Since the very start, Mary’s been a mystery at best—and at worst, an unstable and potentially dangerous presence. With the Kapital waiting off the coast of Morocco, and signs that perhaps the Crash was only a prelude to something bigger, the secrecy surrounding Mary starts to reveal itself.
Brian Wood continues to make a series of suggestions like this in a startling montage sequence in this issue. Danijel Zezelj kills it in that sequence, capturing grandeur and power and sadness, as we witness man's "progress" on Planet Earth. Read Full Review
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