This series hasnt slowed down for one minute, and while this is a setup issue, it is a harrowing display of stakes for the Autobots while also being yet another brilliant character analysis for both Prime and Megatron.

All I know is that Im very hopeful whoever is following Warrens footsteps is able to character this energy along with the weight of the warfare. The art speaks for itself. Corona deserves Eisners for what hes drawing on the pages here. more

I am very confused by this whole story.

It's not bad. I think it's perfectly fine.

But this isn't 2003. Releasing this story 22 years later, while acting everything is the same as it was in 2003 is such an odd choice.

Why isn't this a black label book? Loeb clearly doesn't want to play with current continuity and wants to go to what it was back in early 2000s, why have him write this now?

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I think it finally hit me.

I have liked this series the whole time. I think it's great, but I have felt like i don't see the hype.

But now I do.

This is amazing.

Really fun. Don't let little incel internet trolls fool you. The art is phenomenal and the story is really fleshing out since the reveal. Rick having memory lapses from getting taken by Sleeper, MJ and Flash teaming up, Dylan and Paul hanging out. It's such a fun read.

It’s clear Loeb hasn’t read a Batman title since the last time he was writing one. So he doesn’t know that this conflict between Bruce and Jason is pretty stale and is only regressing Jason more. The art was also pretty basic especially for Lee. But I don’t really blame him with Loeb not really giving him anything to work with. You can tell Loeb’s heart really isn’t in this and I’m bummed that I’m excited for this to be over only two issues in. I really hope I’m wrong and it turns around. But for now it’s not a tragedy to Batman but it is at best an unnecessary side step. more

Let Hickman cook. This a fantastic story. Spider-Man is gonna be in the next issue so the babies can enjoy it again.

Damascus steel isn't rare or only forged in a single region of the world. In fact, it's fairly simple and really only adds a special pattern to the metal and can maintain a sharper edge longer. Come on Loeb... A simple Google search would tell you that.
He writes Jason like every awful Red Hood fan, (which is most of them) leaning into the normal equivocating, vaguely authoritarian justifying rhetoric of, "I do what Batman WON'T and that means it's justified," when we've been through this a million times. I don't care if you're now establishing that Jason's brain is more fried than the Lazarus Pit could heal. If Bruce ever thought that for a second in the years since Jason became the Red Hood and reintegrated with the Batfamily, he would have helped him fix it. He HAS helped him fix it. Maybe read a comic that you didn't write Jeph!
Lee's work here still isn't his best but so far is the best in this arc so that's a positive. That being said, I'm not a fan of this new Riddler design. Why does he look like a SWAT officer? It does nothing to really distinguish him as the Riddler. Just a new appearance to sell a toy that no one will buy because everything is overpriced and cheaply made these days. Thank McFarlane for the low DC quality figures.
Tangent aside, this book feels a lot like those aforementioned figures. Poorly sculpted, cheaply made but thrown to the masses in hopes of a quick nostalgic snatch at your wallet. Nothing of lasting substance. If a Robin dies, it's going to be a symbolic death. Jason will cast off the Red Hood mantle, Damian will transition from his position back to Talia, nothing will happen to Dick. I want to be excited. I want to not dog on a book that means a lot to me as a fan but I want and expect better. Everything is derivative of what came before and original ideas in Big Two superhero comics are few and far between when these characters are pushing 100 years old but don't do this. Don't write a sequel 23 years later.
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I actually loved this. Like wth, this was a banger issue and this whole arc has been really good. Are we actually getting back?

I hope this sentiment ages well. I really do.

I really enjoyed this. It's only 20 pages in one single issue, but it's so tightly paced and well-executed that I want to see more from this. Honestly Absolute flash has been ny third favorite series coming out of the Absolute DC Universe line-up. The art and action is just so kinetic and fast-paced, and I like Jeff Lemire's Wally West voice on how this Wally is alone with just Monkey Grodd. I haven't felt this excited for a Flash run since Jeremy Adams Flash run to be honest more

Time for my anual read of Spideys beginnings. Don't know if i'll be able to write a lot here, but it's worth a try. Here we are, Spider-Man's origin story. I mean, what can i say about this issue that hasn't been said? its has cemented a legacy that will outlive us all.

In this issue we get to know Peter and learn about his life. We see how he gets his powers, how he decides to use them for himself, a quick and earned transition of stance from a kid who has been always berated and powerless and now has the power to be on top. Why does it feel earned? because Lee and Ditko convey to us that he is a flawed human being. All the sucess, the first taste in his life of being at the top, get over his head so much that it leads to the event that will change his life forever. He lets a thug get away after one of Spider-Man Exhibition shows, and this thug later kills his beloved Uncle Ben. “With great power there must also come—great responsibility.” as said by Stan in the narration box. Interesting that we see this phrase come from Uncle Ben in every adaptation, but it's not even said directly in this story, and it's the core definition of the character. It can't get more iconic than this. Its a testament that a line’s emotional weight isn’t always about who says it, it’s about what it means to the story.

And i wanna say this again, but god, those are 20 pages of beautiful character work. Let's break down all that we learn from the "main" characters here:

Peter Parker: a smart, loved teenage kid living in Queens with his beloved aunt and uncle, who very much love him, and he loves them. A good-hearted kid, an A+ student with a great future. But like most introverted kids, not well treated by the most popular students, hell, even students in general. We see him being dismissed by Sally because he's not Flash Thompson. We see him invite Liz Allan and some others to the science expo; they make fun of him. We feel for him, but he's not perfect. He gets angry, he can indeed get over his head easily, just like we see when he gets his powers.

Aunt May: Heartwarming and caring from the very beginning, a voice of wisdom.

Uncle Ben: Loving husband and great father figure from the very beginning.

Flash Thompson: gets one line of dialogue and one panel, and we already know he's popular, he mocks "bookworks" like Peter, and he gets all the high school girls.

Liz Allan: Not a bully, but clearly a popular girl diva.

We have other minor characters that appear here who eventually are developed throughout the course of Spideys history as well. All of it works, to be honest, and for me, its more expository and dated language doesn’t make this less engaging, although i see why many new reader find it hard to get into. In 20 pages, everything that we associate with Spider-Man is already there, and from those pages, all of his mythos will be developed. Brilliant stuff. But But......there is one major flaw, althought is not any of the creators fault: No bonesaw. Yep. I said it. Bonesaw > Crusher Hogan. more

Ah, the 60s! Silver age comics are so absurd....i love it!
The first story here is so fun. It already sets the tone for who Spider-Man is at this point. Torn between heroism and survival, slandered by the media. The space mission might seem too “big” for a character we associate with street level, grounded adventures, but it works(it's the 60s lol). J. Jonah Jameson is instantly iconic, a generational hater from his first ballon dialouge. The money struggles, the loneliness, the weight of responsibility on his shoulders, it’s all here from the beginning.
The second story however is a mixed bag for me. The Fantastic Four sequence is fantastic (no pun intended). Great action, fun banter, and Peter being underestimated only to prove himself against Marvel’s first family is awesome, even thought they were clearly holding back. The Chameleon is a cool villain and works fine, but the Cold War Soviet spy plot? Even more absurd than the rocket story. It’s very “America in the ‘60s,” and it pulls the story into weird territory for me. I find it so funny how in those early spidey issues things escalate so quicky. We see him web launching through the city(AWESOME), using web parachutes(AWESOME!), landing and piloting a boat(hum?)....to a Soviet Submarine(HUM?????)....but the issue manages to have a great ending very fitting to the character. No matter how absurd things get, Peter struggles, his constant battle to balance his life, his imperfect humanity, is the driving force of those stories.
The dated aspects of it doesn’t detract from how iconic this issue is. Steve Ditko is already shining. There’s real mood, tension, and human fragility in his work, this is personal to him from the gecko. The dialogue, although dated in rhythm, is still surprisingly readable. Some of Stan’s lines could easily be adapted today with only slight tweaks.
A fantastic launch for what will become a legendary series.
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This one is always a treat! The origins of one of his most deadly and iconic villains. Ditko's was not only ahead of his time, he was evolving at an absolute crazy speed. His storytelling skills, his sharpness, his emotions at every sigle panel, he was a gem. We also have the first appearence of the spider signal here! And again, i just love how Human Peter is. He is trying to honor his uncle, he's helping his aunt to keep their lifes together taking pics for the bugle, he's studying, juggling so much. And yet, just like a teenager or any human being, he sometimes makes you think "dude, WHY?". He's having so much success fightiing crime, that again, he thinks he's unstoppable, going as far to wish to have someone to give him a challenge.

I love the fact that Ock is such a imposing villain, that's he is the first to beat SUPERMAN( Isn't that right, STAN???), he bested him one to one. Although Ock's temperamental and egostistical personas will be more developed down the line, it feels earned here, from the very beginning. And i love that even though Peter is learning and evolving as a hero completely by himself, he's still looking at the right places to learn a thing or two. Ever since his creation, the F4 at any capacity is a looming figure that indirectly shapes Spider-Man to become who he is meant to be, even Johnny which at this current time is as immature as Peter, manages to give him the necessary push forward to learn the big thing about being a hero: never give up. Basically, this is the first example we have in a Spider-Man comic of what would later become Peter's unbreakable will, he always gets back up, no matter what. Lovely, i love reading this run, it's the bible for all things Spider-Man. more

This just continues to blow my mind. This is the best Lemire DC work since his Green Arrow run, which to me is utterly classic.

This merges Lemire's penchant for psychological horror beautifully with his flair for family drama. This could end up as his defining DC run.

Gabe Hernandez should be fired.

Bugger off Gabe.

This book continues to be stunning in its audacity and fascinating in its originality.

Gabe Hernandez is a whiny clown whose "look at me look at ME" style reviews ought to be wiped from this website.