First off I have to say that that's a great looking cover, as it's while Marvel offers up a steady string of generic poster shots, DC has rediscovered the novel idea that covers should be used to sell the story one gets inside. As for the interior art Phil Hester turns in a pretty solid display of emotion, as Dinah lays into Oliver, and his inability to express any objection to her reasons is nicely reflected on his face. The closing sequence where the big, bad villain shows his competitors that he means business makes for a powerful series of visuals, with the panel where he rips the man's arm off being a pretty unsettling image. Read Full Review
Be the first to rate this issue!
Click the 'Rate/Write A Review' link above to get started.