All told, Bullseye #1 is a bit of a mixed bag. There’s a lot to like between the artwork by Sanna and Mrva, Bullseye’s sadism, and Brisson’s dialogue. But the story being told here doesn’t do anything to stand out from the pack. The backup story feels like a missed opportunity to do something new with the character. For fans of the lethal supervillain, this issue may give them what they’re looking for, but Bullseye #1 doesn’t give readers much of a reason to return.

The True Lives of the Fabulous Killjoys #1 reads like someelseworlds sequel to the long-forgotten 80s movieThe Legend of Billie Jean, and Way's deliberate and definite style comes through in the dialogue, characters and set pieces of the story. Make no mistake — this debut issue is challenging, but it rewards readers after multiple read thoroughs and gives people a challenge instead of serving up their ideas carte blanche.

WOW ! How “Interesting”! The twists are overall boring (Alfred and Bullock are interesting changes, but not enough interesting to support a whole story like it is

Will Happy be placed in the hallowed pantheon of Morrison classics? Will Nick Sax be as memorable a character as King Mob, Damien Wayne, Xorn or his other creations in comics? All of that is too soon to tell. But what I can tell you right now that this is a great comic whether you're a Morrison fan or not.