I've never seen Travel Foreman's work before but I have to say his work is an uncanny match for the art we're getting from Gary Frank on the "Supreme Power" monthly, and if nothing else this makes for a nice visual constancy between this spin-off miniseries, and it's parent title. The art also earns marks for making the transition between the different visual landscapes largely free of any confusion, as the color design does a great job of leading one into the next scene. The high intensity moments are also well presented, from the chaos of the scene where Joe Ledger leads his squadron to their exit point, to the raw intensity of the explosion when the crystal vaporizes one of the attendants. Read Full Review
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