Veitchs artwork, with Gary Erskine on the inks, is very solid and organized brilliantly for a predominantly dramatic work, even if the drama is farcical. The slightest eye twitches or mouth curls make the intended impact, and every panel makes full us of the available space. Theres no action to speak of in this issue, but, as my description illuminates, that doesnt mean there isnt a lot going on. In fact, its sensory overload for readers, as we see everything from lust to innocence to revenge and more. If only Veitch would take the time to concentrate on one storyline at a time, he might get a more receptive reaction from readers. I know that the frenetic pace and ludicrous situations are part of his plan, but this kind of writing doesnt lend itself to a reader-friendly comic. Read Full Review
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