While there's no indication of how Iron Man 2020 will shake out, this miniseries is making the ride worthwhile.

This issue gives Pepper Potts the agency and complexity she deserves, while also telling a fun story to boot.

While this isn't necessarily the most comforting read at the moment, it's still an entertaining one, and will surely have something to offer for a wide array of DC Comics fans.

Alberto Alburquerque's art also keeps the series' cartoony, stylish vibe in spades, making A Calculated Man #3 both a fun turning point, and an exciting tease for what's to come.

Absolute Power #1 might be the rare comic book where the execution vastly outweighs its central concept, as Waid, Mora, and company give it their all in rendering DC's next monster event.

While we've only begun to see the full picture of what Absolute Power is delivering, this issue adds some major and necessary details.

DC's latest landmark event culminates in a brilliantly constructed and satisfying-enough fashion.

A trio of short preludes to DC's next biggest event, Ground Zero could, by its very nature, be something of a mixed bag. The end result definitely is, but never in a way that is fundamentally disinteresting, instead setting the stage for Waller's massive conflict against the superheroes of the world.

This might be one of the best one-shots Marvel has put out in a long while, and it's too good to miss out on.

It's not necessarily essential reading for Ms. Marvel fans, but it largely works as a self-contained tale, and it still has some genuinely good moments.

This "Acts of Evil" one-shot has so much for Deadpool fans to love.

Readers both young and old will hopefully be inspired, both to color in certain pages of the issue and to look at their own big ideas too.

While the issue takes a little bit to get to its emotional core, the journey is absolutely worth it.

This issue is a surprising delight.

Fans of the series -- especially younger ones -- might enjoy this, but there's definitely better standalone issues.

The issue opens with "Forever (Not) Alone", a quiet story that is just charming enough in design and in plot to make readers -- especially Marceline and Bubblegum shippers -- happy.

In true Adventure Time fashion, this issue skirts the line between charming, juvenile, and utterly ridiculous.

The plot is just a little too thin here, but there's still something unique to behold.

You probably aren't prepared to get misty-eyed at an Adventure Time comic, but there's no shame if you do, and if you get excited to see where the story goes next.

After a stellar first issue, this miniseries carries on with pretty epic results.

When wrapped in the candy-coated aesthetic that Adventure Time fans know and love, this issue becomes a bit of a masterpiece.

The newest comic continuation of the Adventure Time world weaves a surprisingly interesting narrative.

Combined with delightful visuals and colors, it's definitely something that fans of the larger Adventure Time world should keep their eyes on.

At the very. least, Adventure Time fans will hopefully love this issue because of the wonderful song in the middle portion, even as the overall ending might be a bit controversial.

The end result is a candy-coated issue that's way more delightful than it has any right to be, all while talking about the layered parts of trauma and internalized issues. Oh, and Bubblegum and Marceline fans should absolutely pick up this issue.

With things moving at a relatively brisk, but still nuanced, pace, everyone gets their time to shine without putting the brakes on the story. When you factor in the bizarre but fun visuals from Slimm Fabert, this issue succeeds in quite a lot of ways.

Adventure Time fans"and really, anyone with a heart"will surely love this tale.

With an intriguing narrative and distinct, but charming art, this first issue indicates that Season 11 of Adventure Time has promise.

The visuals are just as colorful as ever, and there are some adorable moments which die-hard fans will probably enjoy a bit more than passive readers.

After establishing a heck of a lot of a new mystery, this issue finally begins to provide some answers, although it takes a little while to get there.

The first arc of this new series is officially drawing to a close, and it does so with enough of an impact.

While the overall plot -- namely the big twist -- feels a little predictable, it's safe to say that this story could leave quite an impact in the world of Adventure Time.

Fans of the series will surely love this issue, and the little ways that it honors the show's canon that came before it.

While there's no telling exactly where this miniseries is headed, this issue just might be laying the groundwork for a standout X-Men story, one that encapsulates so much of what the team has come to mean to fans.

Tim Sheridan's script takes a little bit of time to rev up, but proves to be an intriguing mystery, weaved together by Cian Tormey's seamless art.

By and large, Alan Scott: The Green Lantern is succeeding at everything it's supposed to be, and that's great to see.

As we head for the remaining three issues of Alan Scott: The Green Lantern, I'm confident the book is going to keep up this momentum.

Alan Scott's most personal conflict yet manifests in a backstory-filled, but still engrossing peak.

Tim Sheridan's script delivers everything fans would expect at this point from the series' epic conclusion, but with enough heart and dramatic tension to still surprise.

While an argument can be made that Tim Sheridan's script wraps up the conflict a bit too nicely, that feeling is vastly outweighed by the profound or heartwarming moments on display elsewhere.

Alien's new path is accessible enough for newer fans of the franchise, but still possesses a unique relationship to what came before it.

Just based on these two issues, this Alien ongoing is far from revelatory, but it still shows promise.

Declan Shalvey's script jumps between different events with a tense ease, and his and Andrea Broccardo's art work fairly well to convey the brutality and humanity on display, even if the end result is still a little disorienting.

Overall, this Alien tale has been an intriguing, but non-essential extension to the beloved franchise.

Ultimately, All-America Comix #1 feels like a generic version of your favorite snack food"it's enjoyable, and it gets the job done at the moment, but you're ultimately left wanting more of the real thing.

The book balances the delightful and the delightfully macabre in what ultimately becomes a really fun read.

Fans of Laura's adventures -- or just of a fun Marvel read -- definitely need to check this out.

On paper, the idea of "Old Woman Laura" has sounded like it would be a sort of mixed bag. But this first installment in the arc sneaks up on you in a delightful amount of ways.

This issue should absolutely be among your stack of comics this week.

Come for the action and character dynamics, stay for the hell of a lot of hope that this issue brings.

Once it breezes past the pages of wordy exposition, this issue has some moments where it genuinely shines.

If you're a regular reader, you should probably skip this issue, but that doesn't mean it's without its merits.

With intriguing mysteries, endearing character interactions, and gorgeous art, this debut issue has its fair share of surprises.

Spencer crafts a story that takes all the drama of Riverdale and wraps it in a more subdued, but thoroughly interesting, package.

This new run of Archie continues to be a delight, spanning a pretty wide scope while still maintaining a sense of character-driven style.

The world of Archie and his friends continues to be shaken into different directions, and this issue is no exception.

The issue still has that upbeat, fun energy in every page and panel, even as certain B plots get darker.

This issue might not pack a massive punch, but it will surely delight Archie fans.

This issue is a delight, and sets the groundwork for some really interesting things to come in the world of Archie.

This new era of Archie manages to consistently be better than ever.

Nick Spencer and Mariko Tamaki continue to craft a narrative that's a delight to read, and Sandy Jarrell's art picks up where Jenn St-Onge's did fairly well.

It's been a lot of fun seeing Spencer, Tamaki, and company approach this arc of storytelling, and even as it's grown a bit more muddled (largely from shifting back to characters outside of Archie and Sabrina), there's still a lot to celebrate.

This is definitely going to be a fun arc for Archie as a series.

This final issue is great in almost every way, and proves that this is an arc you definitely need to read.

If you haven't been reading this series yet, you owe it to yourself to change that.

Arkham City: The Order of the World is truly one of a kind, and this issue only further proves that.

While the saga of Arkham City might be over, this hopefully won't be the last time we see this creative team play together in the DC Comics space.

With a stellar script and brilliant visuals, Artemis: Wanted showcases the kind of great storytelling that the larger Wonder Woman family deserves, and will hopefully continue to receive.

Gabby Rivera crafts an opening is largely charming and endearing, even though some of the world-building and vocabulary takes some getting used to.

It's clear that b.b. free is bringing something wholly unique and endearing to Boom's catalog, and here's hoping that it finds its audience.

"Cold Snap" ultimately feels a bit too much like a filler issue, but it's still an enjoyable one nonetheless.

This issue might have a few weak moments, but it sneaks up on you, and ends up delivering a delightful father-daughter tale.

But overall, Larson weaves a story that has enough energy and life through it to satisfy readers, especially when paired with Jung's absolutely delightful art.

It's arguably the most profound that this solo series has gotten within the Rebirth launch, and a pretty great emotional foundation for the stories that are to come.

After the beautifully-executed finale of Hope Larson's run, Batgirl continues"and mostly sticks the landing.

Sure, the issue is occasionally clunky, but it's largely too delightful to ignore.

A familiar foe, a surprisingly high-octane adventure, and some major changes for Babs make this one of the best Batgirl issues since the Rebirth launch.

Regardless of how you felt about the fallout of last issue, there's definitely enough in this Batgirl installment worth checking out.

Babs' battle against Grotesque is able to be stretched into something much bigger, bringing some genuinely good moments along with it.

It's unclear exactly what the future holds for both characters, but this is some pretty satisfying ground to leave them on.

When combined with fitting art and some major returns, it proves to be an issue that's much more than what's on the surface.

While this issue isn't perfect, there's a lot of it that really works, largely thanks to how capable Scott is to bring out the nuance of Barbara as a narrator and character.

Barbara is given some good moments both in and out of the cowl, and there's just enough that's set up for the future.

Both Scott's narrative and the visuals from Casagrande and Godlewski really successfully convey the nuanced emotion that this brings out in Barbara, something that could be really interesting, if it carries through future issues.

Outside of art that's occasionally awkward in a few panels, this issue is a knockout.

While the visuals might not be 100% perfect anatomy-wise, the issue as a whole has a lot worth celebrating.

Scott has brought about some genuinely interesting and impactful things to her run on Batgirl, and this issue makes it simultaneously sad to see the current creative team go but also lays the groundwork for an interesting next chapter.

Carmine Di Giandomenico's art brings a bit of new life into the issue as well, with the fight scenes between Barbara and Killer Moth rendered in a way that's equal parts stylish, tasteful, and a little cartoony.

Ultimately, this issue really shines in the sequences that have Barbara at the absolute center, so it will be interesting to see if that carries through to future issues.

While this might not be a perfect issue, it has enough standout moments to make it worth picking up.

Cecil Castellucci's narrative packs nearly all of the punch it sets out to, and definitely sets up a new potential status quo for Barbara going forward.

While this isn't necessarily a standout issue for Batgirl, it definitely continues to get to the heart of who Barbara is.

This might not be a perfect Batgirl issue, but it still has a lot to love.

This issue fully examines the groundwork for Batgirl's latest arc, and the end result is a bit of a mixed bag.

Even if you haven't been regularly reading Batgirl as of late, this issue absolutely, positively deserves your time and attention.

It's a shame that Batgirl is nearing the end of its run, but this issue proves that it's doing so in an excellent way.

This is absolutely worth your time"and your praise.

No matter how much of a fan you are of Barbara Gordon, you should definitely check this issue out.

The Bensons perfectly balance butt-kicking fun, heartfelt moments, and a gut-wrenching conclusion, and Antonio's art seamlessly transitions between all three of those things.

While the issue isn't perfect, it makes circumstances interesting enough and leaves enough open possibilities to keep fans captivated.

Overall, this issue brings about so many things that Birds of Prey truly excels at as a series.

This issue is both a love letter to the Birds and to the Benson sisters' run with the series, and fans will hopefully love every minute of it.

This issue doesn't reinvent the wheel, but whether you're looking for epic character moments, connective tissue for "Joker War", or a little bit of both, this issue will surely give you some bang for your buck.

While only time will tell if Batman/Santa Claus: Silent Knight sticks its landing, it's already a fun, festive crossover that deserves your attention this holiday season.

Don't miss out on this fun, glorious series. Trust me.

Silent Knight is understanding exactly what a weekly event series should be in our modern moment a zany, entertaining menagerie of character moments and self-contained lore.

I sincerely hope that Silent Knight becomes a perennial in the world of Christmas comics, because this proved to be an absolute delight that knew exactly what it needed to be.

For better or for worse, Batman Incorporated #1 is nowhere near as accessible of a comic book as it could be but there are just enough elements to save it from being an absolute wash.

Batman Incorporated is just a little bit smoother than the issue that preceded it but it still crafts a tale that's too disjointed for its own good.

After two months of pomp and no circumstance, this issue of Batman Incorporated finally starts to have things click together, taking the book from a casual Gotham City offshoot into something more compelling.

Combined with John Timms' scrappy and gorgeous art, Batman Incorporated is continuing to grow on me with each passing issue.

At its core, Batman Incorporated certainly is not a bad book, with this finale of its first arc culminating in an emotional, well-executed, and action-packed context.

After the first arc of Batman Incorporated felt like it simultaneously covered so much, but so little, this week's issue feels like the best showcase yet of its ongoing concept.

Ed Brisson's script might be a little too straightforward at points, but this is still one of the stronger issues of the series thus far.

There's just enough that's flashy and intriguing here to keep fans enticed for more, especially with John Timms' lively art.

Overall, this installment feels like a culmination of something bigger and wilder in Batman Incorporated, but I'm just intrigued enough to follow it through.

The cacophony of Batman Incorporated continues full-speed ahead, resulting in an issue that's still entertaining, albeit a little by-the-numbers.

The seeming penultimate issue of Batman Incorporated continues to offer a lot of the same, but with some fascinating nuggets of thematics and characterization.

Batman Incorporated's finale is a lot like the issues that preceded it loud, action-packed, and superficial.

Batman vs. Robin #1 will leave you wanting more, in the best possible way.

Mark Waid's script balances cameos galore and long-awaited answers to decades of canon with an emotional crux for Bruce and Damian, and Mahmud Asrar's art brilliantly renders it all to life. This issue is absolutely miraculous, turning the already-delightful crux of Batman vs. Robin into an absolute must-read.

Mark Waid, Mahmud Asrar, and company are creating absolutely brilliant work with this series.

When partnered with Mahmud Asrar's stunning art, Batman vs. Robin is as pulpy and profound as ever.

I've already been singing from the rooftops about how excellent this series is, but this finale sealed the deal: Batman vs. Robin is something truly special.

Batman: Black and White #1 ruminates on Bruce Wayne in a multifaceted, compelling, and surprisingly fun to read fashion, all while providing plenty of bang for your buck when compared to the average 22-page superhero comic.

This is a collection that will absolutely give you your money's worth, showcasing the potential of the Dark Knight and of comics as a whole in some breathtaking ways.

Even if some stories might not pack as much of a punch as others, the level of storytelling and genuine craft on display here remains something truly special.

Just trust me, this issue is perfect from beginning to end, and it absolutely deserves to join your collection.

Batman: Black and White continues to be the best, most worthwhile showcase of talent in DC's circulation today, and this issue is absolutely no exception.

Batman: One Bad Day Catwoman easily proves the initiative's concept can work but not by telling another grimdark, Killing Joke-esque tale. Instead, this one-shot applies a heartfelt and sentimental take to Selina Kyle's adventures, crafting a tale that doesn't revolutionize her character, but improves upon what's already there.

Overall, Batman: Reptilian # 1 is a mixed bag in every sense of the word"but one that I'm somewhat intrigued to see through to the next issue.

There is a nugget of a compelling, complex Batman tale in the center of this story, but it feels way too bogged down by both its brutality and its utter banality.

There is a small nugget of morbid curiosity that will make me see Batman: Reptilian through to the end, but I'm not being drawn in by much else beyond that.

Reading an issue of Batman: Reptilian has almost become an endurance test in the worst possible way.

On every level, Batman: Reptilian has proved to be an exercise in frustration, and if anything, it's made me want to go back and read Batman comics that are much more compelling.

With creative teams that include Vita Ayala, Mariko Tamaki, Riley Rossmo, and Dan Watters, this is not only a stellar Batman collection, but a stellar encapsulation of what's been great about comics over the past year.

This issue is a must-read for fans of Bella, Ivy, and even Harley"and also fans of the stunning ways superhero comics can tell a story.

While it might have a bit of a learning curve for readers who haven't yet dived into Peacekeeper-01's other appearances, this Batman Secret Files is a compelling and entertaining one, one that will make you want to follow the titular character to wherever he goes next.

This issue succeeded in exactly what a Secret Files should accomplish"making me walk away with a deeper newfound appreciation for a flashy new character.

Batman Secret Files: Clownhunter #1 might not be the definitive, Earth-shattering solo story for Bao Pham, but it will likely get readers more excited for that tale's eventual arrival.

Despite being a year into its run, and containing two chapters of multi-part stories, this installment of The Brave and the Bold proves to be an accessible and meaningful exploration of emotions across the DC Universe.

The latest grab bag of The Brave and The Bold proves to largely be full of positives, from Mark Russell and Jon Mikel's delightfully zany Booster Gold and Jurassic League crossover, to Deliah S. Dawson and Serg Acuna's emotional and cathartic finale to their Artemis tale.

The truly standalone stories are easily among the issue's strongest, particularly Hayden Sherman's gorgeously simple work on the black and white installment "The Evidence Remains."

While this is far from The Brave and the Bold's strongest issue, it still has many positives.

As a showcase for the weirdness that the DCU has to offer, Brave and the Bold is continuing to deliver.

If this first installment is any indication, the ten-issue adventure of Batman: The Knight is one that is definitely worth taking.

Trust me, you don't want to miss out on this book.

Batman: The Knight is continuing to peel back the narrative onion that is Bruce Wayne's early days, and this issue finds some inventive and action-packed ways to deal with that.

You don't want to miss out on this book, trust me.

I truly and unabashedly love Batman: The Knight and you probably will, too.

Chip Zdarsky's script is absolutely outstanding, as is Carmine di Giandomenico's art, which gets to shine in a whole new way when the events of the issue get even more supernatural. I am genuinely in awe of how good Batman: The Knight is.

I would say that I'm hoping Batman: The Knight sticks the landing in its first two issues, but it's pretty safe to assume at this point that it will.

Seriously, don't sleep on this book.

Batman: The Knight is easily one of my favorite new releases from DC in recent years and it deserves to be read by as many people as possible.

If anything, the Long Halloween Special showcases how ubiquitous the elements of its original title have become, as this is a Batman tale that both diehard fans and new readers can appreciate.

It's fun seeing Norton and company expand the world of Battlepug even more, and it will be interesting to see where things go next.

The latest chapter in Battlepug's new run is proving to be a ridiculous and wonderful delight.

We're still only three issues into this new era of Battlepug, but the series is proving to be a bizarre and delightful experience.

Mike Norton and company are genuinely knocking it out of the park.

After becoming a significant and beloved part of the Krakoa era thus far, Betsy Braddock's Captain Britain is finally leading her own solo series, and its debut installment proves to be an entertaining, albeit slightly-overstuffed, kickoff.

When combined with Vasco Georgiev's dynamic and stylish art, this issue officially has me sold on what the book has in store.

Three issues in, this new chapter for Betsy Braddock seems to have found even more of its stride, combining the ongoing conflict against Morgan Le Fay with some endearing family rapport.

The real highlight of Tini Howard's script is seeing the issue's dynamic, including Betsy standing shoulder-to-shoulder with some of Marvel's biggest herores, so much so that the specifics of the main battle become slightly underwhelming.

Here's hoping this isn't the final time that Tini Howard writes Betsy, because this issue is chock-full of charm, accompanied expertly by Vasco Georgiev's art.

There's no telling where the Vixens will go next after this issue, but fans will be excited to come along for the ride.

The series begin a new arc in this issue, and the end result is a delight.

It's clear that Vixens is still figuring out what it is as a series, but hopefully the ride will be worth it.

If Vixens keeps up this momentum, it could be a real gem in the Archie Comics orbit.

Vixens still has a heck of a lot of potential, and here's hoping it will get a chance to reach that potential.

The final issue of Vixens ends things on a slightly bittersweet, but genuinely enjoyable note.

Although the plot has many enjoyable moments, this Birds of Prey one-shot still reads as what some fans had feared from the beginning"the general concept of the Birds of Prey movie filtered through a superficial, male voice.

Birds of Prey #1 is a shining example of what makes the "Dawn of DC" initiative work so well, and I am incredibly excited to see where it goes next.

When the dust settles on the "Dawn of DC" initiative, Birds of Prey will be one of the bestif not the bestcomic book to emerge from the experiment.

Birds of Prey is further cementing itself as one of DC's best comics in recent memory.

The Birds of Prey's Themysciran battle comes to a head in another glorious issue.

This continues to be an absolute marvel of a relaunch for the Birds of Prey.

If you somehow have not been reading this new era of Birds of Prey, catch up and fix that right now.

Birds of Prey remains one of the best series DC is publishing right now, and this issue makes that clear in spades.

With the help of Jordie Bellaire's excellent-as-ever colors, guest artists Javier Pina and David Lopez perfectly deliver the brevity, sexiness, and goofiness needed for this story. Once again, Birds of Prey is an absolute knockout.

I've said it once, I'll say it again, Birds of Prey is one of DC's best books right now.

This is, undeniably, one of DC's best series today, if not the very best.

This is yet another outstanding issue from an already-epic Birds of Prey run. Kelly Thompson's script not only raises the stakes, but allows for some significant character beats that only strengthen the overall impact of the "Worlds Without End" arc.

Birds of Prey remains an absolute blockbuster of a comic book.

If you've missed out on this Birds of Prey run so far, DC's new jumping-on point is a great opportunity to fix that.

Coates and Bartel's work compliments each other beautifully, and it will be so interesting to see where things go next.

With this arc, Coates is not only elevating the Black Panther mythos, but what fans can expect from a sci-fi comic, and it's something that readers should definitely be keeping an eye on.

The end result, from the nuanced writing to the gorgeous art, is honestly wonderful.

Even though much of the series' action is slowed down for the sake of exposition, the plot is moved forward in a way that should be a great read.

No matter how big of a fan you might be of both of these characters, this issue definitely is worth checking out.

This is a crossover absolutely worth checking out.

Kibblesmith continues to craft a truly unique, but unbelievably effective, superhero crossover.

Kibblesmith weaves quips, action, and heart in a genuinely effective way, and Lopez Ortiz's art is fantastic.

While Deadpool and Black Panther will live on in their own solo series, there truly was something special about seeing them cross paths " and hopefully it won't be the last time.

When coupled with some truly breathtaking art and color work, this is a debut issue that Marvel fans"and comics fans in general"definitely don't want to miss.

This has the makings of a definitive Black Widow series.

This is both an interesting jumping-off point for Natasha and a darn good entry in the Black Widow canon.

Seriously, you need to be reading this book.

I could not love this series more.

Trust me, Black Widow is the best book in Marvel's arsenal right now.

This issue is perfect in every single way.

I truly cannot stress enough how excellent this comic is.

This run of Black Widow has truly been a gift to Marvel fans, and this issue only makes me appreciate it more.

The first installment breaking down this partnership is a bizarre and legitimately cool delight, as Erica Schultz's script crafts a campy scenario to plunge the unlikely duo into. Luciano Vecchio's art is some of my favorite of his yet, with kinetic action sequences and gorgeous designs.

This issue might just scratch the surface of Blackbird's magical world, but it's clear that Humphries and Bartel have created a fantasy story that's pretty fully realized.

The second issue of Blackbird is just as -- if not more -- gorgeous than the first, and weaves a genuinely interesting mystery.

You need to drop whatever you're doing and read Blackbird. There's just the right amount of exposition in this issue, none of which takes away from Humphries' lush and genuinely compelling narrative.

The fantasy world of Blackbird still has a lot of new things to establish, something that is both a sort of blessing and a curse.

Blackbird might be nearing the end of its first arc, but it's doing so with the perfect blend of style, emotion, and genuinely shocking revelations.

Overall, Blackbird continues to have so much promise.

At times, this issue feels like the comic equivalent of a slow folk song"you don't know exactly where or how it's going to culminate, but you'll easily get swept up in the journey it takes you on.

It's clear that wherever Bliss goes next, the result is going to be heart-racing and powerful, as both Sean Lewis and Caitlin Yarsky go above and beyond to craft this messed up world that is the perfect blend of humanity and fantasy.

Bliss' first arc has officially drawn to a close, and it has done so while weaving an even more intriguing and unexpected web.

While this issue does use a small bit of steam as it goes along, it still culminates in an interesting addition to the series' unique fantasy canon.

Bliss is one of the most underrated"but consistently rewarding"indie comics available today.

At its core, Bliss has always been a compelling look at history, legacy, and humanity, and it's clear that wherever the series goes next, it will be on pretty good footing.

Bliss hasn't been perfect, but like the topics it deals with, it's an emotional and cathartic journey.

All in all, it will leave fans intrigued to see what comes next.

While it might not be the flashiest or strongest outing, the issue takes an angle that fans will hopefully want to hear, and one that takes a deeper meaning, following the recent announcement of the series' conclusion.

This might not be the best Bombshells entry, but it will leave fans curious to see what comes next.

The next two installments of "The Black Island" come about, and they're simultaneously delightful and a tiny bit frustrating.

The Bombshells' latest mystery brings the group to some pretty dark places, but it doesn't quite pack a punch.

Come for the butt-kicking ladies, stay for the heartfelt reunions, the amazing introduction of one fan-favorite, and the promise of what comes next.

While the art gets a little muddy here and there, the whole issue comes together in a pretty nice way, serving up a worthy third act for the Bombshells.

Despite juggling way more plot threads than you can probably name, the issue never feels too bogged down, jumping from one epic story to another in a dizzying but interesting fashion.

If you've read any chunk of this series thus far, this final issue is as good of a reason as any to catch up.

This is definitely a series you won't want to miss out on.

Overall, it will absolutely be interesting to see how things develop from here.

Bone Parish is without a doubt one of the darkest, and most engrossing, mysteries making its way into comics today.

It's clear that Bone Parish is crafting a one-of-a-kind family drama, and we can't help but be excited for the chapters to come.

Bone Parish continues to craft a deeply interesting narrative, one that can go from high-octane set pieces to intimate moments with relative ease.

Even as this issue occasionally slows things down, it feels pretty deliberate and worthwhile.

The world of Bone Parish continues to be one of the most unique gothic narratives in comics today, and it will be interesting to see where things go next.

While the issue slightly loses the absolutely bonkers momentum that has carried it through the past few installments, it still proves to be an important issue for the series as a whole.

When combined with some particularly-harrowing visuals in this issue, it continues to be a dark but intriguing hit.

Bone Parish is crafting a horrifying family drama unlike anything else in comics right now, and this issue is a sign that there are still a few tricks up their sleeve.

This penultimate issue is heartbreaking, action-packed, and unbelievably intense, as Bunn begins to tie up the disparate threads that have made up this series thus far.

All at once, this finale feels incredibly epic and largely understated and puts a worthwhile cap on a fascinating series.

Overall, Buckhead accomplished a lot of what a debut issue of a series should"it established endearing characters, a unique setting, and a mystery you're going to want to follow going forward.

Buckhead"both the concept and the series as a whole"feels like an intriguing mystery that's only just beginning.

The penultimate issue of Buckhead swings for the fences in some admirable ways, and while not all of them necessarily land, they still prove to work in the series' favor.

If you've been enjoying the ride Buckhead has taken you on thus far, you will surely enjoy this final installment.

The end result is a bit of a sleeper hit, which will hopefully take you by surprise in plenty of ways.

Whether you loved Deadpool 2 or found some issues with it, this annual is absolutely worth adding to your pull list.

While Romero's art occasionally falters -- largely in gratuitous shots of a female character -- there's still enough for readers to enjoy.

The "Infinite Destinies" event marches on in this week's Captain America Annual, and it definitely creates a more satisfying reading experience than the installments that came before it.

"Dark Origins Part 5" is nothing short of a cosmic thrill ride, one that wraps up the most recent in arc in a delightful fashion.

Kelly Thompson's narrative and Lee Garbett's art largely work in harmony in this issue, making an installment that serves as great connective tissue for this arc thus far.

While the end result is slightly cluttered, Paolo Villanelli's art has some inspired moments, and the narrative is solid enough to pique my curiosity going forward.

There are some elements of Dark Tempest that are proving to be delightful, but a lot of the ordeal comes across as unfortunately clunky.

This far in, I'm still not entirely sure what the selling point is for Dark Tempest, and that's a problem.

"Another twisty deflection? More word salad? Stop it." These words are said early on in Dark Tempest #4, and they do a surprisingly-good job of encapsulating how I feel about the book itself.

Overall, I am so thankful that this series is now over.

Jones' graceful narrative and art could very easily stand the test of time, and definitely give this iconic DC character the ongoing series she's always deserved.

Joelle Jones' unique story for Selina takes some interesting " and mostly satisfying " advancements.

If this issue's cliffhanger is any indication, the series has some interesting territory to go into.

If you consider yourself to be a fan of Catwoman, this is absolutely worth reading.

The real standout here is Jones' art, which will surely captivate the reader's attention for most of the issue, even if the narrative might not entirely land in every page.

Even if the narrative doesn't always pack a huge punch, the final few pages, and Jones' stunning art throughout, absolutely leave you wanting more.

This issue proves that Catwoman can really command a dynamic solo series.

From beginning to end, this issue is an electric and genuinely compelling read.

Ram V and John Timms craft a standalone issue that definitely fits within Jones' interpretation of the character while still taking things to some rather fun places.

After a brief interlude last issue, Joelle Jones and company are back to Catwoman, and they're continuing to craft a genuinely fun tale.

In terms of plot, things don't advance in a massive way, but there's still enough to make fans eager to read the next issue.

This issue mixes high-octane action sequences with some slightly smaller character moments, with mostly entertaining results.

Joelle Jones and company do some interesting things with the narrative and aesthetic structure of this issue, and it provides some much-needed new ground for the series as a whole to build upon.

Jones creates a narrative that feels like a good push forward for the series, in an issue that's funny, bizarre, emotional and action-packed all at once.

This issue proves just how much life Catwoman still has as a solo series.

At times, Catwoman has been an enigma of a book, but this issue has so much worth celebrating.

Overall, this issue is an absolute knockout for Catwoman as a title.

If this issue is any indication, Catwoman is really hitting its stride with this issue.

There are moments where the dialogue is cheesy and campy, and others where it borders on absolutely cringeworthy (there has yet to be a sincere use of the term "boomer" in comics). But there are enough Easter eggs and ridiculous plot points to make this issue reasonably entertaining, and Cian Tormey's art is largely well-executed.

Even if you haven't properly read a Catwoman issue in a while, this should absolutely be one you check out.

When combined with Fernando Blanco's art and FCO Plascencia's colors, you get an installment that feels like the spiritual successor to the Villa Hermosa sections of this Catwoman run, but also like its own gritty and intriguing thing.

While this issue is definitely a bit moodier than the previous installments in its arc, that all culminates in a way that is electrifying and incredibly gratifying.

This might be the perfect jumping-on point for an already-stellar Catwoman run, and I can't wait to see where things go next.

Ram V balances an ensemble that's surprisingly dense in an interesting way, and if anything, the only problem is that I want to see a few of the issue's characters be further utilized by him.

This issue continues to prove just how great this run of Catwoman has become.

As Ram V's run on Catwoman begins coming to a close"and the "Fear State" crossover fully rears its head in Gotham City"this issue brings an epically-constructed and largely-satisfying tale.

Before this run on Catwoman comes to a close, it's clear that it is absolutely going out in style.

While a few sequences might be a little rough-around-the-edges with regards to pacing, this proves to be a pretty excellent jumping-on point for Catwoman readers.

Once the individual pieces of Tini Howard's script begin to fall into place, they're just delightful and buzzy enough, in part thanks to her earnest, but quick-witted dialogue.

This is easily the Catwoman issue that best showcases the potential of the series as a whole, and I love it.

This new Catwoman run knows exactly what its strengths are, and runs full speed ahead into all of fun and frothy things that can result from that.

This might be the best Catwoman-related issue I've read in a while, and it's the perfect jumping-on point for anyone who loves Selina, Harley, or just fun comics.

This new arc of Catwoman is continuing to defy and exceed my expectations at essentially every turn, with a follow-up issue that's hilarious, surprisingly sweet, and filled with candy-colored, well-executed action.

While this Catwoman issue isn't as much of a slam-dunk as recent installments, there are still some components that make it worth reading.

While occasionally a little rough around the edges, this Catwoman runand this issueare proving to have some real bright spots.

While parts of this issue just feel like fodder for the bigger story that's on the horizon, I still thoroughly enjoyed it.

After a well-executed, but exposition-heavy start, this issue of Catwoman finds some ways to genuinely thrive.

When you combine that with Nico Leon's slinky artwork, Catwoman delivers another delightful issue as well as a promising story on the horizon.

While a little too much of it can be interpreted as overworkedeither in an offhand line of dialogue, a shockingly-obvious plot twist, or otherwiseit undeniably sets up a new status quo for the book going forward, and it is filled with snappy art from Nico Leon, Juan Ferreyra, and Inaki Miranda.

I'm still excited to see what the future holds for this Catwoman run, but I'm not being captivated in the immediate.

Overall, I'm excited about the trajectory that this new chapter of Catwoman seems to be headed on.

This is easily the snappiest, most comprehensive issue of this Catwoman arc, balancing the series' various status quos with an entertaining ease.

Selina Kyle's status quo continues to shift in this issue, an installment that has entertaining moments, but still feels bogged down by the sense that something more compelling is on the horizon.

The latest chapter of Catwoman starts out as something decidedly snappy and promising, before falling into a new version of the same old song.

All in all, this sets a slightly-higher bar for what the rest of this event has in store.

The "Gotham War" event barrels on and if you're someone who is just keeping up with the Catwoman portions of the story, the ride might not be entirely worth it.

With "Gotham War" now in the past, Catwoman is sent down a path that's filled with potential, even at its most dated. Selina's exploration of her "nine lives" begins to unfold in a matter that perfectly blends the book's capacity for grounded and larger-than-life, and Tini Howard's script venturing out of Gotham City is a welcomed change of pace.

The Nine Lives arc continues to be a fascinating beast, with an increasingly clever concept getting mired by some chunky storytelling tactics.

This engrossing issue has gotten me even more excited for the rest of this arc and for whatever's in store for Catwoman beyond that.

Once again, this "Nine Lives" arc appears to be brimming with promise and meeting a fair amount of it.

Overall, "Nine Lives" is shaping up to be the creative pinnacle of this Catwoman run thus far.

With clever writing and gloriously cool artwork, this issue sets a high bar for the remaining issues of "Nine Lives."

Regardless of whatever the future of "Nine Lives" looks like, I'm glad that is has resulted in such fun chapters thus far.

As answers are finally provided about Selina's reincarnating predicamentand the target it puts on her back across the criminal underworldTini Howard's script is a kinetic delight.

While there are occasionally some slow or clunky sequences, Tini Howard's script has a central earnestness that is a joy to behold, and makes me excited for whatever her future holds next.

egardless of whatever the future holds for Selina Kyle, this run has proven to be an entertaining chapter in her journey.

While this might not be exactly what fans were expecting from a Catwoman annual, it has enough there to be a meaningful and entertaining interlude.

It's a story that's an interesting testament to who Selina is as a character and all of the ways she's grown over her DC Comics tenure.

Catwoman: Lonely City #1 is like nothing else in DC's arsenal right now, and you owe it to yourself to check it out.

This book is a masterpiece in every sense of the word, and I could not be more excited to see where the story goes from here.

This issue illustrates everything that is lovely, wonderful, and brilliant about the medium of comics, and I can not offer it high enough praise.

I am still in awe that this book exists and I really hope that this issue, and the installments that preceded it, end up inspiring awe in many more readers in the years to come.

Based on this clever effort from its creative team, City Boy #1 has the potential to form a compelling new pocket of DC Comics' canon.

If City Boy keeps up this energy, it could be a bizarre and significant chapter in the "Dawn of DC" era.

Greg Pak's script is filled with compelling dialogue, although again, it falls into a frustrating rhythm in terms of revealing things about Cameron and his character. Minkyu Jung's art is still consistent, especially when the plot gets a bit more fantastical.

Greg Pak and Minkyu Jung continue to craft a story that's not only well-executed and scrappy, it's a fascinating proof of concept for why its titular hero is worth following.

All in all, I'm excited to see what the finale of this series builds to.

City Boy's finale is definitely fitting for its titular protagonist, even if it is just a bit too understated at times.

With inspired character designs and an intriguing premise, the first issue of Coffin Bound is too cool to not be a part of your pull list.

If you aren't reading Coffin Bound yet, you absolutely need to be.

Coffin Bound just might be the best comic on stands right now.

Coffin Bound is, by leaps and bounds, one of the most stunning comics in stores right now.

Coffin Bound's return is one of the best things to happen in comics this summer, so you should definitely join in on the thrill ride sooner than later.

Collapser's debut issue is a pleasant surprise in so many ways. Shaun Simon and Mikey Way take the bare bones of a traditional superhero origin and turn it onto its head at every turn, creating a poignant take on anxiety, self-sabotage, and the cost of being emotionally vulnerable.

Jones creates a narrative that feels like a good push forward for the series, in an issue that's funny, bizarre, emotional and action-packed all at once.

Month after month, Collapser continues to be a real treat.

Even when it occasionally faulters, Collapser still consistently manages to be one of the most creative and captivating comics DC is publishing today.

The end result is largely poignant and gorgeously rendered, with a genuinely great Superman homage thrown in.

Shaun Simon, Mikey Way, and Ilias Kyriazis have crafted one of the most punk-rock and personal stores in comics right now, and it's so satisfying to see where things end (for now, at least).

It's safe to say that I'm a fan of the concept of Commander Rao after reading this, which is all you can ask for a one-shot of this kind.

Commanders in Crisis #1 doesn't do enough to reinvent how readers see event books, but the series to follow just might.

The idea of starting an event series in an entirely new universe is undoubtedly compelling, and the issue does just enough to keep readers wanting more, but it still remains to be seen if Commanders in Crisis will succeed at its lofty ambitions.

Commanders in Crisis is clearly ramping up for its third act, and it is continuing to be as ambitious as ever.

As the penultimate installment of Commanders in Crisis, it felt like this issue definitely had a lot to cover"and it does so in some entertaining, but still odd ways.

It's unclear exactly where things are going to go next for this warrior, but the ride Jim Zub, Roge Antonio, and company are crafting seems worth the ride.

This arc could end up being a genuinely perfect one, if this issue is any indication.

Combined with Roge Antonio's art, which keeps the occasion bloody and intense without growing too macabre, this issue is a pretty solid one.

This definitely isn't a good jumping-on point for new Conan fans, but it's a solid middle installment of a larger arc.

While there are occasional moments where the issue lags or the art looks a little uncanny, the payoff is so worth it.

Overall, I'm just curious to see exactly what's next for Conan.

All in all, this proves to be a good Conan story"and with the 300th issue right around the corner, we're hopefully right on the cusp of a great one.

Not only does this issue prove Conan's staying power in the Marvel universe, but it honestly makes the best argument yet for him to get some sort of anthology book.

Even if you haven't made your way into the world of Criminal Macabre before, this seems to be a genuinely good place to start.

This miniseries is still scratching the surface of its bizarre narrative, but it's proving to be a largely entertaining ride thus far.

This debut issue is masterfully drawn and proves to be pretty darn intriguing.

This second issue doesn't entirely strike the perfect balance between historical action and super creepy horror, but it certainly tries its best.

This miniseries reaches its midway point in this issue, and it kind of shows.

Every chapter is gruesome, and nearly every chapter is memorable, and horror fans owe it to themselves to check it out.

Whether you're a diehard Man-Thing fan or somebody with next-to-no knowledge of the character, there's something here for you.

Dark Crisis: The Dark Army #1 not only proves to be a fun romp advancing its ensemble of characters, but it proves just how much fun the larger Dark Crisis can still have before it comes to a close.

For better or for worse, this issue absolutely proves that Green Arrow and Black Canary are vital to the DC universe and that we should be getting a lot more stories involving them and the "Arrowfam" than an offhand one-shot.

Dark Knights of Steel's latest chapter unfolds in a sentimental, high-octane way. Jay Kristoff delivers both on character and on clever action, and Tirso's art and colors in the main story are nothing short of outstanding, playing with the medium of comics in some fun and compelling ways.

The art from Eddy Barrows and Eber Ferreira keeps the energy you'd expect from a Flash book, but gives it a bodacious, rock-and-roll flair. Wally West fans"and fans of just good comic storytelling"won't want to miss this.

Horror fans and theme park fans absolutely owe it to themselves to check out Dark Ride.

So far, Dark Ride is proving to be an emotional roller coaster that's worth riding.

Get on the bandwagon of Dark Ride, trust me.

Dark Ride has consistently entertained and terrified across its existing three issues, but this week's installment makes things even more horrifying and compelling.

I am impossibly intrigued by the work that Joshua Williamson, Andrei Bressan, and company are crafting here a blend of enthralling and unsettling that I'm definitely glad to see back in my pull list.

The multi-generational art from Andrei Bressan and the spooky colors from Adriano Lucas are also better than ever, making this a book that I can't wait to follow from this point.

Now that Dark Ride has more than found its footing, it finally decides to peel back a layer and show us the proverbial "man behind the curtain" and creates one of the book's most bone-chilling issues yet.

The end of Dark Ride's second arc unfolds with an emotional gut-punch, effortlessly balancing grotesque action with poignant revelations.

Dark Ride continues to find clever ways to build upon its status quo without ever canceling anything out, and this issue might be the best showcase of that yet.

Dark Ride stays true to its form in this installment, ramping up both the personal and literal terror to a fascinating degree.

Dark Ride's seemingly-penultimate issue ups the ante in some meaningful ways, both in terms of literal scares, and in terms of emotional beats for its cast of characters.

I'm sad that Dark Ride is over, but grateful that the series got to end on its own terms in such a bombastic way.

This certainly is a one-of-a-kind DC/Hanna-Barbera team-up, but it's unclear if that is a good thing.

Sure, some of the stories are a little more on the nose or thematically dark, especially in the last thirty pages of the issue. But there's just so much that stands out, and is essential reading for fans of the expansive world that DC has created.

While the issue itself is largely slightly-disjointed exposition, the end result is so colorful and packed with characters that it will surely keep fans intrigued.

From top to bottom, this is a lovely and necessary tribute to one of superhero comics' LGBTQ+ visionaries.

To put it simply, DC Pride is something I"and so many other LGBTQ+ readers"would have loved to read growing up, which makes its arrival in 2021 a source of celebration and pride.

Whether covering the lofty ambitions of queer storytelling, or simply providing an intimate character drama, every chapter within DC Pride 2024 provides something validating, inspiring, or simply entertaining.

This just might be one of the best and most important anthologies DC has put out in recent memory, and that's a cause for celebration.

Even if vampires are a cultural harbinger of our times, there is an even better version of DC vs. Vampires percolating under the surface, and it remains to be seen if World War V will become a showcase for it.

This new run of Deadpool might not completely have its footing just yet, but it's still a heck of a lot of fun.

Young has crafted a story that could arguably translate onscreen as Deadpool's MCU introduction, but it's already super cinematic when coupled with Klein's art.

If you've been keeping up with this run, or you're looking for an excuse to catch up, this issue is a pretty solid one.

While the issue itself is relatively inconsequential in the grand scheme of things, it does show how much fun Wade Wilson can have when he's thrown into ridiculous predicaments.

It's absolutely succeeds, and will get you in the Halloween spirit in a unique way.

This installment might be Young and company's simplest Deadpool story yet, but that's exactly why it works so well.

While the end result might get a little silly at times, it's exactly the kind of fun ride you'd expect from Deadpool, particularly with Young and Klein's run.

All in all, this issue is yet another example of why Young's Deadpool really exceeds when thrown completely out of his element.

This issue is a pitch-perfect combination of so many things: a heartbroken Deadpool, a slew of other Marvel Comics characters, and every trope you can think of from the noir genre.

This issue is a near-perfect Deadpool story, balancing snark and violence with a surprising amount of fun and intrigue.

Young and company have turned this mini-arc into something that might not have a huge effect on Deadpool in the long run, but is still an interesting read.

Deadpool's world is about to get a lot more complicated after the events of this issue, and all signs point to an interesting and fun road ahead.

Skottie Young finds a whole new way to get self-aware with this issue's dialogue, and seeing Nic Klein's art used in the overall context of the "War of the Realms" event is a delight.

Only Deadpool could craft a "War of the Realms" tie-in that's this zany, small-scale, and surprisingly effective.

Skottie Young & Nic Klein's run on Deadpool has unfortunately come to an end, but it's hard to deny that it went down swinging.

If you like your Deadpool stories with way more butt-kicking than jokes and quips, then this is the series for you.

If it keeps things up, Deadpool: Assassin could be a series that really, genuinely surprises readers.

Bunn an Bagley have crafted a weird, kinda wonderful run, and one that is totally worth continuing to keep up with.

Is this the strongest issue of the series thus far? No. But does it manage to be quite a lot of fun? You bet.

This weird, wonderful miniseries is reaching its third act, and it's definitely not running out of steam anytime soon.

This entire series is absolutely still worth checking out, it's just a bit of a bummer how this third act ultimately comes together.

It definitely isn't a perfect debut, but there's still enough here that's interesting"particularly the art from Andrea Broccardo and Barbara Nosenzo, which gets. just weird enough while grounding things in reality"to make this a series worth keeping an eye on.

After an ambitious debut issue, Deep Beyond continues to establish itself in a way that is visually interesting, but a little narratively flat.

Deep Cuts #1 might not reinvent the wheel in regards to its storytelling, but the craftsmanship on display makes it a worthwhile read.

This anthology finds an even stronger footing in this installment, crafting a wistful and incredibly poignant tale of authorship and ambition.

Even if you haven't been picking up the previous issues of Deep Cuts, you owe it to yourself to try out this one.

Deep Cuts has fallen into a wonderful and heartbreaking rhythm, delivering yet another tale of the music industry.

Even if you haven't joined Deep Cuts on its musical journey thus far, this issue absolutely deserves your attention.

From beginning to end, Deep Cuts has been a lovely series, and this finale easily seals that reputation.

Peach Momoko's ambitious and gorgeous Demon Wars saga comes to a close (for now) with this latest one-shot, and the end result is thrilling, albeit a little sparse.

Based on the concept for an eventual video game, Destiny Gate delivers enough spooky vibes to make up for the flaws and tropes of its premise.

If you're a diehard fan of the character, this might be a positive debut, but it's unclear if it will draw in new readers.

Just when I thought I knew where the debut issue of Dirtbag Rapture was going, it subverted my expectations in a quietly brilliant way"and I love it for that.

Dirtbag Rapture is continuing to find its footing, but it definitely feels like it's on the right track.

While it takes a good chunk of this issue for Dirtbag Rapture #3 to really hit its stride, the journey is ultimately a worthwhile one.

I'm sad that the adventure of Dirtbag Rapture seems to be over, but I definitely enjoyed the journey.

Both narratively and aesthetically, Disaster Inc. doesn't completely shatter expectations in its debut, but still establishes what could be an entertaining and engaging adventure.

Disaster Inc is still clearly finding its footing, and it remains to be seen if it will be a series that is worth fans' time.

There's a chance that Disaster Inc. might eventually find its footing and end up being a relevant, horrific comic"but it's still too early to tell if that will actually happen.

This issue could end up being a pretty sold jumping off point for new readers, as well as a complex installment for ongoing readers.

At the end of the day, this issue mainly feels like a lot of pomp and circumstance more than anything else.

Waid clearly wants to stretch the limits of who Doctor Strange is as a character, and thankfully, there's still plenty of opportunities for that to be explored.

As the first comic spinoff for The CW's Arrowverse of programming in the better part of a decade, with an entirely new roster of characters and shows to play around with, DC's Earth-Prime miniseries has a lot of interesting possibility surrounding it. The debut issue, which chronicles several stories set in the middle of Batwoman's third season, takes that anticipation in stride, but delivers something that is a bit of a mixed bag.

Overall, this Earth-Prime issue doesn't seem to know if it wants to play into the expectations of Superman comics, or pay tribute to the show it's serving as an adaptation of but still, there's more than enough here to justify reading it.

As an issue of the larger Earth-Prime miniseries, this Legends of Tomorrow-themed issue misses the mark, as the trio of stories feel largely unconnected from the larger crossover fight against Magog. But then again, that feels oddly on-brand for the Legends of Tomorrow, and the team have a surprising amount of ground to cover in what is (technically) their first canonical comic appearance.

This issue isn't only a must-read for Stargirl or DCTV fans, it should be read by anyone who loves the Golden Age corner of the DC Universe.

While there are a few bright spots in this issue, I'm mainly left feeling like this issue wasted its own potential.

There are a very small amount of bright spots in this issue, but it is by and large one of the most disappointing final issues I've read in recent memory.

If you're looking for an entertaining, bloody, and relatively inconsequential horror comic, then The Electric Black Presents # 1 is here for you.

This could very well be a must-read book for horror fans"but at very least, it's just a genuinely fun one.

This comic is shaping up to be a key title for anyone who loves the horror genre.

This series is shaping up to be one of the silliest, but spookiest, horror-related titles around right now.

Elvira Meets Vincent Price has proved to be an experience that's just as charming and clever as its two protagonists.

As the tail-end of the issue proclaims, Eve is going to be a story about the new generation saving the world from its climate crisis, and the way that message is packaged is off to a pretty awesome start.