Creator ownership is a deeply personal issue for storytellers, and it's also a controversial one, but the material here doesn't really bring out that edge. I want to read a feature about the Tokyopop fiasco. I want to read about the legal labyrinth newer creators must navigate when their creations are optioned for other-media treatment. I want to read horror stories, and I even want to read about the value in doing work for hire so creators can build their reputations to make the successful transition to independence. There's plenty of potential for features and interviews that dig into harsher realities while also making room to celebrate creator-owned visions and successes. Read Full Review
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