All-in-all, Avengers: No More Bullying provides a wonderful platform to educate kids on bullying " different types of bullying, who bullies can be and how to deal with them. There is one more story at the very end that doesn't feature any flashy superheroes " but a regular boy. It was restoring to see flashy superheroes deal with bullies in their circumstances, but this last story is about you. These three pages are heartbreaking, then heartening. These are words everyone needs to hear, sometimes.

Cry Havoc is built on folklore, and like many great stories, relies on a good deal of supplementary reading. Luckily for readers, the book contains pretty thorough back matter. Yet these notes simultaneously rival the book's script in terms of length and are (arguably) essential to understanding the story's underpinnings.

The only panels that truly fit within what readers come to expect from this run of Deadpool arrive at the end. Deadpool and his daughter are outside, swinging on a swingset. Wade is carefree and a immature, and the art mimics that mood. These last pages are the only ones that can firmly fit in with the rest of this run. The remaining pages and story of Deadpool #34 seem out of place and difficult to understand unless the reader is fortunate enough to be "in on the joke." Context is key.

Deadpool #35 is an improvement upon the previous issue's throwback theme, but still leaves the reader wanting more of the scenes that matter most. Help for Kim and his friends has been a long time coming; there reader can't help but be eager to see what's next in store for these battered mutants.

While the commentary by Red Deadpool on White Deadpool's actions are silly, the reader has a difficult time deciding what they're supposed to feel for the new White Deadpool. Pity? Sympathy? Sadness? Or are readers supposed to think it's silly? Funny? Entertaining? The emotional conflicts arise in this issue of Deadpool seem to get in the way of the storyline at hand – the issues the X-Men and the refugees are facing as a result of AXIS. The reader can only hope that Red Deadpool won't be in the passenger seat acting as commentator much longer and will manage to kick the new White Deadpool to the curb.

This story may not cater to most Deadpool fans, as White Deadpool is monotonous and stuffy. Kim and his friends' tie-in is being tossed by the wayside to force the incorporation of the AXIS event. While the merc with the mouth everyone knows and loves may have not made an appearance, the art still keeps the reader engaged. If you don't come for the story, come for the art.

This kind of instructional jibe runs throughout Zdarskys work, appearing in his more adult books Kaptara and Sex Criminals. More and more frequently, comics seem to be doing an important job representing characters who speak up when they feel uncomfortable. Though its just one line, its one that can make the difference between static storytelling, and fresh, forward thinking content.

Ripley is dramatically captured and Jo falls after her. The remaining girls concoct a plan to rescue their beloved friends and win the game, using a trick they kept up their sleeve (or on Molly's head). This game ofCapture the Flag is a beautiful way to illustrate the uncommon motifs of friendship and loyalty among women. Lumberjanes #6 is exhilarating, magical and slightly silly – much like friendship.

In the end, that bond will get Kamala a gyro and the education she needs to succeed as a superhero. After all, good things come to those who wait.

Readers will be eager to see how Ms. Marvel and her new furry companion will work to overcome the Inventor's plot. Ms. Marvel #8 is on-trend with its preceding stories; readers will absolutely adore Lockjaw and Ms. Marvel even more (if that's possible).

Ms. Marvel #10 provides a poignant exposition on the issues facing millennials in today's society through Kamala's story. They mean well and have every intention of saving the world – but they just don't have the means or avenue like Kamala. Not everyone gets to be a superhero, but you should be what you want and do good that way. The issue is perfectly balanced between these concerns, Kamala's development as both a character and a hero, as well as the story of a girl and her dog.

P.S. Does it count as spoilers if its in the backmatter? Jon is bi!

Several panels (including the cover) present Kara in a way that's reminiscent of "an angel that's fallen from heaven." She has come to Earth not to fit in, not to be understood, but to protect and serve.

The Crucible holds promise for Kara's character. While she may not have initially liked the idea of training and learning, hopefully she'll warm up to it now that she's been given the opportunity. Supergirl #36 is the first step toward giving Kara the story and development she's deserved all along. With a fantastic new creative team and a new storyline to boot, Kara has the chance to grow into the Supergirl the reader has wanted all along.

Supergirl is headed down a promising road. Supergirl #37 has a creative team producing stunning pages and the writers developing and maturing Kara.

The science-fiction plot as a whole is enjoyable, but the continued, glaring character flaws in Supergirl leave something to be desired. The reader yearns for her to reach her full potential on her own, not because of a boy. Hopefully, future issues of Supergirl will deliver the plots and character growth that this run deserves.