature. This is exactly what we have here. Batman needs these two to survive, and it is the quality of their humanity that has allowed them to survive all these years which in turn is what directs them to help someone else in need.

Detective Comics #1011 is another winner from this creative team. This title works so well because it is not mimicking the portrayal of the character in Tom King's current run on Batman. This Batman is every bit in control of his emotions and senses. He is balanced and effective. It's a portrayal of Batman that makes Batman relatable and understandable. It's a Batman that isn't a borderline sociopath. The references to DC's war comics enhance the experience, as well.

If you were waiting for “Year of the Villain” to become interesting…wait no longer! Detective Comics #1012 puts good use to Luthor's gift to Mr. Freeze, but what Freeze plans to do with it is far more significant than the gift itself. Batman and Freeze's characters drive the plot. The strong characterization of both go a long way in making this an enjoyable issue. The sympathetic aspect of Freeze's dilemma makes for a serious challenge for Batman as this arc continues, but how will it affect the Dark Knight as he reflects on his own emotional loss in the process…?

Detective Comics #1013 successfully digs down to touch on some emotional and moral issues in Mr. Freeze's story, while presenting a timeless interpretation of Batman. The relationship between Bruce and Alfred is heart warming and real, and it reminds the reader that Bruce is human, he's a real person under that cowl. Despite being intense and driven, the Batman cannot function without those around him. To top it off, this issue is easily accessible to new readers, making it a great place to start picking up Detective Comics, (but it wouldn't hurt to get last issue, too!)

Detective Comics #1014 is another big win for Tomasi, Mahnke and crew! The character work is excellent and it drives the story. You will feel yourself on the edge of your seat as you read this one. The solitary negative is fairly small in the grand scheme and not a reason to skip this or any issue of Detective Comics right now!

I just don't want to see Nora turn out to be bad. Freeze's emotional arc is selling this story right now, and how it concludes will determine the quality of the entire story line. Nora's turn to the dark side is troubling, but for now it builds the emotional tension. Definitely, don't miss the conclusion!

This one won't make you cry, but Detective Comics #1016 is a fine example of creating a classic Batman tale that still feels contemporary. Tomasi's been building this Batman since the beginning of his run and it's an enjoyable and satisfying read that provides some real emotional content as he pushes Nora and Victor's story forward. Hopefully, the events in Batman won't destroy the even keeled character that inhabits Detective Comics every month.

It is a marvelous "one and done" issue, so rare in this day and age, but probably a more satisfying read than an 18 issue "epic" because it is not contrived and finds its heart in connecting to the emotions of real people. Let me wipe away this tear...

Tomasi continues his stellar run as Detective Comics #1018 takes us to the Christmas season with some great character work. He makes some great lemonade out of the lemons he's given with Alfred's death while presenting a great classic Batman. Along the way, Tomasi sets the stage for an interesting mystery with some Viking invaders!

Tomasi continues his outstanding run on Detective Comics with the conclusion to the two-parter, “Dead of Winter.” Tomasi, Godlewski and Baron balance the right amount of emotion, character development, detective work and action. This really feels like a high watermark for Batman in this title. Don't just believe me, go out and buy the comics!

It should be no surprise that Tomasi continues on a wonderful run in Detective Comics with issue #1020. This newest twist in the complexity of Two-Face seems poised to present Batman with a greater challenge than normal. There's a psychological undertone that pushes the story in a darker direction. It may finally drive home the point that Harvey really is beyond help, as the aspects of his personality seem more disconnected than ever before.

It's hard to find fault with a classic and timeless approach to Batman. Some portrayals of the character favor a slightly mentally unbalanced depiction of the Caped Crusader. However, this even tempered Batman that is a skilled detective, mysterious and startling yet still a caring, well-rounded human being is much more satisfying. Tomasi, Walker and Hennessey remind the reader of things that everyone loves about Batman. And, at the same time, there's no shortage of character development as Batman again attempts to help his friend Harvey who is himself in a mental battle.

If you've been enjoying Tomasi on Detective, you know this is the real thing. I've you're still not sure…this is a fine issue to give a try! The entire creative team show what they're capable of in Detective Comics #1022. The classic approach goes a long way, and the emphasis on character is superb! It captures Batman, Gotham and its denizens in a meaningful, emotive and timeless manner!

The surprises in this issue are well placed reminders of Batman's recent history and serve to connect these events to a run which has had such a classic tone and feel. Detective Comics #1023 is exactly what you expect from Tomasi, Walker & company. Not only is it still character centered with Batman's commitment to helping Harvey Dent, the intensity that comes through is palpable.

It should be no surprise that the creative team led by Peter J. Tomasi and Brad Walker deliver a 5/5 review score. Not only am I personally entertained by the musical references, this take on Batman is absolutely perfect. And, it's just another example in Tomasi's run on Detective Comics. Brad Walker isn't always paired with Tomasi on this title, but Detective Comics #1024 reminds the reader that he should be. This is Batman at his best. Don't be afraid to check it out!

Crossovers may not be your thing, but there's still some interesting character moments for Batman and Batwoman in Detective Comics #1025. Tomasi reminds the reader of the complexity of these characters, especially Batman as he has to work with someone just as headstrong as he is. This is a good issue with a few lighter moments to alleviate some of the mayhem of “The Joker War.”

One might find events grander and more exciting, but there's nothing more satisfying than a character focused issue that makes the reader think about a “villain” in a new way. Often cast more as “misunderstood monster” than true villain, Killer Croc gets his moment in the spotlight with a bit of understanding from a truly humanistic Batman. This Batman is the Batman who comes across as a caring human being trying to save others. He's not blinded by rage or vengeance, but rather directed by the notions of salvation and succor. This Batman saves victims…and prevents further pain and anguish.

$10 is a lot of money for one comic. However, there's a ton of material here and it is all good to great. Overall, it has a fantastic focus on character and it's just plain fun front to back. If you like Batman and DC Comics it's worth checking out even if you aren't reading Detective Comics on a monthly basis (and why aren't you…). I have to recommend this as a must buy. There are some of these stories you will want to read again…even a few warm fuzzies here and there, plus a little bit of inspiration…!

While the reveal of the killer could've been more engaging, there's a lot in this issue to digest. Tomasi sets up what's coming next rather well as Officer Nakano's story will clearly lead to something. The art from Scott and Mulvihill is really enjoyable as Batman moves beyond “Joker War,” perhaps into his past with the lead in to this issue referencing The Black Casebook!

Peter Tomasi continues to write some great Batman material. He's always paired with great art teams even if the art teams themselves vary in style. Tomasi is setting up a big mystery that should incorporate the Mirror, the anti-vigilante movement and the missing Black Casebook. Great stuff here, don't miss this!

Tomasi leans hard into character with Detective Comics #1030 letting it drive not only Bruce and the family, but also Detective Nakano and the most likely, soon to be prodigal son, Damian. Throw in the exceptional work of Bilquis Evely and it's a no-brainer! If the character work doesn't get you, the mysteries will- this is the Batman title you should be reading!

Tomasi's run on Detective has been absolutely wonderful, and it doesn't seem to matter who's drawing! However, Bilquis Evely is a real treat to see drawing Batman. This title is nothing short of fantastic and Detective Comics #1031 is just another example of why- intelligent writing and gorgeous art. This series is about stories, not events. If you're not reading this title, I can't imagine why?

There's just a positive, feel good element to this series as Bruce works to be the head of a family of crimefighters. It's not overly emotional, but one can't help in recognizing the difficult relationships in one's own life that are echoed in Bruce's relationships with the members of the Bat-family. We know he loves them, but it's nice to see him say it, especially to his biological son. Now, if we can just get them to bury the hatchet!

While it's disappointing that this is Tomasi's last issue of Detective (and one assumes Walker as well) that doesn't mean it's not a really good issue! This team will be missed! As the future appears quite uncertain for Bruce, Tomasi, Walker and company deliver a moving and emotionally significant story to close out this era of Batman. The real human emotions deliver on another level and are what separate good comics from great comics.

This is a comic you should be buying. The creative team understands what it takes to tell a good Batman story, one that isn't an event, but rather one that utilizes character and world building to draw the reader in. There's no shortage of surprises either. All this spills over into the Huntress feature as well.

Like the previous two issues in Mariko Tamaki's run, Detective Comics #1036 blends a great mystery with good characterization and exciting art. The creative team make it look easy, but it has to be anything but. It relies on great storytelling as opposed to an event gimmick. Don't pass this one up, especially for fans of the Huntress.

Detective Comics #1037 continues to challenge Batman's detective skills as he finds himself wanted for the murder he's trying to solve. The Huntress and Oracle provide the highlight of the issue as they assist Bruce. The back ups could be stronger this issue, but it's great that DC is doing back up stories at all. More Huntress, please!

Unsurprisingly, Detective Comics #1038 is again a great read that exemplifies what is enjoyable about the comic book medium. Not only is the main mystery gripping, and the characters interesting with truly engaging aspects, the little details bring moments of unadulterated joy. For a great Batman comic, add Detective Comics to your reading list. You won't be disappointed!

Detective Comics #1039 is a wonderful finale to the "The Neighborhood" story arc. Throughout, the issues have focused on character driving the story with the back up tales fleshing out different aspects of the larger story. The inclusion of the the larger Bat-family and nostalgia they bring with them raises the fun quotient in a significant way. This is another example of substance and character triumphing over event and hype.

Detective Comics #1040 keeps the train chugging along on this run! It's a change of pace issue that wraps up a few ideas while at the same time teasing some new ideas. Amongst it all is a clever story and multiple moments that address Bruce Wayne's character.

Detective Comics is another example of character and story triumphing over events. It's proof that it can be just as large in scope and just as significant. The entire creative team is doing a magnificent job of telling entertaining and engaging stories that bring Batman, his allies and enemies and Gotham City to life. Don't miss out! Detective Comics #1041 is a great place to jump on if you aren't already riding this train!

Sometimes a second feature will overshadow a lead, and this is what happens in Detective Comics #1042. That's not saying that Tamaki, Bogdanovic, Hernriques, Bellaire and Bidikar did a bad job, but rather Rosenberg, Raynor, Rodriguez and Leigh matched them batarang for batarang and pulled a little something extra out of the utility belt as well (no, not Bat-Shark Repellent!) You can't go wrong with this issue! Might as well pick up the whole run while you're at it!

Detective Comics #1044 maintains its intimate focus as we see how the ongoing story fits within Fear State. If you've been following this series and enjoying it, this issue is no different. In addition to the lead story delivering, the second feature is a unique tale that moves into the horror genre in an engaging and creepy fashion.

Detective Comics #1045 wraps up its storyline in a satisfying fashion, not just giving Nakano a change of heart, but demonstrating why he would have one. The more personal approach to the characters has been a strength of Tamaki's run so it's only logical this storyline's conclusion would hinge on it. The Fear State event doesn't spoil the story and that's a feat in and of itself.

Detective Comics #1046 is a wonderful lead-in to next month's "Shadows of the Bat." It features an outstanding focus on character and genuine feeling of family and relationships between the Bat characters. Gotham may "need" Batman, or maybe it's vice versa, but there's an incredibly competent group of heroes to safeguard the city in his absence.

Detective Comics #1047 is a fantastic start to "Shadows of the Bat." The Bat-family and the mystery are plenty good enough to make the reader forget that Batman isn't present. We do get the Dark Knight in the second story, but the little boy is the main character. Tamaki continues to explore Gotham City in an interesting manner with a strong emphasis on character that's always engaging.

Wow! Detective Comics #1048 is another great issue in Mariko Tamaki's run! This chapter makes it clear that despite Batman's absence from Gotham, the deeper themes being developed are directly related to the Dark Knight. Additionally, there's an exciting mystery the Bat-family has to unravel with the reader coming at it from a more insightful perspective because of the point-of-view of the narrator (literary terms- not that one of the characters is narrating this tale).

Detective Comics #1049 remains at a high level of quality as the mystery unfolds a bit with interesting developments. The art on both stories from Ivan Reis, Danny Miki and Fernando Blanco is top-notch. "Shadows of the Bat" continues to be an interesting story that doesn't rely on "even hype" as it's strongest element.

Four Chapters in and this is easily the best issue of an already great story arc. The cover advertises this as the "Landmark 1050th issue" and the story inside Detective Comics #1050 delivers, and it's especially satisfying for Dick Grayson and Huntress fans and those who see this assemblage of heroes as a family as Dick indicates in the opening panels of the issue.

Detective Comics #1051 demonstrates that "Shadows of the Bat" is sophisticated storytelling. In the literary tradition of William Faulkner's The Sound and the Fury. Tamaki utilizes different points-of-view and a character driven approach to lead the reader along. This isn't a cosmic event in which "character" is lost and degenerates into battle scene after battle scene. This is an exciting and absorbing story that requires the reader to put a little something in to get even more out of it.

Detective Comics #1052 continues to build, utilizing character and an engaging dynamic for the Bat-family told in a unique narrative style. Both "Shadows of the Bat" and "House of Gotham" hit with surprises to keep the plot rolling. With the Penguin making appearances in both storylines, one can't help but wonder if Cobblepot will end up being the lynchpin to tie them together.

As "Shadows of the Bat" is just over the midway point, it's clear that it's a series that has increased in complexity while never losing sight of the importance of the relationships of the characters be it the Party Crashers or the Bat-family. It's a series that's playing the long game and it's working extremely well.

Detective Comics #1054 is an average chapter in "Shadows of the Bat." It does its job to get the reader from point A to point B, but not much else. It's necessary to do this, but there's nothing special about this one. That doesn't mean to say you should skip this issue, rather just take it for what it is. I found "House of Gotham" to be the stronger of the two stories in this issue with its use of continuity creating a certain feeling of connectivity with the bigger picture of Batman's past.

Detective Comics #1055, while being more plot driven like last issue focuses just enough on some of the individuals of the Bat-family as well as moving the plot forward in a significant way. Furthermore, the second feature continues to be an interesting look at (presumably) Nero in the context of Batman's know past.

Except for Harley Quinn's unwelcome appearance, Detective Comics #1056 is yet again another fantastic installment of "Shadows of the Bat." It's intimate at times and gets the reader involved emotionally at the outset. And certainly by the end its not hard to see that the end is nearing as"well, no spoilers!

As we get close to the finale of "Shadows of the Bat," Detective Comics #1057 provides the reader some surprises as well as some exciting execution in the writing and art from the creative teams on both stories. This chapter doesn't disappoint as it not only brings plot threads together, but also teases the long game.

Thankfully, Soranik's role in this conflict makes this installment of GLC vs SC feel different and position of the Sinestro Corps as the Universe's law enforcers makes this situation new for the Rebirth era of Green Lantern. Additionally, this issue is very new reader friendly, the status quo may be surprising, but it is all very understandable and exciting.

With the tension at 11 this issue did its job in getting us to the one-on-one confrontation between Hal and Sinestro next issue. You'll be coming back for more, but how many more “final showdowns” between Hal and Sinestro can there be? With no chance at detente between the two, at some point there will have to be a final resolution, maybe this is that story….

It seems unlikely that Hal or Sinestro will perish in this story, but perhaps this could be a victory for Hal in which Sinestro is beaten and loses his will to fight again. Venditti has me “all in” for whatever the outcome.

There's no rest for the weary as the GLC will next face off against Brainiac. Moving Hal's fate to a sub-plot is a clever move as the focus of the book shifts to John and the Corps and their confrontation with Brainiac. Lastly, this issue is another easy access book for a new reader.

Another fine issue as this space opera continues to expand and bring more surprises. It seemed like the journey was over last issue, but it is clear there isn't a clear ending in mind as new possibilities continue to pop up, much to my surprise and pleasure.

Hal Jordan and the Green Lantern Corps is playing to the strengths of the mythos. After a bit clich final showdown between Hal and Sinestro, the book is focusing on character with Soranik and re-exploring the rainbow rings as we see more Lantern colors appear this issue. Even Soranik's subplot is engaging enough to move slowly and still be a positive!

The Green Lantern mythos have undergone a number of big changes in the past 20 plus years. This arc feels like it is on the verge of another big change. It doesn't hurt that Sayd and Ganthet are the only two remaining Guardians of the Universe and it appears they are about to become relevant again, and at the same time the story revisits popular concepts and recasts others in a new light. Hal Jordan and the Green Lantern Corps continues to be an interesting, surprising and sometimes challenging title, but challenging in a good.

Hal Jordan and the Green Lantern Corps continues to surprise and in this case inspire. If the Sinestro Corps can work along side the GLC, shouldn't nearly anything be possible? A little understanding, some common goals etc"? This is an even bigger status quo change than if Hal had stayed dead. The future is very bright for this title.

Often, it's the slightly off-beat or stories from a different perspective that offer insight into our favorite characters. This is one of those stories and it works extremely well. Through this Xudarian grandmother, we get to see how the Green Lantern Corps positively impacts the universe, one individual at a time.

Hal Jordan and the Green Lantern Corps continues to prove that the Green Lantern books are one of the best of the Rebirth era. With focus on character driven stories and the ability to reach beyond to a grander theme, this comic is nearly perfect.

Despite being a no-holds barred, all fight issue, Hal Jordan and the Green Lantern Corps #16 is at it's heart a character driven issue. The inner Guy gets some attention and works in an element of sympathy for his character. If you love Guy, you'll love this issue, if you don't like Guy, this is still a special issue that makes an unlikable character sympathetic.

The Green Lantern Corps has always been at the center of multiversal shaking events, and it appears that another one is around the corner. With Mr. Oz making an appearance, the Rebirth Universe is about to come front and center to not just the GLC, but the rest of the DCU. And the rest of the issue was great as well, as it showed us even more of Guy Gardner's character.

Something big is on the horizon, and this issue gives just a teaser. It does, however, make effective use of Guy Gardner and Arkillo's two-issue story line. There's a lot going on in this title and it all works well together, this issue exemplifies this.

This issue continues to prove that Hal Jordan and the Green Lantern Corps is an exciting space romp that relies heavily on the characterization of its cast. The current themes of hope, cooperation and redemption are entrancing and connect on a deep level.

Hal Jordan and the Green Lantern Corps continues to balance action with character in a meaningful way. Even if you think "I've heard this one before"" You really haven't. Not like this.

Like all good serial fiction, this issue provides an ending and a starting point. Kyle's discovery will certainly prove to be the basis for another exciting story line in the coming months. The final chapter of this arc allowed each Lantern to exhibit their unique approaches and provided Hal with some insight on those approaches. Most importantly, these elements allow for character driven stories that manage to include epic battles with the highest stakes.

By maintaining a focus on character with a large cast and expansive locales, Hal Jordan and the Green Lantern Corps continues to be one of the best titles DC is currently publishing. It doesn't matter which Lantern is your favorite, this title builds chemistry between characters and provides new favorites, sometimes surprisingly.

Hal Jordan and the Green Lantern Corps #23 maintains the high quality story telling that it's become known for. You don't want to miss an issue. It's one of DC's best titles and every issue is accessible to new readers. Hard to beat.

How can you not like this book? Even if the Green Lantern concept is not to your liking, the complexity of the plot and realism of the emotions is all one can ask for in a narrative. The incidentals of the story are secondary to the quality of the storytelling. If you were wondering about this book, wonder no longer, buy it and see for yourself how well it's being produced.

Despite the Sinestro Corps breaking the alliance with the Green Lantern Corps, this is a solid issue. The unconventional resolution is welcome and there are some nice character moments. Things aren't done for good between the Corps though, as Sinestro himself will soon be back.

Even event tie-ins can't bring this series down! The characters are diverse and allow everyone someone with which to identify. Character is King!

Deep breath! Highfather and Lightray, Martin Jordan and Hal Jordan " both show how the relationship between fathers and sons sometimes work. Whether it is a real interaction or a vision that Hal experiences, it is clear that his father is an important aspect in his life. Hal's life as a test pilot may in some ways seems dated, but his relationship to his father is something almost everyone can understand. Thanks, dad " 8th Air Force, 1944-1947.

This quickly paced issue manages to say a lot, not only about the individual characters, but also how they interact together and their own perceptions of each other and how their diverse abilities compliment one another. What is clear is that this group works together and respects the other members. Most importantly, the individuality of each character is clearly defined through the storytelling. What really comes through is the effectiveness of the Corps due to the diversity of its members.

There's never a dull moment in Hal Jordan and the Green Lantern Corps. Just when you think you've got it figured out, there's a twist in the tale. Bring on Hector Hammond!

Big villains! A-list team up! Action! But, it all comes down to one man's love for a woman that makes this a standout issue. Perhaps, someday Hal and Carol will find happiness together.

If you've been following Metal and all it's tie ins, this is no doubt a book you will want to read. If you aren't that interested in Metal then you can skip this issue. Despite Venditti doing the best he can with the tie-in, it's really not necessary to read unless you are trying to read all the Metal tie-ins. It's more of a distraction from the great work that's been going on in the book. It feels disjointed from the rest of the series and would be best enjoyed by those all in on Metal.

After last issue's sideways move into the Metal tie-in, issue #33 gets back on track as the themes that have been building in recent issues get some attention as the larger story moves the Green Lanterns and Guardians into the next phase as they face an old foe in the Controllers who appear to be making trouble for several issues.

Green Lanterns! Controllers! Guardians! The end of something is nigh, but not the excellence in this title. Venditti and the rotating art teams continue to provide one of the best titles in DC's output. The future of the Guardians and the Universe is at stake, leaving Earth's Green Lanterns to save the day again, but at what cost?

No reason to stop reading Hal Jordan and the Green Lantern Corps, this issue is yet another example of why it's a great book. The characterization just doesn't stop and the gang just keeps facing challenge after challenge, physical and emotional. Ganthet gets some of the treatment this issue and it's worth seeing.

You may not see a Guardian of the Universe cry, but you might believe he's human! After so many aspersions cast their way by Hal and his friends over the years for being "inhuman," this issue counters that notion with a heartfelt depiction of Ganthet as he urges his fellow Maltusians to reclaim their roles as Guardians of the Universe and leave a real legacy they can be proud of.

It's Zod and family facing the Green Lantern Corps, he's not just a Superman villain anymore! The art is extremely impressive and beautiful, and the new status quo for the Guardians is rife with possibilities. It's hard to go wrong with any issue of Hal Jordan and the Green Lantern Corps.

Hal Jordan and the Green Lantern Corps continues to chug along with great characterization, exciting action and intriguing situations. Hal's in trouble and there's no doubt he will be rescued, but it's more about the how. This story line seems linked to what's going on in Action Comics right now with the "Booster Shot" arc. Perhaps, there will be some grand unified action that links them!

Don't go away now! The final showdown between the Corps and Zod awaits. More or less since the birth of the DC Universe and the destruction of Krypton back in Action Comics #1, this story has been building. (well, sort of implicitly) This issue slows things down a bit and resets things with a little humor and angst. Be back for next month's showdown!

While an exciting issue with some really nice character moments, this is mostly a prolonged battle between the GLC and the House of Zod. However, the set up for a showdown between Hal and Zod is in place for next issue.

This arc is probably the best use of Zod as a character. Despite making him a villain to hate, Venditti provides plausible and at times sympathetic elements to the General. Hopefully, Zod will make another appearance here and not be relegated to the Superman books. Zod has made just as serious an enemy of the GLC as he has with the Man of Steel. Plus, Hal deserves one more shot at him without the interference of the Guardians of the Universe.

Hal Jordan and the Green Lantern Corps has embraced the history of the Green Lantern Corps with no fear of expanding any and all possibilities. It's always a great read and this issue epitomizes his run. Expect that unexpected and be prepared to be challenged!

You can't go wrong with Hal Jordan and the Green Lantern Corps. Month in and month out this title continues to entertain and challenge the reader with surprising story lines and philosophical insight into the human condition. Most importantly, character is always the first priority, and it's no different this issue as the emphasis on character create the conflict and plot direction.

There's no reason to think that Venditti hasn't saved his best for last. This arc has everything one could want- space drama, great characterization, relatable characters and an exploration of social mores in the guise of sci-fi adventure. Grab this issue while you can!

The plot doesn't move forward much, but this issue does provide a lot of interesting and challenging character moments as well as asking some deep questions about morality. Hal Jordan and the Green Lantern Corps has been a top-notch book for a while and this issue continues to prove that. It's never too late to start reading this book if you haven't already.

The threads of the tapestry are being woven slowly, yet masterfully as plans don't seem to be coming together easily. While John may have succeeded in his mission, Hal and Kyle are in a world of trouble which should provide a high degree of drama as what comes next unfolds. There is no simple solution or answer. The Corps has attempted to make deals with devils and it seems like it's starting to backfire already. Will this be the end of the Green Lantern Corps?

While Hal and Guy have some important moments as they learn a little bit about themselves, the obstacles they overcome don't last long enough to be as meaningful as they should be. After this issue, things are back on track a little too quickly. However, Hal and Guy's character moments are very strong and important to understanding something deeper about themselves.

No only should you buy this book, you should comb the conventions and comic book stores for the previous 48 issues. The remarkable thing about this series is that it is able to drawn in larger themes such as this current arc's examination of capital punishment. But, it also has upped the ante in each successive arc. It didn't seem possible way back when Hal “died” fighting Sinestro. What could be bigger than that? Next issue's finale should take the proverbial cake!

Well, we're finally here at the end of Robert Venditti's run on Hal Jordan and the end of this particular Green Lantern series. It's been a pleasure to review this book for the past few years. This has to be one of the best runs on Green Lantern, if not THE best. It has brought classic concepts back and yet pushed to concept further than ever before. It has explored intellectual and moral issues all while remaining entertaining and true to the characters. This final issue puts all the toys back in the box, and yet has left profound marks on characters and set a lofty standard for the next creative team.

Video gamers who are enjoying the game will most likely enjoy seeing howthe story transitions to Injustice 2. As it stands on its own, Injustice 2 doesn't have the strength of likable characters, or a completely novel approach to make it compelling. In terms of character development it is very superficial and mostly deals with the most basicaspects of character. While it has a long way to go and certainly could become something more, as a first issue, it feels very average and cliched, and doesn't have enough to bring meback.

This issue really sets this series in the right direction. After a dismal and annoying first issue, Injustice 2 #2 has added back in a sense of hope and goodness to this world with a rogue Superman. It's going to be an uphill battle, but it seems that it will be possible to pull for the good guys again. While there's nothing exceptional here yet, this issue does show the promise that it will be an exciting series with perhaps some potential for character moments if the pace of the plot slows down enough to breathe.

If you love Harley Quinn and Batman then this is an issue you will cherish. There is some great character work with Batman that would be at home in any incarnation of the Dark Knight. The Harley Quinn part makes the issue uneven, despite moving the story forward. Too much Harley can be too much to take.

This is easily the best issue of the series so far. It may not be possible to tell this story with issues like this each month, but this was a real treat. It is especially enjoyable for those who have fond memories of the Blue and the Gold and the JLI days. This issue proves that focus on character is always the key to a great story!

This series keeps getting better! The focus on character has made this series worth reading! It doesn't really matter that I don't care about the Injustice 2 video game, the stories are putting character first and telling engaging tales that find a truth about familiar characters in an unfamiliar world.

Another great issue! Despite the slow start, Injustice 2 is telling some great stories. While the plot may be moving slowly, the benefit is some moving and important character work. Even if you have no interest in the video game tie in aspect to the book, the character work is worth the investment!

This book has transcended the video game tie in that it is and become a really great alternate Earth story featuring the greatest heroes of the DC Universe. Tom Taylor has found the right voice for these characters in an extreme situation while peppering in some nostalgia along the way.

By addressing serious and real issues, this comic elevates to a level rarely touched in the medium. When one considers the morality of both sides of the issue, it's clear that there is a real world analog. While Batman may find a way to address both sides of the situation, in the real world, rarely does it work out that way. This title has transformed from a pedestrian video game tie-in to a morality questioning piece of popular culture.

This alternate future of the pre-Flashpoint DCU is a real treat as it continues to utilize older and under used characters for purposes that fit their characters. That's really the key. The characterization feels right. The relationships and familial connections make it easy to relate to these individuals with powers and abilities. It doesn't matter that it's not part of the regular DCU, it's developed into a great story with characters that seem real and are relatable.

What could easily be a "phone-it-in" tie-in comic has become an engaging examination of these characters in an extreme situation. How does Batman maintain his moral compass in the given situation? How does one define "greater good?" It tries to paint the difference between big picture vs little picture, which is a moral dilemma one faces in life.

This was a very strong issue. Sometimes the freedom of an alternate continuity allows for better storytelling because it's impermanent. This iteration of the DCU will not stand for decades, but there is a wealth of stories therein considering the unique circumstances of this world. The ambiguity of the moral right makes the reader think and produces a strong story with some excellent character work.

When comics make the reader think, it's a good thing. It's not always easy to view an alternate universe or take on characters. However, this series has done a stellar job of re-imagining characters in a broken world where questions can be raised in an alternate history. It doesn't hurt to have a few morally ambiguous characters along for the ride to soften the shock.

The character work is outstanding this issue as it drives the story. This sense of familiarity with this alternate universe makes this a unique experience. Things will certainly go sideways with Brother Eye, who will still ally themselves with Batman? How will Batman confront Ra's?

This is a turning point issue for this series. No longer is this simply an alternate take on a familiar world, but the creative team has successfully depicted a world truly split as both sides appear valid in their beliefs. While Batman's potency has been slowly eroded, the other side is gaining a strength in both ideology and numbers.

A solid chapter for the title, despite little plot movement. The real win is the way in which the reader is drawn into Wonder Woman's character while knowing she's really one of Batman's enemies.

Heading back to the central conflict is an excellent move at this point. However, seeming like a simpler narrative, it has a lot of subtlety in characterization and thematic element. Don't be afraid to read a little deeper. There's a thoughtful reflection here that will seem familiar. And, of course, Batman and Ra's could've been allies in another life as well.

This issue utilizes emotions from an angry Oliver to self-doubting Ma and Pa Kent to tell the story. While it's not looking good for Batman and his allies, it doesn't feel like it's gotten completely away from them. However, they've got to have a real win soon, otherwise it may be too late for the human race. Ra's plans keep escalating as Batman and team seem to be clutching at straws.

Injustice 2 continues to challenge readers with a psychological and emotional depth uncommon even in today's super-hero comics. Prepare to be challenged as you question your own morality as Batman is pushed over the edge. What would push you, the reader over the edge? Can you blame him?

With some surprises in plot and another major guest appearance, Injustice 2 #20 is another winner. This series continues to provide a lot of emotion and character moments that keep the reader interested. It's more than a video game tie in or a simple alternate Earth tale, it's a series that is remarkable on its own terms for the quality of the story telling.

This necessary issues reveals a real turning point for Damian as he appears to maybe be about to turn back to his father, the Batman and away from his grandfather, Ra's al Ghul. The other players on the board get some movement as well and Kara is positioned to be a new hope, but on which side will she fall, if on anyone's side at all.

Injustice 2 #22 is a solid issue that continues to develop Damian's conscience while looking forward to an eventual intersection with his father. There's a bit of hope here, but the world of Injustice is tainted, and it's hard to tell if this hope is genuine or just misdirection that will make the failure of the heroes more devastating.

It feels like Batman's team may finally be able to come together and bring back the hope and mission of the Justice League as the common enemy appears to be too much for everyone to ignore. Ra's has introduced a method of indiscriminate killing that will not be allowed to continue by these heroes who have been divided. This issue has a hopeful feel and while acknowledging human shortcomings, plays to the characters inherent heroic nature.

Hope is alive and well in the world of Injustice,it's been slowly building and seems break out full-fledged in this issue. Certainly, the war with Ra's al Ghul is not over, as it's been clear he will stop at nothing to achieve his vision. But, how will the alliance against Ra's take shape? Will the heroes be able to put differences aside and support, not one, but two characters wearing the reviled Superman's "S" shield?

The aspect of the original Earth-Two that was so intriguing was the idea that the characters were allowed to age, get married, have children and experience aspects of life without retconning. It was easy to do that with Golden Age characters who were all but forgotten. However, when the Golden Age versions of Batman, Superman and Wonder Woman were introduced it suggested possible futures for their Earth-One contemporaries. Anytime story tellers have unencumbered possibilities it allows for “no limits” story telling. Injustice 2is doing for the '80's/ '90's DCU what the original Earth-Two did for DC's Golden Age characters, and it is fabulous.

It's only very special issues that survive on emotional content. This is one of those issues. The quality and content of this issue should be enough to give anyone Injustice 2 a chance.

This series continues to take an alternate view of the DC Universe, building and expanding into something unique and exciting. With no limits, the creative team issue after issue present something emotionally engaging and intellectually thought provoking. The conceit of this series is currently about redemption. What is redemption? What makes one evil- high concepts explored through a myriad of characters.

This issue exists more on the fringes of the world of Injustice 2. The issue provides an opportunity to see some rebuilding, even if the story does carry the impact that most issues of this series do.

While some of this issue is epic space battle, it is grounded in some very relatable human emotions. This really takes the issue to another level. Isolating these moments make this an incredible experience. It's not often that such emotions come to the forefront with such insight and sensitivity to the human condition. For regular experiences like this, read Injustice 2 each issue!

This issue could very easily be about the Red Lanterns and Green Lanterns having a final showdown, but it instead the characters of Hal Jordan, Sinestro and Soranik Natu come to the forefront and make this an emotionally charged masterpiece as opposed to a simple battle issue.

The team keeps bringing their A-game as the surprises don't stop. The story keeps pushing further and further and it continues to make a deep emotional connection. While there's not redemption in Hal Jordan in sight, it is inspiring to see him try and do the right thing, just as Booster proves he's been a hero all along. There's still hope in this universe, as evidenced by those trying to do the right thing as well as the appearance by the teens from the future who have always symbolized hope- the Legion of Super-Heroes.

As this alternate universe story line continues to plunge forward, there is no shortage of wonderful character moments peppered throughout an intriguing notion for detente between the remaining factions. The character moments are intimate and evocative and take the already catastrophic stakes even higher as they bring the humanity of the individual into focus. With only two more issues of this series left, it is heartening to see an alliance forming to combat this world's latest threat- Brainiac!

This is quite an emotional issue as Taylor allows the characters to drive the story. Despite, knowing where this story is heading, the characters are not without surprises. This is just a great series for fans of character development and a genuine emotional gravitas. Don't miss the ending, and you may as well go back and start with issue #1 to enjoy the entire ride.

While much of this issue is simply set up for the finale, there are some wonderful emotional moments and some intriguing decisions made by characters. While this issue seems to exist more as connective tissue to the finale, the creative team makes the most of it with some personal moments and some existential allusions.

Even if you haven't been keeping up in Action Comics, Midnighter 2021 Annual #1 is able to be read by a new reader and understood. It's an exciting and thought-provoking finale to a series that's been dynamite since chapter one. "The Passenger" concludes with the surprises and insightful character components that have made it stand out.

The Batgirls 2022 Annual is for the sensitive reader. When I say that I mean it is for a reader who is able to connect with the characters and relationships. This isn't a loud blockbuster, but it's not without an interesting and exciting plot. However, the attention to character and relationships is what elevates this, although the twists in the setup and plot are really cool as well! More comics should be like Batgirls. Even if you weren't a fan of Steph and Cass when the series started, it's hard to imagine how you can't be now after just over a year of the series.

Batman Secret Files: The Huntress #1 demonstrates the varied storytelling opportunities in the DC Universe and highlights how deserving of a series the Huntress is. Helena has been an intriguing character for a long time and Tamaki, Lapham and Mulvihill capture that in this issue and leave the reader wanting more of Ms. Bertinelli.

While this may not be a book for everyone, a real love of Jack Kirby's work comes through. It's a book that focuses more on fun than anything else. The story may seem nonsensical at times, but the humor compensates.

This series continues to be a wonderful wacky and fun homage to Jack Kirby while also finding the commonalities in the King's work and the Young Animal line. It's a book designed to be enjoyed and focuses more on fun than message. This issue is no exception as the fun goes to 11!

Bug! The Adventures of Forager #5, promises a no holds barred ending next issue where anything is possible. It's been a fun ride so far. This issue simply reinforces the genius of Jack Kirby and the love that the Allred's have for the King and fun comics.

"I did not see this one coming" is a an appropriate tagline for the finale of Bug! The Adventures of Forager. The playful series ends on an emotional note as Bug finds a place in the world through the machinations of a higher power. Don't miss this if you've been reading all along, and if you haven't, this issue is reason enough to go back and get the previous 5 issues.

Strong on characterization, this book is a great read. It doesn't matter if one is a fan of pre-Crisis Barry Allen or not. The issue is about the character and the growth of the lead character under desperate circumstances.

If youve never read Earth 2: Society, this may be the issue with which to start. If you are a long time reader, this should inspire confidence in the future of this title. At the very least, this is wonderful issue. Perhaps, unintentionally, it also makes one pine for a Huntress solo series. Well done, well done.

So very often people clamor for the Classic 7 JLofA. This is certainly the modern version of that situation. It plays exactly as one might expect a JLofA movie to begin. It is a full steam ahead story that presents something the JLofA have never faced, and it appears to be a story like none other. Make it 4 .

While many of the motifs and themes in this story may seem familiar, over used or predictable, the creative team successfully presents this tale in a way that makes it sincere, relatable and exciting. Deep down we all want to believe that this sort of situation of an alien benefactor could happen and be all smiles and rainbows despite knowing that its too good to be true. Is that us? Are we all that cynical? Again, Hitch is able to use the sci-fi milieu in order to comment on the human condition.

Another strong issue with the right blend of plot, character and surprises. No clear missteps yet as this arc moves forward continuing to entertain on the epic scale. It's a fun read that isn't inaccessible to a new reader.

The ball is rolling to the end! Cave and Swampy are almost to "the boss!" The finale comes next week as Cave's Eye has summoned the rest of the Young Animal characters and the Justice League of America to the fight. But, don't miss Part IV to see how they've gotten there, this is the most important issue of "Milk Wars" in terms of plot movement, plus it has Cave Carson!

"Milk Wars" has been a fun and offbeat story that successfully teamed the Young Animal characters with the mainstream DC Universe. While the resolution was typical Young Animal, it also was a bit too Young Animal. No reason to fret too much, though.

Despite what may seem like disparate styles, the weird fun of last week's Justice League of America/Doom Patrol Special finds its own footing in this second chapter of "Milk Wars," the Young Animal crossover event. For those worried that the seriousness of Mother Panic will be diluted by the milk, have no fear. The two styles are balanced and keep Mother Panic on track while giving the Father Bruce Batman an intriguing test drive.

If you aren't following the "Milk Wars" crossover, you should be. Shade, the Changing Girl/Wonder Woman Special #1 is another fun and insightful issue that continues to build on the Young Animal characters and the unique world they inhabit while firmly establishing them in the broader DC Universe.

I almost always say that "fun" is one of the most important elements in comics. Whether it be serious or humorous, conveying "fun" is at the heart of the medium of sequential art (thanks Will Eisner.) They used to be called "funny books" after all. Doom Patrol with all it's weirdness, always manages to maintain this sense of fun. Transporting the broader DC Universe to the world of the Doom Patrol is perhaps the apex of the notion of fun. Even if you've never read an issue of Doom Patrol,I believe this issue extremely enjoyable through that notion of fun, because it relies on one's basic knowledge of the first super-hero, Superman.

Stargirl Spring Break Special #1 is a comic that revels in fun. It's a comic that hits all the right notes with the material it presents. It will probably the most fun you have reading comics so far this year.

The New Golden Age #1 is a heck of a fun issue! The pages drip with multiple forms of nostalgia while setting up a few mysteries. There is a heavy focus on character, and not just Helena Wayne, but all along the way the issue is peppered with moments that lend some sort of insight. The Who's Who pages at the end do the same. It's hard not to be interested in every single one of these "lost characters on some level. It's been too long since the Justice Society has had a prominent role in the DC Comics Universe. This first issue feels like things are on the right track. It's hard to judge what this does for readers unfamiliar with the concept save for the solid set up and character bits. For longtime fans, it's about as good as one could expect without Roy Thomas coming back to pick up where he left off in 1986.

This issue celebrates Jack Kirby in multiple ways and is a true joy to read! If you're not a fan of The King, perhaps this will get you interested in learning more about his work! If you are, well, sit back and enjoy a book that honors, celebrates and pays homage to one of the greatest comic book creators of all time!

There's some palatable emotion packed in this issue as well as some exceptional visuals. Together, they make this issue a solid follow up to last month's inaugural chapter. It builds upon last month's set up with a deep emotionally plunged dagger. Nazi's are easy to hate, but can you find that American Spirit inside yourself?

This well paced series continues to introduce the Freedom Fighters and their world to the reader. While Sam doesn't make an appearance his presence is felt. It's an exciting thing to see a comic find the ideals of America and explore them without seeming preachy. This issue may not lean into that as much as last issue, but Berlin's “God Bless America” indicates that the Spirit of America is an important theme underlying the Freedom Fighters themselves.

This book is unintentionally raising lots of questions about the nature of Freedom and Nationalism and how it relates to terrorism. It effectively proposes a place for constructive Nationalism and its relationship to the aforementioned Freedom. Along with some intriguing world building and characterization, ti's pretty darn good as a super-hero comic too! Or maybe it's intentional….

This title continues to provide a deeper look at the meaning of freedom and how it impacts the world. The notion of Uncle Sam as the Spirit of '76 is an idea that is worthy of more exploration. Venditti is not afraid to show the mistakes made by the United States in its history, and it feeds right into the idea of freedom in 2019. Venditti finds a truth that is present in the philosophical ideals, despite the errors of humans.

Freedom Fighters #6 not only brings Overman into the fray proper, but it does so in a special way. Utilizing the origin sequence from All-Star Supermanand connecting it (finally) to The Multiversity: Mastermen #1, elicit particular responses from the reader that add to the effectiveness of the storytelling. While it would be easy to end there, not only is the art superb, but the issue provides a clear direction for the team, and opens a door for the further exploration of Overman's character.

VerdictFreedom Fighters #7 continues to stir a positive sense of connection to the American Spirit. While Freedom isn't solely an American notion, Uncle Sam thrives on it! The character development continues to engage the reader with additional exploration of Phantom Lady. Her hope helps drive an optimistic outlook despite the situation they are in.

It's a real joy to feel the character of the Black Condor come alive in Freedom Fighters #8. This powerhouse of character exploration easily overpowers any shortcomings of the plot movement or scope of the issue. The intimacy of Condor's story makes this an issue you'll want to read. I have a feeling it will fit into the pacing of the full 12 issues marvelously, even though on it's own it's a little unsatisfying plot-wise.

If you like great character work, then Freedom Fighters #9 is a book for you. It's not often that comics are able to get into deeper emotional and philosophical exploration, but the very title invites creators to do so with this concept. What is freedom? How does one attain it? How does it slip away? This title consistently wrestles with such questions through some fun, thoughtful, entertaining and beautiful looking stories. It will make you think.

The creative team conjures up the right amount of World War II flavor to keep this book feeling unique different, while at the same time touching on prescient themes for today's world. Freedom Fighters #10 succeeds on all levels, characterization, high concept, story and nostalgia. There's something here for everyone. It's not too late to find a new hero for today!

Venditti and company continue to challenge the reader in an exploration of the concept of Freedom.

Since issue #1, this series has been a book for a thinking reader. There are lots of big ideas presented here that aren't always easily explored in the super-hero genre. Freedom Fighters #12 is no different. While there is the sense that it would've been great to learn more about each individual character, or have a bigger, more significant resolution, what we got is a finale that extends beyond the bounds of the comic itself and into the real world. Perhaps, there's something to be learned from this series.

A good start for the series that definitely shows promise. The big questions this series raises are applicable for the main character as well as us humans. The mature reader tag might keep some teens from this title, but it feels like a book with a lot of appeal to teens.

A very clever thematic tie-in to the main story makes this feel like these back ups are building to something. They are a fun surprise so far!

Outside of the thematic relationship to the main story there's not a lot here and it didn't have the fun nostalgic quality of some of the other back ups.

This is a wonderful conclusion to the first arc that also manages to sew the seeds for what's coming next. Oops! Hope I didn't give anything away! Castellucci and Zarcone continue to create a unique and exciting comic that is unlike anything else being published. This is a smart and emotional comic that gets more interesting with each issue.

This is an issue that really makes the reader think. It maintains that off-beat feel, while managing to say something deep and relevant to everyday life. Not many comics get to do that. You not only think. You feel it, as well.

Shade has reached another milestone in this issue that opens doors for multiple directions. Most significantly, how will she deal with what she's done using her powers in such a way? How will "Life with Honey" continue to play a role considering the revelations made about the actress's need for a new body?

Shade the Changing Girl continues to be one of the most unique comics on the market. It approaches things differently and relies on real life more than fantastical trappings to engage the reader. Even if you've never read an issue, it's easy to get hooked on an issue like this one.

Again, the creative team manages to state something universal about existence in the human condition. Art? Yes. Insightful? Yes. Great comics? Absolutely!

A little weird, a little nostalgic, a little confounding.

There is a nice balance of quirkiness, nostalgia and humanity to this title. While it embraces all the nostalgia of the original strip, this modern take has the benefit of utilizing contemporary storytelling techniques. And as good comics always do, this book is able to find a way to really make the reader care about the main characters and root for them both in their external as well as internal conflicts.

Like all the Young Animal titles, Cave Carson Has A Cybernetic Eye is doing something very different in its approach while at the same time fitting into a recognizable genre. Ostensibly, a sci-fi/adventure book, the underlying theme of family is strong enough that it permeates the narrative making this title about how families relate. The emotional impact hits the right beats to keep it from just being characterization and brings it to the forefront.

With an action-packed seeming finale, Cave Carson Has A Cybernetic Eye #6 manages to continue to surprise and keep the weirdness going with the last page promising a whole new narrative angle. And they aren't even done with the threat of Borsten and the Whisperer. Cave, Chloe and family are infectious. So, DC " How about a trade paperback collecting Cave Carson's appearances in the Sixties from TheBrave and the Bold and Showcase?

This is a strong issue that may actually have a broader appeal than some of the quirkier issues in the series. This is despite the fact that Cave Carson Has A Cybernetic Eye #8 follows directly from issue #7's finale and throws the alternate Earth thing at the reader on the very first page. The more traditional action/adventure feel of this issue may be a good jumping on point for new readers even though Cave and his team are in the middle of a protracted battle with The Whisperer and Borsten.

Cave Carson Has a Cybernetic Eye continues to balance modern story telling with '60's motifs and feel. This combination creates a unique title. Additionally, it never forgets the theme of family, to which everyone can relate. The element of fun cannot be understated no matter how serious or dire things may seem. You always root for Cave and Chloe and company. Amazingly, Cave Carson Has a Cybernetic Eye is able to seem innocent and naive while also being experimental and singular.

Cave Carson Has A Cybernetic Eye #10 is a fun romp that finds those emotional character moments that drive the heart of the series. There's no slow down as the team and plot push forward, with only a brief moment to catch your breath at the beginning of the issue and an eagerness for more with the surprise ending. Keep 'em coming back!

Despite betrayal across time and dimension from one's future self, the fun that is always in this title is never diminished. Additionally, the events in this issue open up a whole new emotional angle for storytelling as the robot Mazra seems to be more than an automaton, but a "real" individual with thoughts, feelings and memories. What comes next after the action is sure to be equally as entertaining.

It's rare for a comic to bring a tear to my eye, but this issue did it. Not only was the Whisperer finished and put away, but the whole emotional arc came to a moving conclusion. I don't believe Chloe and Cave are done with their father/daughter emotional hiccups, but it feels real. This family looks to move forward to even higher stakes in coming issues, and you'll regret it if you miss it!

The positives outweigh the negatives here as the technical aspects of Strange Adventures #1 manage to outweigh the content. Additionally, some of the negatives are based on conjecture and expectations based on King's other work. Adam does seem COMPLETELY sure that he isn't guilty of the charges brought against him. Even if one is unsure of King's story direction, it's undeniable that Gerads and Shaner do everything they can to sell book!

Strange Adventures #2 may be even stronger than issue #1. By bringing Mister Terrific in with a significant character focus, King, Gerads and Shaner make this book about two heroes instead of one! Gerads and Shaner do exemplary work in the art and color department in this issue and really enhance King's script. This is great comics! But, only the complete story will deliver a verdict on King's motivation, treatise on morality in war or the destruction of a classic hero?

Strange Adventures #3 is another excellent installment of the latest comic to feature the adventures Adam Strange. It's wonderfully illustrated by Mitch Gerads and Evan “Doc” Shaner. Their work alone is worth the price of admission. Tom King is genuinely writing a fantastic comic. However, and it is a potentially significant “however,” one can't help but be perplexed by the anomalies in King's script. His track record with Heroes in Crisis shows he's not afraid to permanently damage a beloved character. Adam Strange's reputation is hanging in the balance with this series. So far, even if King assassinates Adam's character, the journey is a thousands time more enjoyable and well execute than Heroes in Crisis.

Strange Adventures continues to be truly outstanding in its depth and breadth, as well as with the mystery at its core. There's no shortage of character moments as Strange Adventures #4 plays a little more to Michael Holt. It's really his issue. While not told entirely from his point-of-view, he shines brightly. What really did happen on Rann? Is Adam a hero or something else….

This is without a doubt the most intellectually engaging comic DC has published since Watchmen. It's execution is at an extremely high level and is just as beautifully illustrated. Strange Adventures #5 may not be the turning point of the story, but it is the moment that proves to be the most balanced on either side of the verdict on Adam Strange's guilt or innocence.

For the past few issues, each subsequent issue has surpassed the previous one. It's the case with Strange Adventures #6 as well. King has set up the reader to believe one thing and then turned things around to something unexpected. The use of real human emotion is what makes this series so engaging. These are emotions that anyone can relate to that has nothing to do with the ostensible science fiction genre. Do yourself a favor and pick up this series. It's not too late.

Overall, Strange Adventures #7 is another excellent chapter in this series. Though the issue raises some serious concerns about the treatment of Adam's character, it's extremely well written and beautifully illustrated by Shaner and Gerads. The deepening mystery is a plus, and one can't help liking Alanna more and more as this series continues. One hopes that Adam will not be destroyed in the process.

King, Gerads and Shaner reveal a bit more about what happened on Rann and it's incredibly enticing! Batman and Mr. Terrific display a great working relationship as they try to discover the reason for the Pykkts invasion and destruction of Phoenix. So far, all the pieces don't add up, but the journey is executed wonderfully!

Strange Adventures #9 refocuses the reader on the main themes as the final leg of the series begins in the final three issues. While there are still lots of questions that remain unanswered, King, Gerads and Shaner have developed an intensity and immediacy to the series that is nearly unparalleled. Even if you haven't read the first eight chapters, this issue is enough to get a new reader on board.

The positives outweigh the negatives here as the technical aspects ofStrange Adventures #10 manage to outweigh the portents of Adam's chicanery. Additionally, the negatives are fueled by conjecture and expectations based on Kings other work. Even if one is unsure of Kings story direction, its undeniable that Gerads and Shaner do everything they can to sell book!

The execution is par excellence in both writing and art in Strange Adventures #11. The sole possible negative still awaits the conclusion in the next and final issue. Don't stop now, but this isn't the place to jump on either. The conclusion will determine the ultimate assessment of this series. The storytelling has been fantastic and a wonderful entertainment experience, but its legacy remains to be revealed.

If you are a fan of Adam Strange I cannot recommend reading Strange Adventures #12. Everything you've feared since issue #1 is basically true. There is no hero. There is no satisfying resolution. Everything just falls apart. It's better just to think of it unfinished.

Venditti and Torres perfectly capture the look and feel of Superman: The Movie in Superman '78 #2- I mean that's why you're here right? I'm not sure how this plays with an audience who isn't a fan of Christopher Reeve's Superman films. I'm not sure if that matters, but if you are a fan, this will bring you much joy, and you'll want to read it again, because you don't want that honest joy to end.

With Superman '78 #3 it's clear that this series can be "seen" as an alternate third Christopher Reeve Superman "movie." It's heavy on the nostalgia, but that's what really sells it. It completely embraces the world of the films and lives there with them. The story moves along with all the proper beats including the surprise at the end which, of course fits perfectly with the characters involved.

Superman '78 #4 is once again a fun comic that perfectly captures the feel of Superman: The Movie. Lex shines in particular in this issue, but it's the pacing that really drives the issue. You can feel what's coming just around the corner, and it's going to be one of those iconic moments in a blockbuster comic book film. Just wait" Look! Up in the Sky!

The '70s are back with a vengeance as the creative team take the opportunity to pepper this plot driven issue with bits and pieces to which children of that decade will thrill. It all goes hand in hand in developing the look and feel of the series as a continuation of the films. And, it only really works if the book can conjure up the notion that it actually comes from the '70s.

Superman '78 #6 is everything you want it to be and need it to be. Many have wished that Christopher Reeve had made more and better Superman films, and this is the perfect way to do that. Originally, Lois and Clark were going to get married in Superman V ". So I guess I'm suggesting a timeline of Superman: The Movie, Superman II, Superman '78, Superman III (we've already seen Richard Pryor's Gus Gorman in issue #5), Superman IV: The Quest for Peace and then Superman V". V for Venditti?

A solid and strong focus on character makes Wonder Woman #772 and indeed the entire story arc a beautiful and engaging read. It's simply great fiction and a chapter that should prove to be another iconic run on Wonder Woman. The small ties to the DC Universe keep the character grounded and keep the reader invested in the outcome. It's not too late to get on board this title to see one of the most enjoyable of the "Infinite Frontier."

Wonder Woman #773 is darn near perfect! It's fun and entertaining and even thought provoking. And, it looks like Wonder Woman's got her head on straight just in time to figure out what's going on in Olympus. There's a lot more story to come, it's a great time to be reading Wonder Woman!

There's a really great run on Wonder Woman right now. The creative team is providing a unique, engaging story that is constantly supported and led by character. Don't find yourself asking how come you didn't know about this. You won't be disappointed with Wonder Woman #774.

Like many of the titles published by DC Comics currently, Wonder Woman is on fire! Wonder Woman #775 continues to push the story forward with intriguing characterization through thoughtful writing and exciting art. It's excellent storytelling on all levels and compels the reader to consider the big picture and broader meaning. The Young Diana back up feature is just as a significant journey for the juvenile Amazon, as well. As promised above"5/5!

Diana gets a change of pace issue as she enters Faerie land on her way back home. It's a beautifully illustrated issue that doesn't give away anything, but suggests many possibilities as to how "Afterwolrds" will play out. Wonder Woman #776 continues Diana's incredible journey with this issue having a unique feel and flair in Elfhame and due to the art of Jill Thompson.

Wonder Woman #777 is another great issue providing yet another milieu for the Amazing Amazon. She's been getting around a lot and the variety has been entertaining and provocative. Emanuela Lupacchino, Wade Von Grawbadger and Jordie Bellaire provide beautiful visuals to round out the top-notch execution, and Young Diana delivers with an exclamation point to end the issue. You're already reading this series, right?

Wonder Woman #778 is yet again another fantastic issue with depth, emotion, fun and even nostalgia. What's more, the ending promises that return to Earth I've been asking for! Although, the real satisfaction is in the journey, and what a journey this has been. Continue to count this as one of DC's best books and an instant classic Wonder Woman!

"Afterworlds" ends in Wonder Woman #779 thoughtfully and with a provocative resolution. The good news is that Cloonan and Conrad will be on board next issue to explore Diana's return to Earth and guide her adventures. Perhaps, this is all just the groundwork for something even bigger are more monumental. It is certainly implied that something is coming to Diana's future that we have to believe is part of her destiny and a valid interpretation of her character, something just as valid as a classic iteration. There's also a question posed in this issue, "Can characters really change, permanently or will a significant contingent of fans always decry such things?"

Wonder Woman #780 is a wonderful issue with a wonderful change of pace. It's full of joy and hope. We know there are challenges for Diana coming, because"comics", but for today, enjoy it. It's ok to feel happy. Celebrate as a citizen of the DC Universe and when you turn to the person next to you to hug in joyful reverie, pray that it's Donna Troy and not Darkseid!

Wonder Woman is back on Earth and Wonder Woman #781 is quite literally a perfect super-hero comic. The villain plot is interesting and linked to a relevant theme both in story and in the real world. The issue is character focused and you care about the relationships. The various plot lines fit into the larger story that's being told. There's even a mysterious cliffhanger that dares you not come back for more. Shame on you for not reading Wonder Woman!

Wonder Woman #782 is a fine example of why this title has been so good. We not only get multiple plot elements that are "connected," but the characters never get shortchanged. It's balanced. Plus, there's just enough of Wonder Woman's history intertwined to make it feel classic while also being new.

What, you thought Wonder Woman #783 was suddenly going to fall apart? This is simply (or maybe not so simply) great super-hero comics from this creative team.

Like it or not, "Trial of the Amazons" is on the way- there's no stopping it! However, the unmasking of the Shining Knight and Dr. Psycho's continued plotting will provide Diana with more challenges either in "Trial" or in the story arc after the crossover. Wonder Woman #784 functions well enough to get the reader to "Trial" even if some of the possibilities raised in the issue seem to be more compelling on a personal level for the Amazing Amazon.

Wonder Woman #785 maintains a strong focus on Diana and thus succeeds in being a very good issue. The endgame for "Trial of the Amazons" is still shrouded in mystery and therefore the plot movement makes me feel very suspicious. Comics have a reputation of promising huge changes that are subsequently undone down the road so they lose any weight. The issue is still mostly about Diana and her personal reactions to the events on Themiscyra and the death of her mother and that makes all the difference in the world with this issue.

Wonder Woman #786 does a great job of reframing the nature of "The Trial and turns it into core Amazonian concepts. It suggests that these contestants, not combatants will come through "The Trial not only changed but closer and possibly bringing the three tribes of Amazons closer in the process. At least that's where I hope it goes

Long ago, comic book stories were mostly short, quick foe of the month tales. Over time they've developed into chronicles of a character's life. Wonder Woman #787 demonstrates this. Every day isn't saving the world. Sometimes you have to come back to your life after an interruption and that's what happens this issue. There a few balls still in the air as mysteries aren't always solved immediately and one's personal life is often complicated. This is Diana's life and we're getting the full spectrum of her experiences, including the formative moments from her youth.

Wonder Woman #788 is an interesting issue as it takes classic themes first present in the Golden Age feature and modernizes them. The approach and content calls back to a lot of Golden Age aspects. It's an astute move and it adds an extra layer or three to the storytelling. There are multiple levels on which this can be appreciated. It's pretty darn FUN too!

Wonder Woman #789 is an issue that succeeds on multiple levels. On the surface it's an interesting adventure with a mystery that keeps you guessing while showcasing the camaraderie between Diana and her allies. At the same time there's a lot of subtext about the history of the Wonder Woman character that connects to pertinent political and social themes. It's more than your ordinary comic and it makes you think.

Wonder Woman #790 is yet again, another thoroughly enjoyable comic book. I must confess to head scratching at the criticism levied at this series. I can only imagine that those who aren't enjoying it just aren't on the same page. The series is blending elements from Diana's many eras quite well into something all its own. Something special is going on in Wonder Woman. You should check it out.

Wonder Woman #794 on the surface is a good issue. Some time with it reveals it is full of insight and care. I ask you, reader to not just read it, but think about what is going on. Think about Barbara M. and what she's going through. There's an exciting and fun story of Greek Gods executing a plan of mayhem and subversion on the people of the Earth, but beneath the surface there's something even more substantial and gratifying. Not many comics can do this, and it's not only here, but done incredibly cleverly with all the nods to the Golden Age.

Wonder Woman #795 is even better than last issue and this story arc is not only moving forward in an interesting and exciting manner, but the creators are working at a very high level to deliver balanced action and character and something extra, too. The surprise appearances in both the main story and the back up, Adventures of Young Diana, work well. This issue should provide something for everyone!

Wonder Woman #796 demonstrates why this has been a consistently great series over the past two years. While it can deliver on the action, there's always something bigger at play with the characters and emotional beats. Bellaire and Ganucheau do this in the second feature, and it's a hallmark of the main storyline. This more thoughtful approach is nuanced and nostalgic.

Wonder Woman #799 allows the reader to reflect on not only what Diana means to her friends and allies, but also what Wonder Woman means to the reader. It's a lovely touch that works so well because Cloonan and Conrad understand the core themes that are part of the character, those that have been there since the beginning and those that have been added on and BECOME a part of the character over the years. However, the use of Golden Age motifs allows for a particular kind of nostalgia and as the reader hits the final page revealing the title, it all makes sense as chapter one really does echo the tone and theme of Alan Moore's classic, "What Ever Happened to the Man of Tomorrow?

"Whatever Happened to the Warrior of Truth? Part Two is a loving look at Diana and her relationships with her super-powered friends. It will make you smile and remind you why Wonder Woman is important and special.

Despite Brian Michael Bendis's impact on this book, Green Lantern #1 is a very good start to a new era of the Green Lantern Corps. Thorne executes the big ideas well and presents an intriguing situation for John and the rest of the Corps. There's a lot of information in the issue and it all goes towards developing the main idea and giving it an authentic feeling. That said, Teen Lantern feels out of place and it's not clear why she's included.

Even better than last issue, Green Lantern #2 demonstrates that there's a lot of room in the Universe for the concept and a lot of new ground to be covered in this series. The Green Lantern concept has operated on the notion that it's not just one single individual. Hal Jordan may have been the focus for many of the characters' 80 plus year history, but this series shows that there's more characters and ideas to be explored through the core concept of a sentient being with a power ring fueled force of will.

Green Lantern #3 is a fun, interesting issue that echoes some well-loved science fiction, borrowing obliquely if not liberally. Thorne is focusing on two characters that have very different challenges, but their particular stories seem to suit them. Additionally, it's a creative solution to addressing a concept and story that have such a grand scope. This is a different direction for Green Lantern, but it's interesting and feels both new and familiar all at the same time.

Green Lantern #4 is another great installment in the newest Green Lantern series. John Stewart and Jo Mullein are getting some exposure and they the creative team is doing a wonderful job with these Lanterns. The high concept for this series continues to work well with just enough character moments to balance it and be a well-rounded tale. There's a lot going on and there are multiple mysteries to be solved. It's fun and exciting and it feels fresh. It's a different take on the Green Lantern concept, but one that is working very well.

Green Lantern #5 is without doubt, the best issue of the series so far. While advancing the two plotlines, it is best at remaining character focused. Unbelievably, the entire creative team keep this at the forefront. While Thorne's story is the driver, MacDonald's depictions of Keli's constructs emphasize things about her character that work to subtly reinforce the narrative. Similarly, the emotional exchanges by Raney and Santucci between John and the people of Sergilion and John and the rest of the Quest Lanterns help the reader experience the conflict John feels. You SHOULD be reading this book and this is a perfect point to hook a new reader to get hooked by the characters!

New approaches work on classic concepts- sometimes! Green Lantern #6 is the latest instalment of an example that works very well. There's no shortage of character work or engaging art, either. This has been a great new title since issue one and this issue promises there's even more to come. Don't miss out!

There are times when characters or concepts need to get a refresh, or simply an approach from a different direction. Green Lantern is taking the familiar concepts and characters and opening them up to explore things in a different way and from a different point of view. With issue #7, we get the first inkling of how things might come back together, and at the same time continue to enjoy the journey without having the feeling that we are ready to return to "normal."

Green Lantern #8 is a balanced issue between plot and character. John faces perhaps his greatest challenge as he must view things differently. This theme underlies the entire issue creating a cohesive theme. The surprises are here as well with both storylines suggesting that we must change our perspective to see the truth.

Both storylines feel like they are barreling towards something fairly quickly now and one can't help but wonder if there is a finale in coming quickly, and if the two storylines will link up. It doesn't necessarily have to because it's so effective having two separate stories that utilize the characters and concepts in different ways while both feeling like they are part of a greater whole. It sounds like a cliche, but you really shouldn't be missing this comic as the creative team is nailing it month in and month out!

With the two storylines coming together in Green Lantern #10, we seem to be approaching a big finale. There's clearly some unanswered questions left as well as an action packed showdown. It's all set up here in this issue though as the visuals are stunning from Chriscross, Castro, Santucci and Atiyeh.

Green Lantern #11 is another chapter in an exciting series that never loses sight of the importance of character even in the cosmic shuffle of new gods and Green Lanterns. The creative team is giving its all to make us believe in not only DCU icons like Hal Jordan and John Stewart, but seamlessly bring to the forefront new characters like Jo Mullein and it's all on display in this issue.

At the beginning of the series it was obvious Thorne was going for something different with the run of Green Lantern. Now that we've come to Green Lantern #12 we can see how he's delivered. Often, new takes on concepts destroy. Thorne has disrupted a lot, but in the end we have a Corps, or rather multiple Corps that have a lot of gas in the tank. This is a great launching point for a myriad of series.

Justice Society of America #1 is important. Much like All-Star Comics #3 and The Flash #123, this comic establishes something new. For longtime readers, it may seem like re-establishing something, but that's because it draws on so much of what has come before. This series can easily be the beginning of an aspect of the DC Universe that doesn't rely on Clark and Bruce as the foundations. Sure, their shadows loom, but Helena, PG, and the rest of the JSA and their legacies are a draw independent of the mainstream DCU. But, what happens here is foundational to the whole of the DC Universe. We are in for a real treat based on the quality of this first issue. Mystery, emotional depth, nostalgia, fun, unique characters- this is great stuff. Period.

The world building continues as Johns, Janin, Ordway and Kolins deliver another great issue of this new series. The details bring out so much in the story as the nostalgia anchors the new elements. This book looks great, it's fun and by having Helena on a journey of discovery, it allows readers to see things through her eyes. So if you don't know what's going on, neither does she and even a new reader can discover this corner of the DC Universe with her.

Justice Society of America #3 is another fantastic chapter in "The New Golden Age. The execution is great, and the nostalgia is still strong. The character and world building makes this an engaging series as the JSA and Huntress come together to stop longtime foe, Degaton. Like most great stories, it's a journey. If the DC Universe is going to continue to grow it will be because series like this expand beyond the real of the Bat-Family, and this is a great place to start.

Justice Society of America #4 is a solid issue that moves things forward with an interesting discovery by Helena. The tease of the friendship to come between her and Power Girl is welcome as it promises what we know from the past will now come to pass in the future.

Despite the quick ending, Justice Society of America #5, there are lots of details that are satisfying with the resolution. Additionally, the big picture view is a fun and exciting look at a special corner of the DC Universe that relies on character, nostalgia and compelling plot lines.

Justice Society of America #6 is an exciting start to a new story arc. It's character focused and sets the stage for what's to come. The fate of the Lost Children has been an intriguing plot line since the beginning of Stargirl: The Lost Children. Their story naturally continues here. The emotional tension between Bruce and Helena is fantastic and it's great to see Helena and Karen's friendship as the cornerstone of the future of the JSA!

Justice Society of America continues to be a fun read for fans of these characters. Johns likes to include as much history as possible and reference bits that expand the overall scope of the story. There's been a lot of world building since issue #1 and Justice Society of America #7 continues to add to it. It's clear with this issue that the history of the DC Universe and the Justice Society has changed and readers can't always count on what has happened before still being included. It's nice that Johns tries to remind readers of what is still canon.

Justice Society of America #8 is another excellent issue and in some ways perhaps the best of the series. Mikel Janin turns in another wonderful job on art and Geoff Johns continues building his world with interesting and engaging character aspects for Ruby, Helena and Alan. It's a can't miss issue with the Legionnaire reveal at the end.

Johns has certainly been doing the best job of presenting DCU history changes between this title and the related mini-series (Jeremy Adams is a close second in Jay Garrick: The Flash), and this issue is a prime example of that. The biggest question remains is if it is being done well enough for readers to embrace it. Justice Society of America #9 presents a number of ideas and it still feels like there's not enough space to give resolution to all of them. Perhaps, the point is not to reveal everything, but set things up for them to be developed elsewhere and elsewhen. This issue though is quite wonderful.

For any fan of Wally West, this issue is a must. The Speed Buggy aspect of the story is fun and well done, but it holds so much hope for Wally and Linda's future that it transcends the special nature of these DC/Hanna-Barbera team up issues.

This special is a fun romp that does everything it's supposed to do. For fans of Jonny Quest, seeing Jonny and Team Quest appear in such a classic approach is a real treat. This book won't set a new standard in comics, but it's an enjoyable tale that evokes the right tone and mood.

As the team comes together, the weirdness becomes more and more apparent and the playing field expands. The Doom Patrol, it seems, will not be bound by time, space or psychological coherency. You should've known you were getting yourself into this sort of thing"

Sometimes it feels like the world's been turned upside down and that is when we have to be like Casey and keep trying to be the light. It's not often I recommend re-reading a series in one sitting, but these first sixissues demand to be read together to mitigate the shipping delays. There's something special in this series, but the non-traditional style makes it a little difficult to find it. By itself, this issue seems a little disjointed and obtuse, but read all together, Doom Patrol #6 caps off the first arc by reassembling the team through a meaningfulexploration of self-identity and friendship.

Great issue. Funny. Entertaining. Weird and wacky. Take the time to enjoy a different experience.

Doom Patrol continues to be a unique, interesting and challenging title. It often isn't so much about good vs. bad, but, instead how one copes with the challenges in life. This issue is a perfect example of that- the imperfect adjusting to the imperfect world that the imperfect wish were in fact, perfect.

It's nice to be back in this world. It's a bit of a challenge, but the likability of Casey, Cliff and the Reynolds makes it easy to jump back in. The story telling style is unique but exciting.

This book continues to be wacky and fun. It's unique narrative style entertains and challenges the reader from numerous angles. The only drawback is the erratic publishing schedule. You never know what's going to happen next. Not many books are able to pull this off consistently.

The conclusion to the Nada arc is effective and imaginative. It's only held back by the delay between issues. Imagine if things were published in proper order and "Milk Wars" came immediately after instead of between #10 and #11.

I've been moved. But, that's been the hallmark of the Young Animal Comics line, every title has found a way to delve deeper and addresses universal themes in the context of super-hero comics. As this issue wraps up this run of the line, it reminds me that there is always hope for the future.

A winner in characterization, Nightwing #1 overcomes the drawbacks of the reused undercover plot and an unprepared Dick Grayson. Dick Grayson continues to be one of the most likeable and accessible characters through his appealing disposition and grounded relationships.

This is an easy issue to pick up for new readers. Perhaps, this points to the strength of the writing, this title is three issues in and the first two are unnecessary to understand and enjoy this story. It actually may be a better read to jump right in here.

Will the two or (three) be able to take down the Parliament? Will Dick lose Barbara in the process? Better come back next month. With this issue, Nightwing has jumped up to the same level as the surprisingly phenomenal run of Grayson. Tim Seeley, writer on both- coincidence or not?

This issue wouldve been perfect without the last 2 pages. That said, those last 2 pages provide all the conflict for what comes next. Despite the questionable aspects of Dicks portrayal, this was still a very good issue that promises more drama to come.

This a fun, exciting Bat-Family story. If you are into the entire Bat-Family it's worth picking up all the episodes, If you are Nightwing-centric, you'll survive without it, and the accompanying installments in Batman and Detective Comics.

“Night of the Monster Men” has been a strong Bat-Family crossover. Keeping it to one month of titles double shipping is a more concise method for doing crossovers. The weekly frequency has to be one of the positive lessons learned from the successful weekly Batman series from the past couple of years. If you are enjoying the crossover, you can't miss Nightwing #6, and if not, in just two weeks we are back on track with Nightwing and Raptor in Nightwing #7!

This arc is off to a great start. There's some complexity to both the emotional and physical conflict that Dick will face as he attempts to rescue Bruce and take down Raptor all while learning about his mother's life.

As with so many Rebirth titles, Nightwing continues to focus on character and relationships. Bruce ends up being just as important as Dick to this story, and seeing Bruce and Dick reach a new level of trust should bring a smile to your face. Time to face facts. Batman is human after all, and a more interesting character for it.

This was a fun one off issue that delves deeper into the core of Grayson's character and did an admirable job at setting up what may be the next chapter of Dick's life. It looks like he may be going to Bldhaven for the first time.

If the first nineissues of Nightwing weren't your cup of tea, then this may bethe rebirth you've been waiting for. The Dick Grayson you remember is here, again.

Nightwing #11 continues to develop the story lines introduced last issue with some surprises along the way. Bldhaven appears to be a place that Dick will not only come to call home, but be a bottomless source of interesting and challenging conflict.

Tim Seeley continues to work on Dick Grayson's character in satisfying ways. With this arc Dick is attempting to figure himself out, and whether he realizes it or not, he is! Dick is once again in a position where he has to trust others for whom he may have reservations. Although, hemay have found the essential ingredient that allows him to understand others' sincerity.

Despite moving the story along, this issue felt like a misstep. It failed to present much character work that has been so strong in this arc. The Run-Offs could've helped save the day here instead of bailing on Dick. Additionally, Dick once again seems all alone in his fight without a friend to turn to.

Not sure where I come down on Dick and Shawn being together, it's a wait and see how it plays out situation. The conclusion to the arc is mixed. Dick's personal growth was right on target, but the resolution to the mystery was a bit flimsy. However, Dick has been properly reintroduced to Bldhaven and it gives Dick his own town to cover as opposed to being just another Batman. It worked 20 years ago and it seems like it will work again.

I guess the finale of this issue sets up the next arc, but reading this issue is pure enjoyment of great story telling. Even if you think that Babs and Dick belong together, you cannot deny how well this issue is executed. This issue also serves as a great jumping on point for readers. Everything is right about this issue, except for Babs and Dick not being together, but even then, the Dick/Shawn relationship is presented so impeccably, one can't help but feel for them both.

Nightwing #94 has a couple surprises and provides some satisfaction for villains getting their due. As always, the characters carry the issue with their relationships interweaving with the villain plot the give the series a "slice of life feel. You'll thrill, you'll smile, you'll cheer, you'll worry! And, I didn't even mention the new Police Commissioner!

The first time I really felt like I wanted to give a 6/5 as a score on a comic occurred when reviewing Injustice 2 Annual #2. Nightwing #95 has so many similar elements, even if it leans more into the fun than the psychological. It should come as no surprise both these issue are by Tom Taylor and Bruno Redondo. Is there any doubt that Nightwing is DC's best mainstream superhero title?

Nightwing #98 is a fun comic. Despite what may appear to be outwardly silly, Taylor, De Nicuolo, Lucas and Abbott deliver a story that works on multiple levels. The meta aspect of Nite-Mite's observations is probably the most satisfying though Dick going up against demons, a truly formidable task for a non-powered hero show his heart, much like Tom King's Up in the Sky depicts this attribute that Superman shares with Dick Grayson. Somewhere, Silver Age Batman is having the time of his life seeing Dick get his own imp.

Nightwing #99 slows things down a bit to allow Melinda to get some closure and for her and Dick to get a breath. The art is wonderful as usual, and the Heartless storyline continues to develop around the edges. There's a reset here for Bludhaven and it genuinely feels like Dick has made a positive impact on the city for the benefit of the people. But, make no mistake, Bludhaven continues to hold more secrets.

Though we're just a couple months into 2023, it's not hard to imagine that Nightwing#100 is the single best issue of the year. It's that good. It's possible that this creative team may top themselves in the following eleven months, but this entry can easily win that prize. This has it all for Nightwing fans, and it also feels essential to the DC Universe. It demonstrates why Dick is so important to the DC Universe both inside continuity and for fans. It works on both levels and it brings all the emotion possible.

Nightwing #101 works around the appearance of Jon Kent pretty effectively. The main story does a great job of setting the reader up for a heavy hitting confrontation for the Titans. The character work is great as usual, and it's a real joy to read them all interacting together. There's a big chunk of nostalgia with this, but what comes next promises to be great as well!

Overall, the negatives in Nightwing #104 are minimal at best and the "Rise of the Underworld story arc concludes with a strong look at Dick Grayson's character. Initially, while Neron seemed to fit as a villain for the Titans, he doesn't seem like a proper antagonist for Nightwing. Despite this the finale provides a character driven story that does fit what makes Nightwing tick. The issue also utilizes the deep history between Dick and Clark to add depth to the events.

Nightwing #105 is a guide in how to make a great modern comic book. Quite literally it has everything- an exciting story that's character driven, maintains the fun but, also makes a statement that elevates, beautifully illustrated and colored, creative in its storytelling, fits into the overall run while also being enjoyed as a one-off and is accessible to new readers.

Nightwing #106 is a great start to a new story arc with a balanced approach between plot and character. This issue continues to prove why this comic continues to be one of DC's best. Hopefully, this will be the start of an uninterrupted run of tales. As Dick says in this issue, "We've had a lot going on. But, it's finally time to askWhat's in the box?

Nightwing #107 is another fine entry in the series. If you've been enjoying this there's no reason to think that you won't enjoy this issue. Character reigns supreme and there's an intriguing story developing in the lead tale. That sense of character continues in the second story and ties the issue together. Hopefully, you're here for Dick Grayson, the person and not simply the punch ups and actions.

Nightwing #108 is another solid issue in this run. The surprises surprises and they suggest some deeper developments to come. This whole "pirate storyline has been interesting from the first time the Hold was introduced. There's a lot of heart in this issue between both stories, which is one of the strengths that is a part of this title.

Nightwing #111 feels like a return of sort. The plot gets back to Heartless which brings the reader back to where Tom Taylor's run began back with Nightwing #78. Perhaps, Taylor has moved past the events which have been interrupting the DC Universe and Dick Grayson will soon face off against Heartless in a definitive if not final confrontation.

Nightwing #113 is a wonderful set up for the final Taylor/ Redondo arc. Taylor reinforces the focus on character and relationship (including some not mentioned above), but prepares the reader for what will surely be a massive encounter between Dick and Heartless. To top it off the issue is rounded out by a well conceived and beautifully illustrated story by Conrad and Porter, respectively.

Aquaman #1 is an exciting and effective first issue for this new series. Framing Aquaman in terms of a world politics is a smart and logical approach. The particulars are ideal because it allows Aquaman to have both a personal as well as public stake in his endeavors.

This is a very good comic. There is a nice balance between story, action and character. Abnett and Co. are developing characters and broadening Aquamans mission for the modern world. Its a good time to read Aquaman and a great time for Aquaman fans. Aquaman is no joke. Its not too late to jump on board.

As good as the first 2 issues have been, Aquaman #3 has gotten even better. The choice to develop the political drama has enable the book to go beyond the basic comic and comment on the world in which we live.

When was the last time an acknowledged member of the Justice League was branded as a terrorist and identified as the leader of a hostile nation? Never? Aquaman is probably the only member of the League that could fit that description. If that alone doesnt draw you in, the exploration of Aquaman and Meras characters and their relationship should. Go buy this comic. You will enjoy.

This was a strong finish to the opening arc in the Rebirth era of Aquaman. The Sea King is at a cross roads that he must find a way to navigate. Aquaman has been through this a few times before, but never quite like this. He seems to be painting himself as the Black Sheep of the Justice League almost out of spite. This struggle appears it will keep Aquaman and Mera busy above and below the surface. Black Manta is still out there lurking, consolidating power and will continue to make things more difficult for Aquaman.

Solid issue that pushes the story forward and sets up the next act of the larger narrative. There's enough here for a new reader to jump in and get a good sense of what's going on, as well. Aquaman continues to be a strong title for DC in the Rebirth era.

Aquaman continues to be a strong title and Abnett is challenging the characters with conflict that forces them to reveal something about their quality. There's also some innovation with the particular storylines. While Aquaman has always dealt with some of the same themes over the years, Abnett has found a way to embrace the traditional take on the character but tell a new story with some different angles.

A nice conclusion to the two-part Shaggy Man story. Aquaman takes something away from this encounter to improve himself. A good balance on action and character,Aquaman continues to be a very good read.

Do not underestimate the appeal and potency of Mera! One does not miss Aquaman at all this issue, despite having been left in very bad shape in the previous issue. What is the truth of this prophecy? Is Mera really going to destroy the surface world? While it seems unlikely, what comes next cannot be missed for fans of great comics.

Aquaman #11 is another chapter in a wonderful take on Aquaman that establishes the character as powerful and significant. His position as King of Atlantis makes him vulnerable in ways unlike the other super heroes in the DC Universe. This series is taking full advantage of those opportunities.

If you aren't reading Aquaman you are missing some great comics. Abnett has laid such wonder groundwork on these characters that it makes this action/military story work and they character moments are a seamless part of the overall narrative. Don't miss the opportunity to read a unique and exciting Aquaman tale!

This story line continues to move at a rapid pace while building the tension throughout. There is no shortage of excitement, but it will get even better when N.E.M.O. is revealed to the world the U.S. and Atlantis can get over their misunderstanding.

For Aquaman fans, Aquaman hasn't been this good for this long since the Skeates and Aparo days. If you're not an Aquaman fan, I can only ask: "Why not?" Become an Aquaman fan"you'll be glad you did!

This was a satisfying conclusion to the war between the U.S. and Atlantis that featured a powerful and capable Aquaman. This puts Aquaman in a different light and certainly future Aquaman stories will be informed by this take on the character. Aquaman has been taken into the realm of world politics.

Aquaman continues to be a great comic and this interim story between arcs utilizes strong characterizationto build this fictional world. This issue allows for a solid recap of the status quo and what will be the next conflict both personal and external for Aquaman and Mera.

As with any part one of a new story arc, there are lots of unanswered questions. The potential is there for a great story that moves Aquaman even further into the realm of a political thriller. It's been a theme from issue #1, and it seems that it will continue for the good of the character.

If you are a fan of Mera, then this is an issue you can't miss. Not only does it focus on her character and highlight her attributes and status, it connects to her recent self-titled mini-series. The prospect of the “Drowned Earth” event is harrowing, but Mera seems capable and willing to thrown in with the Justice League to make a go against the aliens.

Mercifully, the "Year of the Villain" tie-in is negligible, which means it will probably come to fruition next month. Despite a heavy focus on character this issue, Aquaman #50 has trouble rising above mediocre because of content. While technically it's an extremely well done issue, the details leave a lot to be desired. It's hard to tell if last year's feature film is informing the comic editorially or through DeConnick's own story direction. Never the less, it's not coming across successfully. No one wants Jason Momoa in the comics"let's leave that for the questionable movies and let a classic Arthur Curry and Mera have a place to thrive. Or you could just buy back issues".

The strength of this issue lies in DeConnick's skill in characterization, even if Aquaman himself falls too far from the mark. If you're ready for the "new" Aquaman then this title is now for you, but if a classic take on Arthur Curry is what you want, it appears that ship has sailed... Go buy some Skeates/Aparo books...

This issue is evenly balanced between the good and the bad. While the technical aspects of DeConnick's writing are hitting on all cylinders, it's very hard to feel right about the depiction of Aquaman. It's a far cry from Geoff Johns' “New 52” run or Dan Abnett's “Rebirth” issues. There's clearly an editorial directive here that is pushing DeConnick in a direction. While Aquaman feels like a stranger for the most part, Jackson Hyde is a truly enjoyable character to explore. The mystery of Tristan Maurer pushes things slightly over the middle. One might have to muddle through until reason returns and the Aquaman we know and love actually returns.

Aquaman #53 is better than the previous issues in the arc, carried by Tristam Maurer's life-story. While bringing the plotlines together benefits the issue overall, not addressing Mera and Arthur's conflict keeps a hopeful feeling at bay and casts a long shadow over one of the classic love relationships in comics.

Kelly Sue DeConnick does some great character work with Black Manta in Aquaman #54. Black Manta is no longer a man with misdirected vengeance, but the victim of poor parenting from a father that didn't know how to raise his son without his mother around. An unconscious Aquaman proves to be the best method of improving this title. Let the supporting cast have their moments, and perhaps when Arthur is recognizable again, he can be allowed to lead his title.

If you've missed the real Arthur Curry, look no further than Aquaman #56. It may only last this one issue, but this flashback is a great reminder of what he's like. Even if it leaves you more disappointed with what you're missing, it's definitely worth it to check out this (mostly) stand alone tale.

As long as Aquaman is “not himself,” this title will struggle. While Mera carries this title, it may not be enough. When Mera is front and center, Aquaman is a better comic. As long as Arthur is portrayed as unlikable, he will be a distraction from the good things in the book. It's well past the time to get things back on track.

Two months ago, Aquaman #56 detailed a story that took place in the past and was a stark reminder of what we've been missing with Arthur Curry. Aquaman #58 shows every sign of integrating that characterization into the status quo that's developed for Arthur's supporting cast in Kelly Sue DeConnick's run. This issue is a great extension of the emotional content of Aquaman #56, and appears to indicate that Aquaman's ship has been righted and is headed in the proper direction…. Now if we could only get him that shave!

Now, where's that underwater barber of which Aquaman is so desperately in need? Maybe for the wedding….

As a plot mover, Aquaman #60 is quite satisfying. Dolphin and Caille get the character moments in this issue and it works well. Previous issues have locked Arthur back into his recognizable characterization and the supporting characters getting some attention help expand the scope of connecting with the larger cast. The tension is pulled tightly when it seems possible Arthur will be too late for the wedding “tomorrow.” Arthur…don't be too late!

DeConnick brings it (almost) all together (where's Caille?) with Aquaman #61. If you were in doubt about this title, this is definitely time to get back to the King of the Seven Seas! It's of course fitting for Mera to be just as significant as Arthur, since their original wedding back in Aquaman #18, Volume 1- 1964, the couple have functioned best together. It's a testament to Mera's strength as a character (GO MERA!). The feel here is just perfect as political intrigue once again takes center stage. Despite the absence of Caille, my new favorite Aqua-character, I'm all in on Aquaman #61! Aquaman may not even be necessary… .

If you're a fan of Jackson Hyde, you've got to buy Aquaman #62! Jackson gets the spotlight and along with a lot of excellent character work, there's a looming plot thread established for a future issue. Most importantly, Jackson comes across as a real person with genuine concerns and doubts and needs. Even Black Manta gets a little bit of sympathetic treatment. You can't help but feeling bad for him as his past unfolds slowly. In some ways, the Manta family may be overtaking the appeal of the Aqua-family! Don't call it a fill-in, it's so much more than that!

If you enjoyed Aquaman #62, then Aquaman #63 is a must! These two issues are more satisfying that the majority of DeConnick's run on the title. Jordan Clark does a great job of developing Jackson Hyde's character and hitting all the right story beats for a compelling turning point moment in the life of a young man. Even if you aren't reading Aquaman, these two issues are an entertaining read and an example of how good comics can be. Let's see if we can't get a Jackson Hyde series by this team!

With Aquaman #64, we've almost come full circle from where we were at way back when in Aquaman #24. It's been a long detour, but Aquaman has nearly shaken off the Jason Momoa influence. DeConnick shows that she's got some classic Aquaman in her with this issue and it feels right. The larger cast will clearly play a role in upcoming issues as Vulko and Cetea appear to come to a detente.

While it's nice to see Arthur and Mera finally married (this was teased way back in DC Universe Rebirth #1), the journey has been a bit underwhelming (The best character work was with Jackson and grandpa Jesse). The idea that Atlantis is moving forward with a different political agenda is interesting and would've made for a better story than returning Orm to the vengeful brother for another confrontation for the throne with Arthur. It's worth reading this issue for the small forward movements, but it's a headscratcher when one realizes the missed opportunities.

Color me pleasantly surprised that despite being chapter four in a multi-part crossover Aquaman #66 reads amazingly well as the next step in Aquaman and Mera's life. For Aquaman fans worried about an interruption, there's no need to skip this issue. Plus, for those following “Endless Winter,” you might find yourselves interested in learning more about the erstwhile King and Queen of the Seven Seas- Arthur and Mera…and Andy too!

N.K. Jemison and Jamal Campbell get off to a good start in Far Sector #1. Lead character Lantern Mullein paves the way for the reader through this strange world as she investigates her first murder. The final twist on the last page is enough to bring the reader back, even though Mullein's character, alien races and the city of Platform Ever Forward are more compelling. There's solid world building and character work right from the start!

Far Sector #2 is a solid installment of this 12 issue mini-series. The world building is effective, and Jemisin really lets the reader learn along with Green Lantern, Jo Mullein. There are a few doubts about how the sci-fi references will function in the long run, but at this point they are working adequately. As this case develops, there is a real sense that there will be a massive twist/ reveal that will elevate this story to a different level.

Far Sector #3 is another effective addition to Jo Mullein's story. There's just a hint that it's moving a tad too slowly with a bit of confusion over the alien places and names. However, there are deeper themes that Jemisin is bringing. They not only expand the scope of the tale, but provides a real world element to the unfamiliar outer space world that is this books milieu.

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This might be the best issue of Far Sector, so far. Understanding where Jo has come from is significant. But, so are the things we learn about The Nah, The @At and The Keh-Topli. Perhaps, the most satisfying aspect is that things are coming together and not only in terms of understanding more about the “people” of City Enduring, but how important this assignment is to Jo. She's at a crossroads in her life and is clearly in search of direction and meaning.

Far Sector #6 is powerful issue. It develops some of the themes that have run through the entire series in a deeper way. Despite Jo's questionable decision to give in to her emotions, the exploration of emotions is smart and insightful. Every issue can't be like this, but it's great when it happens. The release of this issue coincides with a pivotal moment of civil unrest as well, amplifying the impact even more so.

N.K. Jemisin and Jamal Campbell continue to deliver a compelling and original Science Fiction story. The world building reaches new heights with this issue as Jo learns about the non-biological race, the @At up close. Jemisin makes them feel truly alien, and it's a real triumph. Far Sector #7 continues to impress as it proves it's not only unique and different, but also wildly compelling in concept and themes. The potential for Jo's ring is positively captivating!

The high concepts in Far Sector continue to be exciting, interesting and thought provoking. This mitigates some of the pacing issues of the book. Jo continues to be a conundrum, far from the perfect hero, but she has all the potential to be a breakout character for DC Comics. Her indiscretion with Councilor Marth still haunt her and she may be blind to his machinations. As the story enters the last quarter next issue, it feels like big things are about to happen.

Far Sector #10 continues to surprise and present relevant socio-political themes that are not often found in comics. These raise the level of storytelling to a higher level than even the average “great comic.” This is the way it's been with Young Animal Comics. The series in this imprint have always contained a deeper theme. Far Sector is obviously no different. This is a highly recommended series, there is just far more to this than the average comic, which is not only indicative of the best comics, but also so the Young Animal imprint.

While the pacing of this series sometimes feels off, there's no doubt this will be an incredible read as a single volume. For the most part the deficiencies can be worked through as there are so many fantastic elements in this series. That doesn't mean don't buy Far Sector #11, but rather a reminder to collect them all so they may be read together at the reader's pace like a novel not beholden to publishing schedules.

Despite the pacing issues of this series, I can't recommend Far Sector enough. Overall, it's a wonderfully interesting, entertaining and challenging series. Jemisin will make you think! Jemisin will also make you feel. The series was shockingly topical at times as the Summer of 2020 provided the United States with some social unrest that resonated with the plot Jemisin had already written for the issues that were released at that time. Far Sector #12 may feel a bit unsatisfying on its own, but the series is definitely worth a read, and it will probably be even better experienced as a whole.

Fun, fun, fun. This has long been my barometer in judging a comics quality. This issue was better than the last and it certainly bodes well for what comes next. The throwback storytelling- single issues that fit into a larger story make this title an easy one to jump into. Along with the character work its still a good time to give Grayson a try if you havent already. As long as Dick can remain true to himself and not get lost in his environment, this will be a winner month in and out.

Fall in love with Dick Grayson all over again. He proves in this issue why he is the heart and soul of the DC Universe. He proves why he is respected by everyone at the highest level, even Superman. Heart and Soul. Give me New Teen Titans #38 for a better story featuring Mr. Grayson.

Theres a lot going on in this issue. From the nanocytes introduced in Blackhawks #1 3 years ago, to the word play with Dick being a Spider-Man, if you pay attention closely, youll be rewarded. Grayson continues to be an enjoyable book. However, this issue will read better as part of the overall story arc.

Whatre they going to do with that brain anyway?

Great wrap up to the Paragon storyline. Strong characterization across the board. The surprises and twists make coming back for issue #9 in June a must. The creative team is putting out a quality book consistently and doing so in a manner that is accessible to new readers. Go buy this book and then get the other issues, youll be glad you did. Oh, and that reporter- Kathy Kane?

Grayson #9 is a solid start to the next chapter in Dick Graysons life with Spyral. Its fun from the first page and an easy read to a new reader. And even if you dont intend on sticking with it for the long haul, Seeley and King have again successfully told a complete story in a single issue while building on a larger narrative. 3 1/2

This book just keeps getting better and better. The current arc is deep in mystery and it just gets more intriguing every issue. It lives in the spy genre with just enough odd nods to its super-hero roots to remind the reader that this is still the iconic sidekick, Dick Grayson.

Up to this point Grayson has been a great book, but this may be the best issue so far. This issue brings so many concepts together and promises so much ahead for the series it easily functions as jumping on point for a new reader. You will not be disappointed.