But Cobra and the Coil only work when examined from a proper angle with the proper amount of grit and proper artistic scope, which is perhaps why this latest arc, which is meant to bridge what was originally a mini-series with the rest of its ongoing saga, has struggled a bit. The organization hasn't taken its proper center stage here. Instead we're reading about a journalist and his struggle to find himself upon escaping the Coil's clutches. On some levels it works well but the more Costa and Gage pull awawy from Cobra to examine this man, the less the engaging the story becomes. It's probably just because I'm a sadistic bastard, but I find the dysfunctional layers of this terrorist group far more fascinating than this reporter. Also, as I've said before, the art just isn't what it used to be. A few tweaks and we should be good. Next month starts a new arc, so I anticipate a return to form. Read Full Review
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