Sombra overall does an effective job at showing the reality being faced by those experiencing the cartels first-hand and to show those, like Danielle, certain situations are best left to be figured out, to be solved, repaired, as Esteban says in his recorded video, by the people of Mexico. In turn, the attempted involvements made by outsiders like the U.S. in witnessing this distressing scenario can make for an inwardly attempt at reform. As Rojas enters the town lead by Conrad, before the bullets fly and knives are thrust, he stops in front of a display of pure depravity: skulls, body parts, smiles smeared with blood and candles are spread out, like a reverse shrine meant to divert the visitor instead of inviting for a moment of reflection. All Rojas can say is, This is theatre. Read Full Review