Anj Comic Reviews

I have read all three Absolute #1's. Going in, I was most concerned about this one. Turns out this was the one I enjoyed the most.  So I will stick around. This did what a #1 should do. Give us some history. Give us some action. Give us some direction and tone. And leave me wanting to know more. Sandoval is a marvel!

Is it Christopher Smith, the actual Peacemaker?  Anyways, this was a full meal of an issue giving us information, action, teases, and making me want more. As a Superman fan I am willing to see where this goes.

There are enough new parts to the make me want to see what happens. Do Jor, Lara, and Krypto make it off the planet? Do they land on Earth? Do the Science Council on their ships? Who is Martha? And the Sandoval art makes me want to cry its so good.

So I thought this was a solid issue. Not great. But we are still in world-building. Seeing Lois and Jimmy struggling is a nice way of trying to keep them recognizable. Sam Lane remains Sam Lane but that fear line was great. And the Lazarus Corp/Omega Men extremes being mirrors is another way of showing this is a dark Earth. And Sandoval is just crushing it. I just wish there was more Superman. Last issue was all Krypton. This mostly Lois. People will want to learn about this Superman. I need more.

The rich having their escape ships out in the open, taunting the lower class.The Els not only making a ship, but red dust tech so powerful it can create completely working space ships.Dozens of Kryptonians potentially alive. (A possible Kara is a positive, assuming she will be treated well.)The further devolution of Krypton from paradise to classist hell.An enraged Superman acting like Atrocitus for most of the issue.  This is the Absolute Superman book after all. 

So what do you think of the reveal? And I know it is a stretch but I still think there is an Evangelion 'angel' feel to Kal's angel arrival.

This was a bloodbath of an issue with a deranged Brainiac killing his way through the pages. It is gloriously rendered by DiGiandomenico. Disturbing.  But it left me with more questions than it answered, which sometimes a good thing. We got zero Superman and without his heroics or hope, it was brutal. So I don't know if if it's a success.

So a lot to mull over for sure. Who is Ra's? Is he just Ra's? Who are the Omega Men? Who funds them? But despite all the wild action in this book (trust me that Smallville scene is a complete and bloody brawl), the image that stuck with me was the Planet building. A perfect encapsulation of the Absolute World.

Nice cliffhanger, even if it seems a feint given we know Lois wants to work with Jimmy to help Superman and not Ra's.  This has always been a dark book. This felt like the most despair-riddled issue of the run. I felt drained after this issue, a sign of good writing and art. But not exactly the sort of feeling that makes me want to read the next issue. It might be time to swing this book around a bit in tone.

Now that is a cliffhanger, turning this world and what we knew of it, on its head. The Omega Men have been working in conjunction with the Lazarus Corporation. I have to say, this issue amped up my excitement for the book which has been slightly waning over time. I wanted to read more right after I finished this issue, something I haven't felt before with this book and always a good sign.

I can't say I am enjoying this comic in a classic way. It is an uncomfortable read. This isn't classic Superman but it isn't supposed to be. But I do find it innovative and appropriately dark. The vision feints drew me in. And while I miss Rafael Sandoval, DiGiandomenico really brings the splatter here.

The Al Ghul's are bringing the Lazarus army to Smallville and are willing to kill everyone in the town to make Superman unleash his 'alien fury'. I'll just say again. Last issue was a bloodbath. What better reverse gut-punch than a love letter. And then let's remind everyone that we are still in the Absolute Universe by closing the issue with splash of troop ships and mechas closing in? Brilliant long term storytelling by Aaron and Sandoval.

This has been a wonderful smolder of a title. If Absolute Batman is Quentin Tarantino, Absolute Superman is Stanley Kubrick. Will Superman accept his role, reveal himself, and be the hope this world needs? Will he survive?  I am stunned how much I am liking this dark take on the Superman legend.

I don't know. I suppose if the fuse has been burning for 14 months, there was always the chance the actual explosion wouldn't live up to the preceding events. It just seemed to end ... I would love to hear what others thought. Were my hopes too high? Did Aaron reach too far?

And Brainiac tells Talia to buzz off, he has a new person to try and work with ... Luthor. If you needed an issue to showcase this world, epilogue the old arc, and be a jumping on point for a new arc, this was it. While I felt a little flat with last issue, my enthusiasm for the book has rebounded. Wonderful issue.

Absolute Brainiac has seen other universes!! Luthor has a backyard and kids!! Amazing! And another great cliffhanger! I have to say, I enjoyed this issue a lot. A lot! The pace is so different from earlier issues. But the world building is there. The Hawkman stuff - the origin, the 'lessons', the fight - sang to me. And meeting Luthor was a bonus. Add to that the gorgeous art and this is a winner!

All in all, this series has been fantastic and this 2 parter was fantastic!

Whew! That was a lot! Love how Aaron has moved the needle here. Really enjoying this world and this book.

Again, this is mostly a battle issue. The mysteries about King Shazam grabbed me. There are some small but solid moments with Talia and Lois. I am interested if this encounter will turn Steel, make him want to honor Superman like his main universe counterpart.

So this was a bloody and brisk issue showing what such a battle might be like. Love Hawkman's revelation here. Sandoval brings the energy. Great issue.

Ed Benes' does understated work here. It looks as though it was only pencilled and looks nice if unspectacular. So neither of these stories blew me away. Nor did they add much to the history of Lex. I'll be happy to get back to the current storyline.

I thought Pere Perez' art wasn't as polished as it was last issue, looking a bit scraggly and scratchy in some places. His most powerful panels were those which showcased Reactron's destructive capabilities. The energy really bristles on the page. The writers and artists promised that Hunt For Reactron would be a fun and wild ride and it has been.

Overall, I thought this was a good issue to bring Action Comics back on track of its overarching arc in this 'year without Superman'. Sleeper agents. Flamebird and Nightwing. Chris aging. It is all upfront and center again. And I have come to really appreciate Pere Perez' smooth art on the title. After the revolving door on pencilling here, I am glad that he has settled in.

I do think that the rapid aging storyline was swept under the rock a bit too easily. If Chris is cured by this, why didn't he completely revert to his 10-year-old body rather than stopping at the 20-year-old version? And another "superpowerful yellow sun ray bath" as a cure? Seems a bit predictable. Still, there were more ups than downs here. And I really appreciate Pere Perez' clean style.

And things moved forward! I also have really grown to appreciate Pere Perez' art on this title. I think it is smooth and beautiful.

There are only 3 issues left to this story and I have enjoyed it more than I thought I would when it first started. So kudos to Greg Rucka and now Eric Trautmann for weaving a deeper story (religious manifestations, primal love) in the standard framework of good guys hunting bad guys. I also want to say again how much I like Pere Perez' clean art style. He has really stabilized the art and feel for this title since becoming the regular artist.

And Pere Perez art continues to be smooth and slick. But I am looking forward to seeing Superman back in this book.

I know I have basically ignored reviewing the Captain Atom second feature in this book. The short version is Captain Atom battles Mirabai and it looks like he has won. Cafu's art is stunning.

I don't envy the writers here. Greg Rucka and Eric Trautmann brought the story up to the level of deities. Sometimes I wonder if writing about near omnipotent beings makes a tidy conclusion impossible. The art throughout the book ... from Alex Garner's spectacular cover, the Pere Perez' smooth lines, to Cafu's slick work ... was great. I do hope we get to see some sort of conclusion to the Thara/Chris story in War of the Supermen. If they are only in the background and fade from the DCU, I'll be unhappy.

Pete Woods art looks a little different from his prior work. It looks as though he is using a finer line than I am used to seeing in his art. It is still smashing stuff. I guess I'll have to see where this is going.

Pete Woods and Cafu split the art here and shine, adapting to the variety of settings in the book. I don't know ... in writing the review of the book, I liked it more than when I first read it. Maybe I just miss Superman being here.

And before Superboy can jump to the rescue, the Phantom Stranger shows up and says Superboy cannot enter or Smallville will die. Now that is a cliffhanger! This would have been a great story if not for the Kent tunnel miscue. Pier Gallo's work is a lot smoother and less sketchy than I remember from the great Car-Vex storyline from Adventure. This cleaner style probably works in the brighter world of Superboy. I will be getting this title and most likely reviewing it here.

Veteran Sean Chen doea a nice job on art so I didn't miss Pete Woods too much. And I haven't even talked about the Jimmy Olsen back-up, a story so good it warrants its own review.

There is only one way to keep the aliens away, Jimmy needs to be boring! If Earth isn't fun, the Dalwythians will move on. I like this story as it really seems to capture the zaniness of early Jimmy stories albeit with a more modern flair. It is a very slick story, funny and irreverent with lots of pop culture references. It clearly was written to be an amusing story, not heavy or gritty. And as such, I think it is a nice contrast to the deeper darker main story with Lex. This chapter didn't sizzle the way the first one did but it was still fun and makes me want to read the next installment. That's always a good thing.

Again, I think this is supposed to be a fun story, light and fluffy and in some ways silly. RB Silva's work is solid throughout this and works very well with the bright color palette. And I thought he did a great job with Supergirl. Only that Lois panel was off.

As I said before, this issue kept the Lex plot moving forward but was more of a Savage family story. The now out-in-the-open revelation that other beings are trying to manipulate Lex is a nice mystery mingled into this arc. And it is all the more fascinating now that we know LoisBot is in on the scheme. Who is pulling the strings and why? I still like Darkseid ... maybe the 'Black to White' lantern energy will somehow bring him back from the dead? I don't know if we know for sure if this arc is ending in Action #900 but if it is that means that we only have 4 issues left to answer a lot of questions. And next issue we get the Joker!

Pete Woods continues to shine in this book. His Joker is frightening and goofy. And he has the right body type. I hate the emaciated look for the Joker. Can you imagine a Brainiac, Darkseid, Luthor, and Superman throwdown in Action Comics #900? I think I am aiming too high.

But who is the mastermind using Mr. Mind as an agent? Sivana? Darkseid? Mr. Mxyzptlk? Nothing but good stuff here, especially some of Larfleeze's moments. I usually tire very quickly with him but that final moment was magic. And we are only a couple of issues away from Superman returning to Action.

But the end explanation of the big villain, the not-so-big villain, the nature of the spheres, the purpose of the spheres ... really the foundation of the whole plot and sub-plots ... is all jammed into one issue? I am hoping that the ending in Action Comics #900 helps me wrap my head around everything that happened here. And I can't wait to see Superman back in this title and to see what Paul Cornell has in store for him.

But the way we get to that Lex/Clark exploration ... the Zone Child revelation, the way that entity interacted with our reality, ascended, gets possessed by Lex, changes the powers of Lex emitting a wave of bliss, and then makes Luthor lose those powers ... seemed just a bit too fuzzy for this to work neatly. I know I need to sometimes just roll with comic book craziness and I often can do that. It's just that the earlier issues in this Cornell run were so tight that this just felt out of place. I am sad to see Pete Woods leave the Superman team. His art is just so beautiful.

Add to that, the incredible incredible art by Rocafort, albeit half the pages. I would love to get a Supergirl commission from him. That means this issue shows tremendous story-telling potential for this arc, maybe more than I expected. And that probably bumps the rating up half a grade.

So there was plenty to like about this issue. The characterization of Superman and the super-family was spot on and Supergirl was given some nice moments. The Lois moments throughout were done right, both believing in her partner and then coyly winking when he returned. Doomslayer as a possible alternate universe Doomsday (somehow there is more to him than just that ... I keep thinking that it is just a body with someone else's persona in it). And there is Kenneth Rocafort's electric art! Those things were enough to let me brush some of the odder plot turns under the rug. The sad thing is that Cornell seems to have a great handle on both Superman and Team Superman. And he only has two more issues on these characters. The saddest are these ... 'what might have been'.

And, as I said, I liked Gimenez' art here, shining in the big moments of destruction and the quieter moments. I hope all my questions get answered next month. I did not think I would like this arc at all. Despite the difficult holes in the plot, this has been a lot of fun. This is Superman, until the next incarnation.

It is clear, based on this last issue, based on this last scene, that Cornell has a great grasp on just who Superman is. But we didn't really get to see him write a Superman story. We got the end of the Luthor arc and this Doomsday arc. I want to read more Cornell on Superman. I want to read more of the Superman described in that last scene.Will the DCnU Superman have that feeling of hope, optimism, and inspiration? Will the new DCnU have a Supergirl that fights to defend her home? I can only hope so.

I have to say that I have enjoyed these back stories immensely. Looking back at Drekken's battle with Superman in Action Comics #6, he didn't seem like a mustache-twirling megalomaniac. Instead, he seemed pretty out of place. This origin story makes that scene more understandable. As usual, CAFU supplies solid art here. This story is basically a conversation between 2 characters in the rain and yet I felt the art was dynamic enough to draw me into the story.

So overall a very good character driven issue. It is one where we see how Superman can inspire people to do good (Steel, Lois) or evil (Ramsey, Luthor). It puts a new spin on the Kryptonite Man and colored Kryptonite. And it also shows us a Superman who feels responsible for everyone. It was this characterization that carried this book. I'll be sad when Fisch stops doing the Action back-ups. And I always love Cully Hamner art. So I was pretty happy with this issue.

Much like Justice League #1, I don't know if this necessarily feels 'new'. This also could have been released last year as yet another 'Superman Secret Origins' and I wouldn't have batted an eyelash. But unlike Justice League, this felt like a good opening, this did what it needed to do. And, as I said before, Morales seems well suited for the book. This was the big win of week one.

But so much of this issue seems strained and worrisome. Supergirl being a selfish brat. Superboy killing. An unnecessary complicated plot. A lot of exposition. It doesn't exactly flow. And so Krypton Returns begins. I knew I should have been worried after all.

The art is fine here. Rags Morales does the bulk of the art while Brent Anderson pitches in. There is something of a throwback feel to the art here which works well. There are some great text pages in the back of the book where Morrison and Morales discuss their approach to the book and is the process stuff that I love. I am glad that was there as well.

Maybe this is my problem? But if the core plot, this infection, is treated haphazardly, I can't get into the conflict. At least ... at least ... I got some fine Lois moments.

And that's that. Twenty pages of comic (despite the extra buck), 10 pages of interviews and super-comic material. And 7 of those were the Krypton pages. That means that everything else is stuffed into 13 pages. Could all these plots have worked if those 10 extra pages were stories? Probably. Would I have liked the events of this issue to instead be shown over 2 issues? Definitely. It almost was as if Morrison needed to get to a point in the story by the beginning of issue number four and as a result this issue suffered a bit. I couldn't savor this issue ... I had to wolf it down. That said, I like this Clark and this Superman. And I loved the Krypton pages. Action Comics #3 wasn't perfect. But it was still a good read with some shining moments thrown into the sprint.

After a couple of month's of promo material, I was glad my extra buck was spent on more story. And I also am glad that this Steel fight was both showcased but also removed from the main story. Superman still needs to shine here. He needs to star in his own book. We don't know enough of Superman here to lose pages to a 'guest star'. But this fight needed to be told in depth. We got to learn more about Irons. And we have the next hero of the DCnU. That was a win.

Now, we know that Morrison is going for a Golden Age feel here. So will Martha bring Kal to the local orphanage as a 'found' baby only to adopt later (as in the earliest Action Comics origins?) or will she spirit him away to the Kent farm and come up with another explanation for him? I don't know if the former will hold up to the light of current times. But we'll see. Still, much like the Steel story, Fisch does a great job letting us learn a lot about these characters in a short page count. And Cross' art amplifies the words.

In some ways I am envious of Fisch. He gets to puts some bricks in the foundation of this Superman. But rather than having to write the bluster of heat vision and K-Bombs, he gets to write these more personal moments that add depth the the characters here. I would love that gig. And Cross' art here is the right fit, matching the mood of the story perfectly.

'Meanwhile' ends on an uplifting note, a sort of trademark of these back-up features. Steel sees the people of Metropolis chipping in, helping each other, each becoming a hero in their own right. This is the Metropolis that Superman inspires. This was just a wonderful story, a sort of 'becoming' story for Steel realizing what Superman does and still striving to be like him.

Most importantly, I feel like the lineup is set. We know enough about the characters here to want to read more, to want to see what they do next, to see how they end up where they are over in the Superman title. And for that I wish we weren't going to a Multiverse Superman story next. I want to read more about this Superman. Still, I think Action remains the cream of the new 52. Wonderful.

Cully Hamner, one of my favorite artists, provided the art for the back-up feature. Great stuff there. Still, after this philosophy lesson, I am ready to read more about the E1 Superman.

It is a very nice story ... that emotional nugget which adds to this mythos nicely. And I have been a Cafu fan for a while. It was great to see him on a super-book once again.

This reminded me of a letter I read way back in the Byrne Superman where his cape would frequently be shredded or burned or destroyed. Someone said Superman's secret identity could be figured out by seeing who bought the most bolts of red cloth in Metropolis (to replace the capes). Has Clark burned through 50 tees yet? Anyways, nothing but compliments here. Cafu's art is solid and Fisch continues to shine in showing us the little moments that helped Clark become the Superman he is.

There is almost too much to recap - Comet and his origin, the reflections of Comet/Superman, the Oorts, Nyxly and Vyndktvx, the magical return of Clark, surgeon Superman, and a vision of a Lois/Superman wedding. And all of it written and drawn beautifully. This comic is simply wonderful.

So this was just another fantastic issue in this run. Action Comics has been the best book of the DCnU for me, showing me that a more classic Superman can still work in the dark world of today's comics. An immutable hero in Superman. Silver Age elements reimagined. Even Krypto. That isn't even mentioning the new elements of the story - the little man and his anti-Superman army. This book is a ray of sunlight.

But the part I liked best was that Superman and Noah seemed to be more simpatico than Superman and the adults. That you need that easy acceptance of good and evil, the belief you can do the impossible, to achieve greatness. I am really going to miss Morrison on this book.

And it is funny that in some ways I thought this might be the weakest issue in the Action Comics run to date - just chock full of monologue. And yet, I also thought is was a strong issue, an important piece in solidifying this entire arc, while still peppered with the tiny wonders that I love in Morrison. Only a couple more issue of this. Too bad.

But all that was told through the beauty of multiplethreats, multiple timelines, multiple stories, and multiple references to priorSuperman incarnations. That is the Multitude. I don't know if I understood allof it. But I know a good Superman story when I read one. And this was a verygood Superman story. This was one of those issues were it was hard to pick the panels to show because so many showed so much. Rags Morales and Brad Walker's art shines here. This iscataclysmic in some places, trippy in others, emotional elsewhere. The artconveys all the feelings it should, enhancing this wild ride.

But somehow having things explained to me by Vyndktvx sort of dulled some of the Morrison magic here. I still think that this will end up being one of my favorite long arcs for the character. And I do think the finale is going to be great.

Right now I am going to be selfish and devour a Superman who inspires humanity, unifies the world, does the impossible, and defeats evil.  I will enjoy all the nods to the past, smiling whimsically with each one. And I will cherish this story. Because I don't know how many more Superman stories like this I will get.

It was a true Superman story, something we haven't seen in a bit. And it has already slipped through our fingers.

Daniel does a great job on art especially with the wildly morphing hybrid monster. I wish I knew if they were channeling the Sand Superman story!!

For those out there who feel that Lois and Clark should be together, panels like that second one are wonderful. We saw some flirting in the first issue of this arc. Here we see Lois still has feelings for Clark, even if Jon walks into the restaurant on the next panel. Even Clark admits he and Lois are just friends ... even when it is clear he wishes there was more. So overall a story that had a lot of excellent elements and big art when it needed it. We have a perfect Lois. We have the 'origin' of Luthor as a criminal. There was an overall feeling that this was the right sort of Superman. And that was enough to let me overlook some of the odd quirks and holes in the plot. If this was a primer on what Andy Diggle was planning for the book then I fear we really lost out.

There isn't anything amazing about this story. The idea of two heroes accidentally mistaking each other for threats and fighting is as old as comics. But sprinkled into a blustering main plot are some nice moments of character, things I didn't see early in Lobdell's run.

This issue was still entertaining ... still worth buying and reading (as opposed to other Villains' month issues). But just not dazzling.

I certainly have read plenty of stories recently - in Adventures of Superman, in Sholly Fisch's Bizarro - that shows just how callous Luthor is, how he considers most life simply below him.So there wasn't necessarily that much new here. But the linking of recent history to Forever Evil was appreciated. And this last panel raises it above just a smidge. And the Bizarro reveal (and prognostication on my part) also elevates this a bit. Will this make me buy Superman/Wonder Woman? I was on the fence for even trying it. This was solid enough that I suppose I will be in for the first arc and will readdress after that.

I wasn't blown away by this. But I was entertained. And adding the element of his wild youth makes Zod a much more complicated, much rounder and deeper character. His willingness to kill loved ones and innocents to forward his goals is scary. And Zod should be scary.

Perhaps I am too tied into history. Perhaps the failed attempt at making Zor-El into villain from a few years ago is still fresh in my mind. Perhaps I am not understanding Brainiac's motivations to do all he did here. And maybe I am missing the key piece to how the flashbacks somehow feed into the events on Kampari, making it enrich the Cyborg's motivations. But this issue didn't work for me. In fact, it saddened me a little.

Look, it is a silly two part story, done and I am sure quickly forgotten. I don't know if we will ever see the Pax Galactica again. And the action in the most part is over the top. Maybe I am looking for too much here. Maybe I should enjoy this for the cotton candy that it is. But some of the images seem and dialogue seem off.

I liked the opening scene, the exposition and reveals by the Psycho Pirate and the art work in the H.I.V.E. HQ. And I liked this ending with Lois being powered, nice cliffhanger. And Tyler Kirkham's art is very nice. And I didn't mind necessarily the attacks in the past as a concept but I very much disliked the idea that Superman has the feeling so deeply ingrained and that he would succumb to them so quickly. Heck, he kind of shrugged off the Black Mercy all those years ago. Surely he would question why Ma and Pa hate him.

So just a fabulous opening chapter for the new team. Everything seemed to click here ... words, art, page layout. And we get the return of Lana Lang! Between Bedard/Cinar on Supergirl and Pak/Kuder on Action and Pak/Lee or Booth on Batman/Superman maybe I should feel optimistic!

Nice cliff-hanger! And yet, this also felt like a complete story and not a small part of a story made for a trade. I have nothing but praise for this book. The story, the characterization, the action, the art. It all worked. It felt like a classic Superman story but also one perfect for 2013. We are only two issues in but I think Pak and Kuder 'get' Superman and that means we readers are probably in for a treat.

I just have nothing but good things to say about this comic right now. The main story of this subterranean world is great with some old school giant monsters, some political intrigue (the Ghost Soldier is still lurking), and some new characters. The back story of Smallville memories and Superman identifying with Baka was charming. And the artwork is just gorgeous. It is rare for me to finish a comic these days and wish the next issue was out right then. But that is where I am right now. This is Superman. Hoping we see Lois and Kara in this book soon.

I have absolutely no complaints with this issue. Everything works. The action, the character interaction, the villains, the art. Everything builds on everything else. This was a dense read but it read fast. And when it was over, I wanted the next issue in my hand. That is the sign of a great comic. Hopefully, when this arc is over and things mesh more with the New 52 continuity, that the magic of this book isn't dulled.

And the art is just solid all around. Crisp, detailed, expressive. This book is sizzling right now, my favorite book from DC right now. Thank you Greg Pak and Aaron Kuder for getting Superman right!

It is another very good look at Superman from a great new team. Let's hope that Doomed doesn't derail the momentum here. And I hope it doesn't push Lana out of the spotlight moving forward.

That is what a second chapter should do. So again, another chapter of Doomed better than expected. Although given the creative team on Action right now I shouldn't be surprised.

I suppose overall the good evens out the bad. The story is certainly moved forward. We basically have three more months of Doomed. Three months.

So overall an up and down issue. Most of my criticism is leveled at the portrayal of Supergirl, incongruous with the last three months of her story. But the Doomed plot progresses. We have a great cliffhanger. And Aaron Kuder's art is stunning.

And I think we have 4 more issues! Love the art. Like Lois being herself (although hope she loses her powers). But other than that, I feel like too much is being thrown at me.

We end with a zombie-like cliffhanger.  This was really an up and down issue.We have a number of Doomed elements cleared from the decks, some in odd ways.I love Kara, Lois, and Superman.And I don't love Lana and Superman.

So thank you Doomed for wrapping up. And thank you Pak and Kuder for picking up where you left off. And that slime-creature. Brrrrrr....

I wish that DC would be trumpeting this book more. It is just great. Pak has always brought an classic sort of feel to his Superman. His stories are fantastic and original. Outside of this bitterness, I have loved his Lana. And Kuder's art is just amazing. This is entertaining and meaty ... I get enough story and art here. If you aren't reading this, you should be.

Horror needs to be ... well ... horrific if it is going to work. And this book, from the monsters to the acceptance by the victims, is horrifying. And throwing Superman into this mix, a place he is going to as unsure of himself as normal people gives this a fresh feeling. If this was DC Comics Presents, the Spectre would guest star. Instead, Superman is all on his own. Pak and Kuder continue to bring it. Wonderful issue.

It is a oddly quiet but somewhat deep ending for this arc. Superman doesn't beat up, freeze, or heat vision the Ultra-Humanite. The monster is defeated by Superman's fears. The allure of the arc was Superman being put in an environment that he isn't used to. So why not an ending that isn't an ending we are used to as Superman readers. This whole story has been brilliant, slowly amping up the terror with each issue. Great pacing, great art, and intriguing concepts for a Superman story. Pak and Kuder (and Kolins) are clicking on all cylinders.

Just a wonderful issue. So much fun! So visually stunning! A statue Wonder Woman! Backwards sound effects! Doomzarro and bunnies! This is like a wonderful palate cleanser for the grim DCU leading into Convergence.

Shadow Demons, dirty cops, laughing kids, a new LL character and a heroic Superman all dressed up in beautiful art with great layouts. I don't know if I could ask for much more, especially in a storyline I was quite nervous about. I have a lot of faith in Pak and Kuder. I have loved their time on Action. So I guess I shouldn't be surprised that they pulled this off. Now all I need is some good Lois!

I don't know if I want *this* Superman for the long haul. I still really miss Lois. But I have to say, this is an entertaining comic. This is a compelling Superman. This has great art. I can't say this about all the Super-books. I can't say this about all of The Truth. But people should be reading this book. Action Comics is a very good comic with a Superman I can believe in.

And as a comic, as a mix of pictures and words working together, this is superb. There is some sort of creative resonance happening here between Pak and Kuder as this thing just crackles. If you are going to get any of The Truth, it should be this title.

Lee gaining Shadow powers. Wrath leaving for no good reason. Superman leaving the neighborhood that he just convinced that they should rally around each other. I am kind of scratching my head. Still, overall I liked this issue. The story flowed nicely. The art is superior. And it remains the best of the super-books.

But this isn't Superman to me. Look, maybe this will turn around. Maybe when it is all done the world will embrace Superman again. That somehow his goodness will trump the cynicism of the world. But I haven't seen anything that makes me think it is going in that direction.

Anyways, I am completely bored with The Truth. I am bored with this depowered, angry, vengeful, uninspirational Superman. I don't know if I can say it any more bluntly. Let's put it this way. In the 70s, Superman lost his powers for 3 issues. He built the Supermobile and fought crimes and villains, never losing his way. In 2015, Superman loses his powers and it has lasted too long. And Superman has lost his way.

One more issue in this depowered run is in the books. We have a Superman embrace anger and try to use evil for good. In some ways it is similar to Wrath's idea, trying to have the ends justify the means. It doesn't work for me. Still, we have put Wrath behind us. And for that I am glad. Plus, Jeanty brings a nice style to the issue.

Is all of the Truth and all the arcs in the books supposed to all be tied into Savage? And how am I supposed to rectify all these plots into something cohesive? Thank goodness Kuder was on art for the bulk of the book. The visuals are the only thing that propped this book up. Because it seems like things are happening fast and loose so this thing can come to an end.

I know my tone has been snarky here. But I feel like this story rushing to any conclusion is worse than giving me a later but decent conclusion. So much information is dropped in one liners in the last two issues, important plot points suddenly revealed. We have fight scenes that are meaningless, robbing space to give me more exposition or explanation. The earliest stories are sort of invalidated by what Savage is trying to accomplish here. And all that is wrapped up in the angry, punch first, powerless Superman who is beating up shackled prisoners, avoiding his friends, and generally acting unlike the Superman I know. I am sad to see Greg Pak and Aaron Kuder go. Because I bet they had great Superman stories they wanted to tell.

It was as if Pak and Kuder (as co-plotters) finally got to get back to the Superman they have wanted to write, the smiling, positive, optimistic hero. So throughout this issue, we really get a lot of pure Superman sentiment.

And we get a Kara who is bent on helping as well. She is a young hero, taking charge of her life, but recognizing her place as symbol. It is a Kara that loves and respects her cousin. This is my Supergirl too.

Only Diana's line at the beginning felt off. To be honest, if it was in a thought bubble, if she was thinking 'I wish I had time alone with him in these last moments but I understand why he is doing what he is doing' I would have applauded. But to say it out loud? Brrrr.... Still, The Final Days of Superman has been the best arc running through all the books for some time. I shouldn't let minor problems outweigh the overall excellence.

But this is a fantastic issue. It looks back at the history of the DCU, acknowledges a classic story, and updates it. And it treats Superman with the respect he deserves, reminding us all we should be more like Superman, fighting for what's right.

Despite my questions about Doomsday, this was a great issue. As I said, there was so much about this book that I loved. It all felt right. The family scenes, the city scenes, the Luthor and Superman conversation ... it all felt right. Thankfully!!! It all felt right. And I haven't been able to say that for a while.

Okay, this one seemed to have it all. There is a lot stuffed into these 20 pages. Despite all the story and action put in, we still get big art when needed. I am wholly impressed with the product. It is like the dysfunction of the last couple of years in the Superman title are behind us. We are back to character driven, high action plots with some riddles to be solved. The story and art complement each other superbly. If any book feels like a Rebirth, it is this one. I hope all Superman fans out there, even if they have shied away from the character recently, are checking this one out.

As I said before, for me the strongest parts of this issue for me were the character moments and the added mystery elements. I thought all of those things were strong hooks for me as a reader. The action is certainly big and bold. But I felt like I was watching a bit of a repeat throughout the punches and blows. I am glad that the Doomsday element sounds like it is brief one. And I hope we learn more about Oz soon. If he is going to enigmatically show up every month, I need something more to mull over.

So overall, I liked this issue very much. Much like last issue, it had it all - action, plot progression, and character moments. I love this last scene with Diana, Lois, and Superman. That was near perfect. Nothing but love for this series since Rebirth.

Once more the issue is packed with a huge brawl as the villain and heroes demolish the countryside. It is big and loud and somewhat glorious in its action sequences, reminiscent of the original Doomsday where page after page was bonecrushing punches and devastating attacks.

I still think Oz will turn out to be Osterman. But we'll see. Overall, this was a good issue. As usual, the small moments struck me more than the battle sequences. But Jurgens and Segovia do a good job with the action in hyping up the sheer power of Doomsday. So this was rather entertaining. So far, Rebirth hasn't let me down.

And so my guess. I will bet that this Clark is a clone created in Geneticron. Why not? They have 'Genetic' in their name. They had Doomsday. Clark is obsessed with them. It is only the motive for creating a Clark that escapes me. But a tidy story, some nice riffs, and some great art. I continue to like the super-titles post-Rebirth.

There remains a lot to love about this book. This two-parter, scratching the surface of the Clark mystery, was great break from the Doomsday plot. There is a ton to love here, from the art to the clues to the secret tunnels. Kudos to Jurgens and Zircher for really making this a character driven but gripping read. Amazing what a little #Rebirth can do!

As a Lois fan, as a reader who has been clamoring for more Lois, I love this issue. From this Lois' motives to action to her control of her emotions to her leap into action, I loved. And the scene with Superman sparkled as well. I suppose I shouldn't be surprised given what Jurgens has done in the past with the characters. So tell all the Lois lovers out there they need to pick up this issue!

Finally, we will see Lois portrayed as she should be. And that makes me happy. Thanks to Jurgens and all involved for giving us the Lois we deserve!

Whew ... that's a lot going on in one issue! And for me, despite the action, despite the Jon/Clark stuff, my favorite part was the Lois/Lex staredown. You forget how awesome Lois is with her having been gone so long. You don't know how thirsty you are until you have a sip of water. I'll repeat a recent mantra. How wonderful is it to have great Superman books again?

So overall, I think this was a very good issue in building up the motivations of the characters of this arc. We didn't take a giant leap forward. But we certainly filled in some holes, making this a much more complete feeling story. Hopefully some of the hints and hooks we read here will be fleshed out moving forward. And those hooks made me want to read the next issue now.

So overall, I thought this was a nice deep dive mostly into Luthor. How could he argue against L'Call's approach when that is his approach to Superman? That is a nice wrinkle. But L'Call's simple origin and the Mother Box/bucket moment just were a bit too chin-scratching to make me give this a higher grade. This is still a great book and this was a very good chapter. But I want so much more ...

So some of the speed bumps I had last issue are smoothed here. L'Call always knew about the Mother Box despite Lex hiding it under a bucket. L'Call has a personal stake in Darkseid's villainy above the death of his family. He was a truly peaceful man forced into this barbaric life. And Superman is struggling a bit. All in all, this moved things forward and that makes me happy. And the art is spot on gorgeous.

I sometimes miss the days of the conniving, hiding Luthor biding his time to unleash something horrific. But I have to grudgingly admit that since Rebirth I have been interested in Luthor and his character. There are layers here ... whether onion or parfait ... and peeling him back to try to get to his core has been a very engaging read.

So overall a nice wrap-up to a story whose purpose I think was to reset the Superman/Luthor dynamic. And it was done in a gripping way having each character deal with their prejudices and forced to defend the other. Very slick. If only the 'splitting up' aspect of the fights didn't vex me. Next up? All the Clark Kent and Mr. Oz stuff bubbling to the surface! Huzzah!

After hearing his name in Supergirl #6 and seeing Zor-El 'cured', we are definitely getting a more classic Cyborg Superman back in the DCU. Look at this panel by Segovia. The shading is hinting towards his Cyborg future. Look, as I said, the whole point of #Rebirth was to bring back the classic essence of these characters. In this issue we have just about as classic a Lois, bumbling Clark, and Henshaw. If any books have been resuscitated by Rebirth, it is the Superman books. Hooray for us fans!

In case you can't tell, I loved this issue. This 'Clark' plot grabbed me from the beginning. And this issue pushed the pedal all the way down.

And how does this all lead to the origins of the Supermen? And who is Oz? Does Mxyzptlk being here make my guess of Vyndktyvx more likely? Will Mxy be the villain for the rest of this arc? Good stuff all around. I liked the art throughout. Churchill doesn't seem as precise here but he does a good job aping others takes on Mxy.

Remember, the whole point of Rebirth was to get back to a classic interpretation of these DC characters. This fusing of the two Supermen and Loises does just that. But like any soft reboot (maybe this is a firm but not hard reboot), it opens things up to more questions. I'll be watching. I trust these creators. I think this will all work out.

I have read Superman's origin story countless times. But with the recent upheaval, setting his beginnings on solid ground felt necessary. And as a reader, I kind of needed to catch my breath a little after the Reborn arc. So Jurgens giving us this, so we can pause and understand who this Superman is, was a great idea. And as someone who like Superman Secret Origin, I don't mind that being the template.

I appreciated these last two issue intent on streamlining Superman's new history. I now have a sense of what happened and what didn't happen. I like the way the recent stories were welded into the old timeline. All that said, I wish they just made the Kents still be alive! It was the one thing I hoped would be a radical change. Lastly, it seems like the Oz arc is starting to boil and this Revenge Squad plot makes me think this book is still on a rising trajectory!

I was very entertained by this issue. Jurgens and Zircher are just perfectly in synch in story telling. The early warmth of Lois and Clark was a nice counterpoint to the violence and evil that happened after. And this certainly whet my appetite for more. This is what an early chapter in an arc should do, grab the reader and leave them wanting.

I have been very impressed with Jurgens' run on the title so far. And I am always impressed with Zircher's art. But this issue felt like something of a pause. We seemed to downshift a bit. And maybe that is a necessary evil in a middle chapter of a story. We need to set up the rest of the plot. But I feel like the story covered in this issue could have been covered in a fraction of the pages.

I often find the middle chapter of an arc to slow things down a bit and this issue holds form. There is a great cliffhanger. There is a nice building momentum in some side scenes. And there is a lot of fighting. But this issue didn't feel like it had the substance of the prior chapters.

I want to read the next part now! Add to this the mystery of Superman's blindness, the voice in the Fortress, and (I'm assuming) Superboy eventually joining the fray, and you have a great issue.

Now that is an incredible ending to an incredible issue. What is Zod's secret mission? Why did he leave Kara out of the zone? Where are Jon and Lois? I want more. I want it now. I'll be here under the tree in the backyard of the summer house!

So overall I loved loved loved this arc. It was just a spectacular story, gaining momentum as it moved along rather than slowing down. And it had enough surprise twists to keep me engaged. Plus it was the reinvention of the Superman Family, fighting as a unit. Just wonderful.

The Luthor/Superman relationship is one of my favorite things about Superman in general. I love Lex as the arch-villain. And probing this new dynamic is a decent hook. But in some ways I am already looking past this to the Oz arc. And that is a great compliment to Jurgens and the artists on the book.

Anyways, this issue told a philosophical story about humanity and civility with a few action beats mixed in. In that way, it should be a solid prelude to the Mr. Oz epic which is about to unfold.

Well, at least the mystery is over. We get an origin next issue. And I have to admit the buildup to the reveal, our seeing the underbelly of humanity and seeing Superman's shock at all of it, made the reveal stand out.

The 'mirror darkly' origin of Jor-El taken in by a kindly family was a nice touch. And the art is gorgeous and supports the story turns perfectly. And the art is gorgeous and supports the story turns perfectly. I'm intrigued.

This felt like a middle chapter. But the story is still hopping.

So all in all, this issue just enriched the plot so far with some small steps forward. I was very entertained by this and when it was done I wished the next issue was out and already in my hand. That is a good sign. I hope we get more Jor-El back story. How is he manipulating things? Where has he been all those years? Why now?

The back and forth at the beginning was very good. That half face panel is brilliant. Even the arc up to know has been intriguing. But the ending...

Jurgens writing Booster Gold will always be magical. Seeing a current Superman visit Krypton could be interesting. I don't know if I 100% understand the personal angst Superman is feeling about Jor-El. But I can understand him not liking that his birth father is a villain. At the very least, it makes sense that Superman should be following up on this. This wouldn't be a chapter in his life that would simple pass. And so this coda makes sense for the character.

But between the forced Flash-fight, the overlooked Supergirl origin, and the return to Krypton, I sort of winced my way through this. The other histories look interesting. Now that we are here maybe the plot will blossom.

And for some reason, Superman actually considering having this new timeline overwrite the old one seems off to me. I understand the enormity of this. How do you decide to move forward to 'repair' the destruction of a planet and a culture? But I just think our Superman would be the one to say 'this new timeline isn't right'. I hope all will turn out well.

So I liked this chapter better. I liked this deeper look at Booster. But there was a lot of Booster here. And the lingering questions about the splinter timeline isn't really mentioned at all. The art is definitely a plus!

I feel like I'm in a fog right now in the DCU's history. Hard to believe the New 52 would make things easier?? Especially when I wanted my DCU history to be back. Part of it is ... but which part? Still, this was a good issue and a good chapter. I can only hope the Earth/Krypton war is only a feint. I'm not ready for that again.

Of course, we are talking about a time travel story so I can only surmise that a else-when rescue is about to happen. So this was an action heavy issue, perfect for Action Comics. But this whole thing is like flat soda. You can say it is a little tasty. But it isn't what you really want.

It is a shame that General Lane is back just as Jurgens is leaving. We know that in 2 issues, Action Comics #1000 will be on the shelves and that means Jurgens will be off the book. So we have a number of subplots that hopefully will be wrapped up or moved forward. And this arc showcasing family and loyalty was pretty good. Lovely art as well.

Yes, this is a fine ending for Jurgens. We get closure here. Sure, this seems as fast as the emotional scenes in Supergirl #19. But we have background with Lois and Sam. We have some history. And you can see how they are ready to try and reconcile even if neither is ready to extend their hand first.

There are other stories in here, including the 'new' Curt Swan art that are other interesting takes on Superman and his legend. In case you didn't get it, I loved this issue. I don't know where Bendis is bringing us. I am bummed that the current creative teams are getting axed. But for now, this book reminded me of where we have been and why I love Superman. That is about as big a compliment I can give a book.

So 95% good but 5% really off-putting. And very solid art throughout.

Let's face it. Most Lois fans have been waiting for her to return, hopefully with a good story to tell. We shall see. Still, overall this was a very solid character issue. Great Perry. Great Clark. Great Superman. And the mob stuff was solid. Add to that great art, and this was a winner.

Yanick Paquette is perfect for the book and I hope he sticks around for a bit. Just amazing. Yep, I liked this one a lot.

Since the Lois/Clark pair is the foundation of these characters and these books, I suddenly feel like I am on slightly shaky ground here. That said, everything else, from subplots to the luscious art, still sizzles.

So overall a very good issue with action (hence the name), plot advancement, great dialogue, character moments, and some of the finest art (on all levels) you can find. I hope everyone is reading this.

So this is a solid issue all around. There are a ton of small moments that sizzle. And then the battle with the Red Cloud, perfectly drawn elevated with impressive sound effects lettering from Josh Reed and colors by Brad Anderson, and ending with that extended hand; it is a wonderful sequence. Good stuff all around.

I thought this was a very good start to the Leviathan arc and great characterization of Jimmy. Steve Epting brings some solid, clean art. But that Lois scene sticks out a bit like a sore thumb. Still, Leviathan seems like a good, big threat. Can't wait to see where this goes.

So my guess is Leviathan is an Earth-0 Adrian Veidt! (I suppose an Earth-0 Jon Osterman (who isn't Dr. Manhattan) would also work. Nice mystery unfolding here. And Lois returning to the Planet was a great scene showing hpw revered she is by everyone.

And the Question scene is the one that I will mull over the most. Is his line about Superman being Leviathan a clue? Could we be talking about some other Superman persona, like Ultraman? That would jibe with the 'want the same thing' note. And the information about the lack of a body count is meaty. This was a nice end to the prologue and beginning of chapter one.

Great issue ratcheting up the suspense and uncertainty.

This was an impressive issue which laid out a bunch of information and clues. And I think I can use some of this to bolster some of my thoughts on who is behind Leviathan. I don't think I have felt this invested in a comic mystery since Sensor Girl. (I'm old.)

The fact he says 'We are Leviathan' makes me wonder if he is also a split personality? Perhaps he sees a bit of himself in the split Rose? This doesn't necessarily jibe with my Leviathan Theory. But that is the only explanation I can think of to explain why he would want someone as volatile as Rose/Thorn in his new world order. The super-books are really clicking right now. And I am a very happy reader.

So as I said, this was something of a middle chapter for both the Event Leviathan mini-series and the dealings here in Action. And this did just what a middle part should do. The plot progressed. We got key character moments. Momentum was built. And all in a beautiful looking package.

I love this title. I love this issue. Continued Leviathan clues, the Planet politics, and the 'Metropolis' feel of this book is what really tickles me! And boy, the Superman books just really feel like they have got the momentum of a runaway train! I'm a happy fan.

The new Blaze-ing Red Cloud is terrifying. And yes, there are some Leviathan clues here.

So another good issue in this book. I have enjoyed the Action side of things consistently. And even this little side trip into the Naomi world continued to push everything forward. I have become accustomed to the work of Kudranski, a sort of rugged take on art. I hope we don't lose Robinson Goode though. She is a great addition to the Daily Planet.

So despite all the Year of the Villain stuff, this was really more of a character issue. We got some plot progression. But it was more the interactions of the characters which I liked here. Hopefully all these dark, universal storyline wrap up soon so we can get back to some normalcy!

Would Leviathan, someone hell bent on bringing order to the world, team up with the Legion of Doom? I don't think so but I am eager to see more. You know that I will be fascinated with Leviathan for some time. I am very glad that he will remain on the forefront of the Superman world for a bit. So great issue giving us some back story that I felt we needed. It gave us the seeds of a new subplot with Melody Moore. And it somehow stays up to date with all the other things going on in this world.

Does Leviathan really want Superman dead? Or is he playing Lex for some reason? If anything, this read like an epilogue to Event Leviathan. We got the reveal of Mark Shaw and then ... poof ... it was over. Now we get to see how he inculcates himself into the DCU proper. Starting out on Lex's level is a show of respect. Amazing.

Superman teaming up with Young Justice. Recognizing Conner as a hero and bringing him along. Conner saving the day. Leviathan outsmarting Luthor. That's a lot of good stuff!

So another very good issue, especially if you are a Leviathan fan. Solid ending to this arc.

But that darkish ending only makes the earlier happiness that much brighter. And thank you Brian Michael Bendis!!

So the arc proceeds. The stakes are known. And this looks like a brawl with the fate of the city on the line. Time for some Supergirl!!

With so many Els around, they begin scanning for the Mafia. It is interesting to see the dots of lead lining in the city. And, despite a true Superman Family (thank you Mr. Bendis for using the term!), Leone isn't slowing down. She thinks she is safely hidden and is planning a final counterpunch.But we see how long the reach of the Mafia is. Dr. Glory, recent looter of STAR Labs, was under Leone's employ. The Mafia was everywhere.

If you removed the hefty bag threat and had crisper art, this would be an A. And I'll say again, for the most part I have really liked what Bendis has brought to these titles. I'll miss him when he is gone from these books.

Meanwhile, Superman engages the Red Cloud, still seething over the death of Melody Moore. As for the Cloud, she seems almost upset that no one thought she would have the guts to kill someone. It is almost like she feels disrespected. It takes only that sort of nudge to make someone cross the line.Superman seems to be losing the fight. So in comes the cavalry.Again, it is Supergirl leading the charge. She has a plan. She tells them to wait until she signals.We have to wait for next issue to see the end. But it is clear. Supergirl is the leader here!!!!Amazing!Can I have 2 moments from this book on my 'best of 2020 Supergirl' list? Because I don't know if I'll find much in her own book.

John Romita Jr. is on art and his stuff is pretty rough for me. He has a lot to do here with shifting scenes of huge actions amid quiet interrogation scenes. I don't care too much for the stuff. But the layouts are actually quite nice.

I said much of what I needed to say about the Brian Michael Bendis run in the introduction. But to put it succinctly, I looked forward to the Superman books again. I enjoyed the Superman books again. And recommended the Superman books again.  That's what it's all about!

We know Warworld was a big part of Future State. Superman being 'lost' while stuck on Warworld is also a big part of this. Maybe that is why Superman is 'missing' in the history books. He doesn't die. He is kidnapped. So this story is over I suppose. But it sets up Jon becoming Superman. It sets up Amanda Waller as an antagonist. And it shows that Mongul and Warworld are on the horizon.  And while I don't mind seeing Jon mature and step up, I wish it wasn't at the expense of Superman himself.

Lots of good questions for me to ponder, especially the mystery of the hooded man. Love the Lois moment. And although we have seen a lot of this father/son dynamic in Johnson's book, at least this time we have some contrasts to mull over too. Very solid book.

From the action to the exposition, to the mysteries, it is a very entertaining read.

Riddles wrapped in puzzles. And thrilling art too! Great stuff all around.

The surviving warriors attack Thao to remind her of her mission. Then they face off against the other warrior present ... Lois Lane!She doesn't care why Thao was there initially. She knows that know Thao is one of the family. And so she will defend Thao. Great cliffhanger. Wonderful image of Lois.And please ... please ... I hope the creative team has Lois say what this weapon is.

I loved every bit of this issue. From Superman's actions, his irritation, Kara's response, and the pressure on Thao, this storyline has been very engaging and entertaining.

Maybe I just need to roll with it? But this is a big roll. But in the end, that is a minor head scratch. The rest of this issue is just a perfect ending to the Thao-La story and the perfect prologue for the Warworld arc. This shows us just who Superman is. He fights for the helpless. He takes a stand. He loves his family. 

This was a great opening chapter to this arc. Lots of tidbits pushing things along. Tremendous art including some stupendous pages and panels. And then this big reveal. Roll on Warworld Saga!

Regardless, this issue was a dizzying carnival ride of a brawl and was supremely entertaining. It also ramped up the threat level of this arc. You don't just kill Apollo and eliminate Enchantress this easily. Incredible. Can't wait for next issue.

Seriously, Superman is physically beaten but indomitable. He cares. And he wants to be heard by those who need him the most. Powerful stuff indeed.

So nothing but praise for this issue. We start out with a tremendous action sequence. And then we get, in essence, a lot of exposition. But it is presented in a way that we are shown and told. The wonders of this saga just keep heaping up, like the layers on Warworld. I didn't know I needed this story. But I'm sure glad I am getting it.

There was a fair amount of exposition in this issue. We saw a lot and get told a lot. But it all just enriched the story. It deepens the whole saga, the whole world.  This whole issue moved things forward a bit but made the whole story more complex. 

I just think this whole issue seeing Midnighter operate while hearing about Superman's good deeds and legends is just great stuff to chew over. And OMAC turning? I have to figure somewhere in the future is an issue titled "OMAC's story" just like this is called "Midnighter's Tale". We'll learn how OMAC changed, I'm sure.

So I felt this was something of a character issue. We really get a great feel for Superman here. And Lois is just as strong.

The art is so slick. Federici really has this almost elegant take on a barbarian tale.  Such an impressive book.

So we got the incredible main chapter. We got excellent Supergirl moments. And Conduit. This was a meal of an issue. And I am already hungry for more.

This is another solid issue bringing us closer to the end. This has been an arc for the ages, a modern classic! Love Lapham's take on Supergirl. What did you all think?

Makes me want a Superman family anthology series.  At the very least, Johnson does a great job here. It is a short back-up so not everyone gets dialogue or action. But what we get, I love.

One small thing about this is the presence of OMAC in the returning heroes. They died in the Warworld special. Perhaps these pages were drawn before that was cemented? This was a lot of words about a comic. But there is so much pitch-perfect characterization here it deserves it. You want to know who the characters are? You want to see beautiful art? You found the right place.

I've gushed enough.  This book keeps chugging along. Everyone should be reading it.

For a while I was worried that Thao-La might be sticking around to replace Kara. But here it looks like she is a leader on the departed Warworld. Definitely liked Thao as the character who introduced us to the culture of Warworld and the Phaelosians. Glad she has had such a powerful arc. This is one of the best Action Comics run I have read and I hope everyone is picking it up. My guess is next issue will be a good 'jump on' moment!

So sign me up for the new era! I'm ready! And bring back Nick Dragotta now and then! Smashing stuff!

I did think this particular chapter was enjoyable enough. So I am a happy reader here. 2 A's and a B. Bring on the new era!

For me, it is another in a line of weird character takes on her. Ones that seem out of character but done to push forward a story.  I know, this was a long review of a back-up story. But this one really struck me because (again for me), it felt completely wrong for two characters I love.

I suppose, in the 21st century, stories about identity politics, rejecting the past if you found it traumatic and renaming yourself, are all the rage. But Power Girl has always been strong, independent, and proud of who she is. She has been sure of herself and her place in the world. She has strived. So all of this feels like it is out of nowhere and wrong. This isn't any Power Girl I have read ... and I have read a lot of Power Girl.

It's not a bad story and certainly if this was someone's first Steel story it's a winner. But this didn't have the momentum or energy of that first story. And it was pretty straightforward.  As a fan of the old Superman Family book, I am happy this book is on the shelf. But it is clear that the main story is the engine for me. The back-ups are solid stories. What Johnson is doing on the main story is stellar. So I am here for this title. Because I think that these other characters of the super family deserve their own stories. And unlike the Batman Family, they aren't getting their own titles. So bring on a flashback story of young Jon and a Steel tale. 

I don't know if I exactly know where this is going. This is another 'this takes place before Action Comics #1050' stories so I have to fit it into my timeline. And I don't know the stakes knowing what we know. The art is more cartoonish than the other stories.  The main story is the best part of this issue. Phillip Kennedy Johnson is just hitting it out of the park and Sandoval's art is brilliant.

So I really liked the opening story. These back-ups are fine.  I don't know if Knight Terrors is going to help things or derail this book. Hopeful for the former.

I am a fan of Matthew Clark's art and the work here is lovely. The scene with M'Gann starts interesting.  And the panel showing all the versions of Con is striking. Still, you hope that an anthology will give you solid stories throughout. This went 1 for 3. 

So from top to bottom, this was a great issue. I'm still saying Norah is related to Otho. This time I'm right!

So two out of three stories being good ain't bad.  And again, I'll miss Johnson on Action.

I'll miss Johnson. Even a fast paced story like this is a great read.

Two, while Bizarro is the catalyst surely someone else is behind this using Bizarro as a patsy. His world disappears? He ends up on Zerox? He learns a powerful spell to attack Superman?? All too random and too convenient. Who is pulling the strings?? So this was a good read for an opening chapter. I am still very sad to see PKJ go. But if Aaron keeps this up, I'll be okay.

Hopefully this is a hoax or vision. Maybe there is a magical time travel element that will undo this. Because the whole world is on fire here. A killing Superman who lets the world be destroyed and teams up with a sane Joker. If that was the solicit, I would have skipped this book.

This story was supposed to be the opening volley of the 'Superman Superstars' run on Action Comics. But this is about as inauspicious beginning as you can get. This story made little sense. Our hero was a defeated fool throughout most of it. The Joker is the hero. We are not told things we need to know. We are told things that should be shown to us in the story.  And in the end, it didn't matter.  Timms' art is very pretty though.

Now THAT is a great chapter one.  I can only hope that the rest of the arc is of this quality and intensity.

I really like Vril, covering his stories in REBELS. way back in the day.  Solid issue all around with a lot for Supergirl fans to mull over.

So we are at the cliffhanger moment. Lex plugged into Brainiac to try to kill him from the inside. Superman, Supergirl, and Lobo trying to fight off his drones so Lex can do what he wants. The Brainiac Queen is depowered and on the ground. I do feel that the overall plot has moved to a good spot to be ready to conclude. I still don't think I know what Brainiac is desiring or planning here. As a result, I puzzled a lot and was occasionally pulled out of the story while I tried to think these things through. Great art and great action made it entertaining and a good read.

I am interested to see where this goes. So overall, a very solid issue opening up this new arc. I love the plot, the pace, the art, the subject of both stories.

I have liked Rowell's recent work on She-Hulk. But this story is electric.  So a very very good issue, top to bottom.

Finally they realize there can be some sort of middle ground. Lois can trust Clark to write what is right. Clark can realize that he is good at the human interest stories so maybe he can stay away from Superman stories when he can. Tormey brings the expressive work needed for this type of chapter.

Beautiful art throughout. Nice moment with Jon. But the rest of this feels like a riddle. It is the opening chapter of a mystery so I hope things become clearer.  But this wasn't exactly a stellar start.

I don't like the hypno-vision to begin with. But once added to the armamentarium and having seen her use it so easily, the writer has to tell or show us why Supergirl wouldn't use it.  Two chapters in. Lots of question. Lots of plot contrivances. The art as of now seems wasted here.

Can I also say the last page is odd? It seems like the robot judge 'dies' but there is also a panel where it looks like Supergirl uses her hypnovision on the judge before. I don't know what that means ... We still don't have any solid information on who this is or why Kara is alone here. Any guesses yet on the baddie? Someone big enough to tick off a lot of people.  Maybe it will all come together in the end.

This is just another incomprehensible chapter, all too brief. We meet the prisoner but other than the baffling inner monologue we don't get much information. And Kara's big action in the chapter is opening a door.  I can't imagine anyone is finding this gripping or interesting.

Frankly, I am frustrated with this Supergirl story.

Shame we are wasting Patridge's art. This artistic theme of splash pages with circular centers (suns, eyes, staff heads, eyeglasses) bookends every chapter but it doesn't add much.

I know I haven't mentioned Meghan Hetrick's art too much. She isn't given much to do here. Her close-ups of Supergirl are quite nice.  Anyways, as always the biggest losers here are Supergirl fans who hoped this would be a spotlight on her that would lead to something bigger like a solo title.

But really this boils down to that one page. Will Tamaki leave it open-ended forcing the reader to decide? Or is there more to come? At least there is something for me to mull over! Here we are, chapter 8 of 10 behind us.

Then the one splash page worth being splashy. Fear worries that Rage will come for them. And that means death. Eerie page of the specter of the deadly Rage being out there. There is just too much wrong about this story and specifically about this chapter. 

Incredibly, something actually happens in this chapter. There is a little action. There is a couple of nice moments for Kara. But as usual, Supergirl still isn't the hero in her own story. Still, this is probably the best chapter we have had so far.

Why do I get the feeling that Tamaki had a story idea for a 'male/female character split in two that need to reconcile their duality' and just shoved Supergirl into the mix to get it printed? I hope Tamaki doesn't get to write this character for a long time.I hope I see Patridge on new books soon.I can't wait for this to be over.

Starfire is forced into slavery and tortured by aliens and has to flee her world.Power Girl has had her own origin problems and difficulties with loss.Raven's father is the devil.And so on ... and so on ...Anyone could have been there. Please DC. Do not let Mariko Tamaki write any more Supergirl. She doesn't understand the character.

Or is there some force making Superman angry and sad? Making Disaster give up hope and re-offend? Could it be some villain making everyone feel things they normally don't? Someone like The Psycho Pirate?  Anyways, I hope there is some higher power tweaking everyone's emotions. This sad and mad Superman just feels a little bit off.

I don't know if that's my Superman. I suppose that maybe this story ends with him realizing he needs self-help. But I don't read Superman for that either. I need my heroes ... Anyways, here we are.

And I am sure he isn't going after anyone at the root of the problem, Mannheim or Foreverers. I doubt he'll visit Disaster or his daughter. This story will be forgotten. Given the muddled messages and utter lack of hope in any of this, I know I am going to try and forget it myself.

This was an okay issue. It felt a little light in story for a whole issue. The whole timing of when this is sort of stuck with me throughout. I suppose we'll need the next issue to understand why Kilg%re is doing what they are doing.  Guidry brings a nice style to the proceedings. For some reason I am really like the white suit!

Such an odd way to end this story that frankly didn't make the most sense. From the first parts belittling of Clark as a reporter to Kilg%re's plot of opening trade lanes to this worried Superman at the end, it just baffled me a little. I guess bring on Mark Waid's Superboy stint in Action!

I am hoping beyond hope that it is 'Iron' Munro. But it isn't going to be.Sad. Anyways, this was a fun issue starting off this run of Superboy adventures. Will we see the glasses get added? Will we see an old super-hero train Clark? Who was that villain? What is that mystery device?

I really liked this issue as we peek behind the curtain to get a sort of definitive (for now) origin of Superboy. Waid can give old-school stories a modern shine and he does so here. And Patridge's art is meant for a story like this. I hope we get that year of stories if not more.

But my worries about Comet bear fruit. We see him talking to General Lane about the threat Superboy is. At least he doesn't reveal Superboy is Clark Kent. But working with General Lane? That can't be a good thing. I rather enjoyed this whole issue. It is seeing this young Clark trying to find out how to navigate the world, a still new thing to him, that really has reeled me in. I haven't read many 'very early Superboy stories' within the timeline so this feels fresh. Patridge's art suits the story perfectly.

I have been having so much fun reading this. The words, the plot, the art all mesh effortlessly. It is a ton of fun!

I'll say overall I have liked this arc but more the personal interactions of the Smallville people and less the Comet side of things. And this ending just felt a little rushed and sort of luke warm. It still was a ton of fun, entertaining and beautiful.

Put your guesses in the comment. And let me know where you stand on this Superboy book. I am really liking it.

There are a lot of solid moments in this book. But this might be my favorite. Because Clark learning from the Kents is immensely important. Seeing Jonathan learn about the stress his son could be under feels new. Loving this Superboy look by Waid.

But the infamous lightning flash near the tent tells us ... Pete already knows. Shades of the Silver Age!!! This was a little bit of a heavier issue for this Superboy run and the story and the arts completely mesh. From the deadly action to the heavy heart to the lightning flash, this issue rang true.

I am so thrilled that classic Pete Ross is back. I have loved how Waid has handled Pete throughout this run. But this story is pitch perfect. And this art style works perfectly for the flashback.

Since the beginning, I have loved this look at Clark growing into his powers and his role as a hero. This issue is no different. I must admit the 'effect before cause' problem didn't grab me. But it led to that overtime shift in Metropolis which led to great moments.

This was another great issue in this run as we continue to create the new foundation that the current Superman is built on. Love all the characters sort of carefully treading in conversation to not give away anything. And great art as usual.

There is a pretty good cliffhanger after the fight leading into what might be the last issue of this run.

Anyways, this run continues to just shine brightly. Waid just gets Superman and Superboy. I love everything about this, especially Clark's flip-flop about his powers as he has a fun sort of week of sun and fun. And seriously, I have said it before, have Patridge do a Young Love Clark/Lana special! I'd buy it.

In total, this was a fun read. As I said, it works fine as a stand-alone peek into the future. But the bits which impact the current arc make it more impactful. And the return of Aethyr! Cool.

This didn't move the current Warworld Sage plot forward. But it deepens the story by showing why Superman is there as a leader, showing the slaves their worth and leading. It also shows why Mongul is so callous towards life, never having known love. Another excellent chapter in this tremendous arc.

Such a great ending, powerful in that it is told from a POV that the reader can understand. It's hard to see a writer go when they are still on the top of their game. Johnson was firing on all cylinders. He leaves big shoes to fill. And he has made me a fan. As I have said before, he will be missed.

Yes, this was a Doomsday story setting up what seems to be a future arc. I think, in general, Doomsday is sort of overused. But this new wrinkle of a sort of supernatural aspect to him is interesting. But I have to say this was a great Supergirl story. This is who Kara should be - intelligent, caring, feisty, fierce, heroic.

Anyways, I am sad in many ways for Jurgens to be leaving Superman again. I am happy he got to write one more Luthor/Superman fight. And I like that Lex is back to being, for the most part, a hate-filled villain. On to the Bendis era.

There are still a lot of things I hope get answered. What about Thao-La? Are the Phaelosians going to live on Warworld? Is Superman cured by the white sun? But those questions can be answered another day. For now, I'll just bask in this ending.

Perhaps the best thing about the whole story is the simple 'BAH!' the Linda duplicate spits out in the last panel. It is funny how these reviews come into being. I did this review because of the possible last appearance of a Linda Danvers robot. But that is just an afterthought as I waded my way through this amazing 12 issue story filled with plot and detail. Is this an important Supergirl issue? No. But is it fun and a good example of compressed story-telling? Yes.

Perhaps the one downside is that we know that the Johns/Manapul team is only here for a couple of more issues. Is someone else going to pick up this introspective storyline? Is Johns going to finish it? And do I really need to suffer through 2 issues of Superboy Prime? I originally planned on buying this title for the Legion component. I am now lamenting the loss of the Superboy piece. That is the highest praise I can give.

One of the best parts of the Legion has always been the relationships of the characters. This was a nice little story focusing on four Legionnaires and their romantic conundrums. I thought this was great. So half good ... half bad. It is a shame that the Conner story was sidelined in this title; I was really enjoying it.

I'm going to miss this creative team working on this character. So I was a bit underwhelmed by this issue. I shouldn't be surprised given that I don't necessarily like prime as a character and he was the star of the book. Still there were some nice twists to his story and the Conner story was pretty good as well.

It was a fitting ending to this run. Words and art meshed seamlessly. Yes this was heavy on angst and feelings and short on action but it definitely worked for me. This was a tale of introspection. This was a battle in Conner's mind more than a brawl in Smallville. As I have said before, I have never been a huge fan of Superboy. But I cared about him here and that is the sign of a high quality book. While I look forward to Levitz' Legion run here ... while I will probably sample Johns and Manapul of Flash, I will miss this book and this story.

The cover of the issue is drawn by Aaron Lopresti who has completely floored me with his run on Wonder Woman. The internal art by Travis Moore is sort of pedestrian. I still love that Kara comment!

Eric Trautmann does a great job here switching emphasis back and forth from the two. And Pier Gallo's art is moody and thick, just what this story needs. His art reminds me a bit of Pete Woods' art and that's a high compliment. The pieces are on the playing field. Let's get this started!

So overall this issue's stories all worked on their own. But they also bolstered the overall Last Stand storyline. I thought this worked. It looks like this three-story format continues next issue.

This story is one of the high points of 2010 so far. And this was another entertaining issue in the Last Stand arc.

I don't want to pile on here because to be honest the last several months of the Mon-El storyline as we revved up into Last Stand have been very good. And I think this issue was a very nice capstone wrapping up some of the bigger storylines weaving through the run. So this issue will get a good grade. But overall, I think my feeling about this Robinson in Superman would be frustrated.

Kevin Sharpe's interior pencils is perfect for this issue. His style is solid and economical without too much flash, the right feel for an issue like this. I loved this. But I am an old timer.

I suppose I am biased but this was all win for me. Looking forward to the next chapter already!

I couldn't help but be reminded of this Byrne panel from his X-Men work, in this issue where the newly formed X-Men infiltrate the Hellfire club. Intentional? Who knows. But effective. No surprise I loved this. The action sequences are great. Kara's internal monologue is great. Alex's characterization is great. But that conversation between the two sisters, the quietest moment of this chapter, was my favorite part. Gates and Bengal are firing on all cylinders!

The issue's pencils by Bengal remain top notch. From the transformation panels to the contemplative Kara to the action sequences with the DEO squad, the art just leaps off the page. Add to that the brilliant name drop of Byrnian Caren Falq-Nerr, the inclusion of Inertron, and Agent Igle, and you have a pretty stuffed episode.

I can't help but see some similarities between this opening chapter and last week's episode. I also saw much of the ideas of Master Jailer in Rampage chapter discussing sentence lengths. I don't know if this synergy was done on purpose but it does resonate nicely. I also wonder if Winn's knowledge of alien codes and viruses in Indigo will be born here. I thought this was another entertaining chapter in the Adventures of Supergirl. Between the learning Supergirl, the discussion with James, the stylized art and a certain Coluan, this was a great opening chapter.

This was a solid issue ending the Dox arc quickly and neatly. The high points are the Winn news and the hints at the big bad. We also get the Rabiah Zinoman character added to the cast. The action is nicely rendered. While not as whiz-bang in my mind as the Rampage arc, this was a solid brick in this larger story, adding to both this book and the show as well!

And after a physical attack by Rampage, I look forward to a more mental attack. I hope everyone is talking up this series. This chapter is an energized ride through Kara's mind, compelling and entertaining.

And that is what I love about this book. There are fun references and homages, no doubt. But you can't live on Easter eggs alone. The story of this new Supergirl fighting a hidden enemy with ties to Fort Rozz is compelling.  Add to that the lush art of Lupacchino, McCarthy, and Hi-Fi and this might be my favorite chapter so far.

Whoever Facet is, they have been watching Supergirl for a very long time. And maybe they have been waiting for Kara to don the S-shield before moving against her. All the plot threads are kind of tightening into one very intriguing story. Everything about this book seems to be clicking right now. The pacing of the story elements, the overlying arc of the plot, even the art choices, all seem to be gelling into a great book. Add the nods, nudges, and homages and this is a winner.

But those reveals (translated from Kryptonese) are surrounded by great action bits. Carnero gives us extreme close ups of fists and kicks and then pulls back to more choreographed images of fighting. The sequential art of the battles as you turn the page really is slick. I often blow by battle scenes. I paused here. The angles and depth are engaging. So who is Facet? I can't wait to find out.

Again, it is the small details that make this series such a wonderfully entertaining book. Gates continues to pepper Kryptonian culture into the story that has had me scouring my Krypton Chronicles miniseries. A fanff is a Kryptonian week. Molium is a title of respect and honor on Krypton. Amzet is a Kryptonian year. Snagriffs are flying beasts on Krypton. Small touches like that honor the history of Superman and Supergirl. I can't say enough abut this book. It is a perfect mix of action, characterization, and super-history built on the foundation of the show.

Add to that some great panels showing the Danvers' home in Midvale, complete with numerous family photos hung on the wall. It is a nice subtle reminder of how loving and supportive this family is. So nothing but compliments here. There is a great action sequence. There is this continued mystery. There are character moments, enriching their history. There are some deep DC name-drops. And it is all dressed in beautiful art.

I believe writer Sterling Gates succeeded here. There is a lot going on. But the story has been pushed forward the last couple of chapters such that I feel we are close to an end. The main villain and our hero are about to square off.

I also have to congratulate all the artists on the book. Everyone brought a unique look to their chapters. And Cat Staggs' covers just exploded off the rack. I said it earlier. I'll say it again. I hope DC Comics does the right thing and gives Gates a 'second season'.

This is such a crazy story what with Linda vamping it up, jumping on a live grenade, pretending to be a ghost, and being subjected to bondage and torture. Add to that how emotionally labile she was and the outright violence she subjects mobsters to and it is an odd stew, to say the least. The story aside, DeZuniga's art is certainly interesting especially given the time the issue came out. Despite the weird windings of the story, since this closed a chapter in the Supergirl character, I would rank it of moderate importance for a Supergirl collection. Copies of the later Adventure run are usually easy to find and relatively affordable. 

So, it's a nice story ... a retread with some new beats for an old time Legion fan like me. Kevin Sharpe's art is fine. But the book felt a little bit like seeing a repeat on TV, or a movie remake. I would love to hear what someone hearing this story for the first time thought of it. Jeff Lemire and Mahmud Asrar's Atom back-up story is a solid story with Ray Palmer seeking out the Calculator. I have never been a big Atom fan but this was pretty good.

The art by Kevin Sharpe was good this issue. The Legionnaires 'feel' young. His art has a sort of organic aspect, everything rounded, nothing sharp or angular. In total though, I have liked this look backwards at the Legion. It is interesting to compare how Levitz feels they would be then as opposed to how he wrote them back in his heyday and how he writes them now. It isn't flooring me ... but it is entertaining me. And I can't say that about every comic I read.

In the end, Adventure ends up being a 'nice' comic. I am enjoying them for this retrospective look at the Legion. But I'm not floored by them. I really would love to hear how the extremes of Legion fans are receiving this book: the hard-core fans and the brand new readers. The art by Kevin Sharpe is a nice fit for these stories. He has a pleasing style, organic and rounded, not angular and frenetic, which really works for these stories. I am pretty happy with his work here.

And as I said last Adventure review, I have really grown to like Kevin Sharpe's art. So I was a bit disappointed to not see him doing internal art despite being listed on the cover. Eddie Pansica steps in on art. Some of his work channels Shawn McManus here. His pencils seem more focused here than his work on War of the Supermen. So this was a nice little read. Nothing earth-shattering but enjoyable.

That is a clear reference to Adventure Comics #312, when Saturn Girl again tries to stack the deck in her favor. I hope that every so often Levitz goes back to this time period, doing another retro-arc. This has been a lot of fun. Not jaw-dropping ... not unbelievably fantastic. But fun and entertaining. And that is what comics are supposed to be.

So if you struggle with the characterization of the current New 52 Superman ... if you are looking for a straightforward interpretation of Superman ... if you want to see Superman handled by great and unexpected talent, this is the book for you. I can't tell you how happy this book made me.

If anyone is looking for a sort of primer on Superman, if anyone is looking for that elusive Superman book to offer tweens to read and introduce them to Superman, this seems to be that book. How interesting that this 'out of continuity' book and Smallville are my favorite Superman books right now.

After his busy morning, his only dream is to have a nice slow walk with her. A perfect ending for this story. There is high action with Superman. There was high suspense with Lois. Both stories mirror each other, resonate. And then we get a chance for both to breathe, enjoying each others' company. So nothing but praise here. The juxtaposition between the two stories made them flow and glow. Solid art and great transitions made this something great.

Everything about this story works. The interesting point of view of Ma as narrator. The concept of a Superman who is sad about what he can't do. The country boy having dinner with his Ma ending. The superb artwork perfectly capturing the tone of the story. Everything works. It is wonderful. So another great issue showcasing parts of the Superman legend I will always love.

The last panels are of the boy ripping Superman posters off the wall, angry and filled with hate. So two very different stories. But both so fantastic. This book has yet to disappoint!

So why can't the DC powers-that-be read this series and realize that it is this sort of Superman that most creators (and I think fans) want. This series and Smallville are the best Superman books out there right now. Both out of continuity.

So two very good stories about Superman. One I am on the fence on ... but that ending fascinates me. The other good old fashioned pure Man of Steel. I continue to love this book.

This last panel is what I would have hoped to see post Krypton Returns, a natural response. But we didn't see it there. I get the pulse behind this story is having Superman learn about his native land and realize what he has lost. It just feels like Guggenheim went a long way to get there. Maybe too far.

Just wonderful stuff. Adventures of Superman has remained a great treat for me, a look at a more classic Superman by top creative teams. This Bizarro story entertained and moved me.

A whole solid issue of Superman being an inspiration to a young generation. I can only say 'wonderful'.

The issue ends with a bang when the Green Lantern shoves his hand into the chest of Brainiac. And when the GL dies from his neck wound, the ring bursts from Brainiac to find it's new wielder. So, again, this is a fine story. There isn't anything too egregious. The underlying theme of dealing with grief constructively is a good one. I like Superman forgiving the Lantern. But some of the plot turns are a bit of a leap. And this seems like the story could have been told without Brainiac at all. This GL could have heard about Superman and gone on his own.

Okay ... maybe heavy-handed and schmaltzy. But this is the kind of Superman I want to read. So thanks to Moore and Rodriguez. And thanks to Adventures of Superman. I'll be sad to see this book go.

It is a cute story and just what I needed after Landis' poison. So a hit and a miss in this issue of Adventures of Superman. They can't all be perfect.

Beautiful story. Beautiful art. Great action and character moments. And the Iron Giant. I don't want to believe this book is being canceled. Thank you Ron Marz and 'Doc' Shaner.

At least this book existed. It was a place where creators, for the most part, understood who Superman is and what he should be doing. I cannot praise this story enough. And I thank all the creators involved, especially Joe Keatinge. This whole issue felt like a love letter to a classic Superman. And I swooned along.

So a trilogy of stories showing how great Superman could be in multiple genres. And just like that Adventures of Superman is over. And it will be missed. Thanks to Alex Antone, the editor of this book, for crushing it for a year and a half.

Text pages to fill in some gaps and further flesh out the two timelines is classic PKJ. Count me in. Killer first issue.

This was just what you want in a second issue, a sort of infrastructure issue setting up the world while adding some plot points that you want to read more. Plus, Johnson just gets Superman.

Lois is brilliant here, scoffing at the JLAers who think Superman is dead or trapped. She knows Superman would find a way. She knows the Guardians might help so Jimmy robs Batman of a 'colar empyrean seeds' which can grant powers. Jimmy robbed Batman!! The two are off. Now that sounds like Lois and Mr. Action. This felt like a middle chapter, setting up the future and making me want more. But this feels like Superman. I'll miss Johnson on the character when this is over.

Great cliffhanger. Perhaps Superman and Ronan being in Lanternholm has raised the perceived threat level for Kryl-Ux because he sends out one of his big guns ... a living Sun-eater. Godlewski gives it a sort of old gods feel. Very Kirby. I think I am seeing the framework of this universe but I don't know if I understand it all. But I trust Johnson to put it all together. 

The Darkstar ring is the will of Olgrun. We learn about the vision of Olgrun. Now we hear about the madness of Olgrun. Johnson for sure can world build. 

Johnson is still building. There is a lot of lore here to digest. There are a lot of characters to learn about, learn their motivations and characterization. There is a lot to piece together about Kryl-Ux's plans. The artwork is gorgeous. Kudos to Godlewski and this goes from quiet farms to cosmic starfields.

This is what comics really should be. A race against death to protect and save the innocent. A dangerous mission where the hero's life is on the line but the press on because it is the right thing to do.

There are so many moving parts in the book among characters I am still not completely familiar with so this book remains a bit of a well-rendered cipher. I wonder if it would make more sense read in a batch rather than a month between chapters.

I think the overall feel of the book is more to my liking than all the moving parts. I get the sense I don't know what I don't know. This felt like the best issue of the series so far. I love how Superman is portrayed here. And as I said, I will miss PKJ.

I like this series a lot. I love how Johnson writes Superman. But I don't know if I love this series.

There is an added bonus with Red Tornado being there. The Earth 2 Lois' persona was downloaded into the robot in that series. I hope we see more interactions between our Lois and the Tornado. Some grist there. Overall this was a good hook for the series. The art is delicious. The quest is noble. I like the co-stars. And it feels like a fresh start for Jon. Here is hoping the series continues like this!

But most importantly, will I care? I sound more down about this than I am. The character moments really do shine. 

Lovely book. The pages are well designed out by Henry, pulling in and out of closeups and using negative space well.

So Dark Knights of Steel? Home run. Adventures of Superman? Strike out.

Why delay  ... unless ... the story needs the delay despite how nonsensical it is. Maybe this will all wrap up nicely. Maybe. And maybe I will change my opinion on this story.But given how this book has rolled out, I think I will be disappointed. 

It is a shame that Jon has been gutted in some ways by the recent books he has been in. I don't enjoy reading him anymore. I loved Tomasi's take in Super Sons when he was young. I liked Phillip Kennedy Johnson's take in the super-books. But this Jon? Maybe we need to shelve him for a bit. Or better yet, de-age him to the fun-loving young hero he was. I know I glossed over it but Henry's art is beautiful.

Regardless, this was another fun romp in the mis-adventures of Jon and Damian. I am thrilled we are getting one more story. I am saddened we won't get more. I am hoping Bendis doesn't let me down. I am steeling myself for the worst. But that won't take away the enjoyment I got from this.

I love these characters. I am going to hate to see them go away. I am going to hate to not be able to read their madcap adventures any more. At least I got one more ride on the merry-go-round.

I wish I had asked Peter Tomasi more about this comic when I saw him at cons this summer. He must be emptying out all the dream things he hoped to get to in the ongoing title. It also feels a little like a love letter to DC's Silver Age silliness, perfect fodder for Jon and Damian. Hoping everyone who needs a little joy in their lives is reading this book. It is so much fun. And it is the perfect palate cleanser after last week's Heroes in Crisis.

I don't think these are different versions of the sons. I think it is the sons themselves! Anyways, I have enjoyed this comic for the entertaining silliness that it is. I am going to drink in the next 8 issues. Kudos to Tomasi and Barberi for bringing a smile to this grizzled comic reader!

This was just about as silly as you can get. And airy like cotton candy. But I am hoping for something fun and sweet when I read this book. So that worked out well.

So some nice bits, no doubt. But this book is starting to feel a little formulaic - brought to someplace new, mini-adventure, run into the Gang, get sent to someplace new. Still, I better enjoy this book while I have it!

Anyways. This continues to be a fun comic with inside comic homages and great characterization between the sons. Throw in Film Noir dialogue and it makes me happy. Roll on the next 5 months!

The next issue blurb says 'The Good, The Bad, and The Sons!' My guess is the 'vacation planet' is going to be a parody of Westworld and the Super Sons will be playing a little Cowboys. The Luthor 'big plot' seemed to come out of left field but I suppose it sets up a finale. And I am still enjoying the hell out of this book. So no complaints there.

Anyways, another fun issue with fun moments. Another dip into the depths of the DCU as well as a riff on the Westworld phenomenon. And we got to see Damian play a harmonica. Nothing to complain about here.

Two more issues. And we already have the older Jon in Superman. Enjoy this dynamic while you can!

If you aren't thinking Red Skull, you should be. I'll miss this series when it is done. I'll reread their books whenever I need a laugh and a reminder that comics can be big, loud fun. And I thank Tomasi and Barberi.

Thanks to Mr. Tomasi and Mr. Barbieri. I'll miss these guys.

As I said, this is a fun book, always well drawn, and has a nice mix of action and story. And it is an interesting world I am looking forward to learn more about. But throw me a bone and have Supergirl actually be a hero for a little bit!

Still, this book is a sort of whirlwind ride through this version of the DCU. And, it remains a fun and wacky book. There barely is a moment to breathe in this book, the pace is so swift. Hopefully, Jimmy Palmiotti and Justin Gray will allow Supergirl to shine at some point. And, again, the anime influenced art by Santi Casas works well here.

Those nice moments contrast sharply with Supergirl's treatment. She is a villain in this book. Maybe I could look that other way a bit more easily if this wasn't happening as the H'El on Earth debacle happened. And, unfortunately, comics are a visual medium and reading this book with these skimpy outfits and gratuitous shots makes me feel just a bit icky. The fun aspect of the story so far has outweighed these downsides. And I suppose I shouldn't be surprised by either of these things. I think Franscisco's style perfectly fits this book.

I have to say Ame Comi Girls is a guilty pleasure for me. It is fun ... something that seems to be rare in super-hero comics these days. And it is always entertaining. I really hope that somehow Supergirl gets pumped up a bit in the book and treated the right way. And I would not be against Santi Casas always being on art on this book. Perfect style for this story.

I wonder if the 'new universe' is an excuse for Palmiotti and Gray to put the characters into any variant Ame Comi costumes they have been dressed in for the merchandise line? So fast, fun, and surprisingly strong on character development, Ame Comi Girls has been way way way better than I anticipated. Kudos to all the creators.

Reeder draws one of the best Opals I have seen. He looks quite mad here. And that hairdo only adds some menace, like an evil scared Jack from a demonic deck! After months of grimness, this was a palate cleanser. Kudos to all involved!

We have to wait a while to find out. But I am on board. A comic mystery and sublime art? This book is a winner.

So far I am loving this. I feel like we are where we should be in the story at the midway issue. I wonder if this would have been better served as a 9 issue series to give things like the Banned and the journey to the Opal fortress a little more room to breathe. Maybe we could have learned more about Phoss and Maxixe. But this feels like Amethyst. And that makes this old fan happy.

I am not unhappy with this book in total. And I am definitely completely swooning over the art. This issue just seemed like a bit of a misstep and part of that is my concern about how quickly this is going to end.

Writer/artist Amy Reeder is sprinting to the finish line a bit. But of all the issue of this title so far, this one had the most emotion. And this has been an emotional series.

Amethyst #6 came last week, just about 4 months since the last issue was put on the shelves. As such, any momentum the book had obtained in that last issue was blunted by the passing of real time. If any book needed a recap page or a page of exposition to catch me back up. Instead, the book picks up basically in the middle of the action. It is hard to know how I would have felt if this came out on time. But I can tell you that reading it now, it felt like a little bit of a rush to the end. A lot happens here, too quickly. And while writer artist does leave us with the possibility of a new direction for our Princess, I don't know if a sequel is on the horizon.And it is bit of a shame. I feel like Reeder's art is just wonderful. (I have been a longtime fan.) In particular, I think her work is perfect for the Gemworld. But the story unspooled oddly over the six issues. Some scenes went on too long, others two short. I would love to see Reeder given another book of Amethyst as artist

Stanley Lau's cover is gorgeous. I love the phony weathering, giving the book a tattered horror magazine or old movie poster feel. The internal art by Lee Garbett was solid, especially the pages where the two track the vampires ... some solid page construction there. It would have been nice if there was some way to more easily distinguish the two heroes. I know a lot of my analogies are food related. This issue was like lemon meringue pie: light, airy, not too filling, but absolutely delicious.

I have gushed enough. This book is great and it is going away. I hate when quality books disappear. There aren't enough of them out there these days. How great would annual crossovers of a World's Finest of Kara and Steph have been?

This really is a prologue to a bigger storyline. But I loved it. Every bit. So much fun! An evil Cadmus! And a new Psi! Batgirl and Supergirl! Together again for the first time!

Anyways, it was tremendous to see Superman find Batman to talk to him about Damien. And this adventure seems like a nice fun way to show how the two interact outside of JL meetings. Definitely worth reading.

This was a great story all the way around - writing and art, a perfect mesh. With Batman/Superman around the corner, I look forward to more stories of the original World's Finest.

There is so much to love here. There are revelations and conversations which are magical. The interplay between the couples, clearly equals and partners, is sparkly. Enough gushing. Go buy the issue.

So a great character issue with just eye-melting beautiful art. It intrigued me enough to go out and get the preceding issue. And I will have to see if the Ivy-fans liked it or thought it was dreck. But I loved it. I mean, the reference to Batgirl Adventures alone made it worth the price.

Now that is a nice moment. It is really the payoff moment of this book. But it was only on the second reading did I realize that Jochi was a reflection of Kon/Damian. Because the fight scenes have to be there, because we need to get to the ending, and because we have to get there fast, everything outside of the Lee pages careens to the ending. I see glimmers of what could be a very good story with an emotional undercurrent. But I am left wanting a bit more. Still, those glimmers are good glimmers. And the clan interaction when we see it is fantastic. I hope we see more Superman Family and Batman Family crossovers in this book.

So that is quite a way to end this issue, especially given we have 2 months of Convergence. Maybe this wound and the recovery is what leads into 'The Truth' and Superman's new look. After a lackluster issue with improbable action, I reached this ending and suddenly wanted more. I suppose that means it is a good cliffhanger! Still, the majority of the story just didn't resonate with me.

But again, Lee just shines here. That is one dramatic entrance for Diana. And the paint brushed clouds makes her majestic, feel classic. Good story. Great art. I enjoyed this issue a lot more than the first. And look forward to the rest of this arc.

And I am a big fan of Brett Booth. I loved his Supergirl in his Justice League run. And I think this Doomsday is a monstrosity of spikes and brawn. On top of that, we I love the switch in styles to create that storybook feel to the Word of El. It is hard for me to believe I almost didn't pick up this book. I am a believer in these creative teams.

Pak does a great job moving the main story along while adding the flashback sequences to flesh out characters who we have only briefly seen. As the middle issue of the arc, this worked, moving things along, fleshing things out, setting up a finale. And add to that spectacular art and this was a great issue. The contrasting style of Lee and Cinar work well in telling this story.

What a satisfying book and arc. This is one of those times when words and art complemented each other so well that the total of the book is more than the sum of its parts. The way the two worlds play off each other throughout the story is the electricity that gives the plot its juice. And Lee's dreamy painted style adds a lot to this 'imaginary' tale. It all works. Hopefully some of the good intentions of the Earth 2 heroes has embedded itself in these younger versions.

This isn't the slick, dream-like first arc which I thought was superb. It seems to be a sillier action piece with the nice wrinkle of the video game players being put into the mix. The art and sideways presentation and story all complement each other nicely. I suppose I would like this issue more if I wasn't comparing it to the heady brew of the last arc which was just spectacular. This is a fine comic book, a fun action-packed diversion. But it isn't the strong character piece of the earlier issues. And that's okay. Not every arc needs to be some deep delve into the characters. Sometimes I need to see some cars thrown around as range weapons.

Will Superman be defeated by XBox Live? I felt like I should pop some popcorn for this story. It is a wild fight-filled issue, layered with video game overtones, and shown in wide-screen format. It is a Michael Bay sort of story. And every so often, that is just fine. It isn't the first arc of this title. It isn't what is happening in Action Comics. But it is entertaining. And that is all I really ask for.

I'd rather have my heroes inspire. This isn't high-minded comics. This is fun and fast and furious and even had a little bit of a heroic message. As I said in a prior review, this was a summer blockbuster, a popcorn movie. But one with a little extra.

But Superman won't let that happen. And that is why I love him in this book. Even with Batman yelling that it is too risky, Superman grabs Karen and absorbs the energy into himself. But his conviction as he does it is perfect. It is risky ... but he is wearing the red cape with an S-shield. He has to do it. Fantastic. So this is a great comic and a perfect opening chapter to a crossover story. Great hooks, great characterization, and superior art. Everything really flowed wonderfully here. It really is just that non-Supergirl moment that stuck out a but to jarringly. There is still time for that to get rectified though!

But boy, this issue read much better than the finale. There are some very nice moments here. And the art, backgrounds be damned, is just wonderful. Too bad the overall arc feels like such a letdown.

Still, this was a breath of fresh air. Heroes teaming up. A normal person inspired to become a hero. An adventure in another hero's blood stream to save an alien city. It is ridiculous ... incredible ... perfect. There was a time that comics could be entertaining and fun all the time. I guess I'll have to be happy with 'every once in a while'.

And when a sick Krypto recovers and we learn how to cure Superman from his dog ... well remember you read it here first. I think Greg Pak has a nice handle on Superman. I am glad he is on the super-books.

What does it mean, in general, that Kaiyo ... a chaos demon ... thinks our heroes are poised to cross some sort of line? It sort of sums up my issues with the New 52. Anyways, I like that Pak has them act like heroes, even being sentimental a bit. I thought this was a decent issue. I certainly liked the Superman scenes with the Kents and saving Helena. That is who I want my Superman to be. But it didn't seem to have the same weight as past issues, especially the Jae Lee ones.

But I wasn't as impressed with this issue as I usually am when both Pak and Lee are together. This is still a very good book. And I love Lois here. But I have come to expect even more. Maybe that is the best compliment I can give.

As I said above, looking at these sideways portrayals of the heroes was pretty fun. I do hope both heroes remember these field trips away from who they are and contemplate just how easy it was for a chaos demon to derail their lives. So kudos to Pak for bringing me back into this story. And definite kudos to Diogenes Neves and Marc Deering. Their stuff shines here.

So I will admit that when I read the first part I sort of bemoaned another look at 'just how far will Batman and Superman go' theme feeling we had read a number of those stories already. But I really liked this story. It was interesting to see just how much the overlay of tragedy has formed who these two are. That said, I'd love an old-fashioned punch-em-up. Maybe throw in a couple of super-villains.

It is all wrapped around the mystery of who is obsessing over Superman? And who knows Superman so well to attack those closest to him? Or get under his skin? Who has the capability to be tracking a non-entity like the guy in the hospital who was killed simply for wearing the S-shield? Let the guesses begin. Adrian Syaf's stuff is very solid here and I welcome him to the book.

So the plot isn't really advanced that much here. Instead I think the purpose of this issue was to show how shaken Superman is already. It is more of a character issue than a plot issue.  That said, the 'Regan' moment, the appearance of Lobo as a plot point, and the idea that Lois is an effective lure as a target felt just slightly off. I am still very much interested in seeing where this arc is going.

I suppose the decision to target Batman is an interesting one. I wonder why, in the New 52, these two would be friends. Pak has done a lot to show why they would be. And elevating Batman to that status shows the strength of this friendship. Still ... I would think Diana (in this current DCU) would be the one Superman would miss most. And in a perfect world it should be Lois. I don't know the motivation of these Kandorians yet. For me, that is going to be the linchpin for the story. If I don't understand why these Kryptonians would become killers, the foundation of the arc might crumble. But why worry about something that might be fine.

I almost feel like DC should let Pak run Action, writing stories just as he has been. Let Superman be the 'classic' book (as Johns seemed to be doing). And Batman/Superman can be a wild card. This has been very good arc, well-paced with both big action moments and smaller, powerful character moments too.

Okay, way to stick the ending Mr. Pak. It is nice to see the dawn after seeing the darkest times before it. While the battle in this issue and how Xa-Du is defeated were sort of missteps for me, the rest of this arc was pretty meaty. This was a dark trip for Superman. We saw him have to deal with a darker sort of villain. And now we have a real Kandor to become part of the Superman mythos.

This was a much grittier Superman than last week's Action. There wasn't much joy here. It is a very different Clark. Such a contrast only 7 days apart made this feel disconnected and odd. Maybe this book is being done to show the darker side of The Truth, the more difficult areas of life with the secret being out there. I mean, life can't always be street fairs and kids playing. And we got that Lois scene. And that Lois! How can I not be happy about that?

But between the odd extremes in this issue and the different tones of all the titles, I feel like I am on unstable ground as a reader. And, like I said in a recent review, I just want to read  a good Superman story. And I don't think we are there. At least not yet.

But the Perry scene is a disaster. The all too easy ' Gotham prisoners are victims of  circumstance, not evil criminals' feels a bit too simple a turn. And lastly, the foundation of The Truth, the depowered Superman, on the run, not trusted, and shunned by friends ... I still can't get behind this. I suppose that means I should give Greg Pak some kudos for engaging me as a reader, even for a little bit in this issue.

But this didn't have the energy of the Action arc. This story, as a whole, hasn't really grabbed me. In my mind, I am putting this chronologically after Action. Superman leaves Metropolis and heads to Gotham. But I don't know if that is true. Still, at least The Truth, as a whole, is moving forward.

Suffice it to say I am quite sick of this Superman, eager to snap at friends, pushing people away, and actively irritating others. He was pretty unlikable here.

So overall, I like Clark in this issue, a true rarity in The Truth. But the lack of explanation about the demons lack of life, the idea that Savage would leave his major gains buried and virtually undefended, the fact that his coup de grace is a giant Nazi warship made me question the story-telling here. As I said, the art is very easy on the eyes. The Shadow Demon melee is energetic.

So I am of two minds with this issue. The whole plot is a bit inane and wrapped up too quickly, too neatly. And yet, this issue shows us a Superman who is a hero, who feels he wants to be trusted, who is a planner trying to save people. That characterization does carry the book for me. But Savage needed a portable sun to power a Nazi gunship? Really?

This was a nice issue which I thought was very entertaining. Outside of the highlighted moments there are nice little things sprinkled throughout (Batman's bat-moon boot footprints, Alfred's super-power being the ability to slip someone tea at a moment's notice) that made this feel like a full story and an opening chapter. It is nicely paced with a slow human moment before hitting the gas on adventure the rest of the way. And there are decent hooks to keep me intrigued. Who is the dead alien? Who is the alien with the bat-grudge? Who is writing Kryptonese? Add to that a more classic representation of these two icons and I was a happy reader. Can't wait to read more.

So overall, I thought this was a very good issue. The plot is interesting. The characterization is both classic and modern. And the art works very well. There isn't much more you can ask for in a comic. With Rebirth around the corner, I wouldn't mind Taylor writing this kind of Superman long term.

Yes, Superman and Batman are different. Their motivations are different. Their power levels are different. But they can be friends. They can work together. They both have the same goals. We haven't seen that much these days where everyone wants to do an homage to the end of Miller's Dark Knight Returns. So thanks for Tom Taylor for showing us that World's Finest relationship again!

I think this arc is basically setting up the new Superman books. Yes, Supergirl is in National City. But we know Yang's New Superman is a Chinese citizen imbued with Superman's powers. This has to spring from the villain's lab and these Superman avatars. And is this how Lois Lane becomes Superwoman? Most of all, this continued to read like a classic Superman book, the sort of book most Superman fans want to read. No monstrous mutations, no lack of powers, no floating aloofness, no torturing helpless villains. He wants to do good. He loves his family and friends. He wants to make sure the planet will remain safe.

It seems that the current comic world has put Batman up on a pedestal. It has made him all-powerful and uber-cool. It has made him him look brilliant while making Superman look naive and moronic. This is the first comic I have seen in a while to show that a world where Batman is the inspiration is going to be a a dark place. For that reason only, I have to applaud this book. Too bad the undercurrent of why this happens is that Superman has gone into hiding, something I don't think Superman would do.

They would never fight. There is always another way.They weren't fighting. Bat-Mite and Mxy were. See ... it's that easy.These two are heroes and friends. They wouldn't fight.BOOM. DONE.

Given the Supergirl angle of this storyline of the 'Secret Six', the heroes infected by The Batman Who Laughs evil, I have felt a bit compelled to read. But this series is just the sort of dark take on the DCU that doesn't grab me.

Am I being too pig-headed about this whole arc? The infected Kara and her brethren of the Secret Six unite to bring the satellite in. And then she is ready to fight.

So, the story beats don't really work for me. Dark Supergirl? 'No balls' Captain Marvel? Bat-god with the perfect tech? Nah. But boy the art sure elevates this book.

Zod wanting to resurrect the Kandorians with the Lazarus Pit? Still, I feel a bit snake-bit with this book. But I suppose DC is laughing. They got what they wanted out of me.

And Derington's art is really gorgeous bringing a nice polish to the story. The panel of the dead Kandorians rising from the Pit in flight is chilling. So not a bad opening chapter.

Still, I enjoyed the story. It was probably only a matter of time before Kandor came back. Just didn't think it would be so soon. And that batarang smack to the head is perfect!

This investigation leads one to be killed and the other to be captured by the Ultra-Humanite who is concocting a revenge scheme against Superman by utilizing an Atomic Army! Decent opening chapter even if it did result in the death of Atomic Skull. The art is slick. And, as I said, I like that this is simply an adventure the two title characters are having. It isn't (or doesn't seem to be) tied to ongoing longform plots in their titles.

As I said, Henry's art is fantastic. I like the attention to detail (like creases on Batman's gloved hand in the above panel) and the horror. This does feel a bit like a Cronenberg film. So not a bad read. The art alone elevates.

And it looks like that brain is injured from the variety of experiments it has endured. So we get a nice little coda.The Humanite's brain is in STAR Labs. But even they wonder how many drones are still out there.The Atomic Skull is buried a hero.

And then the garbled message continues.Superman and Batman are on the dark side of the moon. Given the battered appearance of Batman, Steel and Batwoman assume it is a call for help. And so World's Finest springs into action!I like this!Sort of a The Brave and the Bold cover shot.

Sure there are things about this issue that are wonky. But the action is fast and furious and the dialogue is crackling and the art is slick. I buy comics to be entertained. And I was very entertained.

This was a fine issue. I read comics to be entertained and I was. Interesting that my favorite parts were the Batwoman stuff. But Williamson continues to bring solid characterization to our title characters and how they interact with each other.

Great little story.  Josh Williamson's time on this book is over. I tip my hat to him. Thanks for giving me a World's Finest book again!

Such a great romp! Just good old-fashioned, mulitversal Elseworld fun! And certainly, I could use as much of that in my life that I can get! So count me in! I did more than tolerate this book. I loved it.

Look. I'm a classic comic fan. I'm an old movie buff. And I love fun, entertaining stories. I cut my teeth on a multiverse with annual crossovers. How could I not love this issue?

I think this works on all levels. If you don't see the meta-commentary, the story flows wonderfully. If you see it, it adds a nice depth to the proceedings. But the plot itself and these two new worlds we are discovering - it all just reads smooth and entertaining.

I'll be sad to see this book end.

I thought this was a pip of an issue. I just love these new worlds. I love the metacommentary. I love the art. Perhaps Yang is an auteur of unrivaled vision?

Heck, I am a sucker for Elseworlds. And the truth is these film versions of Superman and Batman were pretty close to versions I have in my heart. So it was fun to see them interact in more classic, almost Golden Age worlds. As I said before, the art is astounding. I still don't know if I understand who the Auteur is, why he was corrupted, or how he got saved. Maybe I need to reread. But in the end, I can roll with that given the story we got.

And Pelletier is able to showcase the insanity with reality-bending pages. I like the craziness of it all. This is the sort of book you should give a new reader or a grizzled, jaded old reader. Pure fun.

This was a decent look back at these worlds, more like solo adventures rather than a team-up. The art was solid throughout.

Nice little story settling the mini-feud between Batman and Superman. Nice seeing the Authority in action again. And wonderful art portraying the story. For a special, this worked very well.

I have gushed enough. The whole book rolls out stupendously. The flashback showing the World's Finest history. The action. The Easter Eggs. Robin's quips. The classic Doom Patrol. And the dramatic art.  I loved this book.