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10
Loved it.
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10
Just fantastic. Bummed about the long delay at the halfway mark but in a way it reminds me of having to wait for a second season of a TV show I love to air.
I find this series so satisfying in so many ways.
Like masterworks Mister Miracle and The Vision before it, this series represents everything I want out of comics.
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10
Another nearly perfect issue gets yet another 10. It will have you questioning yourself and in a state of confusion up until the very end. When you get there it all comes together beautifully. Smallwoods are plays both a narrative and visual role in this aspect of the story, in the best way.
This series has no right being as good as it is. This has continued to exceed my expectations even for Tom King.
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10
Holy shit!
This is how you do it! This how you deliver exposition while progressing the story in a meaningful way. The way the issue unravels itself is brilliant. It might be a bit confusing at the start but by the end when you start to understand what is going on, it’s so satisfying. What a banger!
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10
You have to read it twice, but maybe be the best issue so far.
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9.5
This issue was a little harder to follow so it took me a bit longer to get through, but it was worth it. We get a glimpse into Cristopher's past and how he came to be the Human Target, as well as a juicy revelation in our attempted-murder mystery. King's writing prowess is on full display here and Smallwood's art is as strong as ever.
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9.5
Wow! I had to read this one over and over to get the full spectrum of what's happening and who's using who and how the future mimics the past so kudos to Tom King for that setup. Greg Smallwood's art and his coloring is beyond phenomenal! The guy is insanely locked in.
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9.5
It's just so good, the artwork, the pace, the reveals.
I never thought I'd care about these characters in this way, it is fantastic.
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9.5
This book has been great, but for some reason, people just don’t seem to realize it’s a Black Label book, which means this shit just isn’t in continuity. This has loose connections to JLI, but that’s it, and it’s not like you have to even read JLI to enjoy this. And no, King did not "ruin" Martian Manhunter this issue. Human Target is an-out-of continuity Noir detective story. Characters are going to be framed in certain roles when you do a story like this, and these roles are to get the story where it needs to be. Human Target is the Hard-Boiled Detective, Ice is the femme fatale, and Guy Gardner is the jealous ex-lover, etc.
Whether you are fine with these character reworks is 100% up to you, but it shouldn't make you genuinely angry or upset. Like coupling together two characters out of continuity isn’t “disrespectful", and it really isn’t a big deal if characters are acting slightly different than how they usually would, or some side character that pops up in one issue has their character development during some dumb crisis/mega-event ignored, as this book is NOT in continuity. If it does genuinely make you upset or angry how King treats these characters, then maybe just try dropping the fucking book? I didn’t like Strange Adventures or Rorschach, so guess what? I stopped pissing away money, time, and energy on something I didn’t even like. I dropped them both by the second issue and just read something that I liked.
King & Smallwood are doing their own thing, and this book does it mostly perfectly. The art is amazing, King’s dialogue is sharper than usual, and his captions thankfully don’t slow the book's pace down as they did in Supergirl. Amazing read and probably King’s most consistent work so far. Hopefully, he can stick the landing at the end, because that’s usually where his stories fall apart for me. more
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8.5
This was a confusing one, but was a very intersting structure. I loved how we slowly came to understand that Chris is having his mind read and he's trying to simultaneously hold on to his thoughts and let J'onn's in. I didn't like how they portrayed J'onn and Fire, but it's Black Label so I won't harp on it. I also didn't quite understand the parts with the girl from Titan, but I appreciated the experimentation in this issue, even if I think it might be the "worst" issue so far.
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8.5
I'm torn between criticizing the fact that King really only has one trick that he uses over and over again and acknowledging that the non-linear pileup is well used here and serves an actual narrative function for once. Given how strong this series has been so far, I suppose I'll give it the benefit of the doubt and go with the latter
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8.0
Really solid entry. Cool idea of how to play out the issue. Love the art.
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8.0
for me, while this series seems very interesting I think your mileage may vary given your feelings for Tom King. It's not bad, but I am less intrigued right now
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7.0
This one didn't work for me. The reveal at the end doesn't make up for a read that isn't enjoyable in and of itself. There are some cases where a confusing narrative works like a puzzle, and you as the audience derives joy from figuring it out at the end, or maybe even before the end. This is not one of those cases. It felt repetitive and annoying. Literally the only reason the score is as high as it is, is because the first four issues are really good, and the reveal is interesting and may lead to a better issue six.
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10
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10
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10
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10
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10
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10
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9.5
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9.5
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9.5
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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9.0
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8.5
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8.5
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8.5
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8.5
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8.5
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8.0
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8.0
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8.0
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8.0
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7.0
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7.0
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7.0
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7.0
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5.5
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5.0