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10
An Elseworlds with actual creativity in its storytelling (instead of just following a bunch of tropes). I actually enjoy the fact that the apocalypse plot takes a backseat to tell three personal stories. Personal stakes work better than higher stakes.
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10
This one was great.
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10
Well this was a perfect low stakes "calm-before-the-storm" issue. I loved how all the characters are set, not jsut their external missions, but also their internal conflicts. I'm specially curious about Kara, who literally has the weight of the world on her shoulders, yet seems to be unconvinced and the story implies, via Ryan Choi, that there's something else in play. I also like that Barbara seems like it's going to be a bit more complicated than originally expected.
And the rest is great too. The writer-artist combo are great at creating mood. I loved the humour at the beginning with the exploding vamp, the scene with Green Arrow and Black Canary. All in all, I loved this one :D
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10
I'm loving this series and I really liked this issue. I specially like, that despite being in essence an issue where we stop and take a look at our characers before they start their respective journeys (so basically a setup chapter) it still manages to maintain the tension and the sense of dread that they may not come out of this.
I love they're setting up some internal conflict in this super-high stakes world-ending situation as well, though perhaps that's just me.
If I had a complain, is that I think that fill-in art is not up to the task. I don't need main artist to draw the whole thing because I know sometimes the realities of comic book publishing get in the way, but they need someone with a style that's a bit more compatible to be honest. more
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8.5
This series has been a treat. We are spearing forward towards the end.
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8.0
a pretty fun issue. nice character development, and this now is delving into magic territory
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7.5
Otto Schmidt's art is terrific as usual. But I don't agree with the reviewers who say the artwork is seamlessly shared. Daniele Di Nicuolo drew nine of the 22 pages - the scenes with Batgirl in and right outside of Hugo Strange's lab, and then on the boat with Supergirl, Steel and Black Manta. And while the static panels are okay, his scratchy manga style often meant incomprehensible action. Batgirl's movements in the lab, and the action on the boat, are just too sketchy for me. On second thought - the busiest two pages in the lab are actually downright awful! (I agree with ZONS9's opinion, above, except that I think they were too polite about it.)
I'd give this a 8.5 for story (which I thoroughly enjoy) and Schmidt, but deducted a point for Di Nicuolo.
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1.0
The Vampire Shark Jump issue of Utter Absurdity in Plot.
So if you going to have The Spectre, a spirit channeling the actual Wrath of GOD, in an issue - realize that The Spectre is not just another "magician" easily controlled or wiped out.
The Spectre not only could wipe out the vampire scourage, The Spectre can literally move planet Earth itself. But you have him here like a "magician." Utterly pathetic. As is the pathetic portrayal of Dr. Fate and so many others.
There is no "conflict." It is just Rosenburg (and when he glances at this Tynion) creating the most pathetic stick figure level characters of heroes and heroines, so they wipe them out. Like little boys playing with Army men. That is the level of writing that we see here. Rosenburg and Tynion gleefully wipes out DC heroes and heroines so that they can set up a "bitchin'" last group of women costumed heroes with the archer.
But so many reviewers LOVE this issue, during the post-modern, largely anti-hero age. As if the stick figure versions of the characters, somehow create drama of "destruction" of the DC heroes and heroines.
As the old fashioned saying used to be "gag me with a spoon."
Just dumb. Can't score it a negative 100, so it gets an undeserved "1."
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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10
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9.5
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9.0
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9.0
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9.0
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9.0
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9.0
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8.5
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8.5
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8.0
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7.5
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7.5
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7.0
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7.0