Greg sticks the landing and sets up the next miniseries, though I would prefer not starting the numbering over.

A lot of interesting ideas swimming around here, but there might be too many, and the massive delays don't help. Nor does knowing that any ideas Johns sets up will have to finished by someone else when this is finally done. Still, Janin's art is amazing as usual.

Very entertaining, if a bit disappointing that Mora only does the second story. Waid writes a great Joker, and he and Pugh have a lot of fun with the Rock of Eternity.

Best thing Jurgens has written in ages. Incredible art. Not entirely sure where Batman and the rabbi came from, but in a time of antisemitism, it's very welcome. And this feels adult, not in terms of the language but in its sensibilities.

Strong if somewhat predictable ending. Love me that Rossmo art and have for years, but DC still hasn't really found that one book he can stay on long term. And Vendetti is just an underappreciated talent. But what next? These miniseries are all fun but that seems to be the end for them.

The art is stunning and the attempts to question the very premise of the superhero are interesting, but where is this headed?

This series has two issues: things are not happening fast enough; it's not worth five bucks.

Maybe having to wrap the plots in 12 issues so we can clear the decks is not the best idea.

Well done, and I love how Waid handles Darkseid - who seems to be from outside the Multiverse, as has often been suggested - but what was the point of this? There just isn't much of a reason to revisit Kingdom Come anymore.

Wait, Marvel released both Spectacular Spider-Man with art by Humberto Ramos AND Spectacular Spider-Man with art by Humberto Ramos the same day?

Gross

Generally well done, but sort of low energy. Two qualms: we've really moved away from the biblical origins of Gog and Magog's names, and I don't see how this story leads to the actual Kingdom Come story. Good as this might be, I feel no reason that have revisited Kingdom Come yet again.

Feels like a badly assembled episode of the 2000s Teen Titans cartoon.

Only read the Batwoman and Damian stories. The former is kinda sorta a Hanukkah story but like every other attempt to do anything with Hanukkah, it doesn't amount to much. And if you going to have someone coming crimes connected to Hanukkah, why not have some guts and do a story about antisemitism instead of just "oh it's the Riddler, ha ha." The Damien story was cute but I am disappointed that Sholly Fisch, the only Orthodox Jew writing comics, didn't do a Hanukkah story since I think he might have gotten it right. Or maybe he just gets that there isn't much reason to do another Hanukkah story. more

A strong well written comic made stronger by a twist ending!

Stronger than the first two.

And there are thought bubbles! And Ewing makes them work in 2023!

So very bland. What happened to Steve Orlando? And why does Wanda look 19?

A dream that actually feels like a dream. So few writers really know how to do that. (Inception, I love you but nothing there is even a tiny bit dream logic.) The only issue I have with this is reverting to calling Mary's alter ego Mary Marvel. DC's been trying to get rid of that for ages.

Clumsy and overstuffed.

Still fun but padded.

Anyone remember Lady in the Lake? A Philip Marlowe story shot from the PoV of Marlowe? What's that? You've never heard of it? Maybe that's because it's a silly gimmick. It certainly was here, great art in service of a rather bland gimmick and yet another dull and pedantic Tom Taylor story. This comic's gone from DC's best to its least exciting in the space of about a year.

A confusing bore. For those of us who haven't been reading what's been up with Kara...Karen...Peggy?...it would have been nice to have something explain her latest status quo. But this isn't the Power Girl I remember from Johns's JSA series. She's anything but assertive, anything but powerful. And this was just dull enough that I stopped in the middle and realized I never finished it. I have no desire to keep going. more

Solid first issue by someone who gets the rhythms of comic book writing pretty fast. Though we all know that John Henry will be wearing the armor a lot more than he plans.

Love it just for Garak, Tom Paris at the wheel, and Data talking to Spot. Silly at times, but just keeps hitting all the really cool Star Trek notes. (Note to Lanzing and Kelly: you need to find a way to use characters from Prodigy before everyone forgets they exist.)

Great art. But otherwise flavorless mush, with only three characters with any personality (Nightwing, Wally, and Cyborg, and hey, all of them have their own books), far too many instances of the Titans telling us they will do things differently, and oh good Evil Waller is in the wings. Taylor has no feel for making the Titans interesting, though I am starting to think I only liked them on the old cartoon. more

With the time hopping put aside, the story is a lot more coherent, but I don't really know how these characters align with the last JSA comics from before Flashpoint. What happened to the third Dr. Midnight? Just who is Power Girl now? I am a bit lost even if I like the story (and love the art).

Wacky heartfelt fun in the right key of Trek. Plus Data is your new DM.

I read this two hours ago and it's fading from memory already. This version of Conner never pops, and the story is interesting only in fits and starts. The "preview" for an Alan Scott comic that will never be looks great and reads like we got lucky it was aborted.