Antonio Fuso's artwork was frustratingly erratic on the first arc of this second Cobra series, with background work in particular becoming all but nonexistent. Fuso still isn't entirely consistent in quality, but he is improved. Oddly, now it's his figures that vary in detail and execution. Faces may be well-defined in one panel but amorphously rendered in the next. But again, the overall effect is better than in the previous Chuckles arc and manages a stronger, more foreboding tone. The ongoing future of this series remains in question, at least until the next round of solicits. But if this arc truly is the finale for G.I. Joe: Cobra, it should be a satisfying one. Read Full Review

Antonio Fuso's artwork was frustratingly erratic on the first arc of this second Cobra series, with background work in particular becoming all but nonexistent. Fuso still isn't entirely consistent in quality, but he is improved. Oddly, now it's his figures that vary in detail and execution. Faces may be well-defined in one panel but amorphously rendered in the next. But again, the overall effect is better than in the previous Chuckles arc and manages a stronger, more foreboding tone. The ongoing future of this series remains in question, at least until the next round of solicits. But if this arc truly is the finale for G.I. Joe: Cobra, it should be a satisfying one. Read Full Review