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10
Another great issue from this wonderful team. Love seeing the mentorship role get taken by Dick when it comes to Jon, since the former always looked up to Clark growing up. Very sweet issue, particularly the moments between Jon and Gossamer.
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10
a wonderful comic with wholesome moments. cant wait to see what happens next in superman son of kal-el #10 .
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10
Best DC ongoing right now🔥
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10
Can Son of Kal El be drawed by Bruno Redondo like... forever?
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10
The only problem with this issue is the fact that it ends. Wow, what a perfect issue! The characterization in the beginning, respecting the confuse timeline, the little jokes, and, of course, how the stories of both main characters continues to advance one way or another. And Bruno Redondo doing his amazing job as usual.
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10
This is Amazing. Best DC comic ever!!!
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9.5
Pick of the week!
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9.5
This was a fantastic fun read, and even had Little Jon in it. But as with any book that has Jon in it no ten till he is,
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9.0
FINEST SONS, INDEED.
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9.0
Definitely a fun issue.
Little details like Dick being a van Gogh fan, or his and Babs' PJ are just perfect.
My main problem with this issue is that it was too Jon-heavy for my taste, but there were great moments there. Seeing Nightwing helping sharpen Jon's detective skills was fun and very in character.
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8.5
Those first few pages alone are more than worth the price of admission here.
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8.5
World's Finest Sons was a fun book. I think that, so far, I prefer this two parter to the last Son of Kal-El two parter. Son of Kal-El #8 ended with us finally getting some answers about Bendix's plan so I hope that this two parter builds onto that. I liked the dynamic we see between Dick Grayson and kid Jon versus Dick Grayson and grown up Jon. I dig that Taylor writes a very hopeful view of superheroics. Jon Kent and Dick Grayson seek to do good both in and out of costume and that helps flesh out these characters more. I also love this cover by Bruno Redondo.
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8.5
Why do I prefer the way Jon is written here to the way he's written in his own book? Same writer. Probably because his appearance here is more story driven than Mr. Taylor stopping every few panels to remind us this is not Clark. I hope this continues into Jons part 2
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8.5
A arte é espetacular como sempre, gostei do flashback, gostei do Jon da fortaleza, o fanservice das roupas foi ok.
Não gostei de 3 personagens obscuros morrerem para o plot, parece coisa do Geoff Johns.
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8.0
a really solid issue with great art from Bruce Redondo and good writing from Tom Taylor.
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8.0
Solid issue. Loses an extra .5 for a slight plot hole since Nightwing should’ve had a blue suit during the time of the flashback and not his New 52 Red suit
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8.0
Another fun issue full of strong character moments from the Taylor/Redondo team. I particularly love all the little details Redondo adds in. Babs in the Titans shirt, the stripes running down to the fingers on Dick’s costume, the sense of movement between a number of panels, it’s all really well done and adds an additional layer of fun to the book. I thought Taylor did a really good job with the mentor-mentee relationship between Dick and Jon as well. I’m hoping we get more of that in the next issue as it’s probably my favorite role for Dick as a character.
Edit: Damn, Taylor really brings the angry bigots and incels out.
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7.5
Good issue but the amount of surface level dialogue is pretty jarring. Both Nightwing & especially Son of Kal-El have had this problem which really takes away from the story. Taylor usually excels at dialogue and heart felt stories so hoping he dials it in on these books.
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7.0
Entertaining enough, but the sequence with Dick and young Jon only serves as a reminder than Jon was a lot more interesting as a kid than he's been as a teen.
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7.0
Nightwing's interactions with young Jon were great
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7.0
Continuity is what I prefer. The only one from issue #88 to #89 is the costume.
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6.5
A fine start.
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6.0
Seeing kid Jon was great, and I like Dick in the mentor role, but this issue was really Jon focused, assumes readers are reading his book, and nothing really happens other than what seems like a red herring at the end.
Now, I don't just want a bunch of info dump about another book, but the Truth isn't introduced well. What is it, and why is Dick investing? How does it fit in with his safety net plan? How does he even know about it? Also, isn't Jon only 17? Is he living with/dating some dude in his mid-20s?
These are questions I think should have been addressed here for context, but honestly I don't care enough to go find out (other than the age thing because that really bothers me). I'm not currently reading Jon's book, and this issue did nothing to change my mind. I'm debating even picking up the crossover. more
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3.0
The dialogue between Clark and Bruce in the opening pages is dreadful. Taylor has demonstrated this trait towards trite and glib dialogue before; clearly he think it is sharp, witty and deep, but it isn't: it's just tedious.
And tedious is the perfect word to describe this comic as a whole. We get very little happening alongside smatterings of sub-CW dialogue, where every character over-emotes about their feelings.
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2.5
So Dick funds a cult now? He's even more idiotic than just throwing his money away? He may just be the dumbest DC character at this moment. Also, is anyone REALLY laughing at this cringey humor? I genuinely don't think anyone with a decent sense of humor finds the "jokes" here funny. And I'm really tired of Taylor's pet creations peppered everywhere, the rEvOlUtIoNaRiEs were cringe, they made the Suicide Squad book unreadable and the fact that that run ended and we have Thompson's Suicide Squad book is the best decision DC made these last few years. And why did he bring back Risk only to kill him? He always does this and it got boring a loong time ago, killing known characters in a few panels isn't proof of good writing.
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1.5
top by the comic book store and take a look at this issue, and it's a bad issue, to be sure, one where there's a desperation to focus attention on SuperJon. I do not understand why? he already has his own series.
Boring, bad jokes and no focus on character. And besides, I'm surprised he's still on the money thing, hell, I think Dick ended up mentally retarded after he was shot. It's the only explanation for him being so dumb.
The art is the only good here.
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1.0
When I thought that this series could not be more mediocre, they showed me that it can be. A soap opera fanfic was this number, boring, absurd and the protagonist is a character who has been made a boring pamphlet of forced leftist politics. Nasty writing.
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1.0
Sorry, but two guys kissing is still gross for me, so I closed it when that panel occured.
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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8.5
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8.5
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8.5
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8.5
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8.5
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8.5
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8.5
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8.5
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8.5
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8.0
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8.0
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8.0
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8.0
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8.0
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8.0
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8.0
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8.0
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7.5
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7.5
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6.0
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6.0
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5.0
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1.5
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1.0
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1.0