When we compare The Photographer to A House Without Windows, we see just how far humanitarian aid stories have matured over the past thirty years: the focus is no longer about the martyrdom of the white-male hero, it's about the situation and those who suffer from it. Even without the comparison, A House Without Windows is Kassai and Ellisons valiant attempt to build windows on this unseen house. They offer us a glimpse into the plight of children in the Central African Republic...

I hope the next time a US President considers an easy war abroad, they pick up a copy of Didier Lefvres The Photographer instead.