THE LAST SIEGE #1 adequately sets up the premise for the series' first story arc. However, Walker and Greenwood will need to spill some serious blood moving forward if they hope to keep readers returning.

Although SHADOWS ON THE GRAVE #1 is not a great introduction to Richard Corben's work, it does deliver what we've come to expect visually from this legendary artist. Corben's fans should be satisfied by this new content, even though it's lacking in terms of plot. For those looking for more Corben or just something spooky, SHADOWS ON THE GRAVE #1 is worth picking up.

BRAVE CHEF BRIANNA #1 introduces a great role model for young women, but things get confusing when gentrification is thrown into the mix.

There is nothing particularly groundbreaking about THE STORYTELLER: GIANTS #1. In fact, its exactly what you'd expect it to be. That's kind of the point. Its tone is familiar and heartwarming, and its art is welcoming and beautiful. For Henson fans old and new alike, THE STORYTELLER: GIANTS #1 is an enjoyable, comforting read that effectively taps into this legendary artist's creativity and humor.

LITTLE NIGHTMARES #1 successfully expands the universe of the video game by introducing us to new characters with untold backstories. Simultaneously, the comic retains the game's air of mystery through its intelligent use of text. LITTLE NIGHTMARES #1 might not provide all the answers fans want, but it definitely contains a few tasty morsels for them to chew on.

THE STORYTELLER: FAIRIES #1, a heartwarming continuation of Henson's legacy, is possibly the most perfect comic to curl up with this winter. Matt Smith uses "The Fairy Queen and the Shepherd" to turn a couple fairy tale tropes on their heads.

Witty dialogue, hobo action, and fantasy elements join forces in ROCK CANDY MOUNTAIN #1 to make a series that's not quite like anything you've read before.

Although the updated version doesn't add much in terms of real content to the original series, THE COMIC BOOK HISTORY OF COMICS still holds up. Van Lente's historical account of a much loved medium is well-researched and approachable, with a healthy dose of humor. His writing coupled with Dunlavey's illustrations creates an informative and approachable history that should be considered essential reading for anyone with more than a passing interest in comics or art history. As comics continue to evolve, it's important to understand both where comics came from and how the medium has always responded to thegreater cultural forces surrounding it. The re-released version is worth picking up,for both those who have and have not read the original version.

Despite its slow start, KIM REAPER #1 has an amazingly cute concept and a ton of potential. Although Kim and Becka are not entirely convincing characters yet, Graley succeeds in making them relatable. Ultimately, the people who will like this comic know who they are. If you're obsessed with all things spooky, cute, and queer like I am, KIM REAPER is right up your alley.

Not only does THE FOREVER WAR #1 present a compelling beginning to a gritty science fiction story, but it does so with nuance. The layers of meaning to THE FOREVER WAR #1 make it's narrative just as relevant as ever. For both those who have read the source material and those who have not, THE FOREVER WAR #1 is definitely worth your time both as a fictional story and as an allegory for the futility of war.

YOU MIGHT BE AN ARTIST IF... is a therapeutic to read for all creative thinkers. This book is the perfect gift for your one super artsy friend, to show them that you are at least trying to understand the creative struggle.

Genuine, funny, and poignant, GUMBALLS #2 explores the highs and lows of Erin Nations' life as he begins his transition.

Despite the use of an extended flashback, we still can't say exactly where SAVAGE is heading in terms of the plot. However, judging from the quality of the writing and the visuals in the first issue, the creative team behind SAVAGE has a lot to offer. If you're a fan of dinosaurs or just a sucker for great art, SAVAGE #1 will sink its teeth into you and leave you wanting seconds.

Overall, B. Clay Moore, Clayton Henry, and Lewis LaRosa, who are shaping up to be a creative dream team, once again deliver a strong entry in this limited series. The visuals in SAVAGE #2 maintain the high standard set in SAVAGE #1, as does the writing and pacing in general. SAVAGE is a visually powerful, compelling, and highly-nuanced series that everyone should be reading. If you haven't picked up the first issue yet, you seriously need to.

Hirsh and Ota understand that they don't need to toil to make life beautiful, only to capture this beauty as simply as possible. OUR CATS ARE MORE FAMOUS THAN US is a cute and joyous celebration of the not always perfect experiences of young adulthood, and the friends that help us survive them.

By staying true to its source material and retaining Gaiman's strong narrative voice, AMERICAN GODS #1 presents a stellar example of how to make an adaptation.

WINNEBAGO GRAVEYARD #1 brilliantly engages both horror newbies and genre fanatics. It does so by presenting a compelling narrative with gorgeous art, while simultaneously playing homage to the genre as a whole.