Comic books are largely a visual medium so it's easy to see this book gaining a following on the strength of the art alone, but it's going to need a stronger script to truly make it a standout.

Its always a treat finding a new series that can be so much fun right away. Theres enough comic books with creators that take everything way too seriously. Give 6 Sidekicks a shot. This could easily be one of 2021s sleeper hits.

This 100-page specials arent cheap, but for Wonder Woman fans this is an easy recommendation.

This is another grab bag of stories with something for everyone that makes it an easy recommendation.

This is was one of the better milestone editions from DC and well worth grabbing for even casual fans of Robin.

And for a book intended for that purpose, this special just doesnt seem worth the investment. This one is strictly for everyone whos a die hard Aquaman and want in on the ground floor of Jacksons ascension to the role of Aquaman.

The issue ends with a Secret Files look at various Green Lanterns. Morrison has largely placed the Green Lantern universe in a bubble yet the strength of this particular property is the wealth of characters created that offers something for everyone. This was a great reflection on the past that should shape DC's direction in the future.

A Thing Called Truth starts off with a compelling entry point that should appeal to readers looking for something thats drastically different on the shelves. The journeys just getting started, but it already feels like its got the making of a very solid ongoing road trip.

A Town Called Terror doesnt have an electric start, but the foundation is solid enough to warrant revisiting next month. Hopefully, Niles and Kudranski will peel back more of the curtain.

Absolute Batman #1 sets a high bar for the rest of the Absolute Universe titles. If they can all be at this level, DC fans could be in for a cant miss journey.

Absolute Batman #2 is just a really fun read. Theres no continuity restraints and the creative team clearly seems to be having a blast just letting loose and unleashing their full imaginations on this highly enjoyable new spin on Batman.

Absolute Batman #3 is another winner from this creative team as the battle rages on and Batman considers every option in becoming a better hero for Gotham.

Absolute Batman #4 effectively told some crucial backstory for Bruce and his father while playing out like a mini-break from the main, ongoing story in a way that didn't ruin the momentum.

Absolute Batman #5 offered plenty of unexpected events with some strong character work from Snyder on Batman, Alfred and Black Mask. This opening arc has been a lot of fun teasing all the various possibilities of what could be in store for this series in the months and years to come.

Absolute Batman 7 is a welcome change of pace from the previous arc and an encouraging start to this new spin on one of Batman's deadliest enemies.

Its a little early to determine the staying power of this character, but this is a very exciting start.

Absolute Power #1 has garnered plenty of hype. This issue proves it just might be warranted. If the other three issues are this strong, DC might have its signature mega-event since Dark Nights: Metal.

Absolute Power #2 keeps the boot against the heroes while opening up some avenues for optimism that they can turn things around. This creative team is making this event deliver on its promises making for one of the stronger DC books.

Absolute Power #3 was a bit of a letdown with major subplots not getting the space to breathe and play out to really signal their importance. Waller's plan nearly sees like it's set to unravel, but the real key will be how Waid and company complete this mini-series.

Absolute Power #4 had a strong payoff with a few potentially very interesting twists that will largely depend on future creative team's abilities to pull off and a fitting consequence for the big bad. Not bad for an event that when it was announced didn't have an overwhelming surge of excitement. The AP creative team certainly made this event work and hands the baton off to the All-In initiative to keep readers engaged further after this better than anticipated arc.

The art was adequate to tell the stories though none truly stood out. Absolute Power feels like a tough sell to start for DC and Ground Zero didn't do enough to assuage any of those fears.

Absolute Superman #1 makes it 3 for 3 with exceptionally strong debuts for the Absolute Universe books. DC has something cooking with these books and this different take on Superman definitely warrants checking out every month.

Absolute Superman #2 had some great teases and some exciting possibilities for this title. The creative team seems intent on crafting new memories for Superman fans and this alternate take — at least so far — is delivering up up and above my expectations.

Absolute Superman #4 keeps the series at a high level really exploring fun, new directions to take the Man of Steel in a continuity setting that welcomes risk-taking and serious departures from the status quo.

Absolute Superman 5 really puts a unique spin on Krypton's fall with dazzling art and some tremendous characterization. This title continues wisely tackling different ways to show this younger Superman fighting (aggressively) for his convictions and why he's so focused on preserving Earth. No matter who he encounters.

Absolute Superman 8 makes for a strong jumping on point for new readers as it offers several hooks and fascinating changes in the standard Superman tale to pique their interest. For readers who've been on board since the start, this is a pretty exciting advancement of the story and the arc to come.

Absolute Wonder Woman #1 was a bit of a revelation. With the success of both Batman and now Wonder Woman, this Absolute Universe seems to be poised to make a major mark on DC Comics in 2025 and possibly beyond.

This book continues to defy expectations. At this point it feels like the Absolute titles seem to be realizing the early ideas for what DC planned with the New 52. And this reimagining of Wonder Woman is certainly helping to lead the charge.

Its wild how Absolute Wonder Woman keeps getting better each month. Hopefully this streak doesnt come to an end anytime soon.

Absolute Wonder Woman 5 is a rewarding conclusion to The Last Amazon arc, which ends in a manner to immediately get readers hyped and anticipating the next arc.

This book is really special and DC needs to do everything possible to keep Thompson on board and avoid the temptation to rush into crossovers or big Absolute Universe events. Absolute Wonder Woman doesn't need any super friends. Not when she's got these super creators crafting her adventures.

Absolute Wonder Woman 7 is a flat-out brilliant installment of one of comics' best. As the main line Wonder Woman title has faltered under its current creative team, Thompson is in the midst of a Wonder Woman run that should be fondly remembered as hailed as some of the best work on the character in decades.

Absolute Wonder Woman is a gem each month for DC. It's never a slog to read as the creative team finds truly innovative ways to spotlight all the aspects that make Wonder Woman such a great character. This new arc is a perfect jumping on point for new readers.

Absolute Wonder Woman 9 continues the series' unyielding momentum propelling forward. This series has been one of those titles that DC and comic fans need to direct non-readers to as a tremendous example of what makes comics so magical and special.

Most of the issue then is devoted to Superman and Super Lex taking turns taking on Doomsday. Since Doomsday doesn't speak or have much an agenda besides being an alien wrecking ball the battle feels anticlimactic. Patrick Zircher's art remains consistently clean. While he never quite makes this Superman/Doomsday battle feel as gigantic in scope as it should, the action is easy to follow.

The rinse wash repeat cycle with Doomsday keeps Action Comics on the lower tier of DC Rebirth titles. Next issue, a major hero arrives to lend a hand, which could help liven things up a bit. For this title to really warrant must-read status Jurgens needs to focus more on the characters and tone down the action to avoid sending the book on the Path of Doom.

Maybe when Jurgens gets to the point of this storyline it will all make sense. For now though Action Comics remains underwhelming with another dull installment of a story arc that can't end soon enough.

Action Comics #961 is another dull chapter in a very stagnant story that cant end soon enough.

Jurgens resumes Actions most promising angle Superman and Lex Luthor sizing each other up with the hint that it will remain a crucial aspect of the series. With Doomsday defeated its time to see what else Jurgens has in store for Superman. Path of Dooms conclusion was an encouraging step in the right direction.

The success of this storyline will largely depend on Jurgens keeping it tight and not letting it go on needlessly. Superman meet Clark Kent gets off to a decent start. Hopefully it can play out and end just as solidly.

This wasn't the most action packed installment of Action Comics, but it did advance a significant subplot. With the tease of the next big threat to Superman, this cool-down story was definitely appreciated.

After its opening arc, I didn't have high hopes for this title, but Jurgens is getting his mojo back leading to a solid string of quality Superman (and family) stories.

Interestingly, the four issue run where there's been very little action has been far more satisfying. Jurgens does the smaller, more personal stories of Superman and his supporting cast well. Hopefully, this momentum continues when he amps the action back up.

I've thought this comic was really going to hit its stride once Superman was forced to deal and reluctantly partner with Luthor. Jurgens took the scenic route in getting there, but the book is becoming a very enjoyable read over the last few installments. While Path of Doom was a chore to endure, Action Comics has found its sweet spot and the comic has become a worthwhile addition to the Superman titles reading pile.

Action Comics has rebounded nicely after a sluggish start. Jurgens has the book trending upward and hopefully the art will follow.

This isn't the most groundbreaking Superman story ever, but Jurgens is telling it enjoyably enough. Perhaps more importantly, this is going a long way to establishing a working relationship between Superman and his longstanding rival.

Jurgens ends the issue with an interesting cliffhanger. The final panel probably is a fake out, but it's fun to see Jurgens going the unexpected route with the story. Action Comics has recovered from its rocky start and this issue was more proof, the creative team has found the right niche in the Superman universe to tell different and entertaining stories.

I've been very impressed with Action's turnaround. The title has been a welcome surprise the last few months and this arc is holding fast with that trend. I'm looking forward to seeing where Jurgens and Segovia take the next issue while retaining this enjoyable momentum.

The fallout from this issue puts Action in a very interesting place. Jurgens has tossed a lot of balls in the air and no matter which one lands first the title has some fascinating developments in store.

Action Comics has steadily improved and the creative team has gotten this title back on track. If you gave up on it earlier, it's time to give it another chance.

It's an exciting time to be a Superman fan with both titles delivering quality stories each week now. I'm really enjoying where Jurgens is taking the book. He couldn't have picked a better time to step his game up as Superman Reborn will likely bring more readers through the crossover.

Superman Reborn is unfolding in a wonderfully imaginative way and paying off all the hype and more. This is easily your if you can only buy one comic this week pick.

Superman has been a must read since Rebirth started and Action Comics is starting to warrant that designation as well. With Superman Reborn wrapped, the future for the main Superman books hasn't looked this good in years.

The New World doesn't answer every Superman Reborn question, but there's a definite excitement about what Jurgens has in store. I'm thrilled to see Action Comics evolve into such an enjoyable read now.

Jurgens has really turned Action Comics around. What once was an obligatory read has become one of my most anticipated reads every other week. With the Revenge Squad on the way, there's no chance of that interest fading anytime soon.

Jurgens isn't content with this already assembled collection of villains and has the Squad seek out another character with a major grudge against Superman. That will tie-in with another title making for a very long two weeks. Action Comics continues to deliver exceptional Superman action and character work. This is an issue definitely worth adding to the pull list this week.

Action Comics keeps delivering right now and the buildup to the Revenge Squad vs. Superman has been great. The only consolation in waiting two weeks is knowing another awesome issue of Superman arrives next week.

With this issue's cliffhanger, Superman is going to have a real tough time battling any of the Revenge Squad. I can't wait to see what Jurgens does next with a book that's become one of my favorite Rebirth reads.

Action Comics #982 continued the title's recent hot streak and the final page all but ensures that momentum will carry over next issue. Action Comics is quietly starting to become one of the more impressive and entertaining Rebirth books.

The Superman Family/Revenge Squad conflict was fun, but I was thrilled to see Jurgens has another layer to this arc beyond the team showdown. Action continues to be a vastly improved read for Superman fans.

The arcs twist ending opens up some fun possibilities. Jurgens might not have delivered on the epic confrontation he teased, but this works out much better for the future of the title.

There's not a lot to be excited about with this issue from a writing or artistic perspective. Jurgens returns in another issue for The Oz Effect and it might be best for regular readers to just wait for issue #987 as there's little to enjoy here.

The only reason regular readers might want to grab this is the final few pages, which has Mr. Oz confronting Luthor. It's a fun appetizer for the big reveal and Mr. Oz-focused storyline starting next issue. Otherwise this is another lackluster chapter for Action Comics and readers can safely skip.

The Oz Effect gets off to a very strong start. This has been one of the most anticipated stories of the Rebirth era and so far it hasn't disappointed. It'll be fun to see where Jurgens takes the story next issue.

The Oz Effect's first chapter shocked readers last issue and the second continues disrupting and shaking expectations. Jurgens goes with a sensible cliffhanger and I'm very interested to see where he takes the story next.

The mind games are pretty strong in this issue although I'm a little leery Jurgens is repeating a plot thread from the other Superman title. Hopefully he has some different paths in mind to keep this story as fresh and unique as it's been so far.

The Oz Effect keeps building on the past arcs from Action Comics and Superman, which give it an added sense of importance. Its nice to see a solid story behind such a shocking return. I wouldnt bet against Jurgens and Bogdanovic at this point.

But the big surprise is that Jurgens provides a clear answer to Ozs identity with the biggest lead-in to Doomsday Clock yet. The final two pages are some of the absolute best Superman pages Ive read. Jurgens masterfully sums up Supermans mission statement and revitalizes the never-ending battle in a fresh, contemporary manner. This was a great read and one that sets Action Comics up strong for its next big milestone.

Action Comics has long earned its must-read status and even with the hype of Doomsday Clock, this issue provided one of the best Superman issues all month. And thats even before the shocking return of a fan-favorite character on the final page.

Booster Shot already shows a lot of potential and with the rare Superman/Booster Gold team-up, Jurgens has a potentially great dynamic to play with in this arc.

Its nice seeing Booster back in a good storyline, which hopefully is the first of many. The twists Jurgens takes so far have led to some unexpectedly touching and surprising moments. I appreciate this arc is further exploring the emotional toll of learning Ozs identity for Superman and its kept Action Comics as essential reading for DC fans.

For Booster and Superman, the ride isnt over yet and Im anticipating what Jurgens and Booth have coming their way next issue. At this point, its safe to count on Jurgens to continue delivering strong arcs on Action Comics and this remains one of the most fun books going in DC today.

I've enjoyed this arc a lot and with Conrad sticking around, Booster Shot is in a very encouraging place as Action Comics roars to its milestone issue.

The final page offers a real shock and will require some legit creativity from Jurgens to address. It'll be fun seeing how he pulls that off.

Jurgens did right with Boosters exit from the arc, which definitely re-energized my interest in seeing Booster back in the main DCU. This was a strong penultimate chapter of Jurgens run and a good read for Superman fans.

With the big anniversary issue in two more weeks this was a terrific cap to whats been a really strong title before Brian Michael Bendis kicks off his run. This is an easy recommendation for fans of Jurgens work on Action Comics.

Beyond being an impressive accomplishment, DC made sure to send Action Comics #1000 up in the best way possible with some of DCs best creators. This was years in the making and it delivered big time.

Action Comics kicks off the Bendis era strongly with fantastic character moments, intriguing new developments and a feeling like this is going to be the start of a very special run. Don't miss this one.

Thanks in part to my apathy towards Rogol Zaar and his ongoing storyline in the main book, Action Comics has quickly become my favorite Superman title these days. Bendis has a great voice for the office politics setting and Superman engaging more with regular people. It's classic Bendis in the best possible way on a Superman title. This issue was another easy winner.

Bendis is setting up a fun debate as to the superior Superman title. While that status may shift with the latest issue, the readers are truly benefiting. Action Comics continues to be a strong contender for one of DCs best books and the latest cliffhanger ensures it will remain a cant miss title.

This was the first issue in Bendis' Action Comics run that left me disappointed. He's made Lois and Jon's return such a big deal that this underwhelming payoff is cause for concern. Superman was the one book that didn't need a drastic change in the status quo and a solo Superman just isn't as interesting in 2018.

The issue's big payoff falls a little flat as the Red Cloud's identity lacked the shock factor it needed, but the strong character interactions and artwork still make this another solid issue.

I can be pleasantly surprised by a good issue of Superman, but Bendis and Sook are now starting to establish higher expectations with Action Comics and it's starting to become one of my favorite DC books again.

This is the first chapter of Leviathan Rising and it's a strong opening act. I wish Bendis were just cranking out two issues of Action Comics a month as he seems so much more locked in with the Superman universe here.

Leviathan Rising is bringing some unexpected suspense to the Superman universe. Im looking forward to the next installment to see how this continues coming together.

I'm loving this arc right now as it's easily the best Bendis has been since he's come on board the Superman books. With Epting and Anderson delivering beautiful visuals, this is definitely the Superman book to follow.

I'm really enjoying this arc as Bendis has concocted a challenging scenario for Superman and his allies. The only thing that's missing at this point is a greater sense of the Leviathan impact throughout the rest of the DC titles. It's good enough to start having greater repercussions in other books now and it's a smart way to get people onto DC's best Superman book.

This storyline is in its fifth chapter, but it hasnt felt like its treading water and remains just as intense and captivating as it did with the first issue.

Action Comics #1012 was a step back from the exhilarating ride we've been on lately. Bendis filled in some gaps and did some gradual development of some potential big subplots, but this wasn't the must-read an installment as the last few months.

Szymon Kudranski's art is terrific with the exception of his take on Superman as his gritty, realistic style doesn't work as well on the larger than life hero. Brad Anderson's colors do a stellar job of bringing out Kudranski's detailed pages. Whenever Bendis decides he's ready to tackle The Question as a regular series, this would be an ideal art team for that collaboration.

My big concern now is how Bendis will incorporate the new arrival without detailing the Action Comics momentum tying in to Event Leviathan. This might be the issue that finds Bendis at a crossroads with his Action Comics run so the next few installments could prove crucial.

This issue has some nice moments, but few belong to Superman. Hopefully Bendis will start working past these random distractions and bring the excitement and spotlight back on Superman.

Action Comics was Bendis stronger of his two Superman titles, but right now theyre both badly in need of a creative overhaul. DC likely wont move on from Bendis headlining its flagship character for a while and theres dwindling hope Bendis knows how to sustain any kind of longterm success on the Superman books.

This was another rough issue for Action Comics as Bendis dove in headfirst to the Justice/Doom event with little true understanding of it leaving readers with a disappointing and uneventful effort.

If youre a Superman fan you can safely skip this issue as nothing of consequence happens and with Romita having an off issue theres nothing to redeem this one.

Of the two Superman titles, Bendis has a better grasp with Action Comics. Now its unraveled and become a continuity challenged mess.

This was a bad issue. Im not sure what can salvage it now short of Bendis leaving and a new writer taking over.

Absence hasnt made the heart fonder with this book, which remains as cluttered and clunky as its ever been in the Bendis era.

Action Comics remains a disappointment as both Bendis and Romita seem to flail unsure of what and how they want to tell this story.

With the art improved and a solid plot, Action Comics should be back on the upswing, but Bendis dialogue problems continue to hold the title back from its full potential.

Bendis goes with a cliffhanger that feels a little desperate. This arc seems like it only has another issue left. I'm curious to see where Bendis goes from here in what should likely be his final arc before departing the title in December.

I'm loving this new direction of Superman and Kennedy's take looks to restore the focus on the Man of Steel and what makes him such an engaging character.

Action Comics delivers high quality Superman action and while the back-up story fails to hold up its end, this is a comic well worth grabbing.

Action Comics remains a solid, enjoyable read and this creative team is doing essential work restoring the luster of a title that had been tarnished with the previous writer.

This Warworld Rising arc keeps taking surprising directions as Johnson and Sampere are disinterested in cranking out an overdone Superman/Mongul clash.

Ideally, we could get a Jonathan Kent Superboy title and not have to ditch Superman off planet. Johnson is making that new status quo make sense from a character perspective and it seems poised to work for a while at least.

Action Comics is in a bad holding pattern while the Superman titles reset once again, which doesn't feel fair to the creative team, who've set up an intriguing conflict. It's too bad it feels like it will be forgotten shortly.

Even if this next direction doesnt have many readers excited, Johnsons involvement is reason enough for at least some encouragement.

Whether this arc does truly mark “the end” of Kal-El, Johnson and Sampere are setting the stage for a memorable epic.

This latest seeming death of Superman feels like such a depressing turn for a character who was enjoying a massive creative renaissance until Brian Micheal Bendis systemically tore down so much of what made the character great since Rebirth. Johnson and Mendonca can only do so much in following this editorial direction.

Action Comics avoids the rumored twist few Superman fans wanted while establishing a seemingly impossible task. Johnson and Mendonca have set the stage nicely and are continue to keep the title one worth staying invested in the end game.

Melo's artwork is a great fit for Martian Manhunter. Along with Hi-Fi's coloring, this would be a firm creative team for a Manhunter ongoing series.

For now, it's best to just enjoy this ride as it's been a surprisingly great shift in direction for Kal-El.

Action Comics has thrived under Johnson's direction even with this trip to Warworld that seemed an odd fit for Superman. As usual, this is one of DC's top tier titles each month and shouldn't be missed.

This is gorgeous artwork further aided by the beautiful subtle color work from Lee Loughridge. Energy effects Pierce through the arid Warworld setting and theres just enough glimpses of light to convey Supermans impact.

Action Comics keeps providing an engaging hook for this Superman/Mongul war and the new objective adds a welcome new wrinkle to keep this story compelling.

With every exchange, Johnson shows that he fundamentally understands what makes Superman the best hero even if he's not rocking the blue and red tights. This arc has fully won me over and I'm just sitting back and enjoying the ride instead of wondering when it's going to end.

Art consistencies aside, this was another strong installment of Action Comics. Im ready for the big rematch of Mongul and Superman and Johnson has certainly set it up to be a meaningful encounter.

As this Warworld arc draws to a close, it's worth noting how this concept probably wouldn't have worked as well with many writers. Johnson's firm command of Superman at his core made it successful and now it's time for the overdue return of Kal-El.

With Superman's return and Lex Luthor driving the welcome wagon this is an ideal jump on point for new readers as one of DC's most consistent titles kicks off a new arc to wind down 2022.

It's also refreshing to see Lex Luthor back in action using his various resources to get what he wants. That subplot is proving to be just as intriguing and enjoyable as the main arc. Superman is back and while the art isn't quite up to the normal standards of the title, this issue takes some welcome steps in fixing past mistakes from the previous regime.

Action Comics has been consistent and picked up even more steam with the Kal-El Returns arc. The inevitable clash with Metallo should be well worth the buildup even as we know Luthor still has more up his sleeve.

Regardless of the art hiccups, this issue is an important one for the next era of Superman. One that looks far easier to trust and believe in compared to its predecessor.

As the start of a brand new era for Action Comics, this issue lived up to the billing. Still, the biggest challenge for Johnson will be balancing an entire Super Family in one title.

Action Comics is enjoying a strong run with a compelling lead story introducing a new group threat for Supermans Family. With Johnson and Sandoval at the helm, theres no reason to skip this book.

Action Comics juggles multiple storylines, but the creative teams have proved up to the challenge of crafting enjoyable stories for Superman and his extended family.

Johnson's main story is the attraction here and so long as he's leading the charge, Action Comics will remain a solid read. With stronger supporting stories, this would be a can't miss title.

Johnson and Sandoval's main story is the big attraction here as the other stories aren't doing enough to justify the higher price.

Action Comics has been a steady, consistent read since Johnson's come on board. The extra titles don't tilt the scale one way or another, but it would be a welcome change for the supplementary stories to add to the comic.

Action Comics is frustratingly switching to an anthology style format soon, which is disappointing as the creative team deserved a lengthy stint making the Super Family premise shine month after month.

Two out of three stories isn't bad especially given their quality. It'd be nicer for the main story to get more pages and cut the backup, supporting stories to just one.

There's some negligible secondary stories that play out like filler but the main attraction makes this worth checking out.

Williamson teased some payoffs to subplots and seemingly random conversations that are now coming together. It's always good to see a long gestating subplot come to fruition. The cliffhanger is intriguing with a tease of some completely unexpected developments with this latest chapter of the Superman/Lex Luthor/Brainiac dynamic.

Pacing on HOB has been excellent. It doesn't feel like it's dragging, and Williamson keeps escalating the stakes to avoid making it read stagnant. With Sandoval, Mendonca, Sanchez and Sharpe solidly holding up their end this installment is an easy recommendation.

The creative team sets up a solid stage for the final act of House of Brainiac with this issue. Fortunately, there's no further delay as the finale plays out in Superman #15.

Action Comics is set up for a fun stretch with this creative team and a fresh story angle with a welcome focus on The Man of Steel.

This has been a fun adventure so far and it doesnt seem to be losing any momentum anytime soon.

This Phantoms arc has been pretty fun and a great introduction to the new creative team who are fully dialed in.

This was an enjoyable milestone issue of Action Comics. Superman fans who haven't given this creative team a try should strongly reconsider. It's got a great mix of character, action and creative story beats to fully justify giving it a chance.

This arc seems like it's nearing its conclusion. As it's eight chapters in, that's a wise choice instead of letting it drag on to a limp and meaningless conclusion.

This arc has gone through nine chapters — in part due to the entertaining Supergirl backup — but it seems like next issue would make an ideal conclusion mark for this strong start for the creative team.

Next issue is titled Endgame and based on this issue's cliffhanger; it sounds like that will be the finale for Phantoms. It's been a good run, so it'll be interesting to see how it all wraps up.

Phantoms made for an enjoyable multi-week experiment that the creative team pulled off with no trouble. Im looking forward to reading this all again in collected format.

Basically, every issue I'm ready for Superman to return to Earth yet Johnson continues to find a way to make this arc work with a sharp focus on making an inspiring and uplifting Superman story. This annual is no different and shouldn't be missed by any Superman fan.

House of El is a fun concept that Johnson reinforces would make for a quality spin-off to further expand the Superman Family titles.

Johnson never wavered on what Superman should do and behave in any setting. It's helped make his run such a sterling example of how to write The Man of Steel in 2023, 2024 and beyond. No matter how crowded the supporting cast, Action Comics was always Superman's title and this annual was a fitting conclusion to a terrific creative run.

This random standalone special was easily one of DC's more unexpected treats this month with the Supergirl/Martian Manhunter team-up that works and the overdue return of Bloodwynd. Even if you're not a regular Superman reader, this is worth checking out.

DC keeps delivering strong Superman reads and if youre a fan, this one is highly recommended.

It didn't seem to be a popular decision with readers when it was announced, but Johnson's commitment to the concept won over most naysayers to create a well-respected and enjoyable arc.

This issue was largely setup, but it makes for a relatively easy jumping on point for new readers with a clear agenda for the villain and the establishment of a new iteration of heroes. Longtime Adventureman fans and newcomers should find plenty to enjoy with the start of The Golden Lights.

This is exactly the kind of comic folks who say there's no entertaining adventure books on the stands can check out and immediately get swept away. Ghost Lights has plenty of life and the fun is just getting started.

This was a great start to Jons new adventures and should appeal to fans of the younger Superman, the Earth-2 characters or those seeking a compelling Multiverse story.

This has been a very great surprise. Not a total shock considering the talent behind the pages, but it's been a better and stronger read than I anticipated. The cliffhanger ensures the thrills have only just begun.

Taylor and Henry have crafted a very strong arc for Jon Kent. With so many Super folks in Metropolis in Earth-Prime this almost feels like a better place and use for him especially since he's operating in a world so different from his own. Maybe if the book stays at this quality, DC might consider expanding it to an ongoing series?

This issue lacked that sense of racing against the clock and much sense that Jon is in a rush to save this world before returning to his Earth, but it sets up what should be an interesting next issue.

This dynamic of Jon Kent on another world has worked so much better than the last time he faced a morally-challenged Superman and this creative team has sold the idea that this multiverse series might be the best use for Jon going forward. Here, he can exist outside of the rest of the Super Family and be unique as a paragon of virtue helping to inspire Batman's forces and making Injustice Superman question his stances.

Taylor is doing something very different with Jon Kent. That leads to a finale that won't be for everyone. With the end of this Jon-focused mini-series, he's going to show up next in the Beast World event, hopefully with Taylor continuing to handle his exploits. While the ending wasn't as strong as previous installments, Jon Kent and Injustice fans should find plenty to enjoy with this conclusion.

These new villains tease what looks to be an unexpected, unpredictable, but always super fun ride with Superboy and Robin.

The final page on this issue has me a bit bummed out that it's going to be another month for the next installment. This book has been a lot of fun already and I'm fully expecting some more surprises next issue.

Next issue Tomasi has an unexpected guest star arrive to aid Superboy and Robin. It's not the usual cameo and it should be fun to see where Tomasi takes the story next.

As has been the case for most of the run, the final page offers an unexpected twist that makes for a great cliffhanger for the next month's issue. I appreciate the variety in the DC Universe and Adventures of the Super Sons has a strong handle on the lighter side.

Adventures of the Super Sons might not be the most vital book of the week, but it continues to be one of DCs most pleasant and entertaining reads.

The end is near for one of DCs most fun comics, but Tomasi is making sure to end things on a high note to keep readers smiling all the way till sunset.

I'm going to miss this incarnation of Superboy and Robin and wish Tomasi had more time to tell their adventures. For now, we can just look back and appreciate the fun ride and extra 12 issues we got to enjoy their special brand of mayhem.

Ain't No Grave has a very strong debut. It won't be a long-term series, but this first issue suggests it will be a fun one.

Ain't No Grave is a bloody fun fantasy Western and the wild action and sharp characterization isn't showing any signs of letting up.

There are only two more issues left in this series and I'm already clamoring for more of Ryder's adventures. This continues to be one of the most fun, unpredictable adventures on comic stands.

This was a beautifully drawn issue, but just a bit more story would have been helpful in setting the stage for Ryder and Death's face-off.

This was a very fun mini-series thanks to a creative team that was fully in lockstep with each other making for one of the year's most captivating reads. If you missed out, this is definitely worth reading in a collected format.

With Batman out of the shadows of Gotham, colorist Dean White has to utilize more colors than typical for a Batman title. It's brighter and sunnier making for a nice contrast to the regular black and greys we normally get.

Batman's wild ride remains a lot of fun and just as satisfying as the start of the journey.

The issue ends with possibly the most over the top scenario for Batman and Duke yet. One thing is for sure. It won't possibly play out like I expect.

As usual, All-Star Batman delivers an entertaining product. With the tease of Batman finally learning the identity of the architect of his latest problems, I'm all set for next month's issue.

Jock reunites with Snyder to handle the art for this final chapter. Jock has a signature cinematic style that really plays well with this last act. This isn't the slowly unraveling a mystery sequence, but a race against the clock mission. Jock's layout strongly convey this sense of movement and adrenaline rush. Lee Loughridge's colors always catch the right tone from the sun-drenched opening sequence to the off white tones used for the villain's reveal.

The start to new arcs is always exciting and All-Star Batman definitely delivered. This continues to be one of DC's most consistent titles. Taking Batman out of his normal environment has made for some terrific fun and thrills continue on in this issue.

All-Star Batman continues to deliver thrilling and unexpected Batman action. That unpredictability factors remains one of its greatest assets.

All-Star Batman delivers another engaging issue fully worth the price tag.

With this current arc, All-Star Batman is delivering perhaps its best story just in time for next issue's finale. This is definitely setting up for a memorable conclusion.

Almighty has a solid debut suggesting this could be a fun series to follow with its enigmatic lead and anything goes setting.

This was my first step into the American Vampire world, but this made for an ideal starting point for longtime and newcomer fans alike.

I'm really enjoying this series so far and all the possibilities Snyder, Albuquerque and McCaig can take these characters fighting off the threat of this sinister vampire cabal.

American Vampire 1976 remains a blast thanks to its strongly defined characters, electric art and menacing villains.

I'd love to break this issue down further, but it's far too spoiler-y and it's best to go in knowing as little as possible. Snyder and Albuquerque deliver big time with this one ensuring that readers are in for some shocks while eagerly awaiting the next issue.

Readers expecting a follow up to the books biggest shocker yet might be disappointed, but Snyder and his art collaborators craft an engaging interlude that ends far too quickly.

It's nice reading a comic that doesn't feel so predictable and where anything can and usually happens. I've no idea what's coming next issue and can't wait to see where Snyder and Albuquerque take the story next.

I really enjoyed this one. American Way reads like Rising Stars with a big ensemble slowly coming together for a big payoff. I'm hooked after the first issue and ready to see how this story evolves.

The American Way isn't light reading, but it's supposed to make readers think and it's stirring up some hard to ignore feelings better than most books on the market.

There's a nice twist at the end that invites a slew of questions, which is ideal for the first issue of a new title. It should prove interesting to see how compelling Birks and Roberts keep the story, but this was a solid debut of a title worthy of exploring further.

These minor technical aspects can get cleaned up over the time. The bigger elements are solid enough to ensure that I stick around for the next installment of this desolation sci-fi expedition.

Birks sets up a solid cliffhanger this issue with sole potentially significant repercussions to follow. So far the series hasnt had a let down installment yet so Im interested in where this creative team is taking this expedition.

Writer Simon Birks' script is ok though at times it's hard to properly read the dialogue in order due to Roberts' panel layouts. This was a surprisingly underwhelming installment of a series where the creative team's instincts have previous served them so well in telling this engaging story. Hopefully this was a blip as the series warrants a strong conclusion.

There's a concern of pending diminishing returns, but if Birks advances the mystery further in the next couple of issues, this sci-fi mind twist might stick the landing.

Too much of this issue centered around establishing this particular take of Aquaman and The Flash and not enough on the threat the two Justice League members are facing. Next issue will need to bring some significant progression of the Void to determine if this mini-series is worth seeing it play out.

Next month is the conclusion of this mini-series. The short run, character interplay and big action sequences have made this a fun diversion for Aquaman and Flash fans.

Aquaman and Flash dont typically team up, which made their pairing here even more fun. This was an enjoyable three issue mini-series and well worth checking out for fans of either/or both characters.

Walker creatively frames the panels making for an immersive viewing experience. His storytelling really works well with an aquatic character as panels flow into one another smoothly. Walker captures the regal air of Aquaman and his subjects subtlety framing the panel to position the Atlanteans looking down or having other characters look up at them.

Aquaman has been a fast starter. With an action-packed opening act, the real challenge will be to see if it can keep this pace up. If so, Aquaman is going to be one of the more exciting of the Rebirth titles.

Aquaman hasnt had an off issue yet. Even with the shift from the action-oriented feel, it remains a reliable DC Rebirth title. At the midway point of The Drowning Circle, the storyline hasnt lost any steam.

With the return of Walker and a big time clash of superhero titans, Aquaman #6 shoots the title right back up to the top tier of the DC Rebirth titles.

Scott Eaton is back on the title's artist carousel. Eaton is a dependable, solid artist and the quality doesn't suffer when it's his turn to carry the load. Eaton's art isn't as lively or dynamic as Brad Walker, but it's more than adequate. Particularly in low-level action issues like this installment.Aquaman has been a character in need of a focused, streamlined approach. Peter David and Geoff Johns offered that during their runs and Abnett is quickly establishing his take as one worth following. Aquaman has rarely been better and it continues to deliver each month

The thought of Aquaman battling an unbeatable force initially sounded uninspired, but I'm very excited about the direction Abnett will take this storyline. Aquaman has clawed and scratched and at this point, it warrants inclusion among DC Rebirth's best titles.

If Aquaman continues to have the three rotating artists, Abnett should probably craft the stories to play to his various artists' strengths. The fallout from this issue's cliffhanger should be interesting and I'm looking forward to seeing where Abnett takes Aquaman next.

Walker's pencils give this a big blockbuster dynamic, but it's the smaller aspects like the detail in the character eyes and Mera's outfit scale pattern that really make his work stand out. Gabe Eltaeb's color work is some of the best in comics giving the book a vibrant feel. With this particular creative team, Aquaman is easily a top tier DC title. With the action poised to heat up, hopefully the band stays together for a string of consecutive issues.

The Deluge prelude shows promise, but hopefully Abnett has more in store for this arc than a rehash of a popular Justice League story.

Phillip Briones is on deck for the art. Barring a few soft panels with character faces, Briones is up to the task and there's some nice expansive pages providing great scope to this pending war. The Deluge just got started, but I'm already swept up into what's looking like a great new arc.

The Deluge has proven to be a very strong arc for Aquaman. With Black Manta yet to directly strike against Aquaman, the best is clearly yet to come, but the journey has so far been well worth the ride.

The Deluge has been a very enjoyable read and this third chapter was the best yet. Abnett is taking Aquaman to very intriguing heights with strong indication it's only going to get better.

All around this was a tremendous cap to what has been a very entertaining saga. Abnett again proves his mastery of what makes Aquaman such a unique and necessary character in the DC Universe.

Hopefully, Walker will stick around for consecutive issues through the Warhead arc as he takes the title to the next wave. So far so good.

After the war with Black Manta and N.E.M.O., Warhead lacks that same threat level, but Aquaman's Rogue Gallery definitely needs some beefing up. Abnett continues to make Aquaman an enjoyable and worthwhile read.

Abnett throws in a new monkey wrench in the final page with the return of an unexpected foe with news of a larger threat. DC's best political superhero comic keeps finding intriguing scenarios for its lead making for an always engaging read.

Taking Aquaman down the horror/thriller route is unexpected, but as usual, the title keeps delivering quality issues every other week. I'm looking forward to seeing where Abnett takes this storyline next.

This has been a really fun and different arc than a normal Aquaman story. I like what Abnett's doing and appreciate the horror elements he's added to make this arc feel so fresh.

Scott Eaton returns as the artist. Eaton's work is improving as he's able to better emote his characters and get more natural reactions out of them. The action sequences looked great and Eaton established some really nice perspectives. Gabe Eltaeb crafts some stunning backdrops

Abnett already has Aquaman's next opponent on deck to ensure the thrills and fun don't let up.

Aquaman is the only DC comic that can make political jockeying interesting. I'm very curious where Abnett takes the story next.

Since we're in the age of comic book movies, I'm always keeping an eye out for storylines that would translate well to a feature film. Crown of Thorns definitely has the makings for an epic movie or mid-chapter in an Aquaman trilogy. Until then, we'll just have to settle for it being one of the best arcs in the Aquaman Rebirth era.

I've been a huge fan of this run since it started. It's been strong nearly every issue, but now it's starting to read like Abnett is shaking up expectations in an organic way. This is as clean a jump-on point as readers could ask for and at this high a quality, it's definitely time to find space on the Aquaman bandwagon.

At this point with Abnett and Sejic, Aquaman is required DC Rebirth reading as it's delivering everything fans could ask for and more.

Aquaman truly has never been better with this perfect mix of superhero action, mystery, political machinations and outstanding character work. Miss this one at your peril as Aquaman #27 is another great installment.

If your money is low this week, theres a lot of good options vying for your dollars, but Aquaman at this point is clearly worth the investment.

Ive been a fan of Aquaman for decades and I cant think of another time Ive enjoyed his adventures this much. With this creative team at the helm, this is a must-get, cant miss whenever a new issue arrives. Its worth the wait.

This is the first installment of The Crown Comes Down, but Aquaman remains a consistently great read since this new status quo.

Aquaman has slowed down to more of a monthly release schedule, but at this high quality its hard to complain about the results.

I remain a huge fan of this title and with a few of the DC creative teams shifting out to other books, I really hope Abnett and Federici stay in place for many more months to come.

With Rath taking an even more desperate gamble, things definitely seemed poised to heat up. Aquaman remains a really compelling read right now and with the Mera limited series there's no better time to get onto this sector of the DC Universe.

Although the art isnt quite up to the usual standards, Aquaman continues to deliver on this legit epic storyline that is the signature period of Abnetts run.

The only downside is the book tends to come out on a slower release schedule as a result. For this payoff, it's worth it even if it leads to a longer wait than I'd like for one of my favorite DC titles.

This arc isn't over yet as Aquaman isn't going to have an easy win here. That's going to make the eventual victory even sweeter. Hopefully we won't have to wait months for the next installment.

Ultimately, this arc delivered on what Abnett promised when he started this arc over a year ago. With the finale in hand, now is a great time for readers to fully take it all in the way it was meant to be consumed and marvel at one of Aquaman's most elaborate and well conceived arcs in years.

Were halfway through this small-scale crossover thats been better than I imagined. Abnett and Bennett hold court strongly as they serve it back to Suicide Squad for the next installment.

I really enjoyed this crossover more than I imagined when it was first announced. It wasn't too complex and stayed true to all the characters.

Aquaman has been in a weird position of just going from one mini event to the next. Its hardly led to a drop in quality though and this will definitely leave readers hyped for Drowned Earth.

Aquaman #42 is a worthwhile Drowned Earth tie-in that also effectively sets the stage for the new creative team.

Although the amnesia angle never truly feels necessary, I liked how DeConnick set up this new quest as its got a lot of potential to be a lengthy and engaging storyline that puts a fresh new spin on Aquaman.

This was just the second of this five-part arc so theres much more story left. Right now, DeConnick has set up a fun fantasy mystery story thats got plenty of depth.

This arc has been enjoyable enough, but I'm impatiently waiting for Aquaman to regain his memory and for DeConnick's take on the former King of Atlantis.

This arc has been fine, but it's felt like it's dragged out longer than necessary. DC really spoiled readers with the twice a month release for its Rebirth kickoff. It's one of those deals where once it's been established, it's difficult to train readers to revert to the traditional storytelling method. Granted, DeConnick and Rocha likely appreciate not having to rush to crank out two issues a month, but this is the kind of story that would have benefited tremendously told in two and a half months instead of five.

Robson Rocha's art continues to be well-detailed and epic in scope. Rocha truly understands how to get the most of these sweeping, fantasy scenarios. Inker Daniel Henriques and colorist Sunny Gho provide clarity and the right amount of drama to fully set the tone.

Hopefully next issue provides more substance, but this one's cliffhanger teases a reunion fans won't want to miss.

Aquaman is definitely on the rise and with Arthur knowing the full nature of his memory the title looks to get only more interesting over the next few months.

While it went on a little too long, the Old Gods story was pretty entertaining, but reading DeConnick's spin on Aquaman's regular life has me very excited about what's to come even without Black Manta's return.

Aquaman has become a much more enjoyable read now that Arthur has his memories back and the creative team is firing away making this title an easy read and one worth recommending again.

Aquaman seems ready to start establishing itself as a player in the DCU again. The creative team is in place and now its time for them to make good on the promise theyve started they season with now.

This is a more action-heavy installment than previous issues and that doesnt appear to be letting up with next issues big clash. Hopefully Aquaman will have more of a presence than as a punching bag for this big rematch.

After an extended separation DeConnick makes the reunion of Aquaman and Mera worth the wait provided they survive Manta. DeConnick stages an impressive ocean battle that artist Robson Rocha delivers in massive fashion. Im hoping DeConnick gives Rocha more of these blockbuster style moments to create as thats definitely the sweet spot of his wheelhouse.

Its time for artist Robson Rocha to redesign Mera as his current take looks way too much like an homage to the X-Mens Phoenix than her own style. Although theres not much action, Rocha easily handles the dramatic, tense nature of this storyline. Romulo Fajardo Jrs color work is impressive and plays up Rochas style beautifully.

This is another strong outing for Aquaman and the creative team seems in lockstep now making for an unpredictable and eventful monthly read again.

Miguel Mendoca handles the art this issue just as the title was getting some artistic consistency. Fortunately, Mendocas art is pretty similar to Robson Rocha that the visuals stay on course.

Theres not much action in this issue yet the setup was good enough to build anticipation for the big battle next month.

Aquaman was one of DCs most engaging titles since it began under the Rebirth imprint and even with a creative team switch remained a worthy read for much of its run. DeConnick provides the ideal ending to a sensational run that should serve as a reminder that with writers who get the character and his supporting cast, Aquaman can be an A-list title for DC.

Endless Winters latest chapter keeps the momentum rolling without feeling like its becoming repetitive. This doesnt seem like it will have lasting effects on the DCU, but its making for a pleasant distraction in the road to Future State.

Ultimately, while the art is rough, this is a worthwhile pickup for Aquaman fans.

Matches with Victor Ibanezs exquisite art and this was a very enjoyable annual worth picking up for Aquaman fans.

I'm liking DC's strategy to tell a small scale event between two titles. That worked well with Wonder Woman and Justice League Dark on The Witching Hour and again with Justice League and Aquaman here. This should lead to some interesting fallout not just with the League, but the Legion of Doom as well.

Aquaman is in excellent hands with this creative team. If its like his previous titles, Adams fans definitely need to avoid the lines and immediately add this to their monthly pull list.

The creative team is just getting started on the book, but theyre already making a strong impression as this is one of the All-In titles that is surpassing the hype and delivering a high quality Aquaman series.

Aquaman 3 is another solid installment of this series, which hasn't had a drop off since the first issue.

Aquaman has had some rocky stretches lately, but this creative team is fully dialed in making this All In run one worth checking out for any fan of Arthur Curry.

Aquaman and Green Lantern has a ton of potential, but this entry doesnt do a strong job of reaching those heights. Its even weaker at making a case for sticking with the mini-series.

Green Arrow and Aquaman dont have much time to figure out who played Freaky Friday on them. Their flight to STAR Labs gets hijacked forcing them to fight masked invaders who are in on the switch.

This is a promising kickoff for Jackson's stint as Aquaman. If this creative team stays this consistent there might not be so big a rush to put the crown onto Andy.

This has been a solid read so far and Thomas is showing that even if Jackson isn't ready to become Aquaman, he's definitely worthy of headlining his own title.

The soap opera style cliffhanger didnt help much either. Scott Koblishs art was solid although inconsistent. Aquaman The Becoming is in a weird transitional state for the temporary Aquaman and needs a jolt to prove why Jackson should be more than a seat-filler for Andy.

Aquaman The Becoming ends on an intentionally open-ended note as it feeds in to Aquamen. Given the fate of Arthur coming shortly in Dark Crisis, its a good thing Jackson is being groomed for the role. This mini-series delivered on that foundation with some intriguing directions going forward.

This was a solid debut issue and one that suggests for as long as it lasts, this could be a fun ride of the Aquamen.

Aquamen has a lot going on, but not much is all that clear or entertaining There's still time to…right the ship, but ideally, it would be building interest instead of stalling out.

The art from Max Raynor is solid with strong panel composition and animated action sequences.

Aquamen had promise, but Thomas and Brown were rarely able to go beyond that potential to tell a story that excited and thrilled readers. Jackson Hydes adventures will continue in Dark Crisis, but itll be interesting to see what, if anything, happens to the rest of the Aquaman family.

The only downside to this issue is the uncertainty of when the next installment will arrive. In every other way, the That Was Then special feels like an obvious reminder of what's missing in too many modern comics heart and a larger sense of purpose.

Cyberzerker is a compelling, sometimes hilarious anti-hero and his devotion to the blade is unwavering even after he discovers its dark origin and connection to an evil god. I imagined this as a perfect show for the Adult Swim lineup and I anticipate following Cyberzerker wherever he goes. Recommended for fans of Adult Swim and fantasy.

Aaron also builds on the mystery of the original Avengers team as they confront the same threat that returns to face the current Avengers. Marvel's latest tweaking to its universe might warrant a wait and see approach, but Avengers #1 assures this title is definitely one worth grabbing right away.

This might not have been the strongest story roll out, but Im intrigued enough to see where Bank Shot is headed.

The art by Rafael Albuquerque compliments Batgirl well. It's still playful and isn't overly dark and serious. Under this new creative team, Batgirl is getting her road trip off to a great start. May as well pack a bag and join her on the journey.

Beyond Burnside is the best Batgirl has been since Gail Simone kick-started her return to action in the New 52. Free of being bogged down by current events in Gotham and making sense of Batgirls somewhat convoluted continuity, Batgirl is one of Rebirths most new reader friendly titles. At this rate its not a stretch to see Batgirl well on its way to being DCs premier female headlining title.

This first installment of Summer of Lies was definitely an encouraging start for this Nightwing team-up and is a nice reminder of what non-Batgirl reads have been missing.

Neither of the stories are essential reading " threads from the first story will be continued in Supergirl #9 " but this was a good use of the annual setup to deliver two fun Batgirl tales.

This was a classic annual in the sense that it told a very entertaining self-contained story that served as a tremendous hook for readers to check out the ongoing title.

There hasn't been enough encouraging signs that this title will improve with this current creative team. DC has so many titles knocking it out the park that even grading on the curve, Batgirl and the Birds of Prey still comes up lacking. This may be a title worth revisiting down the road once the Bensons get more comfortable with the characters, but for now it's probably worth skipping.

After a string of books meeting expectations and genuine surprises, Birds of Prey's relaunch was somewhat disappointing. The title may be a slow starter, but for those hoping for a return to former glory this wasn't the relaunch they were waiting on.

Zdarsky did a lot to break Batman and now puts him back in a good place just as Absolute Power comes around to shatter him all over again. Of Zdarsky's run so far this has the most potential to be a strong launchpad for the next non-event crossover arc.

It almost feels like the Absolute Power tie-in was the more important story than the main one. Both stories were better than recent issues, a trend that hopefully will continue through the Absolute Power crossover.

Writer Tini Howard, artist Marianna Ignazzi, colorist Giovanna Niro and Cowles collaborate on a Harley Quinn side story. Harley has to step in for Batman in stopping The Riddler's latest scheme. This is a good use of a back story as it plays into Absolute Power and shows what else is occurring while the main heroes deal with the larger threats.

Even if you're not trying to get every Absolute Power tie-in, this is one worth picking up as it's a welcome unexpected treat.

This first installment of The Dying City offers a ton of promise aided by the fact the established creative team is still on board with fresh stories and ideas to play out.

Want a book that will get you immediately hooked? Check out Batman & Robin Year One. This is a tremendous first issue for a title that seems destined to be on many Best of 2024 lists come December.

Year One continues to be a terrific read with this creative team taking their time to tell a quality story instead of trying to hit as many beats as possible.

This was a very fun crossover and for fans of either Batman 66 or the Legion, it's the kind of blast that's truly timeless.

If this first issue is any indication, Echoes is going to be a fantastic ride and one worthy of both its cinematic and comic book predecessors.

For a first issue picking up where Burton left off, this was a promising start. Fans of the films shouldnt be disappointed in giving this a shot.

Echoes #2 keeps the momentum of this Batman '89 sequel rolling with a solid mystery.

When it was announced, this felt like a unique novelty, but it's quickly becoming a can't miss look at a forgotten era of Given that most of the principal actors are still with us, maybe Warner Bros. Animation can make this mini-series into an animated production?

This is an easy recommendation for Keaton/Burton Batman fans and feels like a real treat to see how Billy Dee Williams' Two-Face would have played out on the big screen.

This series hasn't disappointed yet and the only letdown at this point would be for DC not to follow it up with another installment.

This has been a fantastic series fully recapturing the spirit of the Burton films in a fresh and relevant manner.

While it would continue veering into unexpected deviations from the world Burton set up, itd be great to see another installment featuring this creative team going for another spin in the Burton Batverse.

King sets up several mysteries for Batman to solve. Theres Gotham and Gotham Girls origin, the tease of monsters coming to Gotham and the reveal of an old foe that might be behind all of it. This was the weakest of Kings three Batman issues thus far, but theres enough here to suggest this was a rare misfire.

The final page certainly sets up an intriguing next issue. With King and Finch clicking so strongly on this collaboration, Batman continues to be a cant miss title.

I am Gotham has been one of the strongest initial story arcs in the entire DC Rebirth line. With this issue's cliffhanger, two weeks seems like a long wait for what's been a classic story so far.

The issue ends as if to suggest the end of the I Am Gotham storyline yet the perpetrators are still on the loose. It'll be interesting to see how King resolves the story. With some major developments and a tragic conclusion, I Am Gotham part 5 ended strongly. Hopefully King and Finch can keep the momentum rolling with the next story arc.

Next issue marks the Batman chapter of the Night of the Monster Men crossover. The following issue looks to be especially promising considering Batman's conversation with Amanda Waller and the tease of a Suicide Squad encounter.

Riley Rossmo's pencils are creatively laid out and the character expressions are well done. Given the quality of the Batman titles, this was a bit of a letdown. Worst case scenario, Night of the Monster Men will prove a decent enough distraction to allow the regular creative team to get a breather and get ahead before their return.

This was an encouraging issue. Initially this arc read like a time filler to let the creative teams catch their breaths. Now it's starting to live up to its potential of the Bat family fighting Godzilla, King Kong and Morhra the same night.

Even though it was largely just a set-up issue, Batman #9 is an engaging opening act. If the rest of the arc is this good, King just might top his outstanding debut act. Good thing there's only two more weeks until the next installment.

As always, King tries to deliver a different kind of Batman story. That's commendable, but in this case, sticking with expectations might have been the better play.

I Am Suicide delivers another killer installment that's made for a excellent followup to I Am Gotham. King is doing big things with this title and this issue proves he's got plenty of surprises left.

The big question is if the terrific art can carry the issue. This installment is one that barely progresses the story, but Janin's art at least makes this treading in water issue worth a look.

Overall, I Am Suicide was an inconsistent story arc. There were some great moments and a number of unnecessary story decisions, but when it clicked like this issue, it was a very enjoyable storyline. And best of all it sets up a number of future stories I'm looking forward to seeing where King takes Batman.

Even if this is just a minor detour en route to a more complex storyline, Rooftops is a decent shorter Batman arc. King has set the bar high for his run so while this is solid, it's not one of the essential issues of the Rebirth Batman era.

I wasn't sure how King was going to wrap this arc up, but Rooftops was effective and efficient storytelling. For fans of the hero/anti-hero romance, this will be required reading and for Batman fans, it's a pretty great read.

I Am Bane was off to a great start even before that creepy finale page. King and Finch are reunited and Batman is all set for another epic story arc.

Batman has consistently vied for best Rebirth title honors. With this storyline constantly delivering, this is the one DC book you have to read this week if you can only grab one.

Batman's faulty logic and that feeling like this won't play a major role in the overall story make this a tough sell. The artwork and Rogue cameos balance it out for the most part, but this chapter of I Am Bane was overall disappointing.

I Am Bane restores the tarnished luster to the man that broke the Bat. Bane is cast once again as arguably the most formidable physical threat of all of Batman's Rogues. Hopefully with the start of The Button crossover next issue, King puts more of a spotlight on Batman's brains than his brawn.

This issue has been one of the Rebirth era's most anticipated releases since it was announced and it fully lived up to the hype. Don't leave out the comic book store without grabbing this one.

The Button concludes in The Flash #22. It's unlikely every question is going to be answered at this point, but so far it's been nothing short of captivating. Fittingly, the end of the issue comes by far too fast. While it'd be nice to get some insight on some aspect of the mystery, The Button has been a lot of fun just for the throwback multiverse feel.

King may not hit a home run every issue on his run, but when he does they are spectacular grand slam at the bottom of the ninth style hits. This is another one that's going to be considered one of the definitive issues of his run.

This is definitely going to be one of the biggest issues of the year especially since it's the prelude to the return of The Riddler and The Joker.

Batman is largely absent from the issue, but his absence helps tell the story and explain why Joker and Riddler go to war. It actually works better in the context of Batman reflecting on one of his most significant regrets in keeping Gotham safe. The setup is exciting and it should be fun seeing how this Batman Rogues Civil War plays out.

Maybe the most interesting aspect of the story so far is how powerless Batman truly is in stopping this war. Despite the accolades, the detective acumen and his superhero allies, Batman is just a man trying to stop madmen from making his city a war zone. Can he stop it is the main question, but it sure has become a fascinating read watching these villains bring hell to Gotham.

Continuing the theme of the arc, Batman has a limited role this issue. Im enjoying how King is making Batman a supporting character to tell more of a villain focused arc. Besides, when Kite-Man gets the spotlight, even Batman can take a back seat.

This issue wasn't as revelatory as issue #27 as Catwoman's role felt forced and took away from the main players. King shows his skill in the ironies of superhero stories once Batman catches up to Deathstroke and Deadshot making for a clever ending. These mini battles give the war a welcome layer of depth. Hopefully next issue King will revert the spotlight to The Joker and The Riddler.

This probably wasn't the direction a lot of readers expected for the War. That's part of what makes this such a fun and unpredictable read. King and Janin are whipping up one of the more memorable storylines of the Rebirth era Batman. And with this issue's cliffhanger, the payoff is shaping up to be a doozy.

While this issue doesn't provide full insight on Batman's plans and the uneasy alliance with Riddler, it is another can't miss chapter in the War of Jokes and Riddles.

Barring another Kite-Man interlude (yes please), next issue looks to wrap up whats been one of Kings best Batman arcs yet. This was a thrilling last warm-up for what should be a memorable finale.

Metal might be getting a lot of attention, but this has been a modern classic Batman tale worthy of every accolade.

King doesnt fail to deliver on the big reveal and the purpose of this secret mission. In case readers thought Batman was going to slow down after the War of Jokes and Riddles, Rules of Engagements first chapter proves the fun definitely isnt over yet. And this fantastic run still has plenty of exciting twists and turns to go.

King slowly unfolds the reveals with this arc and the reason for Batman and Catwomans road trip makes sense. Now it will be up to see how King pays it off. At this rate theres no reason to think he wont disappoint.

Batman #35 might be a case of style over substance, but when it looks this good and the payoff so rewarding it's hard to complain.

Occasionally, DC will put trades of random stories together. For the next Batman/Superman collection, this undoubtedly has to be included. This is my new favorite Batman and Superman story and I'm betting I won't be the only one.

The only bad thing? That the issue inevitably had to end. But hopefully King and Mann are already plotting their next collaboration to focus on Bruces bachelor party.

Its crazy to say this considering the consistent quality of the title, but Batman is on an absolutely cant miss roll. King is delivering some of the best work in comics right now by devoting just as much time to the man behind the cowl as the crime fighting vigilante protecting Gotham.

The story is way too familiar here, but Id recommend checking out this issue for the incredible artwork. Hopefully, King can find a different approach next issue to end the Superfriends arc on a high note.

King spares Batman from a two-issue slump and with Jones and Bellaire's great art, this is more of the Batman title we've come to expect and love.

Everyone Loves Ivy is going to be another fun arc and this is a solid jumping on point for anyone who for some reason isn't already reading this book.

Everyone Loves Ivy is shaping up to be another fun arc for Batman. The beauty of King's run is how versatile it's been and I love that he keeps finding new, uncomfortable arenas to place The Dark Knight.

With this last arc out the way, there's nothing else to delay what might be the biggest event of 2018 in the Batman books – Batman and Catwoman's wedding.

These lead-ins to the wedding look to be very special fan service stories. King gets the ball rolling nicely with this clever and fun story that stays true to his starring couple.

As a big fan of Kings run on Batman, The Gift was incredibly disappointing thanks to the terrible characterization of its featured guest star. Maybe issue 46 can turn things around, but Im not at all optimistic.

King has some decent concepts here, but he sacrifices all of the great work done over the last decade in making Booster a better character. This would be similar to having Batman smiling and making bad puns in a guest appearance in Superman. Batman fans with no attachment to Booster might appreciate this, but theres no justice in this portrayal of a B-list hero who deserves a lot better.

At least Tony Daniel's art is up to the challenge. I really wish Daniel was able to illustrate a better story as his work is the only reason I'd recommend The Gift. The arc ends on a flat note with more questions that apparently won't get answered. Easily the best aspect of this story line is that it's over. Hopefully King gets back on track next issue, which has the promising teaser of The Wedding and The Joker.

The Best Man gets off to a quick and unexpected start with Batman immediately confronting Joker and a shocking cliffhanger as the countdown to the wedding continues…provided the groom survives.

Joker's perspective here is interesting and further shows the complexities of a madman. This is the last issue before the presumed disastrous Batman and Catwoman attempt to get married. We'll see how that turns out, but this was an enjoyable warm-up.

It's the final page that left me most excited about this wedding arc conclusion. King sets things up in a manner that warrants another look at his entire run for clues. I bet there's been several breadcrumbs he's left along the way, which would make his run even more impressive in retrospect. Without that final page I doubt this wedding arc would have been nearly as effective, but the future of Batman looks very bright going forward.

This issue features some really strong character work and is undeniably some of King's best dialogue so far. As much fun as the action sequences are, King really strives when he gets inside Batman's head. This looks to be another of those highly satisfying mind trips. This is the kind of tightly focused story King needed after the emotional gut punch from last issue.

Lee Weeks was such a great choice for this arc. Weeks' has a very dramatic storytelling style that works for extended conversational moments with the occasional action page. The star of the issue though was Elizabeth Breitweiser, who did some incredible work here particularly in the Mr. Freeze vs. Batman sequences. Breitweiser crafted a very unique way of showcasing Freeze's power. This arc is exactly the kind of story King's run needed at this point. It's character focused and is a very smart dissection of the man under the cowl as Bruce starts to assess reasons why his relationship with Catwoman ultimately failed.

I've really enjoyed this arc and the final page of this issue should have classic Batman fans psyched. After this arc and Bruce's new mission statement, Batman might be better than ever in the Rebirth era.

Batman #54 is a standalone issue, but it's another one that taps into King's character-based focus strengths. Batman has been pretty much untouchable since the wedding and continues to be one of DC's must-read titles each release week.

Batman has gone through some very emotional moments and King isn't done putting him through the ringer yet in another stunning and gut punch issue that's only impacted by some unavoidable spoilers.

Since the controversial issue 50, Batman has arguably been better than before. King has some lofty ideas that are putting his hero through the emotional wringer resulting in some of his best work on the series. The ending of this issue sets up a showdown that's playing out like a revenge thriller.

King doesn't pack a lot of dialogue in this fight until its conclusion, which is where he connects the subtle message between the two stories. The final two pages tease that King's Batman is tired of being on the defensive and in his feelings and is ready to get back to his former status of excellence. Looks like we're in for a very interesting ride over the next few issues.

Given the state of the Batman books of late, King is able to sell a very suspenseful moment before a big twist that could lead to Batman getting a pivotal victory over Bane. In spite of the brief narrative challenges, this new arc has me looking forward to what King has in store next and if this take on Penguin will be as memorable as his work on The Joker, Catwoman and The Riddler. So far he's off to a promising start.

Im really loving this direction of the book and where King is taking it. King is telling one expansive epic thats now starting to pay off for readers looking for the big picture.

This reveal is sure to create a big buzz and lots of speculation as to where King is taking his arc next. It's definitely taken an interesting turn and I'm very intrigued to see where he takes it next.

Given the conclusion of this issue with another confusing cliffhanger, my hopes aren't especially high for issue #62. Hopefully King can rebound here after a recent string of very strong issues.

Like last issue the main saving grace here is the artwork of King's Mister Miracle collaborator Mitch Gerads. Gerads is such a unique artist and his style works well with this chaotic Batman introspection. It's just too bad Gerads couldn't get another Batman story with some real meat to it instead of one that's largely treading in place.

By the end of this issue, I felt far more intrigued with where King is taking this story and the clever use of Constantine with this cliffhanger definitely has me excited for the next issue.

The Price of Justice continues next week in The Flash #64. I'm intrigued to see where it goes and how Williamson will further the story next.

Ultimately, I think this arc would have more impact if Batman and Flash just hashed out their issues in the wake of the Sanctuary incident. Williamson raises an intriguing question of a larger scale threat working behind the scenes to keep Batman and Flash occupied. That's a cool idea and one that would link The Price to The Button. As is, this feels like an oddly timed out of place story that lacks the necessary weight.

This issue is strictly for Bat/Cat fans. Dont go in expecting any real progression to the story, but its worth giving it a chance for Fornes art.

Knightmares remains a slog and a low point of Kongs run, but at least we got treated to more fantastic work from Weeks.

Earlier, I thought Knightmares was going to start making sense soon and have an out of nowhere terrific finale. At this rate the best part of this arc is it should be completely contained in one skippable trade. Youre fine to ditch this unless youre a big Conner fan. In an odd scheduling setup, Batman #68 comes out the same day as Detective Comics #1001. Its not that tough of a choice.

Ultimately, Knightmares never managed to avoid feeling like a massive stalling tactic. Fortunately this issue looks to get the book back on track as King seems ready to get the story rolling again. Barring another prolonged time-killing arc like this one, Batman is about to get interesting again.

Batman is ready to take the fight to Bane, but he's got no clue how intricate Bane's new plan is this time. It'll be interesting to see if King is able to pull off this arc and if it effectively leads in to the upcoming City of Bane story.

There's a few rough patches specifically the order of events, but otherwise this was an encouraging sign that Batman is making a comeback after a disappointing Knightmares arc.

While there were some uneven elements, but this was a strong read and one of the best King has done in months. I'm excited about reading Batman again just as King closes in on his final major arc.

Batman #73 slows the book back to a near stop as King meticulously sets up the last big arc before City of Bane. If only the rest of the issue made that prospect more exciting.

The City of Bane kicks off next issue and it's a big milestone for the title. King's Batman run has 10 more issues left so it will be interesting to see if he can tie up all these loose ends and weave them together in a way to make readers reflect favorably on this final arc. Right now it could go either way, but King has done enough great work on the book to be optimistic this final string of issues could be the most exciting aspect of his run even if the road to get there has been uneven and shaky at times.

King has had some rough patches during his run, but this was a strong beginning to the arc that will largely come to define readers' opinion of his overall work. This was exactly the kind of start King needed to get fans excited about the City of Bane and it definitely delivered.

While King seemed ago drag out other storylines the pacing on City of Bane so far has been on point as he gives just enough information to keep readers hooked as he unfolds whats so far been an epic finale to his Batman run.

It's going to be another big controversy for DC and the Bat books, but at least it will generate all kinds of buzz and likely sell a slew of copies. As for grading this one? It's hard because so much will depend on the next issue and possibly the one after that to see how King follows it up. That's going to be key here. Based solely on this issue, King demands readers pick up issue #78 to see how The City of Bane's next chapter plays out.

Last issue really felt like it was escalating the City of Bane to another level. Issue 78 just finds King waxing poetic about Bat and Cat again with hardly a care in the world. Theres more than enough Batman offerings this week that you can easily skip this issue and not miss anything.

While having a slightly better sense of direction than last issue, Batman 79 ultimately is another skippable issue beyond Mann's stellar art.

Tomeu Morey experimented with some different lighting throughout and it helped sell the deep stakes of Batman resurfacing.King left a lot of questions unanswered but Batmans comeback looks to have some huge repercussions for the Bat family again.

With four more issues left in his run, King has to start advancing the City of Bane and while theres definitely some movement on that front, its still hardly satisfying.

This was a stronger installments than most recent Batman issues as King has to clear the decks for the end of his run so its time for the buildup to end and the final act to begin.

King has two more issues to wrap this arc and his run on Batman. Considering the work here and the tease for next issue it seems like he will stick the landing. The big question is how many readers will be around when it concludes.

This issue was a case of better late than never in terms of fleshing out Thomas motivations, but theres a real weirdness in the City of Bane arc culminating in a final conflict with Bruce and Thomas.

New Batman writer James Tynion IV adds a preview of his run with a character that King didnt put in a lengthy spotlight in his run. It ties in to events going on in another prominent DC title suggesting Batman will be more in line with current storylines throughout DC instead of a narrow Batman window again.

If you were a lapsed reader or driven off by Kings run, Batman is back and The Dark Knights future looks incredibly bright with this new creative team and direction.

Dark Designs already has some strong momentum two issues in with the three opposing forces colliding. The main player has yet to be introduced, but theres planets to be excited about with this arc so far.

While the loss of Alfred still stings, Tynion has carved out a unique role for Lucius Fox without making it seem like hes simply replacing Batmans faithful ally.Guillem March is rising to the challenge of handling the art in this arc. He still finds the occasional cheesecake pose for Catwoman and Cheshire, but overall hes capturing the intensity and urgency this storyline demands. Tomeu Moreys colors play out the various settings of this issue from Riddlers computer screen hued lair to the rainy cemetery Catwoman visits.

If youre not reading Batman now youre missing one of DCs strongest titles thats completely regained its momentum.

The Tynion run on Batman has already been superb, but with Jimenez on board its going to a new level of cant miss storytelling. Dont miss this book.

Considering Tynion has The Joker Wars lined up after this arc and its safe to say Batman is going to have an amazing 2020 and maybe one of the best years of this era.

Tynion and March are creating one of the more memorable Batman arc in years and its yet to disappoint. Next issue seems poised to pay off a big part of this arc and its all but assured to be another immensely satisfying read.

Batman fans have been rewarded with an outstanding run with Their Dark Designs — an arc that was worth the buildup. Now let's see how The Joker War plays out.

If for whatever reason you're not hyped about Joker War after this issue you may need to just drop the Batman books. This was a tremendous arc and the next looks like it could be just as memorable.

So far none of Tynion's run has failed to live up to the hype. If anything he's exceeded it and with Jimenez and colorist Tomeu Morey, The Joker War looks to be a potentially career-defining work for all involved. Let the war begin.

Joker War hasn't disappointed so far and I'm already excited about where Tynion and Jimenez are going to take the next few issues.

The Joker War is building to its conclusion with #100, but at this rate, Tynion really could take longer in playing it out as its been an amazing ride so far.

The Joker War was rolling along steadily, but it was time for it to reach the next level, which Tynion and Jimenez successfully accomplished with this issue paving the way for a triumphant return of the Bat Family.

The Joker War wraps up next issue and Tynion ends this issue with a killer cliffhanger that was legitimately shocking as to the depths Joker will go to gain the psychological advantage over Batman.

It's immensely challenging to create the next great Joker story, but with Their Dark Designs and The Joker War, Tynion (with March and Jimenez) made good on building to and paying off a modern classic that should join the ranks of some of the best Batman/Joker stories.

I'm very excited about the future of Batman as Tynion continues to create a reinvention that makes sense without a renumbering, new suit or shocking death to establish. Batman has once again become one of DC's best titles in a time when that kind of consistent quality is most desperately needed.

With new characters like Clownhunter and Ghost Maker in the mix and new roles for Oracle and Harley, Batmans next chapter is shaping up to be a fascinating direction for the title.

Ghost-Maker is proving to be a legit threat to Batman and it'll be interesting to see how long Tynion can keep him in rotation along with the other new characters he's introduced.

This was the weakest installment of the arc thanks to a lack of story advancement and the clashing art.

Tynion wraps this arc is a surprising way given the earlier tone. Itll require a second reading to see if this shift works, but its an interesting direction for Tynion take that Im curious to see if it pays off. Tynion hasnt been afraid to go against expectations and has done a good job world building so early in his Batman book.

Batman #107 is another stellar installment of one of DC's can't miss titles.

I remain a huge fan of the main story, but the secondary story has failed to hook me. I'm looking forward to seeing what Tynion and Jimenez has in store next issue.

This wasn't the best installment of The Cowardly Lot, but it escalated the story to the next level in a way that has me intrigued for what's to come.

Batman is reaching a weird point where the once cheat code hero now never gets a meaningful win. Alfred is dead, Damian wants nothing to do with him, his fortune is gone and now hes going to be public enemy number one again. Maybe its time for Batman to get a win?

Tynion might be getting too ambitious with this story arc, but it's certainly keeping Batman from getting boring. It'd be nice for a break between these extended arcs though if for no other reason than allowing Batman to recover and assess how things have played out. Tynion hasn't really done much with the vast potential of Bruce Wayne losing his fortune and with the constant battles flowing into the next one, it doesn't feel like as big a change to the status quo as it should. Hopefully Tynion can allow things to cool down soon to spend more time on Batman and his supporting cast when they're not in action 24/7.

In a lot of ways this felt like a retread of what Tynion has already established. Fear State is off to a slow start, but there's enough moving pieces that this should be the final prelude before the mini-event really gets going.

Fear State isnt gaining much momentum and so far hasnt been as edge of your seats exciting as The Joker War. Tynion clearly still has time to end his Batman run on a high note, but its coming off the blocks very slowly so far.

Fear State isn't giving Batman much to do yet, but it's certainly not boring. It's about time for Tynion to put Batman in a more proactive position in this event now.

Fear State is coming to an end along with Tynions tenure on the title. So far it hasnt been the grand finale expected given the tremendous start of his run.

This is Tynion's penultimate edition of Batman as he wraps Fear State. It's ironic that his run is ending in the same way as Tom King's, which had many readers eager for it to reach its conclusion. Hopefully, Tynion can somehow turn this arc around with a memorable finale.

Fear State went too long and this ending unintentionally showed why it never needed to play out this long with the relatively simple payoffs to the major subplots. But simple is sometimes just fine and Tynion left his final issue of Batman on a good note allowing for the next creative team to have a fresh canvas without a major death in the family to address.

This is an easy recommendation. The new creative team comes in ready to impress and delivers massively. Don't miss this one as it looks like the start of a memorable run.

This creative run-on Batman has been encouraging and a welcome change of pace from some of the previous teams.

This arc has felt fresh and reinvigorated Batman when it was needed most. This was another solid issue that keeps the mystery going forward with some intriguing plot development paired with exceptional art.

Williamson, Janin/Molina and Morey quickly established a strong rapport. While their Batman run ended sooner than I would have liked, hopefully they will reunite very soon.

Two issues down, Shadow War remains compelling and seems like a legit status altering event for the Batman titles.

Shadow War's fifth chapter advanced the story and had some significant developments. The big drawback was Porter's art not really measuring up this installment.

The title is in a good place for the incoming creative team and this was a solid conclusion to Williamsons tenure.

This wasnt a groundbreaking start to the next great Batman run. Zdarsky is a skilled enough writer to make even the familiar more than tolerable. Hopefully upcoming issues appropriately raise the stakes and the challenge for Bruce Wayne.

The new creative team is firing on all levels right now and suddenly Batman feels like a standout read when each week is so cluttered with Batman releases. Make sure this one is a priority.

Zdarsky and Jimenez's Batman run is cruising with a strong pair of issues that suggests the book is in the right hands. With this creative team locked in place, Batman's future looks bright regardless of the outfit he's wearing.

Batman is in excellent hands with this creative team, who continue to surpass expectations with each installment. This title is clearly operating on a can't miss status and that doesn't look to change anytime soon.

Zdarsky has to be mindful of going too far with Failsafe, but it remains refreshing to see Batman actually work hard to defeat an opponent especially one of his own creation.

I'm curious where Zdarsky takes the series next, but the ending of his first major arc ultimately fails to move the needle.

This arc might line up oddly with current DC continuity, but its been a refreshing change of pace delivering some nice surprises and welcome twists.

Batman has made for an enjoyable read through this latest arc. Zdarsky is having fun playing against the standard Batman Gotham story and these new wrinkles have made for an entertaining stretch of issues.

Batman had a few rough patches under this new regime, but that seems to be in the distant past as this Multiverse story has provided some unexpected drama and surprises while also giving Tim Drake a spotlight to shine.

There's a great payoff to the Tim Drake backup as well as an emotional moment between Batman and Alfred. Zdarsky's track record might not be 100%, but an arc like this should be encouraging for Batman fans who want something beyond the normal somewhat stale presentation of Batman.

This was a very solid interlude from the Multiverse saga to the opening act of the Batman/Catwoman War and worth checking out.

The Gotham War didn't sound like an idea and if the Batman story in this event was disappointing, the odds are good that the Catwoman installment for this month won't be any better.

The twist and big reveal is superb. It might be enough to salvage The Gotham War, but there's a realistic concern that the damage done to Batman might be too much for Zdarsky to overcome.

This start of the Mind Bomb arc is better than Gotham War, but that's a low bar and Batman, the one seemingly impenetrable character DC had in their stable, finally seems to be beaten down from too many poor creative decisions. A return to more of the status quo elements would be welcome at this point as so much has been done, and not just in Batman #139, that it's hard to feel too invested in this character any longer.

With two encouraging issues in a row, signs are looking up for Batman. A cliffhanger on the main story could send Zdarsky back into fly me to the moon territory of outlandish plot resolutions. For now, Batman is ending 2023 on an optimistic note than some of the shaky storylines from this year can be left behind.

It's too bad Failsafe is essentially Zdarsky's Batman equivalent to The Terminator as there's little suspense in this Mind Bomb arc. Even with the late return in Batman #141 of The Joker.

Guiseppe Camuncoli (with inker Stefano Nesi) and Andrea Sorrentino handle the art for the various storylines. Their art is solid and distinct enough to signal the timeframe shifts. Alejandro Sanchez and Dave Stewart's color work is also very good. The main problem is this story feels so cluttered and aimless that The Joker: Year One feels like the perfect time to give this run of Batman a time-out.

Zdarsky hasn't been able to weave much magic in Batman since the Batman/Catwoman War. This storyline feels like another act in the seemingly endless Failsafe novel. Hopefully the curtain is drawing to a close soon.

Zdarsky did a lot to break Batman and now puts him back in a good place just as Absolute Power comes around to shatter him all over again. Of Zdarsky's run so far this has the most potential to be a strong launchpad for the next non-event crossover arc.

This arc has been a nice change of pace for the title made even better by Zdarsky seriously emphasizing the detective aspect of Batman. The Dying City has definitely helped to breathe new life into Batman.

Of the various titles that started new arcs with the beginning of the All-In initiative, Batman might have benefitted the most. This hasn't just been a solid arc. It's been one of the best reads from DC in the last quarter thanks to some very inspired work from the creative team.

Zdarsky leaves Batman on a better note at the end of Batman #157. Gordon is back on the police force, Riddler is exonerated for his role in the chaos and Bruce doesn't add another member to the Bat Family. Next up is the latest Hush arc featuring Jeph Loeb and Jim Lee. It'll be interesting to see how the Zdarsky run will be remembered and if creators continue fleshing out subplots he established during this period.

Loeb does a decent job of using Batman 158 to kick off the story. Hopefully as it develops Hush 2 will have some unexpected wrinkles and twists beyond the safe route of providing Lee with plenty of characters to draw from that he didn't get a crack at previously.

Hush 2 needs a more compelling reason for existing beyond revisiting what worked so well more than two decades ago. So far it hasnt done enough to validate its existence.

Lee's artwork keeps Batman 160 from being largely skippable until something interesting happens. Loeb is brewing a very methodical story that needs something to truly hook readers beyond a nostalgia trip.

Batman Inc. was a cool concept many years ago and this annual makes the case that this incarnation could prove to be one of DC's more engaging team books very quickly.

Batman Annual #1 starts off great with its opening three stories, trails off some with the fourth and rebounds with the fifth. Not a bad ratio for a Christmas theme annual. Batman fans should find at least three stories that will make this worth the read.

By the end of the issue, were treated to one of the more emotional and beautifully told Batman stories in years. This is not your typical annual and despite the sea of Batman books out currently, is definitely not one to miss.

For those readers able to embrace Stokoe's non-traditional Batman art style, this is very strong annual that adds to the overall story and Tynion's bigger picture for Batman going into 2021.

It ends on a somewhat downer of a note in that regard, but given the importance of this death, it shouldnt feel like an easy back to the norm status quo. Hopefully over the course of the next few months Tynion and Tomasi will continue exploring the healing of the Bat Family and not just throw Batman into action and barely addressing it.

The Joker War Zone was anything but a throwaway add-on story offering some further character development for the current epic and some teases for whats in store in the Bat books in 2021.

This was a decent, if unnecessary, epilogue to Fear State allowing Tynion to sign off and neatly place all the characters back on the shelf for incoming Batman writer Joshua Williamson.

Fear State Alpha is a calm before the storm prelude for this big Batman event. It offers useful background information, but most of the important elements will likely be repeated through the opening chapters.

Tomeu Moreys color work is striking with the death pale skin tone of a Joker victim to the subtle traces of blood and dirt.If this first issue was an indication, Batman Catwoman is going to be a lot of style over substance.

Maybe King can pick up the pace soon, but with 10 more issues to go it seems like this is going to be another long delayed Batman arc payoff.

Too much of Future State traded in a sense of anything can happen with a depressing notion that the heroes' work ultimately is in vain. Catwoman helped to prove a reminder that just staying true to the characters can lead to organic fun that doesn't need to get squashed out for the same of high drama.

This issue didnt flow smoothly at all and was a tough and confusing read. Considering its not even at the halfway point, theres a strong likelihood of more clunky installments over the next eight issues.

The trouble with a multi-tiered story is one can be very strong, another has the requisite amount of creepiness and the other seems detached from everything else playing out. King has some clever ideas, but it's starting to feel like this would so much cleaner with a different storytelling approach.

Batman Catwoman remains a disjointed and uninteresting read. King hasn't figured out the best approach to make his time jumping story work and it's just slowly playing out in the least exciting manner possible.

Batman Catwoman is at the stage of diminishing returns now. King hasn't been able to make his three time period approach work and The Phantasm character has not been much of a factor now in eight issues. It's asking a lot that this title will improve at this point. Now it's just a matter it getting through for readers who remain remotely invested.

Batman Catwoman reads like a book spinning its wheels casually awaiting the home stretch so it can try and make sense of everything. At this rate, the odds are low of this being salvaged by some last-minute twist.

By the end of the issue, King seems to insinuate that Joker is the father of Helena, which seems about right for a book that has been spiraling out of control for so long its finally lost its way.

The visuals are the saving grace of this story, which felt like it lost its way months ago and is bleeding out across the finish line.

To some extent, its good to see King get to complete his Batman story but disheartening that DC didnt just let Batman get married years ago when it would have had real meaning.

If you want to see Batman and Catwoman fight over a goofy idea that certain crime is OK while the Bat Family gets divided, this will be your kind of event. From the special alone this seems like an event that's going to get stretched out for the sake of dragging it out across multiple issues and months with no meaningful payoff in the end.