The sequence framing the psychiatrist's discussion of the Werther Effect is definitely the artistic standout of the issue as Stewart adapts his shading and inking techniques to mimic a woodcut, even making a crude picture frame around the panels, as is the post apocalyptic vista that Tyler leads Sebastian to on the closing page. At this point in the series, Cameron Stewart and colorist Dave Stewart are sticking to well established patterns to carry through to the finale, like invoking the possibly David Fincher inspired use of the satellite imagery displayed on the screen on the back of Marla's plane seat to transition from her and Chloe back to the limo Sebastian is travelling to his son in. Read Full Review

I understand, that Robert Paulson is a meme basically, but it's just too weird here...