Time spiders. Linear Men. Branches of the timeline. chrononaut slaughter. slouches a rough beast. these are actual English words, yet Simon spurrier's dialogue makes me roll my eyes. the art is okay, the pacing is wack with somehow Shade is tied in. Overall, there's a reason why Simon spurrier is a HUGE hit or miss in the Flash fandom

Somehow, I like this series more than the main series. And that's because of Joshua Williamson writing and Dan Mora's amazing art

This was a solid ending to this series, and Kely Thompson writing makes this in my opinion the definitive Birds of Prey series

While this is a bit slower with the introduction of the Minotaur as well as Bruce's relationship with his therapist, the writing/dialogue and pacing are firing on all cylinders here. And I still love Jorge Jiminez art on Batman, he is in my opinion the Definitive Batman artist of 2020s.

Re-reading this series, this issue basically solidified my problems with Simon Spurrier's Flash. He likes to introduce high concept meta fiction cosmic horror to The Flash to freshen things up similar to Grant Morrison and Mark Millar. But the dialogue, the wording he uses, these days characters don't talk like normal people who are smart. They talk like higher beings who don't know how humans speak. And it's not the Arc Angles, it's the other characters. Talking in unbroken wave form, fractal foam of all things. Epoch. Convulsions of different multiverses. How time is an ocean, and the boundaries of Force Walls and Light Barriers. There's a reason why when Jeff Lemire tries to introduce high concepts in absolute Flash, it works because even though it seems difficult to understand, it doesn't feel like Jeff Lemire is trying to show how smart he is. more

I really like this filler issue of Green Lantern and Green Arrow. Flash is Green Lantern's best friend, and I feel that Flash and Green Arrow in the comics only became friends because of Arrowverse. But I like seeing Hal Jordan and Oliver Queen banter, plus the art and coloring really pops out well

For me, this run was..... okay. It had high moments, but I think the edgy language of people saying f@ggot, and ret@rd cussing so many times in one panel ran its course. I like how it deals with uncomfortable real world subjects like human trafficking, and how just Frank Castle gunning down people won't solve the issue as it's a systemic issue. It shows how someone who lives like Frank Castle will be miserable, and people who are freed will still face trauma. It's just that it didn't hold my attention due to me not being a fan of Garth Ennis writing. more