Manuel Martin's artwork is good and solid. Martin captures realistic body language, embellishes believable emotion to the cast and weaves an easy to follow visual narrative. When Grant unveils the American plan for taking over the Directorate, Martin not missing a beat makes the reveal a memorable moment. Even taking in account the wacky world of comics, the heroes are a ridiculous bunch enhanced by the near blinding red, white and blue of Pedroza. They're Neocon poster children propagandizing the United States. I can't really mention the show-stopper without spoiling the plot. Suffice to say that Martin and Pedroza end the story on a splash page that should be made into a tee-shirt. Read Full Review
Although this has been a far better issue than the last one, will this be a turning point in the story? I hope it gets back on track, and reaches its full potential. Read Full Review
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