Logan Mullins Comic Reviews

Beast of Borikén #1 earns its presence. It doesn’t use Puerto Rico as scenery for a monster story; it uses a monster story to talk about Puerto Rico.

Fall of the House of Slaughter #2 feels like the bare minimum. The comic does just enough to get by. However, it lacks any distinctive elements that make it worth reading. Fans of this series may find enough connective tissue to push forward, but any new or casual readers will have little reason to stay.

Fireborn captivated readers for a reason. It’s one of the hottest comics on shelves right now. However, the second issue fails to maintain the momentum, only expanding the plot and not the characters within it. Fireborn is beautifully boring: all style with no substance.

While not exactly what it is advertised as, Gehenna in Tokyo is a joyride through the world of Naked Aggression. Ferrari, Kindlon, and Yamamoto deliver a sharp, witty, and visually exciting comic that justifies a return visit to the Gehenna franchise.

The character writing and the artwork are the highlights of this comic, but the plot and bland supporting cast drag it down tremendously.

Godzilla #11 is a visual masterpiece that is held back by its plot. Characters and kaiju are memorable and stunning; the Kai-Sea Era continues to show ambition in its storytelling. However, ambition is a double-edged sword. New readers for Godzilla might be turned off by how unconventional the plotline is. For those who have been a fan of IDW’s most recent Godzilla work, this series is a must-read; for those trying to enter the medium, it can be skipped.

Inglorious X-Force is a comic that feels safe. While the character work with Archangel and Boom-Boom is interesting, this issue overall provides nothing of substance.

While Issue #6 isn’t perfect, it’s a dramatic improvement over the previous issues. Tim Seeley’s writing and Michael Sta. Maria’s art together gives this issue a charm that the series struggled to find.

While Domino, Daken, and Archangel are relegated to the wastebin of this story, Ms. Marvel shines as the team's heart, and the art continues to shine as the best part of this comic series.

Moonstar #3 gives the reader a deeper dive into the complexities of these characters that this series has neglected. Allen’s writing talent shines as the comic focuses on the why, not the what, of these characters

Issue #4 is the strongest issue of the series for what it doesn’t do: it resists the urge to escalate and instead sits with the characters. Audino’s art does more heavy lifting than ever, and the Dani-Kian dynamic is finally beginning to feel like the emotional core this series needs.

Overall, Gailey and Haining have created an amazing, suspenseful comic with very few flaws. Artist and author work in tandem to craft a story that continually unravels with each panel, building a mystery that readers won’t want to miss.

While not as strong as the first two issues, Gailey and Haining continue to deliver a story that is thematically and visually compelling.

Universal Monsters: Blood of the Wolf Man #1 is a faithful re-imagining of the classic Wolf Man story more fit for a modern audience. The book takes elements from the classic film and places them in a new setting. Williamson and Leomacs have laid a strong foundation; whether this momentum can be maintained remains to be seen.

Witness Point opens with confidence. Fillion and Corson build a mystery worth solving, and Soo Lee's art carries the western tone without overreaching. Calhoon investigates a death in his town, but the story never asks what that means. That absence keeps a strong first issue from becoming a memorable one.

This comic storyline feels like a myth pulled straight from Greek mythology. The art alone makes this book worth picking up. The comic is at its best when it's quieter, more emotion-focused: these moments pair Ahmed’s character work with Coccolo’s art in a way that feels refreshing. Like the myths it emulates, the comic is more memorable for its heroes rather than its resolution.

While structurally another “Wolverine side quest,” the dynamic between Wolverine and Nightcrawler makes this comic a fun read. Ahmed’s writing is satisfying, and Ohta’s art, while not consistent with the rest of the series, delivers in style and substance.

This comic retreads a Wolverine plot-point that fans will roll their eyes at. However, Logan gets to interact with characters outside of his usual supporting cast, something that is always worth appreciating.

While the plot is incredibly dull and unoriginal, Ohta’s art and Ahmed’s Wolverine make this comic an entertaining if forgettable read.

X-Men '97: Season Two #1 is an intentionally irrelevant story that serves to expand the world of X-Men ‘97. For diehard fans of the X-Men franchise, this is absolutely necessary; for those who just watch the shows and movies and read their favorite characters, it’s skippable.

The prequel comic to X-Men 97 Season 2 serves more as supplemental reading rather than a true prequel in Issue 2. While entertaining, the comic is visually and thematically rushed, making it worthwhile only to the most diehard X-Men fans.