I had a bit of trouble getting into this series with its style and approach at first – on top of its content aspect of Fukushima – but I think Harris nailed it overall with the intent and I think/hope with respect towards it all. I wish it was a bit clearer on character at times but part of that is reading it across the months of the pandemic. Sebastian Piriz is the big star here as I really loved his style for it and the color design that just hits richly, especially in this final installment. It's a solid series on a concept that doesn't get tackled much with disaster tourism but could make for some really good nuance works in all mediums. Read Full Review