So remember when this was a down to earth comic about freedom of the press and immigrants? I don't, and I feel like even the usually reliable Greg Rucka doesn't either. And while I like the multiversal stuff and how it is a back door explanation of how Renee and Vic and Sister Clarice are in the current DCU, it doesn't belong here, even if it turns out that Lois is completely the Lois from the pre-Flashpoint DCU. Also, while I appreciate what Mike Perkins tries to do in illustrating the multiverse - love the cameo by the 1978 movie version of Kal-El's ship - he is not the best artist for such things. He is more suited to the noir and that is not noir.

And the ending is really muddled. What is going on? more

Another great issue, though clearly Vendetti had no way of knowing how it would resonate now.

But if Shayera is the current reincarnation of Carter's soulmate, who is Sheira Saunders?

A very strong ending, but it's hard to imagine that these 20 issues are going to have a place in the larger Sandman universe in years to come. I will miss Dora.

An incredible tour de force that alters everything while restoring the classic savage Hulk to his place as first among equals.

The terrible art and a sense that Bendis lost his way make this one a rare total misfire on the part of artist ans writer.

The first really good issue. And not by chance, the first one where Brainiac 5 gets to shine. Brainy is the best LSHer, and Bendis knows it.

A great celebration of the characters and the talents that loses points mainly because it reminds up over and over how much DC has wasted both.

Rucka and Perkins are having trouble seeing the forest through the trees. The trees are great, but the forest is getting lost.

Much more scattered then the Heroes special. The chain of events with Leone and the Invisible Mafia was good but should have been played out in Action Comics. The reveal that the Kents are indeed alive should have been in a book not about villains. And the scene with Lex, while funny (Fraction?) forgot that Lex isn't a businessman anymore.

Another well written Superman story nearly ruined by the awful art.

Points docked for the confusing stuff set in the present that bookends the origin story. And for maybe overplaying the "teens want to change the world" stuff in Garth's part of the story.

But the art is stellar - Janin is the best, period - and that moment when the founders go into action for the first time brought a tear of fanboy joy to my eyes.

Worth it just for Maguire's art, Booster Gold's moment, and Rucka writing Batman and Wonder Woman. The rest was pretty good but those bits were amazing.

The stuff with Mongul is sort of a mess.

Everything else is great. And of course Supes is going to catch flak for speaking for Earth. Really fun and thoughtful stuff here.

So weird I can't really wrap my head around it. Which is a good thing.

A bit scattered if still entertaining. And the only reason I know who Xemnu is is because of an article I read about what he did to Jen Walters.

It's too clear the Tynion's decision to leave JLDark for two issues a month of Batman led to a premature end to the arc here. Though 19 issues of basically the same story is a bit much. Lots of good moments but the whole leaves me wanting.

I like how BMB handles the conversations between Lex, Leviathan, Red Cloud, and Brainiac. Though it feels like the other Legionaries of Doom aren't really adding much. What undermines the story is what a mess the art is. JRjr is terrible these days.

8 for the stories. 5 for killing Alfred in the first place.

GWW has it exactly right.

A really good comic is looking to get out to the world here, but the scattered plot and underdeveloped cast are in the way. It's no accident that the moments with Jon and Damian work so much better since we know them so well.

It's about time Marvel let Seanan just have fun with a parallel earth instead of either sticking with the beats from the LaTour series or shoehorning Gwen into the regular Marvel universe.

Solid but very much setup, and something about Bruce and about Jackie seemed a bit off.

A really fun comic with some good art and great guest stars, but it's starting to suffer from the decompression that Vendetti fell into on GLC.

Loved how utterly dismissive Sky Tyrant is of The Batman Who Bores and his Dark Multiverse.

Another excellent issue with a great surprise at the end.

Decompression is taking its toll. I am not sure I remember what's been going on, in fact.

Despite some great art and good character work, things sputter a bit. And is that supposed to be Mister Bones at the end? Or someone else?

Some interesting things here, like the Red Cloud's origin and the chat between Supes and Chief Moore. But too many different things being tossed against the wall at once, some incredibly bad art by JRjr, and a potentially difficult subplot involving Superman playing politics tossed out like it's just another thing. Given how strong Action has been, this pretty good issue turns out to be a real downer. more

A pretty good story, though it hits the usual beats that a Tomasi Batstory hits. I like the cops being friendly with Bats (a side effect of six months of Bane running Gotham?) But as someone who doesn't read either Batman or Batman/Superman, I feel like I am walking in in the middle of things. I know Alfred is dead, and I know Jim Gordon has taken leave of his senses. But their absence still seems abrupt. And really, the best Gotham can do is Bullock? Where's Maggie Sawyer? more

There are a million million good ideas on the loose here, and the only thing stopping me from loving this series more is that most of the ideas have no room to breathe.

There is a ton of potential here, if only BMB could get out of his own way. He's too eager to do everything at once, and we aren't really getting to know anyone as a result. I sort of wish he had started with the origin of the Legion, even if I get that he didn't want to cover that ground again. And we don't need Damian so soon, even if the Super-Sons are just that cool.