Ultimate Spider-Man #4 takes us away from heroics and portrays a human conversation that entices us to love these characters. Read Full Review

In case it wasn't clear that the new Ultimate Spider-Man comic is a clinic in storytelling, writer Jonathan Hickman has no action in issue #4 and instead uses it for two sequences that are exclusively dialogue. It's captivating from the first panel and the foundation of these characters that he's developing remains all-timer stuff. Read Full Review

Messina delivers some beautiful art throughout the issue. There isnt any action in the story, but the close-up panels and how they align with the story add some awesome tension visually. Read Full Review

There wasn't much action, but it provided a decent introduction of Gwen Stacy and laid groundwork to what's coming. Read Full Review

Not as much action or humor in this issue, but man that surprise was something else. Read Full Review

A superhero comic slows down to let the characters smell the roses and I love that sort of thing. A lot of good work done on fleshing out the characters and their little world. Read Full Review

Even with a slower issue, "Ultimate Spider-Man" is still going strong in developing its new take on the Spider-Man cast. Read Full Review

Jonathan Hickman and David Messina show their strength as comic book creators that they can make a superhero comic book that's all about character conversations compelling. That is what they accomplish with Ultimate Spider-Man #2. In the process they plant seeds that will sprout into intriguing plotlines for different combinations of the cast members of this series. Read Full Review

Ultimate Spider-Man #4 is an issue with big reveals but also an issue with a narrower view and simple approach. It's one dinner and three or four conversations that help us understand some key characters, but they are also far removed from the superheroics or the development of Peter Parker. A surprise, to be sure, but still not without its merits. Read Full Review

Ultimate Spider-Man #4 takes a bizarrely unexpected turn in the series with a subzero cooldown issue that's nothing but four people engaging in pilot conversation during a dinner date. Messina's art isperfectly good, and in fairness, Hickman's dialog talents are excellent, but this comic fits theverydefinition of pointless. Read Full Review

Plot
Peter and MJ are invited to lunch by Harry Osborn, who introduced them to his wife...Gwen Stacy, this meeting between adults is tense and complex, since Harry knows Peter's secret and Peter knows Harry's, but MJ does not know nothing.

Harry claimed that Gwen knows everything about her Green Goblin identity. Peter in his greatest cosmic ignorance has no idea that he is having dinner with the two women in his life.

The entire comic is based on the dialogue held in this restaurant, where Gwen and Harry are incisive, accustomed to judging, from their comfortable point of view as billionaires. Harry offers Peter to change the world, using the famous phrase With great power comes great responsibility.

Ben and JJ Jameson continue discussing the name of a new publishing project...which MJ suggested to them is THE PAPER.

Without the need for any action or fight sequences, this comic captures the tension between both potential enemies.

Art
It is very organic with some textures, which seem to have a certain Asian influence, it has a lot of shine and highlights the beauty and sensuality of MJ and Gwen.

Summary
Peter and MJ have dinner with Harry and Gwen, a meal that is as tense as it is chilling more

This has truly become something special right here. This issue could be boring, but it so quickly morphs into the single best comic book we've had all year. Amazing dialogue. Harry and Gwen are instantly memorable. And Peter learns the most important of all lessons.

Weird Science Marvel Comics can bolt.

Who knew a comic that fully takes place during a dinner conversation could be so entertaining?

Amazing stuff here. This is just the issue USM needed, more slower one that focuses on characters and their relationships. I loved every page and I was hooked on the dialogue.

And Messina as a guest artist works really well here. I wouldn't mind seeing more of him once in a while.

The only problem I have is the cover. It's a bit misleading, and since I desperately wanna see Ben's viewpoint on Spider-Man, it was a letdown

I'm enjoying Hickman's work here. I just love the way he unfolds the story. Plenty to absorb with a lot of words around a dinner date but without the chapters that Bendis would drop on you (I like it in limited fashion). I just enjoy this kind of of build up when it's done right and Hickman so far hasn't disappointed. The art was good but the printing didn't help it at all. Still come back Checchetto I know your hands need time to heal.

It’s bold to have an issue of Spider-Man built entirely around a dinner conversation, and it’s a great example of why Ultimate Spider-Man works. Hickman is taking chances rather than playing it safe, and it’s paying off, big time.

Ughh. The art change should have been up to the previous issues standards but here it's really just run of the mill. That being said I really enjoyed this book and it basically crawled at a snails pace but I think we needed this issue to really understand some of the new characters (and yes I consider all these familiar faces new because this is a totally different ball game). We are expected to be invested in the book and the people who populate it so we need some deep dives into their characters once in a while. This was as enjoyable as Tarintino dialogue to me. The next issue does need some more action so we don't get bored though.

Yeah, that was a good comic. The conversations between the characters are more grey than black and white. Hope this series keeps this up

Love the detection this version is going so far, but it was completely missed story opportunity for Gwen and Peter not having a history.

Despite the slow pace I really appreciated the opportunity to see more of the individuals we'd be seeing going forward and in a subtle fashion. Hickman is doing an exposition dump but not in the typical way you'd normally see it. We get our character motivations for Gwen and Harry and see how not completely on the same page they are as well as Harry and Peter's dynamic. It's all pretty nuanced and that might be why people are so iffy on it. That tends to go over a lot of heads and is definitely a trait that Hickman employs. I loved seeing how driven Gwen is in pushing the Parkers forward while Harry is very casually forceful to Peter specifically. Also an interesting circumvention of the norm to have Harry of all people tell Peter about great power and responsibility.
The biggest detractor here is the art. I can't rate the issue any lower as it is as a whole is fantastic but the art is very distressing. Messina seems to heavily rely on reference photos for his faces and while that is very normal to use reference to get poses or even some faces down, none of them have cohesion between panels, most egregiously is Gwen. When she first appears she looks like Margot Robbie, then the next panel, someone entirely different, the next panel looks like some other model and the fourth panel she's in has her eating something. The hand in that picture is very odd. It either has five fingers or a really messed up thumb that is in the completely wrong position OR is turned the entirely wrong way around. It's supposed to be her left hand but it is facing the wrong way for that to work. Take a look at it yourself and it'll be a lot more clear. I don't want to accuse Messina of using AI generated art, I really don't think that's the case. I think he just over relies on reference and may have been a little lazy. I'd really rather it be the latter but considering the hands and poses throughout a lot of the issue it doesn't really make a lot of sense. Hands are hard and that could be it but as a professional artist on a very popular and important book you think you'd take a lot more care to raise the quality up a bit. more

Lots of talking. Nothing really happens, but it's a pretty good conversation.

This issue wasn't bad, and I liked the slower pace of Peter Parker just talking to Mary Jane, Gwen, and Harry. But it's not as good as the previous issues or as engaging. I understand not every issue needs to be action packed, but I guess the high standards of the previous issue made this issue underwhelming. Also, I have read other issues that have people just talking and no dialogue, but it was still engaging and good.

So overall, it's not bad. It will be important in the long run. But It's not as good as the previous issues.

The new artstyle isn’t for me. I very much prefer Checchetto’s art. Didn’t like that almost the entire issue was spent on just one dinner. Dialogue was pretty good though.

I don't know what happened with this issue. The usual artist took a break so Hickman decided to dial it in, instead of progressing the story. Nothing happens in this issue except for one, elongated exposition-heavy scene. Not even one page of action in the entire issue. This issue can be summed up in 3 words -- Double Dinner Date. And Harry introduces his own wife as "Gwen Stacy." Who does that? Most people would simply use their wife's first name. A very disappointing issue. This one can be skipped and you wouldn't notice.

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