Batman Beyond #35 is another solid chapter in Jurgens' run that is unfortunately marred by inconsistent art. Despite the feeling that this arc should have been shortened to a two-parter, Jurgens has the advantage of having built a solid cast of likable characters who I don't mind simply spending more time with. Additionally, The Splitt has turned from a rather uninteresting villain of the week, to a sympathetic child victim who has found himself in the middle of a dire situation. With a special guest appearance in the final pages, Jurgens has set himself up well for what I hope is a satisfying finale next issue.

Catwoman #14 is a mostly successful attempt to inject energy into a somewhat aimless series. Ram V's script manages to pack a fair amount of characterization into a small amount of pages with the aid of Andolfo's expressive facial work. While the action sequences themselves are a tad stiff, the book keeps a fast pace and changes its stakes often enough to remain engaging. The Catwoman title has been plagued by a lack of consistency and relevance in the greater scheme of the DC Universe (the title itself spun out of Batman #50), but Catwoman #14 shows a potential path forward.

Catwoman #15 is Ram V's weakest issue in his tenure on the series. His previous issues have been inventive crime capers that lean more into Catwoman's unique strengths as a character. However, this issue relegates itself to a series of fight sequences that lead up to a dull climax. Nothing seems to have really been accomplished in this two-part story. The plotting has twisted in upon itself in too many directions and styles that the ultimate result feels like a zero sum. There are worse comics on the stands, but Catwoman #15 struggles to both engage the reader with its story or sow the seeds for better things to come.

Gotham City Monsters is a book about outsiders regaining their sense of worth in a world uprooted by chaos. I only hope Orlando digs deep into those themes and doesn't lose himself in upping the stakes of Melmoth's plot too much.

Black Mask: Year of the Villain is not a bad comic book, but it is one that I feel I'll forget soon after reading it. It manages to tick all of the boxes required of a one shot like this, but does little to add to the bigger story at play. There is good character work with Kate and Renee and the promise of more Black Mask villainy to come, but the issue has not done a good job of making me want more. If Year of the Villain is going to work, it needs to up the stakes monumentally. In my opinion, this event is failing to deliver the game-changing narratives it promised.