Not worth six bucks. But still very sweet and charming with some amazing art.

Great art and great character moments for all, but the story is scattered and the ending both rushed and muddled.

Beautiful, heartfelt issue that truly gets to the core of Trek and its characters. If only the art team didn't keep changing.

Very well written and gorgeous first issue. Might this actually be the first New Gods comic since Evanier that makes it?

Just straight silver age fun. With just a few hints of Ewing's more thoughtful and contemporary approach.

A lot of fun, but takes its cues far more from what Waid and Peyer and Kitson did in Flash/GL: The Brave and the Bold than the actual Hard Travelling Heroes stories. Still, this is probably as close as we are getting to classic firebrand Ollie any time soon.

About what I expected, with the parts by Ewing head and shoulders above the rest. The high point was probably the Leopards Eating Faces Party.

Tamaki doesn't seem to like her protagonists to be happy. This was just really as much fun as a Zatanna comic should be. Zee doesn't need angst. And just because this is Black Label doesn't mean we need near nudity. Good art, though.

A set of ideas that only make sense in the confines of a comic book universe. So much of this is rank nonsense, if well executed rank nonsense.

A solid start, but a Justice League book with a cast of 200 is not what I want. The best runs on the League have smaller casts and a chance for the characters to do more than save the day. Plus what will distinguish this from World's Finest, which already acts as a DCU team up book?

The art is great but this is so much more violent than the original Augustyn stories, and for all the Victorian trappings, the big fight is indistinguishable from any standard Batman comic. Would also be nice if Batman were in this comic.

Rushed, but there wasn't enough here to justify a fourth part. Waid has fun writing the JSA, but it feels like a lot of this has been covered before him before Flashpoint. (Heck, he references at least two of his Flash comics here.)

The art is stellar. The story is kind of a muddle, though if the Gls don't know what is going on, why should we?

Some interesting ideas but the execution is flat and quickly forgotten.

Instantly forgettable

Anyone else find this cloying and nonsensical? What is with America's Santa obsession?

The flashbacks are great. The present day stuff is just okay. A bit further away from the usual Diana than Absolute Batman seems to be from regular Batman, but the wheel doesn't really feel reinvented. Still, this is much better than most Wonder Woman comics since Rucka.

I love the Billy-Captain dynamic. A perfect threading of the needle between the idea that Billy and the Captain are different people entirely and that Billy is the Captain.

The rest is good but a bit schlepped out.

Not bad, but the decision to focus on Infinity Inc instead of the classic JSAers or the ones who starred in earlier 21st century JSA comics is odd. And as ever, no one remembers the excellent Vendetti Hawkman comic or that he ended up with Shayera Thal and not Kendra Saunders.

Readable, and Watters has a grasp on Nightwing, but instantly forgettable.

The art is excellent, and the story shows promise, but I never quite feel like anyone writing Selina since Brubaker manages to do anything interesting for more than six months. So who knows where this might go? But Gronbekk showed promise with Jane Foster, so this could be worth the time.

I have so many qualms and questions about this - is this just another Elseworlds? Is this just another IP grab? Is this sustainable? - but the art is great and the writing is great. Sometimes I forget that Snyder is really good at this game, even if he's also had a tendency to bite off more than he can chew. For now, this plays to his strengths and is just compelling enough to justify sticking around for a while. more

Looks great, reads well, but will it do something new or do something better than Robin: Year One?

A solid and gorgeous story but a bit unfocused.

The art is a bit off, and I don't love the retcon to Janeway making peace with Species 8472. But a really good focus on Paris, and one hell of an ending. The first crossover between the regular and Kelvin timelines since the first movie?

A mess and a miss, since Adams's style and Johnson's don't mesh even a little. Never mind that it's silly to assume everyone read the John Stewart series.

Entertaining but surprisingly slight. And Waid is literally repeating himself, cribbing off a Flash story from the late 90s.

Real waste of time

Another great issue, as we continue to see a side of Jurgens we never saw before. Maybe it's the cussing?

A reminder that the current series is a rarity since most Trek comics are about as boring as the stories here not written by Lanzing and Kelly. At least the Tribble story is readable (and Kirk draws Kirk). The rest are instantly forgettable and the one with Kirk's brother is incomprehensible.