Issue after issue, ‘Catwoman' continues to be a gorgeous, sexy, and character-rich peek into the title character's heart and mind mixed with a street-level crime story showcasing a different side of Gotham from the other Bat-line titles. Selina Kyle has been elevated to the spotlight level that she has long deserved thanks to the past few runs on this book. Anyone who is not reading this series needs to add it to their list right away. Read Full Review

It's a fun issue that hints at what this series could be if it hit on all cylinders. Read Full Review

While occasionally a little rough around the edges, this Catwoman runand this issueare proving to have some real bright spots. Read Full Review

Catwoman #46 gives us a rich look at Catwoman's past and her present. This issue treats us to a deep dive into how things are in her world, and the realistic growth she's sharing with the new character on the scene. The rich and realistic artwork gives us a portrait into a complex character in a down to earth story, hard to find in most other places in current comics. Read Full Review

With just a few out-of-tune notes, Howard provides a ballad for Batman, Catwoman, and Eiko, as Selina leaves Gotham once again, heading towards a deeper relationship with Valmont, with Sami Basri and unusually good craftsmanship from Howard giving this issue its best issue so far from a generally frustrating run. Read Full Review

Catwoman #46 is a thoughtful, yet somewhat dry reading experience as its emphasis on characterization comes at the cost of a thrilling plot. The action sequences within get the job done, but Howard wisely seems to be shifting focus away from Black Mask and his male gangster counterparts. Sami Basri's pencils are effective, but outside of Selina's big scene with Eiko, there's very little here that's truly gripping due to its simplistic villains and lack of narrative momentum. Read Full Review

This issue had its ups and downs. I really like the beginning. It was good to see the purple costume again. The battle with Amygdala was okay. I did like the board meeting with Black Mask, but the relationship with Eiko doesn't really work and I don't know why she put on a Catwoman costume at the end. This issue was a bit confusing.

This is just flat-out gross. I can't believe that they let Howard blasphemize Batman and Selina's history the way its done in this issue. I can't believe that it's controversial to say that crime is bad. Stealing from Mr. Freeze is bad not because of "SHAME" (and Bruce would never, ever say that), but because Mr. Freeze is going to break out of Arkham and freeze those poor East End kids to death. And is it similarly controversial to say that a writer saying that a character is a girl boss, but showing her (a) being incessantly and irrationally emotional (really Selina? you're going to cry because your plan worked?), (b) needing to get rescued by a dorky French gigalo all the time; (3) baby-ing another grown-ass man; (4) needing constant vacations due to (a) through (c) results in the author portraying not a girl-boss, but rather a delusional loser? more