Given how utterly absurd the premise is, this is really well written. Great art.

A bit overcrowded - more guest stars than A Mad Mad Mad World - but a lot of fun. The Elementary saga is really quite well done, even if it takes screen time from our heroes.

The runs just been fine the whole time so far. I didn’t love how quickly Elementary is catching on, so I liked the fumble at the end.

Why the handlebar mustache though?

This series is just more of a labor of love for Waid than anything set in the present DCU.

Great art, solid characterization, fun story, and just a hint of the meta-commentary that makes Ewing a keeper. Plus you can really hear Malcolm McDowell playing the Mad Mod all over again, ducky.

An interesting comic, but why are we getting Connor Kent here instead of a better division of GLs between the two books?

Strong second part, especially the Scott/Barda/Olivia scenes.

A work of deep beauty that would live with The Inner Light and The Visitor if it were live action.

The ending is kind of muddled, but I like the resolution for Billy and Freddy.

So far, there is little here to distinguish this from Waid's other work with Mora, and way too many cast members. Maybe the stuff with J'Onn is a good starting point for something more.

Solid storytelling though I have no idea where we are going with Elementary.

Painfully twee story that feels like Greg was in the mood to revisit the Faerie Court from Gargoyles but decided not to actually do it in his Gargoyles comics. The art is good, the stuff with the Electros is good, the fairies are annoying.

A good ending for a series that should have lasted a lot longer. I hope someone can do justice to Jaime going forward as I think he might get swallowed in the larger and noisier JLU books.

Not worth six bucks. But still very sweet and charming with some amazing art.

Great art and great character moments for all, but the story is scattered and the ending both rushed and muddled.

Beautiful, heartfelt issue that truly gets to the core of Trek and its characters. If only the art team didn't keep changing.

Very well written and gorgeous first issue. Might this actually be the first New Gods comic since Evanier that makes it?

Just straight silver age fun. With just a few hints of Ewing's more thoughtful and contemporary approach.

A lot of fun, but takes its cues far more from what Waid and Peyer and Kitson did in Flash/GL: The Brave and the Bold than the actual Hard Travelling Heroes stories. Still, this is probably as close as we are getting to classic firebrand Ollie any time soon.

About what I expected, with the parts by Ewing head and shoulders above the rest. The high point was probably the Leopards Eating Faces Party.

Tamaki doesn't seem to like her protagonists to be happy. This was just really as much fun as a Zatanna comic should be. Zee doesn't need angst. And just because this is Black Label doesn't mean we need near nudity. Good art, though.

A set of ideas that only make sense in the confines of a comic book universe. So much of this is rank nonsense, if well executed rank nonsense.

A solid start, but a Justice League book with a cast of 200 is not what I want. The best runs on the League have smaller casts and a chance for the characters to do more than save the day. Plus what will distinguish this from World's Finest, which already acts as a DCU team up book?

The art is great but this is so much more violent than the original Augustyn stories, and for all the Victorian trappings, the big fight is indistinguishable from any standard Batman comic. Would also be nice if Batman were in this comic.

Rushed, but there wasn't enough here to justify a fourth part. Waid has fun writing the JSA, but it feels like a lot of this has been covered before him before Flashpoint. (Heck, he references at least two of his Flash comics here.)

The art is stellar. The story is kind of a muddle, though if the Gls don't know what is going on, why should we?

Some interesting ideas but the execution is flat and quickly forgotten.

Instantly forgettable

Anyone else find this cloying and nonsensical? What is with America's Santa obsession?

The flashbacks are great. The present day stuff is just okay. A bit further away from the usual Diana than Absolute Batman seems to be from regular Batman, but the wheel doesn't really feel reinvented. Still, this is much better than most Wonder Woman comics since Rucka.