Good premier issue. Pretty formulaic for an X-Man solo book, but it was executed well. Good art and writing. Psylocke is one of the more layered characters with quite a past. Hoping for more than a surface level story, we'll see.

I want to like this so much more than I do. The writing is awful, the egg yolk scene was the cringiest thing I've read in a comic in a long time. The art is mediocre. I'm sticking with it because I'm hoping it improves, and I like the general direction this reboot has gone, but it just isn't executed well on any level. I wish there was a different creative team on it.

More of the same, but that's not a bad thing. The "twist" at the end was moderately interesting. Good art and writing, it's a solid book.

I thought overall this was a good tie-in series, but this issue annoyed me a little. The art was good, but the dialog (and especially Spidey's quipping) was cringy and annoying and the story didn't really land will, in my opinion. Not a bad book, but not as good as the previous ones. Didn't stick the landing.

I enjoyed this much more than I expected. Of the three Underworld titles I've read so far, this was definitely my favorite. The hard boiled detective story in a futuristic alternate history setting will never not be a great foundation for a story, in my opinion. The art was solid and the writing was quite good. The little bits of humor worked for me too. This goes on my pull list for sure.

Solid story, good writing and good art. I'm not entirely knowledgeable about the character, but this book did a good job of describing her personality and background enough for me to catch up with dragging the pace down or anything like that. I'll definitely be reading this whole run.

All three of the Absolute #1s were 10s. This told a gritty story of class oppression and Superman's origin takes a much more depressing route this time. The art was fantastic and the writing was great. I don't think I could pick which of the three #1s I liked the most, they were all fantastic in their own ways, which is impressive to me because as characters and for duration of their histories I've always been much more a Batman fan than the other two. I actively dislike Superman as a character, and am mostly ambivalent about Wonder Woman, but their Absolute incarnations have me intrigued. Great stuff. more

Very fun first issue. The art was solid and the writing was great. It really painted the world in a descriptive way that both defines the world and also makes me want to know more. The characters are interesting and well written as well. Very excited about the future of this book.

Very good issue, very dramatic. The cover advertises a death, but the interior doesn't focus on it much. It just sort of happens on one page then they move on. That's my only minor complaint, everything else was very well done. The team's fracturing is understandable and organic, doesn't feel forced. Great art as usual and good writing too, I liked it a lot.

This issue was ok, but I didn't like it as much as the previous three. The "I lied to you/left you because anyone that gets close to me ends up dying" trope is pretty played out and nothing about this time makes it worthwhile. Not a bad issue per se, but not up to par with the rest of the current run of X-books.

It was an ok standalone issue, I always appreciate Black Panther stories, but this one just didn't hit with me as much as usual. I'm ready to get back to the main Avengers story.

I didn't go into this with very high expectations but I was very pleasantly surprised. The art is solid and the writing is good, but the overall story and plot are very interesting. The "Hour of the Wolf" being the one hour they can operate is an interesting premise and I'm looking forward to seeing how this plays out. This issue hooked me, for sure.

Interesting story that has a lot of potential. It's not entirely unique or original, but not over done either. The art is good, the writing is solid. I'll keep up with this for now, it could be a sleeper good series.

Good issue with a solid ending that seemed to wrap up just a little too quickly. The whole issue seemed just a little too rushed. But still, a very good issue and a very interesting story.

Great follow-up to issue 1. Now that the characters are established, this issue focuses on presenting the problem they must overcome. The characters are all relatable, believable and enjoyable. There was an interesting twist with Pugg's girlfriend (her name escapes me at the moment). Pugg's transformation was fun. The story as a whole so far has a slight Mars Attacks meets Red Dawn vibe. I like it a lot. more

Excellent book, just picked up the first three issues after not having heard about it before a few days ago. #1 did a good job introducing the characters, showing us who they are and why they are, and then flipping their world upside down. I look forward to finishing this one.

Excellent book, just picked up the first three issues after not having heard about it before a few days ago. #1 did a good job introducing the characters, showing us who they are and why they are, and then flipping their world upside down. I look forward to finishing this one.

"But the world doesn't wait for us to ask before it inflicts horrors upon us. All we can do is spite it by surviving or die. What will it be, Cyclops?"

Sure did pick a day to drop that line.

Another impeccable issue of this run. Incredible writing and plot, the art was only ok, but the story more than made up for it. The conversation between Magneto and Cyclops was absolute peak X-Men. Can't wait to see where this business with the young girl goes and why she doesn't show up on the scanners.

Very intriguing story, with a nice (but not 100% shocking or original) twist at the end. The art was quite good, the writing was great and I love the plot. This one is definitely going on my pull list.

Very well written, the story was a bit slow and the art didn't really work for me, but it was a good book. I'd love to see a longer story with Ivy and Swampy, something involving the Parliament of Trees would be cool. But the plot for this story worked as a one-shot. It did leave me wanting more information about the girl in the woods, I forget her name. I suppose she wasn't the point of the story, she was just a mystery person with mystery abilities. Good book that left me wanting more. more

Good book. It's not the cleanest or most efficient storytelling, but it's still a great story. The art was pretty good and the writing was great. I feel like I'd enjoy it much more in trade format when it's done, but I'll keep reading it monthly then probably reread it as a finished product in about eight months heh.

This was pretty incomprehensible. The idea seems solid, but the execution was just all over the place. I didn't care for it.

The main story was well written, well drawn (he keeps this up, JRJR is going to convert me into a minor fan, after decades of HATING his art) and a good ending to the run. Tombstone getting off was a frustrating, but expected, outcome that serves the purposes of the story well. Usually when I grab a thick book like this one, I know I'm not going to like most of what happens after the main story is over and usually I skip them after skimming to confirm my expectation. Happily, that wasn't the case this time. I actually enjoyed all of the mini stories. The Wolverine and Rek-Rap stories were my favorites, but all of them were good and worthwhile character insights into Spiderman. I'm not much of a Spiderman fan, but I'll probably give Joe Kelly's run a shot too, he's an incredible writer. more

Well written issue, but the art was pretty mid. I'm enjoying these looks at different phases of Namor's life. The jumping around can be a little confusing at times, but not to the point that it's a problem. I particularly enjoyed the story of Namor's sympathy for the fishermen. The weakest part was definitely the part with the coral man also trying to become the king, but it wasn't bad.

This issue goes back and rushes through a bunch of backstory and history explaining the origin of the toon world. It got a little preachy, but not too bad. Excellent use of the now-available-for-public-use Steamboat Willie and references to the various old Disney movies, heh. The most interesting part was the story of Oliver's mother. Great writing and art, this book is a gem.

For a parody comic, it's pretty well done. The art fits the tone perfectly and the writing is humorous. It's not the most efficient writing or plotting, but it's not bad. I'm ready for this to wrap up, though.

While it's a little difficult to follow at times, the story and art are next level. I still struggle to believe that Peach Momoko will stay with this long enough to give it a proper run, feels like this story should last at least a couple years, but I'll enjoy it while it lasts.

This is exactly how tie-in mini series should be done. Taking place in the outskirts of the main event, this is a very small scale story that shows how people other than the main players are affected. The art and writing is fantastic and the "Night of the Living Dead" vibe works great here. It did a great job humanizing Shocker as well, telling the story from his perspective and giving us a glimpse into the mind of a c-list supervillain. I enjoyed this much more than the main Venom War event. more