I like it, but it feels like this comic just ends without a real conclusion.

Plot
Iron Man, She-Hulk, Giant Man, and Danny Rand head out to find the mysterious Shang-Chi, descendant of Iron Fist and one of the immortal weapons. He's a combination of two Marvel Comics warriors.

But in their path, they cross paths with The Immortal Weapon from Hulk #235, which almost defeats the team again, but She-Hulk unleashes her wrath and defeats him.

This issue introduces the Ultimate version of Shang-Chi. However, it's a complex plot, too much information for a single comic, and it's a continuation.

Art
It's very organic and full of textures, with fewer details than the art we're used to in this comic.

Summary
The story of Ultimate Shang-Chi begins here. more

Plot
Daredevil is back and begins cleaning up Hell's Kitchen's criminals. But a call from Elektra changes everything, as she leads him to a crime scene involving one of the executives of the NOUVELLE corporation, who was responsible for hiring Taskmaster to eliminate Daredevil in the previous installment.

The first scene shows how the victim was disfigured with a laser weapon, and written in blood is the phrase "CHASTENING OF THE ALMIGHTY," something like PUNISHMENT OF THE ALMIGHTY.

Elektra and Daredevil go to a dive bar to look for information when they are attacked by the Wrecker, whom they manage to defeat and who gives them a lead. But suddenly, they hear a scream. There's been another murder of a Nouvelle executive with the same phrase written on the wall, and everything points to the Kingpin... he's back and wants to eliminate Nouvelle from his territory.

Art
It's highly detailed, with well-rendered anatomy and classic action elements. It's mesmerizing, successfully highlighting the violence of the script's scenes.

Summary
Daredevil and Elektra follow the trail of a series of violent murders that leads them to an old enemy who was thought to be missing. more

Plot
Spider-Man and Wolverine confront Doctor Octopus at the Great Wall of China when Spider-Man is teleported to New York and confronts the terrifying DREADSHADOW, who doesn't reveal who he is but knows Peter is Spider-Man. Octopus reveals he's doing this because he was offered an opportunity he couldn't pass up.

The fight between DREADSHADOW and Spider-Man is intense. They both fight, and Peter manages to deactivate the teleportation bracelet and get Wolverine out of China and bring him to New York. There, they are attacked by Peter's sister, Teresa Parker, who shoots Wolverine with bullets from the Muramasa sword, the only one that affects Wolverine's mutant regeneration powers. DREADSHADOW claims that Spider-Man is not a hero, that there is innocent blood on his hands.

A shocking chapter that continues to fuel the mystery of all these attacks, where DREADSHADOW has a significant advantage, as he knows a lot about Wolverine and Spider-Man, but they know nothing about him.

Art
It's a dizzying expansion of creativity and anatomies loaded with muscles and dynamism, reminiscent of the 1990s, when comics didn't offer cinematic style, but rather a visual impact that, although it defies the laws of physics, the art makes them completely believable.

Summary
Spider-Man and Wolverine face DREADSHADOW and Doctor Octopus while the mystery deepens.
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Plot
This comic supports the ONE WORLD UNDER DOOM event.

Separated in different eras, unable to communicate, the Fantastic Four are lost. However, Reed manages to create a time machine and store it in a kind of quantum pocket hidden in the FOREVER STONE, which will then endure through time, and one of them will find it. Sue finds it and activates it, using her powers to modify the bending of light.

With this machine activated, Sue rescues Reed, Johnny, and Ben in the past, returning just as Doctor Doom sends them to different eras, and the battle begins again.

Reed explains to Doom how they return, but that information is power for Doctor Doom, and he will send them back in time again with his magic, but with the certainty that they cannot create that time machine. Johnny realizes this and activates the Time Sled, and they travel back to that same day in the morning to warn their past selves that they must prepare for Doctor Doom's strategy.

A brilliant second episode of this new saga, which has all the ingredients of a perfect Fantastic Four comic: action, adventure, mystery, suspense, science fiction, and a powerful opponent.

Art
Humberto Ramos shows off his artistic skills; with his signature touch, he elevates the action sequences and manages to recreate each era in a completely different way. The color palette is brilliant and highlights all of Ramos's wonderful strokes.

Summary
Reed Richards' plan works without realizing that Doctor Doom was waiting for them to return; it's part of his Machiavellian plan. more

Plot
The events of this series take place after PREDATOR VS. SPIDER-MAN, with many things happening in parallel.

-The King of the Yautja arrives with his ship and lands on the dark side of the Moon, and his son is the leader of this invasion. His name is GRAVEYARD and he has weapons and armor made of vibranium that he stole from Wakanda, as narrated in PREDATOR VS. BLACK PANTHER.

-Kraven is part of the Yautja and is helping them eliminate the Marvel heroes, who are difficult prey for the Predators. They begin by eliminating the Guardians of the Galaxy in the cruelest and quickest way possible. He knows the weaknesses of all these heroes.

-Meanwhile on Earth, Doctor Cornelius experiments on an imprisoned Yautja, calling it Predator X.

-The Fantastic Four are next on the Predators' list, who are attacked on the Blue Side of the Moon.

A mind-blowing, ultra-violent, and dizzying first installment of this saga that creates this epic crossover between these universes, which is the conclusion of the previous crossovers.

Art
It's detailed, heavily influenced by 1990s comics, where the body language is highly stylized and shadows are used to emphasize the dynamism and a gloomy tone perfect for this comic full of suspense and terror.

Summary
The Yautja come to Earth to eliminate the most powerful beings in the solar system with the help of Kraven.
A shocking and bloody first installment more

Plot
Hellboy has a date with Anastasia on October 2, 1979. She is upset because the museum where she works is pressuring her to improve her archaeological research and accuses her of being distracted by her relationship with Hellboy.

To cheer her up and clear her mind, Hellboy gives her tickets to Iceland, where she can continue her research on the group of witches called SUAREN ARTEA, who had the ability to communicate across the globe (Read Hellboy In Love).

In Iceland, Anastasia and Hellboy use Necromancy to awaken a witch trapped in a glass coffin, so she can explain how she communicates with witches around the world. The explanation is a series of energy lines called VRIL, which they know how to activate.

The witch activates one of these lines, and the ground begins to shake as if it were a volcanic eruption, and tree-like beings arrive to attack them.

A lovely new installment that blends romance with folk horror and tells the story of this idyll of love, where both support and respect each other, completely removed from any banality.

Art
Alex Nieto offers art with a naive tone that also achieves a brilliant funereal effect for this story. The color palette moves between red, orange, and green in its different iterations, offering a sepia-toned atmosphere that transports us back to the 1970s.

Summary
Anastasia and Hellboy venture to investigate possible connections between several witches in ancient times, using all necessary resources, regardless of the danger.
This romance follows extenuating circumstances, affected by terrifying folklore myths
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Plot
Steve Rogers is sent on a mission with the current Captain America, David Colton. This assault team infiltrates Latveria, and Steve separates from Colton. Steve wants to help the insurgents stop Doctor Doom, while Colton only wants to fulfill his mission: rescue the kidnapped diplomats.

Colton feels that Rogers is out of place, out of his time, and that his hope for a better world is naive. The comic shows how Colton, as Captain America in Iraq and Afghanistan, lost trust and respect for his country; his patriotism is fading from so much disappointment and deceit.

Steve Rogers is discovered by Doctor Doom himself and welcomes him, considering him a hero for having fought Hitler.

This comic offers a very realistic view of Captain America, refreshing his mythology by placing him in a modern-day setting.

Art
It's art filled with details that are elevated to another level of quality with different textures, offering designs as overwhelming as they are mind-blowing, featuring Captain America and his new universe of characters.

Summary
Steve and David are two sides of the same coin: disappointment versus hopelessness. This duality is put to the test when they begin working as a team for the first time. more

Plot
Deadpool finally meets Flux Pradoxica, who turns out to be Alphea's sister. Flux's plan is to assemble a team of the worst versions of heroes and villains from the multiverses, have a leader like Deadpool with all the powers, make him Deadpool Prime, and send him to a universe to watch him destroy it. She's bored.

But the revelation that changes everything is that Alphea isn't actually Flux's sister; they're the same person, only her version is the compassionate part that wants to stop her other half's desire for destruction. So she offers Deadpool the solution: to eliminate her.

Deadpool kills her, and thus this world is destroyed, and Alphea makes it clear that this is Deadpool's opportunity to continue eliminating other versions of Flux Paradoxica/Alphea who are wreaking havoc on the multiverse.

Deadpool Prime, avenger and vigilante of the multiverses, is born.

The fight sequences in this installment are large-scale and consecutive.

An epic conclusion to a spectacular saga on a cosmic scale.

Art
It's highly detailed with a vintage feel that makes it gloomy, highlighting Deadpool's killer abilities. The colors use a sepia palette that gives it texture and recalls '70s horror films. Dalibor spares no expense in showcasing mind-blowing action sequences filled with explicit violence.

Summary
Deadpool vs. Flux Paradoxica, a shocking conclusion with a powerful twist and revelation.
A full circle ending
more

Plot
This comic supports the ONE WORLD UNDER DOOM event.

General Ross battles War Wolf/Captain Ryker without his powers, but is no match and falls unconscious. He wakes up on an operating table where Ryker is testing Ross's powers as the Red Hulk on localized parts of his body, causing him to suffer.

Ross is certain Ryker is a traitor and convinces Sergeant Tamika Bowden to check Ryker's office for a portal or hidden method of communication with Doom. Bowden succeeds.

While Ross is tortured, Machine Man and Deathlok enter a secret base containing a nuclear plant to rescue Ross. Machine Man comes up with the idea of ​​entering through the water cooling system and they encounter a human/shark welcoming committee.

This saga draws heavily from the ONE WORLD UNDER DOOM story and shines on its own, depicting Red Hulk as a prisoner of war who must convince the government that Ryker is a spy.

Art
It's richly detailed and manages to create several heart-stopping set pieces and chase sequences. It includes beautifully illustrated graphic violence. Its art is similar to Geoff Shaw's work.

Summary
Ross is tortured by Ryker as they try to rescue him from a dangerous secret base. more

Plot
Bullseye frees a nearly paralyzed Punisher and prepares for his final attack, for which he drinks an unknown liquid and puts his uniform back on.

The Punisher climbs into an exoskeleton Bullseye had stored, with which he manages to free Tyra and eliminate everyone, all part of Bullseye's twisted plan.

Daredevil arrives where Bullseye is doing a live broadcast, and the two begin to fight like old times. Bullseye has hundreds of needles in his skin, which improves his pulse and aim. The Punisher arrives and nearly kills Bullseye; Matt stops him like old times.

Bullseye's plan is to gather thousands of people around this fight, either with the Punisher or Daredevil, to activate a bomb filled with the radioactive substance that gave Daredevil his powers. Bullseye wants the return of superheroes and villains.

Daredevil is mortally wounded and asks Tyra to use her powers to counteract the toxic gas cloud... and so Daredevil finally dies, witnessing the birth of a new generation of superheroes.

A spectacular conclusion to a saga that reimagines this dystopian future where a psychopath's unpaid debts become a danger to the city. Daredevil never faces a more lethal threat.

Art
It's mind-blowing, achieving dizzying sequences and dramatic body language. Steve McNiven uses his germ texture technique that highlights all those mesmerizing details and captures Frank Miller's artistic tone and injects it with his own signature.

This installment is more visually raw, gory, and intense.

Summary
Daredevil must stop Bullseye's evil plan once again, and he'll need all the help he can get.
A stunning conclusion to a mind-blowing and brilliantly narrated saga. more

Plot
Reed Richards challenges Doctor Doom to a live debate, where he reveals that Doom was aware of the vampire attack in Blood Hunt but did nothing because he knew he could manipulate Stephen Strange and thus become the Sorcerer Supreme.

But Doom argues that all leaders in past wars have withheld information to achieve victory. He even compares how Iron Man, the Avengers, and the X-Men have withheld their technology and wisdom to make a better world. People support Doom because of his powerful charisma.

While this debate is taking place, Black Widow, Sue Storm, and Scarlet Witch manage to enter Latveria through a rift discovered by S.H.I.E.L.D. intelligence through Maria Hill. In Latveria, they discover that the entire city is a hologram and that its inhabitants are trapped in a magical prison that absorbs their future and life force. Doctor Doom uses this energy to make his spells more powerful.

Reed Richards receives the information and video, shows it to the world, and Doom unmasks himself and accepts that the pain of many is necessary for his project. He stops the live stream, stretching Reed's face in a painful and seemingly irreversible way.

This event improves with each installment, offering shocking and mysterious twists, with the key revelation revealing part of Doom's plan.

Art
It's very detailed, creating a suspenseful atmosphere that blends magic with science fiction in perfect balance with all the heroic poses. The art is as epic as the event itself.

Summary
Mr. Fantastic's debate with Doctor Doom will have a key revelation that gives this event a chilling twist. more

Plot
Sophie now has Violet's soul in her body. Sophie agrees to share her soul because she feels guilty for abandoning Violet. Violet is manipulating Sophie.

Violet wants Sophie to help her get revenge on the members of the SIGMA IOTA sorority. The plan is for Sophie to infiltrate the sorority and gather evidence that leader Karma is guilty.

The comic reveals the character of Amber, Violet's older sister, who held a sorority party at her house, causing Violet to have an accident and a scar on her face. Amber visits Sophie to take Violet's belongings. This visit angers Violet.

Sophie attends the SIGMA IOTA meeting to join. Karma doesn't like the idea because she doesn't want Violet's best friend around, but Penelope convinces her that it's good for SIGMA IOTA's reputation, as she's being targeted by lawyers and the university.

Penelope shows Sophie the headquarters, and the two talk on a balcony. Suddenly, Penelope falls and dies, impaled on the railing. Apparently, Violet did it using Sophie's body. This comic takes an even darker turn.

An interesting supporting story for the Hyde Street saga, where we meet a resident of this place who is in charge of collecting souls, the evil Sisterhood.

Art
It's detailed, and through mesmerizing sequences and creepy splash pages, which are also supported by a gloomy tone, it manages to raise goosebumps more than once. The art offers excellent anatomy definition, allowing for easy comparisons.

Summary
Sophie is determined to help solve her friend's death, but she's unaware of Violet's true plan for revenge more

Plot
The explosion destroyed part of the pier. Thing doesn't know where Marty Flynn is, but he manages to see his niece Sara and stops Hammerhead and Bullseye.

Ben escapes with Sara to the city and stops to rest, because this whole situation has been intense.

Kingpin is disappointed with Bullseye, and Hammerhead sends the Wrecking Crew, who also have super strength; something or someone is enhancing them. The fight between this team and Ben is exciting, with lots of blows, but Ben wins...at times, until JUGGERNAUT arrives.

The suspense continues to increase as Sara is chased by all the city's villains.

Art
It's detailed, handling shadows in a way that highlights all those facial expressions, as well as the anatomy of all the heroes. He achieves textures that give it a retro yet fresh tone.

Summary
Ben saves Sara, but behind her lies a mystery that has all the criminals in New York chasing her.
more

Plot
Spider-Man wakes up in the Savage Land, healed by the wounded Wolverine, when he is nearly devoured by a Tyrannosaurus Rex, which is then dispatched by Wolverine in the most violent way imaginable.

Wolverine heals Spider-Man and asks him to give him a chance. He only remembers that he was friends with Peter's parents, and that if he killed him it was by mistake; he doesn't think he's capable of doing it. Peter gives him a chance, and the two work together while being attacked by Kraven and a mysterious villain called DREADSHADOW.

When Spider-Man and Wolverine have almost defeated Kraven, he activates a device that causes some bracelets Logan and Peter have to teleport them to Chia, where Doctor Octopus is waiting.

Another magnificent installment full of action and dizzying, large-scale sequences, while the mystery continues to deepen, and who is behind it all has Wolverine and Spider-Man on the hunt.

Art
It's a dizzying expanse of creativity and anatomies overflowing with muscle and dynamism, reminiscent of the 1990s, when comics didn't offer cinematic style, but rather a visual impact that, while defying the laws of physics, art makes them completely believable.

Summary
Spider-Man and Wolverine call a truce in the Savage Land to discover who their attackers are. more

Plot
Richard Parker lets the suit take over his body, and it launches a near-fatal attack on the Sinister Six, becoming something very similar to Venom.

The Sinister Six are divided. Mr. Negative, Mole Man, and Black Cat begin to lose hope in Kingpin's leadership, while they don't know Kraven's whereabouts and distrust Mysterio.

Mole Man meets Peter at his apartment and continues to offer him an alliance. Mole Man wants to get rid of the Kingpin and sees the porn in Spider-Man and Green Goblin.

MJ gets upset with Richard for secretly wearing the suit for so long and asks Peter to tell her everything, especially the situation between Harry and Gwen.

This series gets better and better, complicating things more and playing brilliantly with the Spider-Man universe.

Art
It's loaded with brilliant details that explode in your face, supported by subtle, well-placed textures, giving a raw and powerful tone to this shocking story that gives Spider-Man a realistic twist.

It's organic and dynamic, mesmerizing you in every panel.

Summary
MJ asks Peter for honesty, while the Sinister Six are divided and have Richard in their sights.
more

Plot
This comic pays tribute to the first comic where Peter Parker is bitten by the radioactive spider, only with the childlike and witty comedy tone of Disney comics, where Goofy is chosen for this hero's journey where he learns that "With great power comes great responsibility."

It's a delight to see how this crossover blends both universes of characters in that perfect, harmless, and precise balance. Although the story structure is the same, the small details make it unique and entertaining, as each Disney character responds to the same problems as the heroes in their own characteristic way.

Art
It offers the classic art of Disney comics but within the Marvel universe, presenting and enhancing the best of both worlds without falling into parody.

Summary
Goofy Parker must learn the importance of superpowers and forget about selfie poses. more

Plot
The CEO of ROXXON is meeting with Nicodemus West of Alchemax, Justine Hammer of Hammer Weapons, #1983 of A.I.M., and Obliette Midas about how to stop the Ultimates, who have been destroying their bases and main operations for months. To do this, they called in White Queen Emma Frost of Frost's School for Wayward Youngsters, something like the X-Men but for raising mercenaries.

Hawkeye and Captain America are attacking a Roxxon oil base, which was set up by Emma Frost to attack Wanda and Pietro. But Cap's strategic mind manages to defeat them both.

The story twist occurs when Emma kills everyone at the Roxxon meeting to recruit Midas.

This installment continues to fuel the Ultimates universe, while increasing the mystery and tension surrounding a new, very dangerous superhuman organization.

Art
It's organic and textured, giving it a dynamic and dramatic tone, with certain manga influences.

Summary
Emma Frost and her mutants arrive to complicate things for the Ultimates. An exciting chapter full of revelations, action, and new mysteries. more

Plot
Mark Millar doesn't hold back in telling this story of a fallen hero seeking redemption, with shocking twists and revelations. His storytelling is brilliant; you feel like Roland himself is speaking to you, his voice filled with anger and frustration. This comic is daring, subversive, and very intelligent.

Art
Matteo Scalera offers his distinctive and dynamic art that will make you feel like you're part of the chase, while also achieving moving, intimate moments filled with sublime details.

This collected volume includes a gallery of character designs and all the variant covers.
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Plot
This comic begins just seconds after the events of Jupiter's Legacy Volume 5 Requiem, where our planet is about to be invaded by Queen Borilea and Prince Caius of the planet Parolax, whose heroes received superpowers in the same way and by the same alien race as those on our planet.

The last hope for our world rests with Jason, Lady Liberty, and Sophie.

The relationship between all these planets and superheroes lies in the most mind-blowing explanation of this comic, which finally reveals the mystery behind the word Jupiter.

In reality, all these planets are part of a farm run by superior beings, who have been raising us like livestock for years. When we reach 10 billion inhabitants, they will devour us and terraform the planet to start over. That's why the biblical stories of a worldwide flood that resets everything are actually these beings terraforming a new generation of livestock farming. The process of consuming humans begins with a cloud of nanoparticles, and the most recent battle on our planet was against Zeus, also known as Jupiter, who lost and whose head he holds as a trophy. Jason, Lady Liberty, and Sophie are JUPITER'S LEGACY.

These cosmic "Farmers" created superheroes on each planet to protect their livestock from invasions, plagues, and internal wars that would destroy them all. Humans end up being the most efficient and low-maintenance crop in the universe.

According to this being, the biological system has two directives: fornicating and raising new beings. That's why there's an obsession with caring for our children, because it's a biological obligation to increase our population. In short, our entire existence is a lie.

Walter Sampson knew this for a long time, but hid in his mental illusions. All the volumes of this saga lead us to this shocking moment.

Jason is overwhelmed by what he's just learned, something he's suspected for years regarding the messages on Jupiter. However, his mother, Lady Liberty, convinces him that life is more than just a mystery, and that it deserves to be defended. That brotherly love and love for children are a variable outside of this biological equation, worth fighting for.

Millar finally reveals the macabre plan of the extraterrestrial beings who granted them powers. This revelation is shocking and mind-blowing, and it undoubtedly brings this powerful saga to a perfect close.


Art
This volume includes art from three different artists, each bringing a distinct perspective, something unusual because it loses narrative consistency. However, they achieve an interesting artistic symbiosis, as analyzed below:

Tommy Lee Edwards presents his textured, organic art that provides a sense of dynamism and mystery, with magnificent details that depict seemingly utopian/hopeful worlds, yet plagued by terror and violence. He achieves a large-scale double-page splash. His art elevates the epic feel to biblical levels.

Matthew Dow Smith's technique is similar to Tommy Lee Edwards, full of textures that offer a certain dynamism. It's a subtle change from the tone this series has had since Requiem; it takes some getting used to.

Lee Carter offers highly detailed illustrations aided by lighting, giving that classic 1960s superhero comic book feel. It's magnificent art.

more

Plot
The Adjudicator/Sydney is trapped on the Moon, while Zach and Rose are helpless, their protector and guide nowhere to be seen.

Their teacher assigns the roles in the play Paradise Lost, with Zach playing the Devil and Rose playing the Angel. Three weeks of rehearsals go by, and the play goes perfectly. The two work as a team, but they discover they are being watched by agents of Heaven and Hell who want to disrupt the balance between these realms.

The comic closes with the appearance of the HOLLOWED ONE, a being who was hiding in the lake and is about to appear and wreak havoc.

This chapter reinforces the story of teenagers trying to overcome their adolescence while the balance between good and evil depends on them. This installment is dedicated to the young audience, for whom this comic is a perfect fit.

Art
It creates a balance between naive art but with gloomy touches and abundant details, creating a powerful artistic balance between the horror of hell and the blinding light of heaven.


Summary
Rose and Zachary must work as a team in a school play, while under surveillance and without Sydney's protection.
more

Plot
Roland gathers his family, Rachel, Rodney, Rae, Richie, and Rex, to explain how his nanotechnology, which is present throughout the forest and concentrated in the Christmas tree, came to life. This tree is the foundation of the Cronex Corporation. Roland is about to reveal the secrets he holds from the 25th century.

Jacob owns Cronex, and his fiancée is Raina, Roland and Reggie's sister. She works as Cronex's security guard, is a highly efficient and lethal soldier, and an expert in industrial espionage.

Raina has a complex relationship with everyone, especially Ronald, the leading scientist of nanotechnology capable of curing diseases, injuries, and increasing longevity. Roland fears the ethical ramifications of this technology, but Raina pressures him to finish his work.

The comic closes with Raina destroying Cronex's competition so Roland can pioneer his technology.

This new story arc begins full of shocking revelations about Raina and her relationship with the Rocketfellers.

Art
It includes two different artistic visions, but they create a synergy where the art is full of details and many textures that provide an interesting and mesmerizing organic effect, all of which creates a futuristic and somewhat terrifying tone.

Summary
Roland begins to narrate the terrible events in the future that led him to make Raina his enemy. Important revelations kick off this new story arc. more

Plot
This chapter is narrated by Dr. Andrei Molotov, where he explains how he tried to make Ashley Arden different from Tariq Geiger, but everything changed for her when he revealed that he was the one who created the atomic bombs that caused this nuclear holocaust. Molotov created Geiger and Ashley twice, first with the bomb and then with the vest and boron rods needed to control his powers.

Molotov asks Tariq about his family; he doesn't know the full story of his pain. The relationship between the two is tense; neither trusts the other. Molotov fears him, and Geiger despises him.

Molotov is currently being pressured by Geiger to fix Junkyard Joe. Molotov is trying to analyze Geiger's actions because, although he has the lowest opinion of him, his actions seem to have an ulterior motive. He doesn't understand his motives, even though he doesn't have a family.

A group of mercenaries tracked down Geiger's location, and he confronted them, but his powers increased due to all the radiation he absorbed from Ashley, causing him to explode uncontrollably and disappear.

An interesting story that analyzes the origins of Geiger and Molotov, and how this complex relationship arose.

Art
This chapter features illustrator Eamon Winkle, who offers modern art, full of detail and with a well-proportioned control of the characters' anatomy. The art has a superhero tone due to its poses, but at the same time offers an original touch.

Rob Leigh's lettering is an onomatopoeic adrenaline rush.

Summary
Doctor Molotov reunites with Tariq, and the tension between them grows while an unexpected situation involving Geiger's powers changes everything. more

Plot
Spider-Man fights with all his might against Hellgate, while simultaneously trying to protect the bystanders caught in the middle of this battle.

Spider-Man is physically overwhelmed by Hellgate, although both take blows. Spider-Man is more defeated and, by protecting the victims, is at Hellgate's mercy. Spider-Man refuses Captain Kintsugi's help. During this battle, Peter remembers when Uncle Ben taught him how to box and how to learn when to back down from a fight.

Mary Jane sees in the news how Peter is being mercilessly beaten and goes to help him.

A shocking installment full of action and super-violent fights, where the mysterious origin of Hellgate has yet to be revealed.

Art
John Romita Jr. achieves the grim and gloomy tone of this situation and incorporates it into the unique body language he gives Spider-Man with his art. It's a privilege to read comics illustrated by this legend who always evolves in his use of you. JRJR always features one or more splash pages that define the comic. The reversed splash pages are a spectacular retro touch.

Todd Nauck provides the flashbacks and alternate scenes outside of the main battle.

This comic is a work of art, where the dynamism is mesmerizing.

Summary
Spider-Man tries every strategy he can to stop Hellgate. more

Plot
This comic narrates several situations in different eras using THE WORLD TO COME as a starting point. Its origins are still unknown.

It tells the story of how Agent Everett K. Ross goes undercover in Mexico and his relationship with Wakanda.

It then tells how, eight years later, T'challa surrenders to his son Ketema. Ketema then murders his father and becomes the new Black Panther.

This comic chronicles the rise and fall of Black Panther. Its narrative is complex, inconsistent, and disruptive, making it difficult to follow and understand.

Art
It is detailed and achieves interesting ethereal effects that differentiate the different eras. It is mesmerizing.

Summary
Ketema becomes Black Panther at a very high price more

Plot
Mole Man obtains a version of vibranium with unstable molecules and places it in his staff, where it becomes a dangerous weapon. This discovery triggers the awakening of Godzilla.

Even an Eternal hatches prematurely to try to stop Godzilla, while New York and the Baxter Building shake with earthquakes. Godzilla eliminates the Eternal with a single blow.

The Fantastic Four confront Godzilla and call in the Avengers and X-Men because they can't contain him. Reed activates a portal to the Negative Zone in his laboratory, but Godzilla notices and uses his tail to shake the device, and Reed, Sue, and Ben are transported to the Negative Zone.

Black Panther takes Mole Man's staff to study this new iteration of vibranium.

Thor is attacked by Godzilla by surprise, while Captain America manages to return Godzilla's attack using Atomic Breath. Godzilla regenerates himself faster than Deadpool.

Captain Marvel, Quicksilver, Scarlet Witch, and Black Panther issue a global call for help, and Spider-Man arrives with Miles, Gwen, Iron Fist, Luke Cage, Iron Man, and Deadpool, who calls himself the "New Thunderbolts."

The dialogue in this comic is brilliant, with a good dose of comedy, like when Ben tells JJ Jameson that Godzilla is Spider-Man who used the Lizzard serum on himself.

Quicksilver saving everyone is one of the most dynamic sequences in this comic.

A magnificent first chapter in this saga that presents Godzilla as an unstoppable force of nature that takes the Marvel Universe by storm. Lots of action with a dizzying, addictive narrative pace.

Art
With highly detailed art that highlights all those heroic fight poses as well as Godzilla's scale, balancing the optimism of superheroes with the terror of Godzilla.

Summary
The Marvel Universe faces off against Godzilla, who is enraged by the existence of a powerful iteration of vibranium. Epic, intense, and powerful first installment more

Plot
Three days have passed since J'son's death, and the Shi'ar Gladiator is attacking Wakanda Prime space, taking Shuri prisoner.

Peter/Star-Lord and Nova interrogate Shuri, who denies that J'son's murder was Wakandan and asks them to review the evidence. She discovers it was fabricated to frame them.

Black Panther goes to rescue Shuri and confronts Hulk and Brawn, but the three are attacked by an army of SKRULLS!

M'Baku is leading the attacks on Wakanda's ships when he is killed by a Skrull on behalf of Dorrek VIII. Suddenly, all the ships fighting are taken over by Skrulls, especially the ship carrying Xandra and Deathbird, the Shi'ar monarchs.

The Skrulls reveal that this is a coup against the Shi'ar and the entire galactic empire. Their plan is being executed perfectly, with all armies falling to the Skrulls.

A spectacular story that continues to shake the status quo of the Marvel cosmic universe through a powerful conspiracy.

Art
FEDERICO VICENTINI and IBAN COELLO offer mesmerizing art, with brilliant textures and details, while creating a brilliant tone of suspense and terror around all these different versions of the empires and their technologies.

Summary
Those responsible for this war between galactic kingdoms are revealed. Shocking second episode more

Plot
Apocalypse/Stryfe gets the helmet and faints upon activating it. His body is losing its fusion, and he asks Wolverine to take him to his base to reactivate Stryfe's body's connection with Apocalypse.

Talyn, the leader of O*N*E, gets her scientists to hack the Legacy 2.0 virus, so she calls all her soldiers who were in contact with the virus. Deadpool takes Maverick to the O*N*E base because he thinks they'll cure him; in reality, they'll be controlled by Talyn.

During Deadpool's journey with Maverick to the O*N*E base, he explodes a series of zombies controlled by the Legacy Virus 2.0.

Apocalypse/Stryfe attaches himself to the machine to activate this union, and Wolverine examines the power source and finds the mutant named LEGACY trying to disconnect. This being is responsible for creating the Legacy Virus 2.0 and is the power source that allows Apocalypse to remain fused with Stryfe.

Apocalypse/Stryfe activates the helmet, and his mind-control powers expand, activating a pyramid-shaped spaceship.

This story continues with the perfect balance of suspense and action, where Apocalypse returns with a perfect plan for global domination.

Art
This debuts artist ROBERT GILL, who offers art full of interesting details and textures. It's a magnificent transition of artists.

Summary
Apocalypse/Stryfe acquire the Psychic Amplification Helmet, and the Legacy Virus 2.0 infects the planet without borders more

Plot
In THE NORTHERNER, Simon and Sarah track down Mr. Cobbler, who is about to deliver weapons of war from the future to the Confederate coalition (the Southern states of the US) and thus change history, creating a dystopian future filled with social limitations and tyranny.

The Northerner and Simon were also carrying weapons from the future such as machine guns, automatic pistols, and grenades, but Cobbler traps them and gets there first, but he doesn't count on Simon's knowledge of the forest.

Mr. Cobbler is intercepted by Simon, Sarah, and The Northerner as he is about to deliver the weapons to the Confederates. At that moment, Simon experiences a series of visions of the terrible future The Northerner wants to stop. Cobbler injures The Northerner, but Simon learns how to use grenades and destroys the weapons shipment.

With the explosion, The Northerner and Cobbler disappear into a portal of blue flashes, along with any trace of themselves and their weapons.

Simon takes Sarah to a Union settlement (in the northern states of the U.S.), where she is warmly welcomed, along with many displaced children or children of slaves. Simon gives her his beloved red coat to look after while he dons the Union blue coat and helps them win this war.

The comic's epilogue shows The Northerner arriving in another era of time, going into the future, and running into... Barney and Geiger!!!...in Geiger #20, we'll see this encounter in detail.

A magnificent conclusion to this story that showcases The Northerner's work to stop the changes in time and Simon letting his kindness take over.

Art
Bryan Hitch offers his cinematic vision, directing mesmerizing action sequences and capturing the details and tones of each era. The colors create the perfect atmosphere of a harsh post-war era.

It has a mesmerizing command of scale, transporting and shocking with striking realistic visions in a cinematic-like format.

Summary
Simon, The Northerner, and Sarah confront The Cobbler and his plan to change the future more

Plot
Lapearl and JJ Jameson are about to be attacked by the Yautja Spider-Man released for selling the Daily Bugle, but are saved by Skinner, who has arrived to eliminate the Predators who came to capture him.
Spider-Man fights the other two Yautja.

Skinner is about to destroy the ship of the Yautja who came to capture him when he is attacked by Kraven, who eliminates him, turning him into a Predator of Predators. The Yautja's arm is set to explode, and Kraven cuts it off and gives it to Spider-Man, who throws it into the Hudson River where it explodes.

The surviving Yautja confront Kraven and defeat him, but they spare his life and mark him on his forehead. They consider him a great hunter and invite him to join them.

Spider-Man finally reunites with MJ, as dawn breaks over the city and the Predators leave in their ship, the threat receding for now, because the terrible Doctor Abraham Cornelius, responsible for putting the adamantium in Wolverine and many experiments on mutants, is left with the corpse of a Predator.

A shocking, ultra-violent, and highly suspenseful closing chapter, organically integrating the Predator mythology with that of Spider-Man.

Art
It's detailed, heavily influenced by 1990s comics, with highly stylized body language and the use of shadows to emphasize the dynamism and a gloomy tone perfect for this comic full of suspense and terror.

Summary
Spider-Man and Kraven must join forces to stop this invasion of unstoppable hunters. An excellent conclusion to a magnificent saga. more