This is a good looking, colorful issue, that focuses heavily on character expression and form. I found the artwork impressive in both styling and tone. Read Full Review

What ensues is a chaotic scramble for the keys to Gotham and the drug supply, but very little in the way of resolutionit even tells us to look for Punchline in the pages of Catwoman's title, making this whole series feel just like a bonus arc of another book. Read Full Review

There are some nuggets that could be compelling or thoroughly entertaining for this series, but the entire six issues just feel like an interlude for better stories on the horizon. Read Full Review

Kind of a rushed finale. Howard tied this series too much with Catwoman ongoing that both stories practically merged. So there is no real reason for both of them to exist, naturaly Gotham Game folded into Catwoman. Probably for the best.

This miniseries did not need to exist. Nothing proves that more than when the book just sort of ends without any major resolution. Punchline is not a character I've been sold on, and this series didn't help. She's just not interesting, and I personally think what would've made her interesting is simply not going to ever happen at this point. She's an anti-Harley, but that's not interesting to me. The social commentary would work if any of the writers given Punchline were capable of actually showing off how radicalization through social media works. How disinformation and misinformation can unravel someone's mind and turn them into the average CBRU review bomber. It is an incredibly interesting and important topic, and yet it feels like despite so much attention being paid to it in any of these Punchline stories, none of the creators actually want to show the process. They just want to show the end result as though that's anywhere near as interesting or as though it gets across the same message. That, more than anything, just frustrates the hell out of me in regards to this character being pushed so hard. more