Orson is on the run from the cops with the kidnapped Tara. And things just got worse with a bounty hunter on his tail who has a connection to Orson's life on Mars.
Risso is also putting out some great work. His moody lighting and almost cartoonish style serves this book extremely well. With people being genetically engineered for space, I appreciate how Rissos style lends itself to making even regular characters look a little off as well. Sure, Orson and his freak brothers look like cavemen, but I think the vendors selling guns to kids looking like predatory versions of Wayne Knight is equally interesting. And while most of the design work of the city itself is still fairly generic, Risso spreads of the world his characters inhabit are still wonderful to behold. Read Full Review
I am really enjoying this series, and hopefully it'll all come together by the time issue #9 rolls around. Right now, it's just starting to wear a bit thin. It feels like we're being pulled along and that is not a good feeling. Let's just hope that Azzarello and Risso can pull everything together. Read Full Review
Some hiccups in the visual storytelling are holding this story back. We shouldn't have to work so hard to tell characters apart. Read Full Review
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