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  Comics Bulletin - Ray Tate Apr 15, 2005

  More good can also be found in Joe Staton and Horacio Ottolini spreading the Scooby-love throughout the entire book. Staton opens the issue with Scooby slurping up a literal soda fountain. Drop a couple of panels down, and he displays realistic body language denoting excitement. Ottolini in one panel emphasizes the spooky Staton shadows, and the hall of mirrors scene shows how artistically complex Scooby-Doo can become. Staton's and Ottolini's vignettes give the reader further examples of the Gang's distinctive body language and visual character to appreciate. Read Full Review

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