Plot
Erik Killmonger explains to T'challa that Ra and Konshu are also his enemy, although he no longer feels like Wakanda, he is now Ororo's (Storm) ally.

Killmonger takes T'Challa to a temple that looks like it's in Wakanda, but T'Challa doesn't know that language. In this place there is also vibranium, but suddenly Black Panther cannot control it, so he takes it away and reaches Ororo, who tells him that Moon Knight wants a power that is locked in this place that she does not know, it is an energy sphere. mysterious

Shuri and Queen Okoye do not get along, and T'Challa's disappearance increases this tension.

Magnificent new chapter that continues to creatively expand this alternate Ultimate universe, Ultimate Storm is spectacular.

Art
The art has many textures that offer a gloomy tone and interesting dynamism to this dramatic beginning, each page is hypnotizing with a cold color palette with many plays of shadows.

Summary
Black Panther is brought by Killmonger to Storm, who unveils the weapon Moon Knight really wants and it's not vibranium.
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Plot
This comic takes place after Darius Minotaur traps Thor in Roxxon, and makes him read a comic, which is a placement-filled parody where Thor does Roxxon's banal bidding for money.

Thor is now called Chad Hammer, Mjolnir is like a smartphone, he has a Thor -Truck, it's brilliantly wacky.

Thor at times managed to free himself from this reading enchantment thanks to Loki, but the spell is powerful and he promises to create a subuniverse where the heroes will be sponsored by Roxxon.

This turn of the arc begun in Immortal Thor is brilliant and crudely creative, where it slaps us with our current reality and the banality that the city drives us with social networks, which are taken advantage of by corporations.

Art
Greg Land offers his brilliant and intensely heroic imprint, with mind-blowing details, each panel is mesmerizing and a visual and creative delight.

Summary
Meet Chad Hammer, the new Thor influencer who belongs to Roxxon and his interests are green, but not environmental.
We don't know where this roller coaster is going, but the view is beautiful.
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This was a sidesplitting, clever, & refreshingly self-aware commentary on the comics industry, capitalism, & pop culture all in one. It’s also literally a meta-comic, as it’s the same one Minotaur handed to Thor last issue to promote Roxxon’s corporate synergy, so it’s a comic-within-a-comic. Al Ewing strikes a perfect balance between overt commentary & nuanced subtleties, making this a multi-layered treat for anyone wanting to examine the current state of comic books, their titular superheroes, & the corporate overlords who own them.

Ewing’s script is a lesson in satire, tackling the commercialization of heroes & the influence of corporate interests w/ both humor & poignancy. The issue is expertly constructed, from the hilarious faux-editor notes to the fake Roxxon ads that add to the issue’s corporate veneer. Even Greg Land’s art, which may not typically be my cup of tea, is perfectly suited to the script, oozing the very essence of corporate superficiality.

It’s impressive that Marvel allowed the creative team to push the envelope as far as they did, or if they’re just Roxxon in disguise. Either way, Roxxon Presents: Thor #1 is a blast, offering hilarious commentary & proves yet again that Ewing is one of the best writers working today.
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A brilliant, clever satire of corporate greed and consumer culture. Al Ewing never misses!

Satire drawn by Greg Land is just peak.