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  Comics Bulletin - Ray Tate Mar 15, 2003

  Gownley does something very unusual with the New York flashbacks. Rather than rely upon the tradition of sepia or black and white, Mr. Gownley creates a texture for the atmosphere. It almost looks as if he drew the scenes on crinkled up paper that has browned with age. Perhaps this was indeed what he did. Whatever his technique, it works adds to the total reading experience. Read Full Review

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