I really wasn't feeling this arc in the future. I don't hate it, but I didn't find it as interesting as the main story before it. I felt the same about most of this issue.... Until the end. The hook has me very interested. Too bad it's taking a tynion break and who knows when it will be back.

This was interesting. It doesn't give a lot of premise away, but it does intrigue me.

It's setting up for some kind of monumental moment. At least that's how it feels. It's not very action oriented, so if you like that I can see why this book might not be for everyone.

It was a fun issue. I didn't think it had some corny dialogue in a certain part, but it was entertaining.

Besides the end, it s a pretty uneventful issue.

I'm enjoying this series. I'm doing my best to ignore the new timeline, but it's a well told story. I like the dynamic between the caps.

It was a good enough ending, but nothing spectacular. I thought it was a good series overall. Not sure if I'll be rushing to reread it anytime soon, but it was fine for what it was.

It was pretty solid. It wasn't what I was expecting. I missed the FCBD issue so not sure what that added. Even with all that, it was entertaining and I turned on the cartoon for the first time in almost 30 years.

It's a shame how different this is than the Pepe issues. I thought this book was just ok. We just dealt with mopey Pete in the 8 deaths. I was actually more interested in him actually working at his job, but that's clearly done with after this issue.

I liked the first series, even though the first few issues were better than then the last. This gave me the feeling of those good issues. I liked all these stories. The Ann Nocenti one was my favorite.

I liked the art. I liked the first 3/4 a lot. I'm not saying I didn't enjoy the last 1/4 it was just a little confusing. Did they show us a twist? Is that really what's been happening the whole time? Questions to be answered I guess.

There were moments that shined... And moments that felt generic. I think it was a solid issue, that just felt a little lackluster in some parts.

I'm not the biggest fan of the minimalist art style, but I do like the story. I think this one did a fantastic job of ramping up the tension.

It's just a silly book with how the action scenes play out. It is entertaining though. I did enjoy the ending.

What an issue. Might be my favorite. Really did a solid job with the character of Simon, had great art, and told a good story.

A solid issue of Geiger. The art was not as strong, but it still felt like a good read.

I likes it, but it definitely didnt feel as compelling as the first 2.

Another really good issue. I like this arc. If the art was better I might even grade it higher.

It goes by very quickly, but it does give a good chapter. I just need to reread due to the amount of time between issues.

It flies by when reading, but it's another solid issue. I enjoyed this arc a lot so far.

It's not bad. I actually was entertained. But we've seen this type of story a million times. Fighting while talking.

I think all the stories were just ok. I actually liked the reprint story the best.

Maybe the best issue in my opinion. I felt really engaged in the outcome of the group of cats we've been following.

Started off a little corny and got better as it went. I enjoyed it.

I live the art. This issue was a bit more "relaxed" but I liked the story overall.

Patrick Horvath’s return to Woodbrook deftly expands the original series, introducing Monica Brewer, a new character who is the sister of Samantha’s victim from original series’ debut issue. Monica’s POV is expertly woven into the story’s established lore, setting the stage for a compelling new arc.

Horvath takes a bold leap by dedicating a significant portion establishing Monica’s character rather than returning immediately to Sam, and it’s a risk that pays off. Monica’s story is heartbreaking, as she’s forced to put her life on hold for years in pursuit of closure for her brother’s murder. Her adoption of a new, unfulfilling life makes her an immediate sympathetic and tragic central figure.

The issue’s climax is awkward and tense, leaving readers wondering if Samantha’s past will finally catch up to her or if she’s prepared to go further into the darkness. Horvath’s beautiful signature art style adds to the tension, delivering haunting visuals that perfectly capture the mood of every panel. Hassan Otsmane-Elhaou's letters effortlessly bring Horvath’s script to life.

Rite of Spring #1 is an emotional and haunting success which builds on the original series perfectly. Horvath’s visual storytelling makes this a must-pull for fans of the original series and new readers alike. The stage is set for a thrilling new chapter, and it’s clear that Horvath is poised to take the story in an even darker and captivating direction. more

The Seasons has been a fantastical, and fantastic, adventure that's gotten darker with each issue. After the revelations of the previous issues, where the secrets of the circus and the motivations of its evil ringleader were finally exposed, this week’s issue sees Spring Seasons trying to escape the magical world she's been trapped in. And what a journey it is!

Artist Paul Azaceta and colorist Matheus Lopes' visuals are nothing short of breathtaking — a hallmark of the series. Every panel is rich in visual storytelling, conveying the whimsical nature of Spring's journey with imaginative detail. The colors are vibrant, the characters are expressive, and the panel structure is innovative. Rus Wooton’s lettering keeps readers focused even when the images might be upside-down or wrong-side up.

The issue isn’t just a visual treat. Rick Remender's script packs two heartfelt reunions into the issue, bringing humanity to the story which reminders readers that, at its core, this is a story about family and relationships. These moments are beautifully written, and they add an emotional resonance that's impossible to shake.

And then there's Spring herself. This issue sees her stand up for herself, something she's been unable to do during previous confrontations. It's a powerful moment, and it points to how she'll approach the endgame of this story. Spring's determination to fight for herself and her family, even when she’s forced to question her own self-worth, is so admirable. I’ve always been a fan, but I'm rooting for her even more now.

The Seasons #6 is a visually inventive issue that pairs creative feats with emotional stakes. The series continues to be one of the most compelling and consistently strong books, issue after issue, on shelves today and I'm eager to see where the story goes from here. more

Prepare to be transported to the steamy Louisiana bayou in this tensely intimate debut issue. Si Spurrier’s script is expertly crafted, but it’s the visuals by Vanesa Del Rey and John Starr that truly standout. The artwork perfectly captures the environment, making you feel like you’re right there with the characters, sweating amidst unbearable humidity, wading through cypress swamps and dodging Spanish moss. But are the worst dangers that which nature hides from us, or is our fellow man — or ourselves — what we should fear most?

Spurrier’s development of Maria Burgau, the ultra-pregnant main character, and the rest of the supporting cast characters is nuanced and thoughtful, hinting at rich backstories that are begging to be explored. We’re introduced to Mrs. Watters, a devilish local mob boss, who Spurrier uses to present his main thesis for the series and pushes Marie to her limits. The character test she is confronted with, and her actions, will reverberate throughout the rest of the series.

What struck me most about this issue was the unsettling, eeriness that permeates every panel. It’s reminiscent of a classic slow-burn TV drama like True Detective, where the tension builds gradually but inexorably, and there’s always a question of whether or not something from beyond this world could be at play. Even without any overt mystical or fantasy elements, the story feels like it’s hovering just on the edge of something supernatural, adding to the sense of unease and anticipation. This subtle sense of foreboding is perfectly crafted, making it impossible to shake the feeling that something is lurking at every page turn. The pacing is deliberate and measured, allowing the reader to absorb the story and become fully immersed in this world.

Overall, The Voice Said Kill #1 is a gripping and intense debut that showcases Si Spurrier’s range as a writer. With its slow-burning narrative and vivid, visual world-building, this is definitely worth adding to your pull list! more