In the final story James Bates offers a loopy parody on The Defiant Ones. In this version Bart and Nelson are cuffed together and must escape museum security and find their way out of their predicament. Bates uses the props of the genre to create faux suspense. The guillotine gag is in particular an inspired twist, and the core to the gag makes realistic sense. Luis Escobar through his timing in the panels milks the fake tension. Owsley's inks give the work added dimension and colors by Hamill take on a more down to earth note but does not shuck aestheticism as the kids leave the candy-codified trappings of Springfield. Read Full Review
Be the first to rate this issue!
Click the 'Rate/Write A Review' link above to get started.