Maybe my standards are so low for spidey content, but I liked this issue. It was engaging and interesting at least.

It was fine, which is good for this run. Enjoyed the art.

Yeah, that was a good comic. The conversations between the characters are more grey than black and white. Hope this series keeps this up

Who knew a comic that fully takes place during a dinner conversation could be so entertaining?

Michael W. Conrad's backup was the best thing about the issue. To get an idea of ​​how bad things are. The entire final part of the main story is embarrassing. I hope Hearthless takes down this Dick Grayson, because this Dick Grayson is insufferable.

This is the finale of a long running narrative thread that's been going since issue one, and it understands the assignment. Its an all out comic book brawl and its intense from start to finish. The pacing is great, the art is energetic, the dialogue is fantastic. It all comes together to make a memorable, hard hitting issue.

The ending hints at some new status quo changes. We'll see how that goes. But this should be celebrated. Rabble has been a very effective original miles villain if you ask me. more

That’s how you build up to a battle and make it count. Great job with Rabble, this is the first time in awhile a new villain/foe really stuck out and held their own, in story telling and as formidable. Honestly, I kind of hope she doesn’t have a full redemption arc, it’d be cool to have her as one of Miles’s bigger rogues in the future.

I am going to miss Tom Taylor's nightwing run. I like the character progression and how Nightwing is evolving, and while the rotating artists is a bit distracting, overall I think it ends strongly. This is the calm before the storm. I also like the backup issue as well.

I’m shocked they didn’t make this a mega thick issue, not complaining through. Mainly filler, but filler that makes sense. It seems like this slow burn is is about to hit the gas.

Lot of setup and background here, other than the shocker of course.

My only complaint is I feel like we were missing a page or two, things felt a little rushed at the end.

This was amazing. Lol.

That first panel, awesome.

Admittedly, at first I wasn't too into it and a tad lost as to what was happening and what the point was. Then at the end, ah, yes. This makes sense.

A god is only as strong as the belief people have in them.

Okay this was actually really good. I might be giving a higher score than it deserves but for what ASM has been, this is a nice return to something I'm used to in Spider-Man. Peter getting set up with someone new, having decent chemistry, having to run out on them, actually saving people, helping his friends and fingers crossed we get some decent characterization for Ben in the next few issues before issue 50 puts everything on the back burner. Also a fan of Todd Nauck here. I really wish he would be a recurring artist rather than a guest. He's miles ahead of JRJR. That cover is GARBAGE. more

Thought things couldn’t get worse after gang war, but things thing seemed all over the place.

Glad JRJR isn’t doing the in book art at the moment, if we can get him off the covers too that would be outstanding.

I’m sorry but I can’t buy MJ and Peter being this chummy already when the dude was going to propose to her and she just gets with another guy.

Hallows Eve was a creative idea but it feels like Lowe and Wells are acting like Oprah and just giving everyone powers. more

I actually enjoyed the continuity built that happened in this issue! I think it's inventive and creative how Zdarsky is trying to tie it all together across the different eras. I'm really interesting where this is going next.

This is certainly an unpopular opinion, but I think what Zdarsky has done with Zur and Failsafe has been really clever. It draws on the comic’s long history and the character’s paranoia and the conflicting images of Batman as a one-man army and role as patriarch of the Bat-family. This issue is tense, ramping up towards a conflict I’m excited to see how Zdarsky handles.

I’m enjoying the run, I don’t understand all the hate other than the “retconning” of the Joker’s motive. He’s always been obsessed with trying to push Batman over the edge, to get him down to his level. At least it fits the narrative here.

Four Spider-Man comics came out this week, not sure if that’s awesome or says something about Marvel (or both).

This and Miles 300 were pretty close for top dog, but I’d give the slight edge to this. An expected interaction occurs, I didn’t know how it was going to go, but I didn’t expect each of the little twists. I say again, this is the best Spider-Man book out right now. If you’re a fan, pick it up. more

Landmark mega sized issues are usually hit and miss, some of the main story and then some background stuff. This is the main story, cover to cover. There were some inconsistencies with the art since they had a couple people on to help. However, some of those full page jobs were awesome.

Lots of story and action, very well put together. My only complaint is we have to wait until the next issue to see the end of the big battle. more

It’s kind of hilarious to see the meh Electro on the cover and as soon as you open the comic there’s an almost full page of him that looks outstanding. I don’t like JRJRs art but they did him dirty with that.

Honestly had a moment of wanting to tear the book apart during the first interaction of Peter and MJ. In later scenes it feels like either Wells is teasing a reunion or just flaming the people who are unhappy with the run.

If something is being setup with this crazy Michelle woman, I’m not feeling it. more

Fun overall, but landing on JUST the right spot… come on…

better than gang war but also nothing happened lmao (why is this a $4.99 issue?)

Wait, did we just get a good ASM issue after all this time? Good dialogue and meaningful character interactions? Crazy.

This was the best issue of the series since the Spider-Man's First Hunt storyline. I acknowledge that I may be overrating this a bit, but this is the most I've enjoyed this title in six months. Despite the dip in quality and the amount of people trashing Wells online for this run, I know he's a good writer and I've been waiting for this run to get better. This just felt a lot more personal and intimate than what we've been getting with something like Gang War, and I think that worked towards the book's benefit greatly. Plus, Carnero's art fits really well with the story. I was hoping she'd be on the series more regularly, but that doesn't seem to be the case with her being announced for Eve L. Ewing's Exception X-Men run. I'll take one more issue with her over nothing, though, as she was announced for Issue 46. more

Refreshing to see good art again on a premier book.

Nightwing #112 picks up right where the previous issue left off, with Batman & Nightwing hot on the trails of a missing boy. Batman also learns about Dick’s mysterious inability to perform his signature aerial feats. The issue comes w/ a surprising narrative choice: Batman/Bruce as the primary narrator.

While it is definitely a choice to have someone other than Dick narrate his own book, Tom Taylor does leverage this in smart and unique ways. We see a surprising amount of emotional depth from Bruce, albeit within the confines of his own head. Bruce wouldn’t be Bruce if he ever let his emotions show on his sleeves! Beyond that, there is also an acknowledgement of Bruce’s own shortcomings as a hero & father figure, which he very rarely ever says out loud, going so far as to adapt his own approach to act more like his protégé. Throughout all these little moments, Taylor showcases just how much Dick Grayson has matured to become one of DC's most respected & beloved heroes — by comic book readers & members of the DC Universe alike.

The emotional core of this issue is undeniably strong. Seeing Bruce acknowledge Dick's growth is a touching moment in the decades long father-son relationship. That being said, this mini arc did feel a bit like we were in a holding pattern. While Taylor's script remains accessible & engaging, & the artwork by the creative team of Sami Basri, Vicente Cifuentes, & Adriano Lucas is nothing short of outstanding, the plot didn’t quite push the narrative forward in a meaningful way. With the news that Taylor’s time on Nightwing is coming to end w/ one last run with his previous partner in crime Bruno Redondo, I couldn’t help but wonder if this was just filling space until that arc kicks off. more

Great issue, cool seeing the external perspective from Batman.

I love how Ewing tells the stories within the stories, very well done.