While on suspension, a voice from the past reaches out. An old mentor (and lover?), the former 003 Gwendolyn Gann, reaches out to Bond with a proposition. 007 #1 offers an interesting wrinkle to Bond's history in suggesting the primary influence to him as an agent was a woman. We're given a handful of images from his memory suggesting there might be more to delve into. But, is it already too late? Can Bond solve the clues left behind, and how might all this relate to the shadowy operatives testing him at the beginning of the issue?

The last half of the issue deals with Bond turning down taking over the case only to be attacked outside his apartment and abducted by mercenaries from Myrmidon who appear to want to know just how much Bond knows about their plans. A solid issue that underscores the talents of 007, teases us with the toughness of the Myrmidon agents, and sets Bond up all alone on a fight for revenge.

Like several Bond villains before him, Fromm gives Bond the hard sell which ties back into that same dictator England wants to put back in power. At the time of her death, Gann was working with Myrmidon to prevent this. All the other trappings of the organization's facility, while interesting, are secondary to this idea which offers a plausible reason, at least in the short-term, for Bond to go with the flow.

Looking for answers, Bond begins working for Myrmidon with his first assignment stealing secure information from the British Government. Seducing a young woman at MI5 for access and then breaking into a secret government server room, Bond looks for answers about Gwendolyn Gann and for what his government is doing in bed with a terrorist and dictator.

007 #5 offers the twist you've been waiting for explaining both Bond's endgame with Nassar and his role with helping Myrmidon (or not so much helping, but delivering them into the clutches of the authorities).

My complaint is the story relying on the laziest of action cliches with our obvious hero being hunted by his own head-up-the-ass government mistakenly believing Bond is a traitor. It's a move that makes M6 look so incompetent, that if Bond wasn't around, every one of them would likely end up like White Boy Bob in Out of Sight.

Solid first issue with the action bookended a bored 007 living in hiding with Gwendolyn Gann for much of the comic, getting grouchier day by day, before new trouble comes calling.

We're given a couple action sequences, first with the new 00 catching up with them, who our spies on the run easily dispatch, and later with the much more seasoned 006 finding them in Rome as Gann attempts to recruit an old friend to help the pair in their fight.

Just what is the secret Gann has been keeping? And how much will it effect Bond's mission to destroy Myrmidon (which we see more examples of their monstrosity on display underlining that despite Gann's secrets, Myrmidon needs to be taken down whatever the cost).

007: For King and Country #5 opens with a trigger-happy 009 and an assassination attempt James Bond barely survives in an action sequence that cover several pages.

3.5 Razors, Action, James Bond

The first issue of the five-issue mini-series is presented in a way that should appeal both to those who already know the story and those discovering it for the first time. Worth a look.

With their master now dead, and the man responsible unpunished, the story can begin in earnest as the 47 ronin will begin their own search for justice for the death of their fallen lord. Worth a look.

Three issues in 47 Ronin is still quite a bit of politics and set-up without delivering much action. That said, the story is well told and I'm willing to read anything drawn by Sakai (although I prefer it to center around a rabbit with a samurai sword). Worth a look.

Writer Mike Richardson and artist Stan Sakai's retelling of the classic Japanese legend has been heavy on story and character, but that should change with the series' finale. (And, even more importantly, it will free Sakai to return to doing what he does best – write and draw Usagi Yojimbo.) Worth a look.

I happy to see Richardson and Sakai bring to story to a satisfactory conclusion, especially as that means Sakai's responsiblities on the mini-series are done once again freeing him to do what he does best and return to beloved creation Usagi Yojimbo. For those of us with serious rabbit ronin withdrawal it can't come soon enough. Worth a look.

More of a curiosity than anything else, this first issue is really nothing more than a mediocre What If"? story. It's not bad, the tale simply doesn't engage the reader and there's nothing here to make someone like me come back for four straight weeks to see if the other X-Men characters fare any better. Hit-and-Miss.

The other Robins also get tales, my favorite of which features the Red Hood completing a task he started during his time as Robin in “More Time.” Tim Drake gets a pair of stories in “Extra Credit” and “Boy Wonders” both touching on themes of growing up and learning to grow into his own Robin. Stephanie Brown struggles with becoming the new Robin in “Fitting In” in a nice story featuring the shortest tenured Robin of them all. Damian is seen in “My Best Friend” centering around his friendship with Jonathan Kent and “Bat and Mouse” which ties into current storylines (and is the least interesting of all the tales). For fans.

Guy Gardner and Kilowog are given a tale with a fun twist, Sinestro tortures a Green Lantern in his story, and Jessica Cruz and Simon Baz overcome fear and hatred respectively in their solo tales. Like similar recent one-shots from DC, this one's mostly for fans.

We also get Catwoman going up against Clayface in "Born to Kiln," escaping a trap by the Taxidermist in "Save the Cat," and dealing with a crooked rent-a-cop in "Now You See Me," And, as with the other collections we've seen, the story included from the current timeline, "Addicted to Trouble," featuring Catwoman on the road proves to be one of the lesser entries.

Halloween time fits well with the release of the first issue, although I'll be curious to see just how long it takes for Cleo to get answers to what is going on and seeing how the pieces begin to fit together.

The second story, although not nearly as entertaining, also features two heroes winding up at a poker game as the Yancy Street friends of Ben Grimm invite Gambit, over for the weekly poker game. There's some okay back-and-forth between the characters and late twist, but it's the less interesting of the two stories. Worth a look.

Although I've never been a big fan of Hawkeye, I really enjoyed Deadpool Team-Up and the idea of Deadpool driving any Avenger crazy for half an issue appealed to me. Despite having some nice moments as well, the story isn't nearly as zany or outrageous as I was hoping. Hit-and-Miss.

The rest of the comic features Superman battling giant robots (for reasons that don't make a lot of sense), Lex Luthor keeping his shrink locked up for an accurate diagnosis of him as a megalomanical psychopath, and a weird hallucinatory moment where Superman thinks one of the soldiers piloting the robots is Jimmy Olsen (which, also, makes very little sense). Hit-and-Miss.

Action Comics #1000 may lack one stand-out story, but the comic offers something for everyone with some great art by a variety of comic artists celebrating the Man of Steel's 80 years. Must-read.

We also get introduced to a new super-powered threat in Red Cloud (think Livewire except on fire?) who may have ties to Clark Kent's world as well as Superman's. Hmmm…. Worth a look.

The issue is worth picking up for the Batman and Superman angle (including Bruce's joke about what he plans to do with the Kryptonite). Also of interest, though, is the late reveal of Lois Lane being tracked down by an old “friend.” Worth a look.

There's some nice action here once Red Cloud rebuffs our hero's offer (the character's nature provides some interesting visuals of Superman fighting mist without a solid physical form for the Man of Steel to punch his way through). I'm really enjoying Bendis' take on Superman (and again huge props for pushing for the return of the trunks on both Batman and Superman!). Worth a look.

Whatever Leviathan is, and apparently its big enough to take out several secret organizations without much effort or leaving much of a trace, it looks like the threat is very real. The first question Superman will have to decide is if he can trust Waller (who apparently has known his secret identity for some time)? Worth a look.

I'll admit I'm a bit confused by the final few panels in which Superman and Lois appear transformed for an undercover mission (what did I miss?), but even an unclear ending doesn't detract all that much from another solid issue. Worth a look.

The night before the new day that Leviathan has promised, there are still quite a few questions unanswered including what happened to all the agents from the agencies that Leviathan put down? And just what does Leviathan have planned when the sun rises tomorrow? Worth a look.

The issue's B-story continues the fallout of The Daily Planet's recent woes (keeping that plot thread alive), but this issue is primarily about re-incorporating another character back into the Kent family.

Kara earns really only a token appearance, but there are also several pages of Superman hanging out with Jon prior to his son returning to the future in which we get to see Clark in the role of a father once more.

3 Razors, Power Girl, Supergirl, Superman

I'll admit to not giving this comic as much attention as it probably deserves and feeling a bit lost, not unlike Claire and Crossjaw wandering through the underground tunnels, after taking a break from this story after the introductory first issue. That said, I still enjoyed the mix of humor and creepy weirdness here involving a gang of ghosts returning to the living and a woman taking on powers of a pulp hero being the only thing standing in their way. I'm curious to see the adventure continue.

Aside from being extremely violent, unnecessarily gritty, and all around unenjoyable, this first issue is also rather pointless as we don't really spend any time getting to know any of these versions of classic Marvel characters. Maybe they're saving that for the next nine issues. God help us all. Pass.

The comic ends with a discussion between the Phantom Stranger and Madame Xanadu. Xanadu congratulates the Stranger on the success of his plan but reminds him Robin wasn't Batman's only partner. Best of the week.

I know the title is geared towards younger readers, and this is a holiday issue, but it has done a pretty good job not talking down to them and spoon feeding them issues (religious or otherwise), which we get more than our fill of here. Hit-and-Miss.

Bat-Mite manages to take the rejection rather well, and finds a new target for his amorous advances. It's not a bad end to the series but with the show already off the air and the rest of the New 52 Bat-titles firmly entrenched in a far less stories there certainly seems like there's a market to keep this title around. I'm going to be sad to see it go. Worth a look.

Filled with action, suspense, and an awful lot of humor and inside references (such as Kitty Pryde's mention of her uncomfortable past with space travel), the pairing of the two teams is a lot of fun while the pre-trial moments between Jean Grey and a Shi'ar telepath continue to set the stage for the trial yet to come. Worth a look.

Don't get me wrong, there's some very nice artwork here (highlighted for me by Bruce Timm's showcasing Jean Grey in her various forms), some of it quite funny, but as a fan of the original idea of The Watcher as a silent observer I'm less than satisfied with this verbose version that even goes so far as to insult the X-Man after speaking his mind. For such a momentous issue All New X-Men #25 can easily be skipped by those not willing to pay $5 for a story that doesn't do much of anything to further ongoing stories and whose absence won't be felt going forward if you choose not to read it. Hit-and-Miss.

Smartly, the group attacks the team's psychics taking down the Cuckoos and then turns its attention to Cyclops, Emma Frost, and Jean Grey (who Xavier psychically reaches out to at the end of the issue). Even with a full issue of action, there's not much here in terms of advancing the story as the Brotherhood is only marginally more in control of their attack on the base than it is at the beginning. Worth a look.

Faced with a serious threat in Xavier and his team, All New X-Men #28 continues the trend of showcasing Jean Grey as the pivotal figure on the team whose power continues to surprise even those who know her all too well. Worth a look.

All-New X-Men #29 is another strong issue although by their nature the Brotherhood's failed attacks are beginning to grow stale. Hopefully next month's issue moves towards an end to this storyline and begins to look forward to something new for the team to sink its teeth into. Worth a look.

The other major plot thread involves Emma Frost trying to pick a fight with Jean Grey, but not for the reason you may suspect. The ending of that story completely changes the pair's dynamic (which didn't have anywhere to go) and opens up the door for several new possibilities between Scott Summers‘ ex-girlfriends as actual friends. Poor Cyclops. Worth a look.

Although I think it's very possible for these characters and this comic specifically to get time/space dimension fatigue beginning so quickly after wrapping up a storyline involving villains from the future, Brian Michael Bendis' choice to bring Jean Grey into a universe he knows so well (he did help create it after all) does open the door for some intriguing possibilities as long as the arc doesn't overstay its welcome (a problem the title has had issues with in the past). Worth a look.

The Jean Grey/Miles Morales team-up sells the issue (while also providing a pretty cool splash panel of Miles' time as Spidey), but the other storylines don't put the original X-Men in situations which they couldn't have found on their own Earth (in either timeline, really). As someone who has largely ignored the Ultimate Universe since its creation the comic is is only mildly interesting to me but longtime fans may get more out of it. For fans.

Getting Angel and X-23 back adds some nice levity to the situation while the rest of the team mainly freaks out with their new reality. For someone unfamiliar with Marvel's Ultimate Universe (which I've mostly avoided other than the early Ultimate Spider-Man arcs) I felt as out-of-place as the X-Men, but given the fact that is exactly the issue's hook it certainly doesn't hurt the story (although those more familiar with the universe will obviously get more out of the cameos of the various alternate versions of Marvel Comics characters). Worth a look.

Things aren't any easier for the Beast who has a dinner date with this world's Doctor Doom who is fascinated with the tale of time-and-space-displaced mutants. Just what the super-villain plans to do with such knowledge is yet to be seen. And, in the least interesting of the three storylines, Iceman finishes battling the mole monster on the streets of New York only to run into a couple of police officers and discover mutants are no more beloved in this reality than his own. Worth a look.

The issue is really a microcosm of the entire arc in that it includes some fun moments but never quite lives up to the promise of its premise ultimately offering a mostly forgettable adventure. For fans.

As to the storyline, the Ghosts of Cyclops aren't that interesting and the increased hatred of mutants outside Austin, Texas where Iceman finds some new friends paints a bleak world view I don't have interest in returning to month after month. Hit-and-Miss.

One issue in it's unclear whether, like Frank Miller's All-Star Batman volume, the series is supposed to exist in its own continuity or not. One thing is clear, seams are the new pouches in terms of overused comic cliches. Seriously DC, I don't need to see every damn seam highlighted in every super-hero's costume. Pass.

Although I've liked individual stories in The Gauntlet, the story behind the scenes, which comes to the forefront here, has done more to weary me than our hero. Why am I supposed to care about forgotten Spider-Women, Madame Web (a character I've never liked), Ezekiel, Kaine, or Kraven's wacky family? Hopefully Marvel can get through the "Grim Hunt" and on to better things for the wallcrawler as fast as possible. Pass.

The issue also includes a short Scorpion story tacked onto the end of the issue. I'm okay with Mac Gargan taking back the name, but I'm not sure I like the HYDRA looking design of the new suit, and I'm sure I hate the issues final couple of pages where the new Scorpion army is revealed. Ugh.

There's also a nice moment at the end where the family sits down to watch the message Johnny left for Peter. It may not be as good as the one from FF #1, but it's still a nice moment. Worth a look.

I have to say the amount of whining Spidey does in this issue troubles me a little. It looks like the decision is to make Peter far more kid-like than we've seen him in recent years in an attempt to better the team dynamic (which I think is a really, really bad idea). We also get the first rumblings of a major problem with Peter and Carlie's relationship which could lead to a big confrontation in the next issue. Worth a look.

Meanwhile, back in New York, Carlie makes a decision that just might earn her the title of worst girlfriend ever by getting a tattoo of the Green Goblin to spite Peter for lying to her about his plans. So to teach him a lesson she permanently marks herself with the image of the man responsible for killing Peter Parker's first love. Yeah, that should go over real well. I think it's time to dump this chick Spidey and spend some more time with Ms. Marvel. Worth a look.

And, finally, the Carlie Cooper tattoo fiasco in a switcheroo that makes no sense whatsoever and yet is still better than what was shown in last issue with her brilliant idea of branding her body with the image of the man who threw Peter Parker's first love off a bridge. Worth a look.

I haven't been keeping up with Amazing Spider-Man lately given my lack of interest in Spider-Island and sheer the number of issues the title puts out every month. However, I have to say I love what Waid does with the ol' Web-Head here and I'm eagerly anticipating the conclusion of the arc this week. Best of the week.

I'm sure there will be some who will be looking forward to the fresh take on the new “Superior” Spider-Man, but, following the example laid down in the Ultimate Universe, Peter Parker is dead and replaced (this wasn't even an original idea). Sure, Marvel is likely to return Peter Parker to the living (perhaps within a year if fan outrage hits critical mass and sales drop), but, to put it bluntly, I honestly don't care what happens from here on. He was inarguably the heart and soul of Marvel Comics, and the Marvel Universe is going to miss him far more than they know. Pass.

The only bright spot for Pete is a bit of super-heroing and getting back together with Mary Jane, which offers a fan-friendly moment but is undrecut by the uncertainty of not knowing how much of their history is still canon (or, to be honest, what ages either character is supposed to be at this point). For fans.

Despite my absence from the title, and this being the second issue of the storyline, the plot was relatively easy to follow and artist Patrick Gleason has some fun with Spidey in shadow and falling through reality. Enough to keep me around for another issue? Hmm… maybe?

After seeing Ben in action for the past couple of issues, The Amazing Spider-Man #77 takes a step back and examines the life of a corporate super-hero trying to live up to both internal and external expectations. If Ben is likely to have struggles, they may be more from Beyond than what he faces on the streets. It's more building block than standalone issue, although it does offer Spidey versus Morbius for a late fight cliffhanger.

The bad guy of the issue (if you don't count the evil corporate types of Beyond while foreshadowing the inevitable turn of Maxine Danger as a super-villain) is the utterly forgettable Rhizome who the two Spider-Men team-up to stop. Seriously? It took two of them to stop what looks like a drunken mistake by Poison Ivy? Anywho, Maxine isn't pleased with Ben for not pushing the copyright issue with the other Spider-Man, although she may have other more pressing concerns involving Doctor Octopus.

Although we don't see him in action, other than a quick save to save a confused Black Cat from taking a 60-story swan dive onto the pavement, The Amazing Spider-Man #89 offers us Peter Parker back in costume for the first time in several issues.

The issue wraps up the storyline in explosive fashion (heh), with a host of cameos late foreshadowing new stories to come involving Silver Sable, Taskmaster and Black Ant, Kindred, Doctor Octopus, Kraven, and Electro.

At least he's still got the suit and can do a little wall-crawling which leads into the other thread of the Rose making a play for Tombstone‘s territory. For some reason Tombstone blames Spider-Man, instead of the guy who blew up his home, and threatens to destroy his life (if he only knew). At least Peter is going to have somewhere to put his pent-up aggression.

The second-half of a two-part story by Joe Kelly and Terry Dodson doesn't make a lick of sense, but it does offer some fun moments between Black Cat and Spidey beating the wannabes.

I really enjoyed the opening sequences of Nightcrawler and the apparent choice of writer Jason Aaron and artist Ed McGuinness to bring him back into the Marvel Universe. Although the chaos on Firestar's first day is humorous, there's a bit much of it for my tastes as the joke runs a little too long. That said, Firestar's inclusion in the title as a part of this core team certainly brought a smile to my face (as did her awkward interaction with Iceman). I haven't yet been sold on any of the X-Men books on Wolverine's side of the X-Men split, but this one I may stick with. Worth a look.

Despite his voice commenting on actions and events he couldn't possibly be witnessing, the comic is missing the character who the entire first arc of the series is named after on. Because of this the second issue isn't as strong (or as interesting) as the first, but it's still worth a look.

After two issues of set-up, Amazing X-Men finally starts delivering on the promise of working Nightcrawler back into the group. Although I didn't expect the level of romantic undertones we get here, I love the reunion between the pair and can't wait to see where they go from here. Worth a look.

Along with the various reunions writer Jason Aaron reveals the origin of the Bamfs and lays the groundwork for the possible cost of Nightcrawler's current heroism which may have serious repercussions for the still-dead hero and his teammates very soon. Worth a look.

Kurt's return should also force Logan to admit his own failures including the split in the X-Men. How Nightcrawler is going to fit into that schism should be interesting to watch. Worth a look.

Despite Mystique's plans to kill Kurt's father the pair form an uneasy truce which can't spell good things for any of the X-Men going forward. Worth a look.

The entire issue is prelude to who and what Amber Blake may become. There's a kernel of a good (but hardly original) idea, but without at least a tease about where the tragic events may lead her, the first issue feels hollow. Pass.

The comic's major weakness is its choice of resurrected best forgotten C-list character in Duela Dent. That said, there's still plenty of fun to be had, and quite a bit of story jammed within the pages of the comic. Worth a look.

The retelling of Supergirl's origin isn't tweaked too much, but before out two super-powered Kryptonian females can get to know each other they've got an army of Manhunters to deal with. Goofy? Yeah, but it's an awful lot of fun and I'm certainly willing to stick around to see where things go from here. Worth a look.

Once again this all-female version of the DCU provides tons of action and a sense of craziness and goofiness missing in far to much of the New 52. The issue ends with the promise of an all new series beginning next week and a Dark Supergirl/Wonder Woman throwdown to kick things off. Worth a look.

Although Brainiac's master plan seems more than a little ridiculous (even by Silver Age standards) this first issue is full of action and some humorous moments (such as Duela's amusement of Wonder Woman's attempt to stab every problem into submission). Worth a look.

There are some interesting ideas in the later-half of the comic dealing with vigilantes working with the government (especially when two of them are minors), but (like the final few pages of the Braniac story involving Power Girl nearly coming to blows with Wonder Woman while trying to help a poisoned Supergirl) the writing seems rushed with panels, or even whole pages, missing. I wouldn't be surprised to learn that two-issues worth of story were crammed into this one book. Hit-and-Miss.

I like the unusual choice for the Ame-Comi version of Green Lantern, although the change in the Green Lantern Oath threw me a little (as did the musical aspect of this GL's power). Star Sapphire's origins allow them to sort of merge Hal Jordan and Carol Ferris into a single character who could be friend or foe, depending on if Carol is able to control her emotions and new-found power. I'll be interested to see where this storyline goes from here. For fans.

Personally, I'd have preferred the comic to stay away from the various rainbow corps other than Sinestra (especially the Black Lanterns), but the introduction of the backstory of the character is certainly no more ridiculous than Geoff Johns‘ original concept. Worth a look.

Although its themes can't be called subtle, I really enjoyed the Hawkgirl story. The Strange story isn't quite as strong, but it works as well to bring the characters together and set-up their eventual arrival on Earth. Worth a look.

Things fall apart for me in the final pages where Metra gets directly involvedk. I would have preferred the ladies to win the day on their own but the (unsubtle) Motherbox metaphor works okay and sets up new possibilities (albeit for a comic whose days appear to be numbered). Worth a look.

There's plenty of action and some nice humor between Raven and Trigon as the invasion of Earth by a demon horde all because of one guy's daddy issues embraces the absurdity of the situation in a way the New 52 never would. Worth a look.

The White Canary story gives us a character whose sonic scream is far more pronounced, making it impossible for the heroine to communicate at anything above a whisper (unless she wants to destroy all surrounding structures). I've enjoyed this series, and even if the final issue is one of the weakest, I'll still miss it's optimism and gleeful spirit. Once again, this is something the New 52 could use far more of… as well as more strong (preferably not insane) female characters. For fans.

This first issue isn't awful, but it's pretty disappointing. Season Nine, the first full comic season with all the characters under one publisher's banner, begins not with a bang but a whimper. Hit-and-Miss.

Although the supporting characters we see here aren't likely to make many appearances once the series begins in earnest, Angel #0 is a solid introductory issue to the updated version of the character about to make his first appearance in Buffy the Vampire Slayer #5. Worth a look.

Relocated to Sunnydale, Angel #1 features the vampire with a soul looking in an old friend who attempts (but fails) to help Angel see the good he has done. Oh yes, Angel is in full brooding mode. The issue also includes cryptic warnings about dangers Angel is about to face and an opening flashback to his time as Angelus when he sired a vampire hunter. Although the flashback appears completely disconnected from the current storyline, it's obviously important to upcoming events surrounding Angel (who it appears will stay outside Buffy and the Scoobies' orbit for the time being, at least in this plotline). For fans.

Other storylines in the comic continue the flashback of Angel siring the new vampire Marius and quite a few pages are devoted to the unseen enemy attacking young victims through social media and text messaging by offering an understanding his victims aren't finding elsewhere. No doubt this is the looming threat Angel will need to solve, but personally I'm looking forward to seeing the handsome man save Fred from the monsters. Worth a look.

Fred is an interesting choice of a first companion to Angel, rather than Cordelia (who is still in high school) and Lilith‘s note about Angel's journey helping to quiet her mind makes you wonder what version of the character we may see when Angel emerges from the hellish maze Fred just sent him to. Worth a look.

The comic also features a scene between the victorious Angel and the more lucid Fred who foreshadows more trouble to come as well as the next member of the gang to be introduced to the fight. Worth a look.

The issue ends confirming it was Angel who Buffy spoke to previously at the Halloween dance, and putting Angel in place in time for Drusilla's plans to come to fruition (in the upcoming Hellmouth crossover). Will Fred and Gunn be joining the party? Or will we have to wait a bit for more from them? Worth a look.

Angel + Spike #9 also introduces the First Season character Kate Lockley for the first time in the rebooted universe as the detective runs across monsters and is guided to Angel by Lilith. I'll be curious to see if Kate ends up having a larger or smaller role in this version of events. of The comic also furthers the foreshadowing of Wolfram & Hart becoming a major part of the comic in the near future.

There are no big reveals or answers in Angel + Spike #11, although Lilith's talk with Angel does seem to suggest that Kate and Mara, the woman we've seen from Angel's past, are linked in some way and may offer Angel a second chance. Fred's journey appears to be taking a dark turn as well, but just what is Wolfram & Hart's endgame and where is Lilah leading her (other than the literal destination, which appears to be Hell)?

As Lilith states, Angel chose Kate's safety over Fred. Now bonded with Baphomet, Fred has been given a new position: CEO of Wolfram & Hart. As to how much of Fred remains (from what little Lilith reveals it appears Fred has be joined with the demon rather than taken over by him), and whether she is still friend or enemy, that remains to be seen. What happens when Angel interferes with the plans of Wolfram & Hart?

While the comic feels disconnected from current events on the title, it works as a self-contained story offering us a glimpse into Angel's past (which is always tricky given continuity issues). It's not a must-read, but for fans there may be enough of interest.

Issue #15 also continues to tease a more romantic relationship between Angel and Kate, which the TV-show hinted at but never developed. The comic also checks in with Fred, who it appears is having a bit of trouble staying sane with the metaphysical entities warring within her skull.

The reimagined Buffyverse continues in a new series for Angel who is now a TV detective with Cordelia while his friends continue to fight monsters and things that go bump in the night in his absence.

Our baddies seem to be multiverse versions of other characters, although (after skipping several issues of this title) I'll admit to being a bit lost about the point of the story or their reasons for attacking in such public places. I'd guess their shared trouble should bring Angel home, but we'll have to wait and see.

The story itself is an okay set-up for the new season. However, I'm far more excited by the return of Fred (who apparently is sharing a body with Illyria this time around). The idea of exploring an Angelus storyline is intriguing, but my squees for joy come from seeing Fred back in action. Worth a look.

Angel Season Eleven #3 continues the unexpected opening arc with Angel meeting some of Illyria's worshipers/victims. When present, the current version of Illyria runs straight into danger which makes it a pretty good thing Fred is able to pull her back when things get too crazy. However, given what Illyria discovers at the end of the issue, Angel and Fred may need all the help they can get just to makes sure there is still a future worth returning to. Worth a look.

The other question left unanswered is what is the mystical beetle in the carved wooden box? What is its power and how is it connected to the dark visions of the future Angel must stop? I guess we'll have to wait and see. For fans.

I have to admit a slight disappointment that the character's goofy costume (bright orange and blue tights complete with jacket and goggles) didn't survive the reboot, but other than that I have few complaints. Those looking for a typical hero comic may want to try something else, but if you want a little horror mixed in with an atypical hero saving the day I'd suggest giving Animal Man a shot. Worth a look.

Even though I'm not the biggest fan of this type of story, and I'll probably move on from the comic before this storyline is finished, I'm interested to see where Lemire and artist Travel Foreman end up taking the character, and how big a role the young Maxine will have in her father's use and understanding of his powers. And given the early glimpses we've seen here, the exploration of The Red is going to be a trippy experience. Worth a look.

Even if I find Doctor Dredd to be infused with way too much power for such a ridiculous character, there's still much worth reading. The choice of Quasar as the main story's narrator is an interesting one, although I am surprised (given his quantum bands) how insecure he feels towards the rest of his teammates. The real fun here, however, is the Raccoon story which alone is worth picking up.

Both stories get equal time this time around and both provide great moments. The cosmic level of the Annihilators matched with the craziness of Rocket and Groot is a great combination. The level of adorableness Timothy Green II infuses the art the B-story with (particularly the look of Rocket Raccoon) is just wonderful. If you only bought one comic this week I hope it was this one. It's rare I'm happy paying $5 for a single issue, but this time I think I got my money's worth. Must-read.

The final panels of each story seem to suggest we'll be seeing both of these groups again (hopefully at a much-reduced cover price). Even though I love the Silver Surfer, I'm far more interested in a quirky comic about a new Guardians of a Galaxy than further adventures of the Annihilators. Worth a look.

Although we do get a Rocket Raccoon/Groot back-up story it's far shorter than what was included in the first Annihilators mini-series. And that's really too bad because less Rocket Raccoon is never a good thing. Best of the week.

My only real complaint here is the Rocket Raccoon/Groot back-up story gets even more truncated than it did in the first issue. We only get five pages of the pair stuck in Mojo‘s TV studio fighting out battles for the alien's entertainment. I enjoyed the story, and I love how artist Timothy Green II draws Rocket Racoon. I just wanted a few more pages of this story. Worth a look.

With only one issue left it looks like both stories (even if the second isn't being given as many pages as I'd like) look set to go out with a bang. Worth a look.

Much like the first mini-series Earthfall was fun, but not as good as I hoped it to be. Here's hoping the next one knocks it out of the park (and gives us at least twice as much Rocket Racoon and Groot). I AM GROOT!

Although we don't see much in terms of a larger threat for a character, the series does present the idea of a looming threat just beyond the horizon that she alone may be able to deal with. Honestly, I'm not sure that there is enough here to keep me around long enough to find those answers, but Aphrodite V #1 works as a single issue. For fans.

With help still on its way, Archie and the gang try to figure out what has happened to all the adults in town who are acting out of character (it seems the Siren has swayed their minds and hearts, but her powers prove to be inadequate over the teen population). Hmmm, sounds like a convenient way for Archie and company to help save the day. I'll be curious to see where things go from here. Worth a look.

Will the joke be on Jughead? With the city continue to stay under the Siren's sway? Will Archie team-up with Robin and Batgirl to save the day? Stay tuned! Worth a look.

Holy power grab, Batman! Has the Dark Knight Detective arrived too late to save Riveredale from his most fiendish foes? I guess we'll have to tune in next issue to find out. Worth a look.

With Oliver and Felicity both in enemy hands it should be interesting to see Arsenal and Huntress team-up to save them in the storyline's conclusion. Sadly, I have to admit the apparently imminent death of Khem-Adam makes me less interested to see how that plot thread eventually plays out. Worth a look.

Although both the killer and the vigilantes manage to get away from the police, the need to create another batch of Mirakuru cure sets up further issues of this arc by sending Oliver back to Lian Yu (taking Harper along for the ride). I'm curious to see what buddy bonding the two might go through, and what trouble they might get themselves into, in Ollie's old stomping grounds. Worth a look.

The rest of Arrow Season 2.5 #10 deals with events back in Starling involving Caleb Green‘s (who sadly is a far less interesting character than Slade) short encounter with Laurel Lance (which, as intended, drives Oliver crazy). The issue also spends time filling in the gap between Season Two and Season Three to help explain how Quentin Lance became Starling City's newest Police Captain. The first-half of the issue works better than the second (each was released previously as digital-first issues), but fans can still find some enjoyment here. For fans.

While I don't think you needed an over-sized issue to tell this tale, the comic does what it sets out to (with quite a bit of exposition in the middle with a literally deus ex machina spelling things out for us including suggesting the roles for all three woman going forward amongst the Amazons) and returns not just Artemis to the Amazons but Freya and her daughter as well.

The comic is tied into Marvel's larger event (Infinity Wars) but because so much of the writing is cribbed from other sources its pretty easy to follow. Issue #1 is really memorable only for the unusual makeup of the team (involving villains and magical frogs) who may be able to save the day if they can stop themselves from destroying the universe. For fans.

That's not to say I didn't enjoy the issue, I did. The final few pages present several new opportunities should Kirkman and Howard ever decide ever decide to return to the character. And just the thought that they've unleashed an army of werewolf covert opps into the Image universe, answerable only to their new leader, does make me smile.

Although I thought The Broken Man's intro was a little odd, the character's sly narration works well to introduce the world of Astro City to both old and new readers as well as create an idea that the reader is being used to help steer the story to the outcome The Broken Man wishes. I'm happy to see the series get new life at Vertigo, and if this first issue is any indication it looks like Busiek and Anderson still have plenty of entertaining stories left to tell. Best of the week.

Presented completely from Marella's point of view, we get her initial awe at her new job, the driven nature and yearning to get that one call to help save the world, and finally the acceptance and understanding of her small role in the larger picture. Without doubt, Astro City #2 is one of the best comics I've read this year. Best of the week.

Although it may not be as good as Astro City #2 (which is easily one of the best comics I've read this year), it's a joy to see a comic delve into this side of super-hero comics again. Must-read.

Of course when villains such as the ridiculous Majordomo show up to forcibly recruit those like Martha who have no interest in their conquest, the Sidelineres do know how to defend themselves. Once again writer Kurt Busiek and artist Brent Anderson find another niche in super-hero comics to explore with entertaining results. Worth a look.

The stories break down into a secret government agency in the 1930s dealing with the alien and bizarre, a Kobra-style cult leader in India during the 1940s, and a steam-punk heroine named Dame Progress chasing down a crafty villain whose motives aren't as black-and-white as she believes. Each story, although truncated, is worth reading.

Although presented through the trappings of a sci-fi story, the latest issue of Astro City is a straightforward character study of a complicated man taking advantage of an unique situation. For a mobster Thatcher is rather pleasant, but he also knows how the world works and is always looking to take the next available opportunity to improve his situation. Worth a look.

The focus may be different than the adventures we've gotten so far, but the storytelling is still just as good. Given what we've already seen over six issues I'd expect the role of the battered young boy to play a larger role in the story than we've seen so far, as will The Confessor who makes an appearance in the comic's final panel. Worth a look.

With the help of The Confessor the group begins to narrow potential suspects, but Winged Victory appears dangerously close to throwing in the towel. However, I'm betting she's got at least one good fight left in her. Worth a look.

Although the overall story isn't advanced much (the investigation hits dead ends and the evidence against Winged Victory mounts), in terms of exploring the effect of the attack on the hero Astro City #9 works well. And before it's over we get the tease of how the young man who came to her door just before her world started crashing down might have a big role to play in the arc's final issue next month. Worth a look.

Although the full effect of the smear campaign isn't yet clear, Winged Victory earns her hard-fought victory and proves her worthiness to continue her quest to help troubled and abused woman (and her first male student) across the globe as her story, thankfully, isn't over quite yet. Worth a look.

Writer Kurt Busiek and artist Brent Anderson have a flair for telling this kind of story focused on those on the periphery of the super-powerful individuals and eventful moments in the world of Astro City while continuing to deliver one of the best monthly comics available. Worth a look.

Obsessed with the wolf in Little Red Riding Hood, the glory days for Edward “Ned” James Carroway involved working alone and with other “Dapper Dans” or “Clotheshorses” whose robberies always included a touch of style and grace and providing an ideal life for his wife and daughter. However, after being caught first by Jack-in-the-Box and later the Confessor we also see the lows of Ned's life which include loosing his family and being lured once again back into a life of crime by old friends and a pair of expensive shoes. Worth a look.

Although similar themes have certainly been developed and explored in more depth elsewhere, Astro City #13 still works by playing with the lives of normal characters and larger-than-life entities who don't always have the same needs or desires. Worth a look.

The slimy nephew taking advantage of the old woman is a bit pretty easy to see coming, but writer Kurt Busiek hints that there's far more to Ellie's story than we've seen so far. Worth a look.

Despite every motive to seek revenge from the woman who stole her life, Ellie proves to be a hero in every sense of the word not even accepting the praise or help of the world's heroes once they realize the true story. As always, worth a look.

The result is another great addition to the current Astro City series, a heartfelt message to those still struggling to find themselves during adolescence, and a hero in Starbright who I hope to see much more of in the future. Must-read.

Told as the story by the one who witnessed it, first in dreams and later in reality, Astro City #17 delivers on every level with action, loss, true heroism, and a very Silver Age message about the nature of sacrifice. Best of the Week.

Although I've quite enjoyed the short one-off issues of the current series, Kurt Busiek and Brent Anderson open a door here I'll gladly walk through and stick around to see what does happen when a super-hero decides (or is forced to) retire? Worth a look.

As with most of these one-off stories writer Kurt Busiek creates a beautiful tale that leaves us wanting more. From the man's life as a cosmic hero, a very John Carter-ish father and husband on an alien world, to life on Earth as a sci-fi author, there are many facets to Starfighter I certainly wouldn't mind be explored more in future issues. Worth a look.

As is true with almost all of the comic's best storylines, Astro City #23 leaves the reader wanting more of the central character's story and Sticks' adventures in his new home. Thankfully we will be getting at least one more issue with the simian hero/drummer, but from what we're given here I'm hoping that won't be all we see from the character for the foreseeable future. Worth a look.

As with the opening issue to this two-part tale Astro City #24 offers some twists and turns as Sticks struggles to find his role in Astro City where it's too dangerous to be a drummer and too hard to be a hero. His solution, thanks in part to an unexpected pep-talk from the Samaritan allows the character to create an unorthodox solution that not only allows him to live the life he's always wanted but still find a way to put his obvious skills to use. And if he's got to occasionally dress up in a monkey suit, so to speak, well that's a small price to pay for finding the freedom to play beautiful music. Isn't it? Worth a look.

And she's heroic! Presented with hard choices our hero rises to the challenge to save not just one world but two. There's no cynicism or unnecessary grim filter that Busiek and Merino are forced to tell their tale through. This results in a fresh take on a rather basic premise that, like nearly all issues of the series, delivers just the kind of story you've been looking to read. Worth a look.

When the nightmares begin to effect the hero's work he seeks out some super-human help. Although there's an explanation given for his experiences, and a villain to be caught, like most issue of Astro City the truth is never that simple. Worth a look.

The heroes brought to life storyline is a common one in comics. Even if the resolution of the twist is the weakest aspect of the story, there's still plenty to enjoy here including the art of Gary Chaloner who does a good job of fitting his style to match the established art of the series by Brent Anderson far better than we saw in the previous issue (which, while certainly not awful, simply didn't look or feel like Astro City). Worth a look.

I have a strong hunch about how the storyline will unfold but even so Busiek and Anderson sell me on the concept within the first few panels of the comic. I'll definitely be coming back for more of Zozat and those damn dirty humans. Worth a look.

I don't know if or when the series might step back in to give us a look at the creature's new life with the Honor Guard, who accepts the Living Nightmare when it shows courage and true heroism and a driving desire for change, but in a series with countless nooks and crannies that might go unexplored for years, its good to know that the creature has earned a new life. Worth a look.

As to the how, I'm looking forward to see that be played out over the next two issues and learn where it all went wrong (again) for Steeljack. Worth a look.

It makes perfect since in a world where heroes and villains exist that someone would eventually make a cheap buck off their former merchandise and costumes. It's what they man behind the scenes may be doing with the old weapons which concerns Steeljack and his old friend (who is a little too enthusastic about seeing the Fix-It Man's wares to be completely trustworthy at this point). Worth a look.

Steeljack‘s three-issue arc comes to a close as the former super-villain turned private detective and one-time squeeze Cutlass come up against the arc's true villain: a greedy collector grabbing and using super-villain tech for his own amusement (and to decorate his garish restaurant). Astro City #34 is the weakest issue of the arc but that doesn't mean there isn't still plenty for fans to enjoy including a nice (if a bit hokey) epilogue as dejected Steeljacket is surprised by the support of his friends which helps the man of steel put the entire sordid mess behind him.

While his family digs at the archaeological site of the death of the first Jack-in-the-Box, Jerome's narrates the history of the hero from his grandfather to father, to the current incarnation of sidekick turned hero. Before he can catch us up on the full story things get interesting with the arrival of a new villain as, thankfully, this storyline will continue for one more issue. Must-read.

Just as we saw heroism and a desire to do good passed down in the last issue, here the hatred and need for vengeance leads to the creation of a new super-villain hell-bent on revenge for events she doesn't even understand. Finally uncovering the truth proves too much for the tortured soul who spent her entire life on a singular purpose which, now knowing the truth, can never be fulfilled. Worth a look.

Through the stories from the Broken Man we learn about the legendary traveling musician Silverstring, the rebellious Mister Cakewalk, and see the birth of Jazzbaby. Presented through the view of omnipresent narrator who is only telling us the parts of the story he wishes us to know, it's an unusual walk down the streets of Astro City's dark and troubled past that nevertheless still holds its share of magic and wonderment. Worth a look.

Only tied to the previous issue through it theme of music and how it connects the world, Astro City #38 may not be as strong an issue but there's plenty here to enjoy including both the musical theme which is further developed, the issue's big action sequence, and Jazzbaby herself. Worth a look.

Totally accessible, the issue could be read easily by those who have followed the adventures in Astro City over two decades or someone picking up their first comic book. Nostalgic and wistful (two more trademarks of Busiek and Anderson's work), Astro City #41 in one comic you don't want to pass up about a hero who was more than just a cape and whose convictions helped him save the world (from both internal and external threats). Must-read.

With Tillie stealing nearly all of the Broken Man's thunder it's a little unclear what lesson he wanted to impart to the readers in this issue. However, Tillie's story is easily entertaining enough to forgive her. I wouldn't mind hearing more from the girl and learn where he path goes from here. Worth a look.

Every piece of this comic is terrific including the heroes unaware of the cat's action, the villain's Scooby-Doo style cursing about how his plans were foiled by a meddlesome cat, and the cat's own cat-like nature to, despite her super-powers and obvious intelligence, still cause mischief around the house. I want so much more of Kittyhawk than just one issue. Must-read.

It's hard to judge part one of “Who Broke the Broken Man?” as so much of the story is left untold. Next month's concluding issue certainly has plenty of questions to answer, however, and plenty of dots left to connect. Although he's popped up here and there over the current run of the series, so far the Broken Man has been more of a distraction than anything else. To properly judge this two-issue arc, and the number of appearances we've seen in previous issues, we'll have to wait and see just where the character's meandering story takes us, and what it all means for him… and for Astro City. Worth a look.

I'll admit being surprised by the reveal of the Broken Man's creation. Plus, we get some classic Jack-in-the-Box action thrown in for free. While the comic does give us hard facts about the odd character, the truth about the Oubor remains largely a mystery. It's obviously opposed to the Broken Man and what he stands for, but what does it want? And how can we, the audience, help? Worth a look.

While the cliffhanger suggests the next issue may get far more serious for our characters, this one is pure magic and definitely worth picking up. Best of the Week.

While it might be easy to dismiss the two-issue story as the ridiculous adventures of a canine hero, writer Kurt Busiek and Mike Norton tap into some wonderful Silver Age magic with the reflective touch of a more modern tale. It was a joy to read, and my only sadness comes from knowing G-Dog's adventure is done. Best-of-the-Week.

There are several layers here. We have the reporter searching for the truth, a daughter looking for her father, a woman realizing how her father's abandonment of her is mirrored in her relationship to her husband, and the (highly-speculative) origins of one of the more unusual heroes in Astro City who manifests through different hosts to protect and defend those in danger. While I think ultimately that might be a bit too much to tackle and fully develop in a single issue, writer Kurt Busiek and artist Brent Anderson definitely provide an intriguing story that leaves the reader something to think about. Worth a look.

There's obviously more going on with Michael than he's willing to talk about, or admit to himself, but the loss of the woman he loved in an event that literally removed her from existence has obviously taken its toll. Finding meaning by helping others in the group achieve some measure of peace has given our protagonist a purpose. But who is paying for the group (not to mention his apartment and groceries) and just how will a survivor of the latest attack on the city in the final panel effect his fragile peace? Worth a look.

The comic's next issue wraps up both this storyline and (sadly) the series. Although it's the longest run of an Astro City comic to date, it still feels far too early to say goodbye. Thankfully, Kurt Busiek and Brent Anderson will be continuing to tell stories less-regularly in graphic novel form. However, we'll only have one issue left to investigate more into Michael's odd story and whether or not he can find the support and solace he needs from those he's offered the same to week after week. Worth a look.

The issue deals with the conflict in the group led by the woman who refused to believe Michael's story and the others who were confused by it. There's healing here, but no quick fixes (despite what the Hanged Man offers). Like always, Astro City reminds us it's a complicated world out there in this fitting finale. Must-read.

As a kick-off point, Astro City: That Was Then feels a bit odd. It's really more of a teaser of things to come. Along with the introduction of several new heroes we do see some familiar faces as well and are teased that although the Jayhawks may be dead that doesn't necessarily mean they are gone.

The issue's B-story involves the new day-to-day life within Tesladyne, now controlled by Majestic 12 (under their new brand ULTRA), which begins to answer questions about why the group went to such lengths to take control of the company. The Action Scientists better get their boss back into fighting shape soon; it appears the world is going to need him. Worth a look.

It's good to have Atomic Robo back looking more like his old self. And it's about time as the situation is only growing more dire issue by the issue. Worth a look.

Atomic Robo and the Temple of Od #1 is a solid issue to set-up the latest Atomic Robo mini-series. Filled with homages to the opening scene of Indiana Jones and the Temple of Doom as well as the comic's trademark humor, tie-ins to previous issues, and action-packed science adventuring, I can't wait to see where we go from here. Worth a look.

One heroic rescue later and Atomic Robo, Dr. Lu, and Helen are all fleeing the burning laboratory, leaving one pissed-off super-soldier in their wake. Now that the immediate goal of rescuing Dr. Lu has been accomplished, Robo and his friends will still have to deal with a crumbling laboratory full of the tools necessary to create an entire army of enhanced soldiers just like the one that was able to capture Robo all on his own. Good thing we've got three issues left! Worth a look.

The issue ends with our hero in danger yet again. Although the science of his plan seemed sound, the execution may not have been all that he hoped. With only two issues remaining, Atomic Robo needs to buckle down and find a way to stop the Japanese, their Zero Point experiments, and the super-soldiers at their command. Worth a look.

Although all four stories are fun The Sparrow is still missing a certain robotic hero to liven things up, and it certainly feels like it would have been better served told in more than a few pages at a time (honestly, I'd completely forgotten what happened in this story in issue #1). Sadly, the killer robotic dogs on the cover don't make an appearance in this issue. Only the Rasputin tale stands out and I would have gladly traded the pages of one of the other stories to have this one fleshed-out a little more. Worth a look.

The fourth tale, “Atomic Robo and the Electromatic Dream Machine” finds the science adventurer trapped in a dreamlike battle of wits with a disgruntled fired scientist. It's fun, but not too memorable. Worth a look.

The most interesting story is the very personal take on today's comic industry as Atomic Robo steps into a comic book shop for the first time in 40 years only to discover the bizarre nature of reboots, retcons, variant covers, and grim and gritty comics – none of which appeal to the comics he once knew and loved. Worth a look.

Is it still enjoyable? Will I still pick up the final issue of the series? Of course, but with the new series The Flying She-Devils of the Pacific already underway, I'm ready to delve into an ongoing arc with the more consistent art of Scott Wegener and (hopefully) a bigger payoff than what I've seen here. For fans.

Although the mini-series gave us some fun short stories over its six-issue run (which turns out to be at least two issues too many) we've seen the comic sputter to a finish the last few months with meandering stories, too many of which didn't include Atomic Robo. What I'll likely remember Atomic Robo Presents Real Science Adventures for is some terrific covers and a lot of missed opportunity in terms of storytelling. For fans.

Even without Atomic Robo, writer Brian Clevinger still delivers a fun (if somewhat unmemorable) adventure. I like Erica Henderson's art, but at times felt like an odd choice for the tone of the comic. That said, I'm still likely to pick up the next issue. For fans.

The back-up story concludes Atomic Robo and his group's discovery of a giant robot in Egypt. As Robo and the other scientist argue how best to continue with the creature looming large before them, Jenkins takes matters into his own hands and settles the question once and for all. Worth a look.

Although their investigation leads to little in the way of concrete answers, it does narrow the focus of the storyline going forward as well as bring the threesome to the attention of another interested party: Nikola Tesla.

I was happy to see the return of both Ke-Ying and Oakley (although Annie isn't given much to do this time around) as it looks like there will be plenty of trouble for all of Tesla's associates to handle beginning next issue with the reprisal from the Black Coats. The issue also reprints the amusing “The Yonkers Devil” as a back-up story. Worth a look.

The second back-up story, years later, involves Atomic Robo answering a distress call from the military who have gotten into a spot of trouble into the Vampire Dimension while using that same lost technology (a fact that doesn't go unnoticed by the incensed Robo). Worth a look.

The issue includes two short back-up stories involving Atomic Robo taking down a pair of spies in Nevada (by jumping out of an airplane and landing on their car) and Dr. Dinosaur laying what he considers an ingenious trap for members of Tesladyne that doesn't produce the results the insane dinosaur hoped for. Worth a look.

Thanks to the help of some low tech trucker know-how, Robo is able to trace the signals back to Hashima Island (where Louis and Martin are about to land). With one issue left (enclosed in a giant crate on his way to the island) Atomic Robo will have to save his friends, uncover the truth behind the conspiracy that wants him dead, and save the world. Best of the week.

One final note: I struggled to find a comic in any local comic shop around Kansas City. I mentioned this to Brian Clevinger via Twitter and was almost instantly granted a review copy to enjoy. Thank you! You're a class act, sir, and I can't wait to read Volume 7 (and I'm already super-excited for the news that Dr. Dinosaur will return in Volume 8). As long as you and Scott Wegener keep making Atomic Robo comics I (and a whole bunch of comic nerds everywhere) will very, very happily keep reading them.

The team of writer Brian Clevinger and artist Scott Wegener return to their characters in the first issue of this new Atomic Robo mini-series, and, if this first issue is any indication, it should be a fun ride.

Although we only get Dr. Dinosaur in the first issue's final pages, there's much to enjoy here including the multiple references to Jenkins hatred of paperwork, the mystery of 8/11 and who exactly is out to destroy the image of our lovable hero, the Tesladyne team realizing they've just been framed (again), and Robo's team on-the-nose reading of why Robo has joined them on what appears initially to be a wild goose chase. Oh, and did I mention, it has Dr. Dinosaur! I can't wait for issue #2. Must-read.

I simply can't recommend the awesome of this comic, and the first two issues of the latest series, enough. Bring on issue #3! Must-read.

Next issue I'd expect to see more of Jenkins leading the group to repel the soldiers who have finally arrived and, hopefully, more back-and-forth between Atomic Robo and Dr. Dinosaur. Worth a look.

With only a single issue left, Jenkins captured and Tesladyne in the hands of their enemies, and Dr. Dinosaur detonating his absurd creation, there's still quite a bit of ground to cover to find out just how Atomic Robo and his friends defeat his supremely-awesome arch-nemesis and get out of this one. Best of the week.

The issue also sees Jenkins turn the tables on Majestic, but, just as Atomic Robo's story ends on a cliffhanger, we're left to wonder just what happened after the explosion at Tesladyne. Must-read.

While the day-to-day of Robo's existence may be lacking excitement, the same can't be said halfway around the world where at a conference in Hungary something quite bizarre occurs (which will no doubt help take Robo's mind of his current troubles" while obviously causing all kinds of new trouble). Worth a look.

Robo's adventure takes him, a gung-ho Foley, and a less-gung-ho Fischer to Hashima Island after our intrepid science adventurer deduces that the causes of whatever is happening with this cybernetic attacks traces back to the island and to Alan. With Robo getting his butt kicked by the island's defenses, and some poor shooting by Foley, unexpected assistance comes from an equally unexpected source. Worth a look.

Fun times all around, including some always enjoyable frustration of Robo concerning a dinosaur scientist (who he tricks into staying home and taking messages), examples of the dinosaur's twisted thinking, and the introduction of threats both new and old for the team to deal with.

A solid follow-up to the first issue featuring action and plenty of humor fans of Atomic Robo expect.

The first issue gives us a feel for the new recruits and foreshadows potential issues on Bernard's adventure. However, it's Robo's conversations with Alan that prove the most interesting. In instructing his "son" the history of robotics and humanity the lesson turns philosophical and Robo finds himself in the unenviable position of a father asked a question he wasn't prepared for and doesn't know how to answer. Worth a look.

Vikram and Lang have found their trouble, Bernard appears good and lost in his exploration, and the question now becomes is how soon before the rest of the Action Scientist run into troubles of their own? Worth a look.

The latest issue also offers more of Robo teaching his "son," and Foley growing more confident (and sassy) in her role as mentor to the next generation of Action Scientists. Worth a look.

Deep inside the Earth, Bernard discovers just what Princess Nequai needs from him to save her people from the lasting influence of Dr. Dinosaur. Although the rock creature gets what she needs from the scientist, what effect will this have on Bernard going forward? Bring on issue #5! Worth a look.

In other storylines, Jenkins continues to be Jenkins while arguing for a larger offensive against the dangers he believes to be coming, Vikram and Lang make another attempt at a vacation, and Bernard's transformation has apparently just begun (although it is still to early to tell if this is ultimately a good or bad thing for everyone else not being transformed by talking crystal creatures who live deep under the Earth). There's still plenty out there for the science adventures to tackle, but for today everything seems to be fine. Worth a look.

Fans of Brian Clevinger and Scott Wegener's off-beat character should feel right at home. Worth a look.

A very enjoyable issue all around punctuated with Tarot's increasingly short-temper towards all of Atomic Robo's "help." And aside from giving or hero his first kiss, Helen also teaches him a lesson about family which gives us a nice closing sequence between Robo and his creator Nikola Tesla that brings the pair's confrontation earlier in the issue full circle. Worth a look.

We also get a little more of the book's villain this time around " Thomas Edison. We only get a short glimpse as to what his scientists are working on, but the final issue seems primed to wrap-up all these stories satisfactorily. Worth a look.

From beginning to end this is the best series of so far of Atomic Robo and I'm going to be on the lookout for the trade paperback of the full series to add to my shelf. Definitely worth a look.

A fun first issue to start the new series with an unexpected (but humorous) chauvinistic slant from Atomic Robo. Worth a look.

Robo also has to deal with the news that Lauren, the She-Devil's resident mechanical whiz, has cannibalized the prototype airship Robo was shot down in. Initially furious, Robo comes to find Lauren's inventiveness and outside-the-box thinking infectious and agrees to help her redesign the jet packs using his technology. This brings peace back to the island, or would except for the arrival of the mysterious planes attacking the She-Devils' hidden island. Must-read.

With so much action there's not a lot of time for character and story development, but writer Brian Clevinger does find places to insert the oddball humor of the comic we've all come to know and love. Hopefully next issue will reveal the identities and motives of the She-Devils' enemies and continue to bring more zany action. Worth a look.

Issue #4 sets up the events of next month's series conclusion, reunites Atomic Robo and the She-Devils, and provides tons of action and a couple of very amusing moments. In other words, exactly what you'd expect from Atomic Robo. Worth a look.

Most of the action is pretty straightforward, but the comic's best moments come in the battle's aftermath when Atomic Robo looks to see what his involvement with the women has cost the She-Devils (and his own company). We also get a sweet epilogue set years into the future as the granddaughter of one of the She-Devils discovers her Gramms has lived a far more exciting life than she ever dreamed. It's this final scene that really ties a nice bow on the entire series and sends it off in style. Worth a look.

It didn't take long to sell me on the new series, and even after receiving a free digital review copy of the comic I gladly spent the money to grab a print copy. Giddyap Robo, I'm ready to ride! Worth a look.

Assuming the role of Ironside (who he's mistaken for by both friend and foe), Robo is forced to take part in events leading to the kind of zany fun regular readers of his adventures have come to expect. The reveal of a nefarious plot involving Helsingard certainly raises the stakes (or at least it will once Robo catches sight of his old, but here younger, enemy). Worth a look.

Another fun action-packed issue clues us on to the limited time our time-displaced robotic-science adventurer has before he runs out of power while also letting our hero learn just who is behind the abductions leaving a series of empty old west ghost towns while creating weapons for conquest and (one would assume) other nefarious purposes. Must-Read.

Brian Clevinger and artist Scott Wegener don't skimp on the action or humor as the latest Atomic Robo limited series continues to rolling along towards its conclusion in the next issue. Worth a look.

It's not every issue of Atomic Robo in which you get to see our hero die, although the state of his remains keeps the door open for his return to the present (or perhaps near future?) as soon as the crate is discovered. Who exactly opens the crate, now that Tesladyne has been shut down, however, opens up new possibilities for what kind of world Robo will find himself in, and what kind of Robo readers may find, once our hero is brought back to the world of the living. Worth a look.

The bad news? The time steam is broken. The good news? The Avengers, with the help of Noh-Varr, are ready to hop into the future and set things straight (unless Wonder Man can stop them). And any title that has a cameo from both the 2099 Universe and the original Guardians of the Galaxy gets a pass from me. Worth a look.

If the story moves forward Parker should be a match for the Avengers, and a villain worthy of the team needing all the help they can get. I just hope writer Brian Michael Bendis isn't set on putting all the gems in the hands of this two-time loser.

This is actually an issue you could easily skip and not miss any big developments in the story arc. That said, it's still worth a look for the interactions between the Illuminati, but it's far from a must-read.

All that plus our heroes finally come face-to-face with the villain amassing the Infinity Gems for himself – the Hood (who's gotten his grubby hands on yet another gem). Must-read.

Oh, and the surprise guest who makes his appearance on the final panel? Yeah, that's pretty damn cool, too. Must-read.

In the end the Hood goes back to jail, the Red Hulk becomes a permanent member of the Avengers, and we see Steve Rogers making a compromise he wouldn't have made three or four years ago. It may not be as good as the last issue, but it's still worth a look.

I don't mind the elevated nature as the heroes say kind words about the Red Hulk for apparently (but not really) giving his life in a futile cause, but given the level of reference displayed here you'd think they were talking about someone on the level of Captain America (all the more empty given the absence of any body foreshadowing that this isn't the end of the character). Good idea. Bad execution. Hit-and-Miss.

The first comic certainly teases big, epic-size adventures to come, with what looks like may be a rotating roster of reserves. Far less talky than Brian Michael Bendis‘ take on the characters, I've got to admit I kinda want my money back for how little Jonathan Hickman delivers, compared to the epicness which is promised in the first few pages. And I'm sure as hell not going to spend $4 more in just two weeks to see where he goes from here. Pass.

Anyway, bad shit is coming. Time to assemble, or something. Just do it without me. I'm out. Excelsior this ain't. Pass.

Following the will of Khonshu it's unclear just what the endgame of Moon Knight or his God is, but it's obvious he's only getting started. He's unable to draw power from Black Panther, but there are plenty of other mystical forces in the Marvel Universe to draw from.

It's hard to separate the tone-deaf Black Panther scenes from the rest of the story, which is a serviceable middle-issue to the larger arc foreshadowing more trouble to come and a larger threat still yet to be identified.

Elsewhere, Captain America, Blade, and She-Hulk rescue some of their captured allies aboard the Moon Train. But it's the Avenger left behind that shows up to confront the Khonshu heading into the next issue.

Our Avengers lineup includes Sam Wilson, Thor, Tony Stark, Black Panther, the Vision, and the Scarlet Witch. with Carol providing some insight, both through narration and dialogue, about her reasons for wanting each for the team (and choosing them over other contenders). It's an interesting team. Now assembled, let's see just how this new team functions.

The use of the Badoon is a nice touch (given their importance to the original Guardians of the Galaxy) and although Thanos omnipotence and brashness to the Elders of the Universe is nothing new, it's presented well. Worth a look.

The end of the arc works well, and gives us two full pages of the two teams beating the crap out of a de-powered Thanos. There is still the matter of the Badoon armada on their way to Earth, but it looks like we'll have to wait a few months to see how that plays out when the Guardians return in their new monthly comic in February. Worth a look.

Can a fractured friendship be forged anew? Can trust lost be regained? Can Tony Stark, Steve Rogers, and Thor stop from killing each other long enough to survive the hell to which they've just been sent? Those are just three questions this new mini-series sets out to answer. There's much to enjoy here including Iron Man in my favorite classic armor, Steve Rogers taking down a small army, and an unexpected villain for Thor to battle. Worth a look.

It's no coincidence the first issue (or does a zero issue still count as a preview issue – goddamit, did I mention I hate zero issues?!) begins with the character who made mutants an endangered species and the one believed to be able to return them to glory. Of the two, I think Hope's story is stronger. Knowing the cold reception she would receive I just don't buy Wanda getting talked into visiting the mansion that easily, even by Carol Danvers (who also should have known better). Worth a look.

To the X-Men, however, handing over what many believe to be the Mutant Messiah their only chance at fighting back from extinction to a species known to hate and distrust them isn't going to go over well. What's going to be intersting is how these characters and two teams are going to coexist after all the smoke clears. I can't wait until issue #2. Must-read.

But it's bad news for the Avengers as it seems Cyclops has bought Hope enough time as the Phoenix has indeed started to rise. The fallout of this issue, in two weeks, should be very interesting. Worth a look.

By the end of the issue we now have three distinct groups. Cyclops and the X-Men who want to keep Hope away from the Avengers, the Avengers who want to keep Hope away from becoming the new Phoenix, and Wolverine who just wants her dead. Worth a look.

In the end we're left an okay comic with a couple of nice scenes but where the big tease of Hope becoming the new Phoenix is still unfulfilled. I'm probably done with the series until the focus shifts to the actually event and its fallout, rather than just teasing us about what's coming (especially at $4 per issue). Worth a look.

Honestly, as twists got this one is pretty damn dumb, but having the power dispersed among five different X-Men may create some unusual battles over the next few issues before Marvel finally relents and gives us the only thing we're reading this comic for – the new Phoenix. Hit-and-Miss.

The back-up story involves the Black Widow and the Wasp sneaking into Doctor Doom‘s laboratory to rescue a pair of scientists whose work Doom is corrupting to turn into a biological weapon. Complete with insane escape, quarreling scientists, and Doombots, it proves to be just as much fun. Worth a look.

I've always had a soft spot for Bat-Mite who I remember fondly co-starring on The New Adventures of Batman when I was younger (a show that hasn't aged as well as I'd like). I have no problem with the character getting his own mini-series but this toned down version without his abilities feels like a shadow of his former self. For fans.

It's an unusual team-up to be sure (especially since the New 52 seems fine with writing Booster out of its current continuity). Still, the two unlikely heroes make a fun pair (even if neither is clad in their traditional costumes). Eventually Booster and Bat-Mite learn to work together to stop a villain stuck in the past (and stop him from collecting vintage comics?). Oh well, even if Gridlock's crimes aren't exactly world-shattering, it's still fun to see Booster back in action (whatever he's wearing). Worth a look.

A new Batgirl has found her place in the DCU, and I'm glad. Worth a look.

Throw in the seamless addition of Proxy (who just might be an okay replacement for Oracle), the early scenes of Batgirl at college, and Stephanie's conversations with Detective McHandsome (great nickname), and you've got yourself a really good read. Definitely worth a look.

Throw in several humorously drawn moments from Lee Garbett as our pair of heroines take down the Dracula's all over town, and a terrific cover by Stanley Lau, and you've got yourselves a one hellova fun comic. I wasn't kidding about the petition. I definitely want to see more of these two together. Must-read.

Not as good as some recent issues of Batgirl, but the trademarks that make the character and comic work are still here. Worth a look.

And after being framed for murder writer Bryan Q. Miller has given Stephanie the added incentive of revenge to track them down. We also get some great trademark great dialogue between Stephanie and Oracle and another appearance by “Detective McCute.” It may not be the title's best, but there's plenty here worth reading. Worth a look.

There's also a good opening dialogue between Damian and Alfred, who Damian has come to accept as "an adequate servant," and the random panel of Stephanie's dream mumblings about killing Abraham Lincoln. Throw in a high speed chase involving a school bus, which Damian stabs (successfully) and attempts to drive (a little less successfully), and you've got everything you need for a great read!

Of course this includes dimension jumping, trying to prevent herself from being burned at the stake, fighting off a Witch Boy's cat (which turns out to be a man-sized vicious were-cat), and even kissing Witch Boy in front of her friends. Weird, but also worth a look.

Even with these minor quibbles Batgirl continues to deliver yet another good story. Worth a look.

Even if the central relationship to the comic seems to be going away, it's tongue-in-cheek humor is still very much in display here (including an impatient Steph struggling to get through class). Batgirl also creates some new super-duper Batarangs and takes her new ride, "The Compact," out on its first mission. Worth a look.

The latest issue also shows us how far the new Grey Ghost is going to go in order to protect Batgirl, even if that means betraying her to her enemies. I'm sad that with everyone else leaving this is the character who seems to be sticking around, but we'll have to wait awhile to see how this storyline plays itself out. Worth a look.

As to what further trouble Steph will get into overseas we'll have to wait for the crossover in Batman: Incorporated #9. Meaning I have to read a Grant Morrison Batman story to get more Batgirl. Sigh. Worth a look.

Pick this issue up. My only complaint is there's only a single issue left, but I have a feeling Mr. Miller is going to have Stephanie Brown go out in style. I would expect nothing less. Must-read.

Miller doesn't sign-off with regret, or anger. He leaves us with a tearful but hopeful Stephanie Brown savoring her moment in the sun. It's an unbelievably classy exit for a character I couldn't have cared less about two years ago and now I can't imagine the DCU without. For rebooting Stephanie Brown into one great character, for giving her such a terrific farewell, and for everything in between, I've got to thank Bryan Q. Miller. Here's hoping we haven't seen the last of Stephanie Brown; the DCU needs far more characters like her, not less. But if we have, man, what a way to go! Must-read.

Of all the new #1′s Batgirl had the most to prove out of the gate, and it's the most disappointing (at least so far). I'm willing to give Gail Simone some time to try and work this version of Babs into the new DCU, but this is an inauspicious start. Pass.

It's not the character I want to see in the role, or the type of stories I want to read, but I wish Gail Simone luck on this Batgirl. I'm not sorry I picked up this issue but I have a feeling it might be a long time before I buy another.

The comic gets a new direction with Batgirl #35 that effectively de-ages the character and creates a more lighthearted world for her to live. Throw in a kick-ass new low-tech costume, a guest-appearance from Black Canary, and Babs fighting the mother of all hangovers to recover her stolen property, and the creative team of writers Cameron Stewart and Brenden Fletcher, and artist Babs Tarr, sell me on the concept fairly early. Do I still wish it was Steph under the cowl and Babs behind the computer? Absolutely, but at least this version of Batgirl has a little of her youthful energy and a slightly less dingy world to explore. Worth a look.

My only disappoint with Batgirl #36 is the fact that neither the flashbacks to Barbara's past nor the investigation into the anime lead to Barbara eventually defeating the evil duo as she simply beats them using her usual skill-set. Batgirl #36 is a good example of where the new New 52 series gets into trouble by trying to make Barbara appear younger and inexperienced but still include her lengthy history and experience (which comes and goes as need-be). Despite these issues it's still pretty darn entertaining. Worth a look.

The new creative team keeps up the energy and more lighthearted feel of the comic. Although Barbara eventually defeats the fake Batgirl, the artist isn't the one actually responsible for the calculated attacks on Babs. Once again the comic foreshadows a bigger villain in the shadows, one who knows all of Batgirl's secrets and is having way too much fun at our heroine's expense. I'm still betting it's Calculator. Worth a look.

Once again the art of Babs Tarr is the highlight of the issue, but the style and look of the series in and of themselves can't hide the fact that better storytelling is needed. For fans.

I'm appreciative of any issue that tries to incorporate Steph back into the DCU but this feels more like fan service than an actual attempt to bring Spoiler into Barbara's orbit. For fans.

When the break-in inevitably becomes a complete fiasco it also ends the comic on an anti-climactic note. In fact, the only real development here are the final panels where we see the truth of Barbara's memory issues and how she's being coerced into making decisions she neither remembers nor completely understands. Hit-and-Miss.

I'm still very much on the fence about the New 52's version of Black Canary, or her new title as the lead singer of a touring band, but at least Batgirl: Endgame #1 makes Dinah less of the vacuous bitch than she's been in the last few issues of Batgirl and allows the former besties to finally bury a hatchet whose very existence was perplexing to begin with. Worth a look.

I don't know that I'm quite sold enough on this first issue to begin picking it up monthly, but at least it has the more lighthearted feel of what a Batgirl comics should be and is staying away from the dark and gritty (at least for now). Worth a look.

While I think the pairing of this trio could work under the right circumstances, it doesn't work for me here. Nor, based on what we see here, is there any reason to expect that this trio would stick together after their common goals have been met. Pass.

The second issue works slightly better than the first, although the group is still far from the team it will need to properly earn the name Birds of Prey. There are rumors that another DC character will be joining the Birds in the coming months. Here's hoping it's someone like Zinda Blake who can add some lighthearted ass-kicking fun to the proceedings. Hit-and-Miss.

The storyline of Barbara reconnecting with her former partner involves a new hacker using her old moniker. When their paths cross with the vengeful former Spyral agent events are set for the comic's opening issue. For fans.

Is it worth picking up? For big-time Bat-fans, yes. For everyone else, probably not. The time mystery isn't that interesting and of all the stories here only the current version of Batman and Robin is told all that well. Hit-and-Miss.

There are also a couple of really good lines describing Superman, his abilities, and his larger world, from Batman's point of view. Better late than never, and worth a look.

There are some nice moments between Dick and Damian (especially towards the end of the story), but nothing that would make anyone other than hardcore Bat-fans pick this issue up. Nice cover, though. For fans.

The story itself works pretty well as the various stories hint without giving too much away. Filled with action, this actually is a mystery story (in several different ways) for Batman to solve. It's also nice to see Grayson's detective skills highlighted.

I've read some bad Batman comics in my day, but this issue is such a clusterfuck it's baffling to behold. Here's hoping the title makes some swift changes and gets back on track as soon as possible.

Some might find it a little schmaltzy, but I thought this story worked well as a Coda for the series and a nice send off for this version of Batman and Robin. I also enjoyed art recreating the various looks of Batman over the years and the outline of the big moments in Batman's history. There's also a nice splash page of the Bat-Family. It may not have been my first choice for the Caped Crusader's final issue, but it's a solid one. Worth a look.

For fans who lived through the original storyline, or saw it brought back up with Todd's eventual return, it's an interesting “what if,” although it's just the planting of a seed and we'll never know exactly how Todd's recovery and his eventual return to the role of Robin would have changed Batman's history. On a personal note, I love seeing Batman drawn in his classic costume again, lovingly rendered by artist Jim Aparo, which has been far too absent in recent years.

As a fan of the old television show I can certainly see the nostalgic charm of the comic and the recreations of the designs of the TV-show (who doesn't love that old Batmobile?), the ridiculous riddles and cornball moments (such as Batman and Robin taking a milk break in the Batcave), an a sense of fun missing from far too many of today's Batman titles. Worth a look.

The back-up story we get isn't as entertaining but it does feature a pair of the more ridiculous TV-show villains fans of the show should enjoy in Chandell and Lorelei Circe. The story is also notable for the cameo by Kathy Kane who even gets to dress up as Batwoman (although only in Batman's Siren-caused hallucination). Worth a look.

The issue also includes the first appearance of Batgirl in a back-up story, featuring some fun art by Colleen Ann Coover, when she takes on the Eartha Kitt Catwoman who attempts to rob the Gotham Museum of the priceless Tiger Topaz. Worth a look.

The issue's back-up story has a ridiculous moment of Batman taking control of trained killer bears with sign language and then riding them to victory (seriously, WTF), but is also stuck with a D-list villain in Olga, Queen of Cossacks. While I think there are possibly good stories to do with both the Bookworm and even Olga, the margin for error is very small. Hit-and-Miss.

The back-up story is a bit odd as the Joker decides to take Wall Street's advice and downsize to increase profits only to not have enough henchmen to properly execute a heist or defend himself against Batman and Robin. Worth a look.

The back-up story is also a bit odd as it puts Batman and Robin in cowboy hats and sends them after the outlaw Shame in the modern Old West. Only partially successful like the main storyline, the adventure seizes on a villain from the show while offering an odd story which would have been more in line of the comics at the time than on television. Hit-and-Miss.

Featuring not one but two death traps, Batman '66 #9 offers some enjoyable (if forgettable) moments along the way to the heroes eventually taking down the villain while also crafting a possible origin story for the young woman who Zelda may have turned to a life of crime. For fans.

Not only does Batgirl beat Robin to uncovering the villain's hideout (he only shows up after at the very end of the issue), but she also makes short work of Cleopatra who turns out to be all bark and no bite once her venomous cobras are taken out of play. I hope the series has more Batgirl stories in store. Worth a look.

The Joker's plot certainly works well, and teaming him up with Catwoman offers a reason for Batgirl to find her way into the comic's main story – something I hope we'll see more of in the months to come. Worth a look.

The back-up story is fun but dumb as the Minstrel steals the Shakespeare bust out of Wayne Manor locking Bruce and Dick out of the Batcave (umm… couldn't they just use Alfred's entrance?) and forcing them to wear old prototype costumes to track the villain down. Worth a look.

The choice to drop the price of the issue a dollar and forgo he back-up story is of interest making the comic a bit more affordable but also meaning we're left without a Batgirl sighting or a second villain. Worth a look.

Widening the Batman '66 universe to include the wacky comic storylines that the TV series inspired, Batman '66 #14 offers a fun issue all around in what is easily one of the title's best issues to date. Must-read.

In another nice mix of action and camp (the citizens of Gotham actually help the police track down money blowing through the streets from the villains' bank robbery), the latest issue puts a more comic book spin on a villain who only made a single appearance on the television show in one two-part episode. Relying less on gadgets than chemicals and animal attraction (and one of the first villains not to be drawn distinctly different than the actor who played her on television), the woman earns her super-villain name as she gets as close to any of Batman's villains in her attempts to kill The Dark Knight Detective and Boy Wonder. The result is an entertaining issue that offers readers the rare opportunity of seeing one of Batman's oldest enemies fight beside Batman and Robin. Worth a look.

Although more supernatural than the old television show ever got, Batman '66 #16 certainly feels like a comic of that time period. Eventually the Cro-Magnon Duo find a way to outsmart the super-villain, who has grown weary with how easy his life has become, and restore his brain, their likenesses, and Gotham, back to the status quo. Worth a look.

King Tut seems to be a favorite of the Jeff Parker and other writers and artists as the villain makes yet another appearance in the comics while several other classic characters have seen far less attention. Much like his previous appearances, the standard set-up applies as Batman and Robin outwit the deranged pharaoh and conveniently knock the man on the head leading to him recovering his wits once again (almost as conveniently as the original hit which transformed him back into Tut at the beginning of the comic). The zombie plague is a bit bizarre, but Parker has fun with the concept having the mindless citizens bury the Dynamic Duo alive leading to their triumphant resurrection in time to foil the villain's plans once more. For fans.

Batman '66 fanatics may want to pick it up as it does still capture the feel of the series and highlight one of the show's lesser-known villains. Hit-and-Miss.

That said, there's still fun to be had given how much Batgirl we get in this issue, Batgirl getting her own (slightly sexist) version of the Bat-Signal, and the chance to see Batman and Batgirl take down a group of ninjas. For fans.

The comic's back-up story by Gabriel Soria and Ty Templeton features Barbara Gordon taking down the Penguin, the Joker, the Riddler, and Catwoman when the four villains lay siege to the ad agency Miss Gordon recently began temping at. Hoping to get the ad men to rework their image, Barbara turns the villains' distrust of each other to her advantage and defuses the entire situation without ever having to don her tights. Worth a look.

It's a fun first issue although it will be interesting to see how Smith and Garmin get around the Dynamic Duo teaming up with a pair of villains to keep the team-up going. Worth a look.

Certainly a niche story within an already niche market, Batman '66 Meets The Green Hornet #2 continues the fun of the first issue although, even with the introduction of the Joker as a major player going forward in the mini-series, the limitations of the premise are already beginning to show. For fans.

It's strange that it took someone this long to make such an obvious pairing, although having them meet when Bruce is a child is certainly unexpected. Except for the beginning of the issue, the entire storyline takes place in an extended flashback to the night Bruce met Talia, Wonder Woman, and Ra's al Ghul and the chase for a mysterious pair of books which it seems many people are wiling to kill for. Just what those books unlock, and why Ra's and his daughter have hunted them for years, isn't explained, but you can bet it's not simply to add to his extensive library. Worth a look.

For a comic that ties all these threads together Batman #0 should feel more than a mixed success (at best), but too many of these pieces don't fit together and the overall narrative feels far too forced. Hit-and-Miss.

This one's an easy recommendation, and a solid read (even if the final panel is an obvious red herring). Worth a look.

I'm also impressed with Snyder's ability to capture Bruce Wayne's arrogance while still being able to present a likable character. Even if he villain isn't a great one Snyder's story about the guardians of Gotham and Capullo's art elevate the issue into one of the best of the week.

As to the Court of Owls, the uncovering of the mystery works well enough, but the conspiracy and super-secret organization full of people dressed up as owls hiding in the homes of Gotham's most wealthy doesn't come off any better than it sounds. Issue #3 isn't a good as I'd like but it's still the best of the Bat-titles. Worth a look.

The art by Greg Capullo looks great, and the comic ends with a panel that suggests things will pick up in the next issue. Worth a look.

Although I don't think it's a great Batman story, it is well-told, with some strong artwork by Greg Capullo, and begins and ends with a couple of really nice moments such as the opening pages featuring Batman's friends wondering what has become of their hero and the comic's final panels which (finally) give us a glimpse that Damian may be more than the rebooted spoiled little shit we've seen so far. Worth a look.

There was no real reason to tweak Dick's to include the Court of Owls (which is further explored in this week's Nightwing #7), but it's how Batman informs him (by backhanding him so hard he looses a tooth and nearly conciousness) that I found troubling. Like much of this story arc, the latest issue of Batman is a mixed success with many more Court of Owls stories on the way. Worth a look.

The structure of the book is a little odd as the first half is written by Snyder with art by regular Greg Capullo. However, the second-half of the story, drawn by Rafael Albuquerque, has a completely different look (which still works, although not quite as well). Worth a look.

I wish the last few pages had dealt with the Night of Owls other than a mostly forgetable back-up story. I'm also not thrilled with writer Scott Snyder's attempt to rope Alfred's family into the seemingly all-encompassing Court of Owls arc. Worth a look

However, Batman learns the truth as he discovers Lincoln March is alive and responsible… and claims he is Bruce Wayne's brother?? And, given the back-up story (which appears to support his claim) it might even be true. Stop the merry-go-round, I want to get off. Snyder better have one hell of a twist up his sleeve to try and salvage what, apparently, this whole arc was leading up to. Pass.

Not surprisingly, the issue ends with Batman knowing that March was likely lying but unable to prove for certain. We also get scene between Bruce and Dick to smooth over the whole Batman cold cocking him thing and another chapter in the truly awful back-up story involving Alfred‘s father. Pass.

It may not be as good as Snyder's pre-New 52 work, and it certainly drags in places with the sheer amount of Harper's narration, but it's refreshing to read something new after the prolonged Court of Owls arc. Whether meaning to or not Harper certainly reminds me of Carrie Kelly and from the final panels, despite Batman's orders for her to stop trying to help him, I have a feeling we may see her again. Worth a look.

The main story ends with a twist as the Joker chooses his first victim, but the issue's back-up story between the Joker and Harley Quinn (whose appearance helps sell how brutal the Joker has become in his time away from Gotham) takes their perverted relationship to disturbing levels I don't need to see. Worth a look.

Snyder is careful by giving us an alternative explanation for the Joker's abduction of Alfred as well as the Joker never naming names when he “reveals” he knows Batman's secret identity. I'm hoping for a huge bait-and-switch. But seeing how the New 52 has given me very little of what I actually want, I'm not too hopeful. Hit-and-Miss.

Don't get me wrong, I think Arkham Asylum is a hell of a video game – but it's story, design, and logic kinda sucks. I certainly didn't need a comic, yet alone the entire Batman Family across all of the DCU, redesigned in it's image. The comic isn't a total waste as it does deliver an okay back-up story between the Joker and the Riddler, but that's hardly enough from me to recommend spending $4 for this one. Pass.

The Death of the Family issues dealing directly with the Joker have only gotten worse as the months have dragged on, finally hitting rock bottom here in this NC-17 horror fetish fantasy that's so far removed from classic Batman stories it's nearly unrecognizable. For those who enjoy it I'm leaving it to you. Mr. Snyder thanks for the memories, but I'm getting off this particular roller coaster with this issue. Pass.

You know DC must have plans to unveil a new Robin before too long, and this issue certainly makes Harper the front-runner. Anointing a character whose entire comic history is less than the time between dental appointments, in my opinion, would be a huge mistake another reason to read far less Bat-titles. Hit-and-Miss.

Looking optimistically, as Stephanie Brown would do, I will say Snyder and artist Dustin Nguyen succeed with this initial tease by highlighting her new Spoiler costume with traits that suggest her Batgirl run and revealing her to be far more than just another vigilante working in Gotham. Even if the comic doesn't allow the character to speak, to find out if her voice has survived the transition into the New 52, there's the tiniest glimmer of hope in this one panel that the Stephanie of old may get a shot to live again. Of course that could all go down the shitter in record time if she opens her mouth and comes off bastardized like the re-branded Billy Batson. For fans.

As to the storyline concerning the fall of Gotham (again) by a completely forgettable villain, honestly there wasn't anything here that made me regret giving the title such a wide berth for so long. Hit-and-Miss.

I don't know what Rebirth has in store for Batman going forward (other than adding a splash more blue to the Dark Knight's new costume), but I'm glad to close the book on the run that offered the Court of Owls, the Face-Off Joker, and Jim Batman as its most noteworthy accomplishments. Pass.

Although the story follows events from Night of Owls, the recent crossover isn't directly addressed here. And at $5 it's a little pricey for a story that simply makes the character a little less interesting to me once again, but I'm willing to give Snyder a chance to play with the character's new history and motivations (as long as he keeps the flashbacks of Victor as a child to himself – ugh!). Hit-and-Miss.

Despite these issues, the comic itself is a tense story that certainly sells the self-sacrifice (if not the ingenuity) of its hero. The main objective, however, isn't to present Batman with a problem he couldn't solve but provide the introduction of a new pair of super-powered heroes to the Gotham landscape. While plenty of vigilantes, both as part of the Batman Family and separate, have worked the streets of Gotham they have been normal (or what passes for normal) people relying on skills and training to get the job done. I guess we'll see what happens when you add those with powers to the equation. For fans.

After stepping in to help Gotham and Gotham Girl stop Solomon Grundy, Batman agrees to give Gotham City's two new super-heroes a few pointers. This includes introducing the pair to Commissioner Gordon for the first time. Other than the fight at the beginning of the issue Batman #2 doesn't offer much in the way of action, but there's plenty of slow-boiling story here for Bat-fans. It also gives us the first appearance of a classic Batman villain for the first time since the Rebirth reboot. I'll be curious to see just what Hugo Strange is up to and how he ties into the monsters and suicide attacks around Gotham City. Worth a look.

Even once Batman takes care of the super-powered hero run amok, he's still got to find Strange (who I'm sure has his own plans for the city, and Batman). Worth a look.

Batman #6 isn't your typical Batman story, but it gets the humanity of the character right, putting in forefront over justice or vengeance. Worth a look.

If you accept that Batman does need the Suicide Squad's help the issue still has some problems as Batman's trek around the asylum offers plenty of cameos to several Bat-villains but also makes in increasingly confusing as to just who Batman is recruiting for his team as dossiers on random villains are highlighted. While I'm all in favor of Batman working alongside his final choice I am confused as to why she would be in Arkham rather Blackgate or another standard prison. For fans.

Despite giving their act some meaning, the act itself still seems off (not laughably bad this time, but still off). I just can't buy Batman letting his guard (and pants) down in public, especially with a woman he admits he can never fully trust. Hit-and-Miss.

Despite some of Batman's decisions here, the comic does do a good job in presenting Bane as a legitimate threat. The need for Batman to have access to the Psycho-Pirate for a period of five days in order to fix what the villain did to Gotham Girl also presents an accelerated timetable for Bane. For fans.

The comic is inter-cut with images of Bruce Wayne and Bane as children suggesting several similiarities between each's tragic past and the obsession born out of it. These scenes take up a few too many panels for my taste, but they do underline the arc's central message suggesting Bane is a serious threat to Batman with more in common than one might expect. Worth a look.

Batman #19 features cameos from quite a few Bat-villains. Some get multiple panels such as Two-Face, the Riddler, and Calender Man, Mr. Freeze, Scarecrow, (and for some reason Maxie Zeus) while others Bane dispatches in a single page (Black Spider, Solomon Grundy, Firefly, and others). The comic continues to build-up Bane as an unstoppable force which can be slowed but never stopped. Now, once again, he's Batman's problem. Worth a look.

With Bane defeated, the Flash shows up next issue to begin the investigation into a blood-stained button and the secrets lurking behind Rebirth and the shitstorm known as the New 52. Worth a look.

Centering mostly on Batman‘s fight with the world's most evil speedster, Batman #21 opens the door to the mystery of the reconstructed DCU but doesn't shine much light in. What we do know, based on the Reverse-Flash's curiosity, is curiosity can be very deadly indeed. Worth a look.

Batman's choice here is more than a little out of character but it opens new possibilities for the Bat-Family in ways that I'm curious to see play out. While Selena Kyle wouldn't be my first choice for Batman choosing a wife, and there are a number of obstacles for the pair to overcome before this comes to pass, it does provide a shake-up for the character. Worth a look.

While I'm not entirely sold on the concept, the brutality of the issue, or the comic moving drastically away from the big news of Batman and Catwoman becoming a couple again, I do think there is some promise to the story (although a war between the two criminals, as we see here, doesn't offer much time for Batman. Narrated well after the events, the issue is able to tease what's to come including Gotham's villains choosing sides between Riddler and Joker as pair's struggle is likely to reign down all kinds of chaos on the city. Worth a look.

Although I'm still conflicted about this storyline, it does allow Rebirth to bring in several old and new characters as part of the growing factions between the Joker and Riddler. If Kite Man earns this treatment I'm curious to see what else may be in store for other villains. Worth a look.

Although I'm still conflicted about this storyline, it does allow Rebirth to bring in several old and new characters as part of the growing factions between the Joker and Riddler. If Kite Man earns this treatment I'm curious to see what else may be in store for other villains. Worth a look.

Batman #28 is notable for Jim Gordon in his underwear (ugh) and giving us a look at Catwoman in a version of one of the character's classic costumes (before she began aping Black Cat's look). It may not be my favorite version of the character, but I did like seeing Selina sport a different look (if only for a little while). Worth a look.

The comic does have a couple of fun moments, such as the Joker offering his opinion about the Riddler and the pair agreeing about Batman's problematic nature. However, the story itself simply doesn't work for me. Hit-and-Miss.

Despite an interesting start, the arc has overstayed its welcome and left some troubling continuity (Batman unable to stop the villains of Gotham, the Riddler carving a question mark on his bare chest, and plenty more) that the comic will unfortunately have to deal with in the months to come. Pass.

In the end, the ambitious arc fails on at least as many levels as it succeeds and wastes most of Gotham under siege to short flashbacks with this the only payoff. Hit-and Miss.

While the two women squaring off provides the action, and why Selina is so willing to fight for the man she loves, the conversation between Dick and Damian provides some insight into Bruce and where this proposal may have come from (and the opportunity for Dick to enjoy playing big brother). Worth a look.

Fans of both Batman and Superman should enjoy this comic, and I'm looking forward to seeing where “SuperFriends” leads the unusual foursome of a thief in a catsuit, an alien, a reporter, and a man dressed up as a bat. Worth a look.

While the action is light (other than taking down a mugger, or Bruce and Selina in the Tunnel of Love), there are some great interactions and character moments that fans of both the Dark Knight Detective and the Man of Steel will enjoy. Best of the Week.

Knowing that the rest of the DCU is ignoring what's happening here makes it obvious that Poison Ivy's control won't last long. The question is, how will Batman and Catwoman stop her? I'm curious to find out. Worth a look.

The issue hints at a deeper relationship between Pamela and Harley without ever confirming something more than friendship. There does seem to be quite a bit unsaid, and I wonder if this was by design or possibly DC getting cold feet about stating something unequivocally about the two characters. Either way, the story still works, even if the bit about the Riddler tricking Pamela, and continuity seemingly wiping away her more murderous past, does have me wondering just who the current version of Poison Ivy is. Worth a look.

This, of course, leaves Batman solo and brooding once more and spins off Catwoman into her own series. I'll be curious to see if the wedding that never happened remains in continuity or eventually fades and is forgotten by all but fans. Worth a look.

Bruce's single not guilty vote seems to suggest some serious introspection has begun. It looks like the rest of the jurors are in for a longer deliberation than they expected. Worth a look.

We do get moments of Bruce Wayne, far away, searching for something… and finding someone, on his first steps to returning and reclaiming the city from Bane. Worth a look.

During the series of events the comic offers us glimpses of Bruce and Selina who appear finally ready to return to Gotham and take on Bane. They still have time to save Damian, but not poor Alfred (whose tasteless death is celebrated a bit too much in full-page glory). Despite its questionable elements, still worth a look.

While I was never all that enthused with DC's plans to marry Bruce and Selina, the last-second folding of that story never set right with me either. If you want do it, do it. Batman #78 begins to help repair the damage done to both characters and reset the romantic status quo one more time. Worth a look.

The fight between Batman and Deathstroke is truncated as much of it takes place off-panel and comes to a quicker conclusion than expected. Catwoman's own crime-fighting foreshadows more about what brought Deathstroke to town (suggesting it has ties to the cat burglar's past). Worth a look.

The issue does have some notable action, including a tussle between Batman and Cheshire, and the prison break which leaves the Dark Knight with more problems, along with highlighting the attempts of characters like Riddler and the Penguin to use the current state of the affairs to their advantage. For fans.

Meanwhile, Catwoman and Harley Quinn battle zombie cops in the sewers, Harley meets the Joker's new squeeze Punchline, and Selina does some negotiating with the Underbroker. Between Catwoman and Batman, our heroes score victories on multiple fronts, but heading into the next issue the man behind all chaos, the Designer, still awaits.

Batman #118 ushers in a new creative team, a mystery for Batman outside of Gotham City, and, once he touches down in Badhnisia, a change into the Batman, Inc. costume for our Caped Crusader. I've got to say I'm happy to have the Bat-Symbol back on our hero, but the lack of trunks (plus the unnecessary seams) means we still are denied Batman's classic look as DC seems incapable of providing more than half of a good costume for our hero. As for the mystery, it seems Batman may have an ally (of sorts) in… Lex Luthor?

The issue also includes an unrelated back-up story involving Mia Mizoguchi to try and justify the higher price and page-count.

In any case, the members of Batman, Inc. switch sides and stand with Batman against Abyss. The comic limps home to a finish with Batman tracking the escaping villain and by teasing the next big arc for Batman on his return home with a cameo by Deathstroke and the latest version of the Secret Society of Super-Villains.

Setting aside Broke Batman, which remains one of the dumbest plotlines in the character's history, the first issue of “Failsafe” sets Batman on a series of events that will lead to him being more isolated. Selina Kyle (who is given her own back-up story in a failed attempt to justify the cover price) has moved on. Robin is shot during the gala. And the gloating Penguin frames Batman for his murder (despite, you know, the physical evidence of him killing himself with poison that you'd think would be easy for a hospital to find). While I enjoyed the look of the issue, I have little interest in yet another team trying to make Batman even more gritty.

I can't tell if this was a Riddler story made to fit the Joker or a Joker story that simply relies on behavior better fitting another of Batman's most famous foes. In either case, Joker's breadcrumbs lead to an elaborate doll house where the most painful moments of Bruce Wayne's life are put on display leading to the Joker perhaps getting his fondest wish just as the comic comes to a close. I'm more interested in the art here than the story, having long ago grown tied of broke Batman (who's now schizophrenic… yah!?).

Mostly set-up, the first issue jumps from story to story (at times more effectively than others). Although teased, we don't get the Phantasm here, although there is plenty of foreboding about how tragically events will unfold.

This is a clusterfuck of a first issue that makes less sense the more you read it. Pass.

We also see Superman‘s first meeting with an out-of-control Power Girl who he is determined to help whether she wants his help or not (or whether such efforts could endanger himself). I'm curious to see where this storyline will go. Worth a look.

The comic features some back and forth between the two characters, along with some inner monologue from both, on the status of their partnership and the threat that the toxin presents. There may not be enough here to keep me around the long term, but I'm certainly curious enough to return and see how the current situation gets resolved. Worth a look.

The comic goes off in multiple directions here with a separate team-up between the Man of Steel and the Dynamic Duo and also the addition of the Doom Patrol to help with an out-of-control Superman. There are some aspects of the story I enjoy, including character designs and Dan Mora's art, although once Superman gets infected (which seems to be where the comic's main storyline will be focused going forward) things bog down a bit.

With the introduction of Supergirl, Batman Superman World's Finest #2 also begins a B-story sending Kara and Robin back in time to learn more about an immortal ancient Chinese warlord known as The Devil Nezha who has some connection to current events (but I'll admit being a bit confused by it all). There's obviously some tension between the two younger heroes, that isn't explained, but makes for some fun back-and-forth.

Lots of fun here, including some back-and-forth between the Dynamic Duo to close out the issue.

It's a pretty busy issue with not much time to breathe. That said, the story moves fairly well with our four heroes reunited looking for Stagg and Ivo ending on a cliffhanger.

Following the clues left by history, eventually Batman finds the Shadow's Sanctum, the heart of his operation. Yet, the discovery only leads to more questions. The Dark Knight hopes a trip to seek out a mutual acquaintance might yield better results, but as the Shadow told him – Batman isn't ready for the vigilante's world. Worth a look.

For a comic that's been the least of all the Bat-books since issue #2 this one's not half-bad. Given it's ending it also marks an important milestone in Batman's career and is definitely worth a look.

The Red Hood is out, and things should be about to get interesting. I actually like this version of Jason Todd (in the biker outfit, not the worst comic costume of all-time), and I'm hoping by the end of the storyline we get a little better sense of how he's going to fit into the DCU and, more specifically, the Batman universe. Worth a look.

That said, there are a couple of nice scenes where we're given a look into Todd's view of Dick Grayson, and vice-versa. This storyline, even when it has struggled at times has done a good job focusing on the differences between the first two Robins. Personally, I would have liked more of Damian's thoughts on Todd whose outlook is far similar to the Son of Batman than his current boss. With a look.

Is it worth a look? Maybe. There one or two moments, although there's little here for those who have already read Morrison's story. For fans.

As first issue's go this one struggles at times but it's the first time when seen father and son paired up as Batman and Robin since Bruce's return from the grave. I'm going to give it a few issue to try and find a balance between the pair, but the most pressing challenge seems to be where to find the fun that should be inherent in a title called “Batman and Robin.” Hit-and-Miss.

One a postive note the issue also includes an appearnce by Ace the Bat-Hound (sadly, out of costume). I'm all for finding ways to layer in various aspects of Batman's history into this New 52 version. Now let's see that giant penny, and Bat-Mite, and oh so much more! Worth a look.

I'm less thrilled with Nobody and his connection with Henri Ducard. Although he does offer Damian a tempataion, we know, despite all his flaws, Damian isn't likely to give into his baser desires this early in the New 52. This means despite being handled with some skill (although the opening diatribe in the drive-in is pretty awful) this arc ultimately has nowhere to go. Worth a look.

Patrick Gleason's art has gotten better as he's gotten more comfortable with the characters, but writer Peter J. Tomasi struggles with Batman's epiphany about his behavior to his son. It feels far too forced for the version of Batman we've seen so far. Worth a look.

Damian's turning on Nobody is hardly surprising, but I'm thankful writer Peter J. Tomasi didn't milk the story for another issue or two. It's also good to see Damian standing up for something other than himself for a change (even if there's no one else to witness it). The final panels, suggesting some serious injury to the boy, should lead to a brutal confrontation between Batman and Nobody in next month's conclusion of the arc. Worth a look.

I like the simple dialogue and reaction shots between Damian and Bruce once the battle has ended. I'm far less pleased with the comic's final choice. I certainly understand it, and the story arc certainly gives the “justification” needed for that choice, but just as the pair were coming together the results of Damian's deadly action are likely to tear Batman and Robin apart, again. Worth a look.

The issue doesn't ignore Damian's actions from last issue, but it also doesn't condemn him for it (as I expected it to do, further driving a wedge between the two). Instead Bruce uses the opportunity as a lesson for his son to move both of them forward. By the end of the issue we're given a Batman and Robin I really want to see more of, and that's really all you can ask. Worth a look.

If you're only picking this up as a “Night of Owls” tie-in you could probably give it a pass. If, however, you're a fan of Damian (even the New 52 version) there's enough here to keep your interest, at least for awhile. For fans.

The comic's other storyline introduces a new villain named Terminus who prepares to kill the Batman before his own demise. Nothing special here, and Terminus is certainly overshadowed by all the Robins appearing in the same panel together for the first time in the New 52 (although we still haven't gotten Batman and Red Hood together, yet). Worth a look.

As to Damian, who appears to be back in full on spoiled little-shit mode despite the tease that he might grow up a bit after the failure with Nobody, it's an interesting choice for him to view Todd (the Robin he's most like) with such contempt. I'll be interested to see what action the Red Hood might take in retaliation. Although the crowbar sequence is in bad taste, it certainly fits this version of the character. Hit-and-Miss.

I like seeing the Robins together in this issue and if DC is looking for another Bat-title to replace one of the underperforming New 52 books may I suggest something along the lines of Robin Team-Up (featuring Robins current and past teaming up for short arcs – which would allow for the inclusion of Stephanie Brown, too). Worth a look.

At the same time we see the more dangerous version of the character as his dispatches another assassin sent by his mother and the recklessness of his youth which leads him into danger in the stories final pages as he's caught in a mob of zombies. Honestly, I could have done without the zombies, but the rest of this issue works well. Worth a look.

Aside from Damain actually doing some justice to the Robin name (and not being the complete tool the New 52 has been so focused on delivering month after month) there's almost nothing worthy of notice. The story is completely forgettable and the mix of both Patrick Gleason and Toms Giorello's art makes the comic look and feel uneven at best. Pass.

I like Damian, and I certainly like how he stands up for himself against the psychopath, but there's nothing of note, and certain nothing enjoyable delivered here that makes this one worth picking up. Sadly, this seems to be an all to familiar trend with the Bat-books recently. Pass.

There's plenty of gruesome action here. And the comic has one highlight where the far too dim Damian makes a concious effort not to kill the man he believes is his father. Sadly it's too little, too late. Pass.

On one hand, the issue puts Damian's loss at the forefront and showcases the toll it's taking on Batman. On the other hand it's still a bit of a cheat as the hard but necessary conversations after such an event have still yet to take place. However, the set-up certainly makes the only words we do see, Damian's final message to his father, certainly have a greater impact. Worth a look.

Red Robin gets the short-end of the stick here. Despite his name in the title, Tim is relegated to little more than a cameo in which he has no more luck talking sense into his mentor than the partially dissected Frankenstein's monster. It will be interesting to see, given the mixed reaction DC has gotten to Grant Morrison killing off Damian, how long the Bat-books might play with the idea of bringing the character back, in one form or another. Worth a look.

Although I think Todd overreacts to Batman's grief, the result is to push yet another member of the Bat-Family further from the Dark Knight Detective. Batman and Red Hood #20 also offers another appearance by Carrie Kelley looking for Damian, teasing that she's not going away anytime soon. Pass.

The confrontation between Batgirl and Batman in the cave is interesting, but isn't hardly the tact someone as smart as Barbara would use. I do like her offer of wearing the Robin costume, but its stuck in the middle of an out-of-control argument that has no hope of reaching Batman. Hit-and-Miss.

Catwoman helps break Batman out of his funk as does Carrie Kelley whose continued perseverance at talking to Damian forces Batman to go to extreme lengths to continue the pretense that his son is still alive. I'm not sure where Carrie will eventually fit in, but any comic with her instead of Harper Row has to be counted as a win. Worth a look.

Although the final former side-kick issue is done, the comic will continue the Batman and… with villains such as Two-Face and Killer Croc leading into Batman and Carrie Kelly #25 which may, or may not, begin a new direction for the title. Worth a look.

By the end of the episode the luck of Gotham City (which is far less covered in vegetation that the Poison Ivy comic would suggest) has finally run out as the flip of the coin leads Two-Face back to his more destructive ways. For fans.

Writer James Tynion IV and Jeremy Haun deliver a solid retelling of the various aspects behind the character even if he's decidedly lacking in the kind of crazed evil malice that has defined Ra's al Ghul since his creation. It's far from a great Ra's al Ghul story, but for those needing a primer on the character it's sufficient. Worth a look.

All that said, even the changes can't ruin one of Batman‘s most interesting villains. As the beginning of a true origin for the character it's flawed, but fans may still enjoy the issue.

On the plus-side we do get an appearance by Matches (which means the character, and Batman's use of his identity, is part of the New 52). Despite the promise the issue will have big revelations about Carrie Kelley (which I believe I've already guessed) the character fails to make even a cameo here. Given the false advertising and confusing storytelling this one is very much Hit-and-Miss.

Although the comic has some nice moments, especially in the early scenes between Bruce and Erin, the flashbacks are so unbelievably dumb it wouldn't surprise me if everyone who read this issue lost a couple of IQ points. Pass.

And as for a pint-sized Batman ruling the night in Gotham, it's a blast! Damian truly works in brutal, but Batman-like efficency, and never becomes the isipid murderous twerp some writers use as his fallback setting. I know I have been hard on the Bat-books recently, but this is a perfect example of what they can be when a little joy is inserted into the equation. Must-read.

Even with the fan bait of giving Batman fans a taste of the character Grant Morrison killed only because he could, Batman and Robin Annual #2 is unremarkarkable except for the fact it will likely continue to piss off longtime DC fans. Pass.

We also get an odd grouping of some of Batman's more monstrous enemies in Croc, Man-Bat, and others, as well as a general foreboding of yet another (likely less joyful) crossover. I'd like a little more normalcy for Bruce and Damian before jumping into the next big arc but there's enough here to pique my interest. Not everything is sunshine and roses, however, as the comic foreshadows a high school arc for Damian which would be the quickest way to make me run away from this comic as fast as possible.

Writer Bryan Edward Hill and artist Dexter Soy deliver a solid first issue focused on the team's dysfunction and the looming threat which will force them to come together (that, and a common goal to discover just what Batman isn't telling them). Worth a look.

The issue is also notable for Black Lightning making a verb out of Bruce Wayne as the two discuss the difference between what Batman and the Outsiders should stand for. The question now, is just what does Ra's al Ghul do now that he has the girl. And, now that Sofia is in his nemesis' possesion, is that enough to get Batman back in the field or does he continue to rely on the Outsiders? Worth a look.

The fact that Batman's exercise helped begin to allow Signal to heal is a nice moment (as is the fact that its Cassandra who is the first to embrace him), but I'm not sure Batman's head is in the right place where Sofia's well being is concerned. One would think Sofia's life would be at least as important to Batman as the feelings of his fledgling team. Hit-and-Miss.

From what we see in the panels of Sofia and Ra's, it seems the Demon's Head has done his work well and the Outsiders will have their hands full in the battle to save Sofia's soul. For fans.

The other fight, that between the assassin Ishmael and Cassandra Cain and Signal will have to wait until next month, but Ra's obviously has plans for Batman's pupils. Will they be up to the challenge? Worth a look.

Not being completely up-to-date on Signal's backstory, it's hard for me to judge the impact of the surprise that Ra's has for the young man. That said, the comic has already demonstrated the Demon's Head has a knack for breaking wills and bending them to his own. Is that what's in store for Signal? And just how far with Cassandra go to prevent this (and take a measure of revenge on her mother's part in Ra's plans)? And will Batman ever suit up in this comic? Worth a look.

Despite the team's victory in extracting Sofia from Ra's al Ghul‘s clutches, the comic is far from done with the Demon's Head who has begun taking his revenge on the Dark Knight's pupils with the corruption of Signal, a jibe at Cassandra's destiny, and a hitting Black Lightning where he lives. Far from being finished, it looks like Ra's has just begun. The question is, after he's done how many Outsiders will still be standing? Worth a look.

While most of the issue is actually dialogue offer clues about a doomsday weapon and Shiva's interests in partnering with Black Lightning, there is some action towards the end as Black Lightning and Shiva run into a bit of trouble though they do get some unexpected assistance from the sudden arrival of Katana, Signal and Cassandra. Maybe the team might survive Ra's machinations after all.

While continuing to save the final fight with Ra's in reserve, there's still enough here fans of the comic can enjoy. Worth a look.

Katana's gamble offers one example of how desperate the Outsiders have become. Another comes from Batman himself, who offers to boost Black Lightning‘s powers in order to fight the alien tech which threatens the world. But, at what cost?

Batman & the Outsiders #14 (thankfully) marks a more proactive turn for the heroes who up until this point have been reacting to Ra's plans. It also reveals to the Outsiders that Shiva is in communication with Batman and has been working, at least in part, with him for the last few issues.

Ra's plans to destroy civilization involves a secret corporate cabal with unprecedented access and power. While the latest issue of the series still doesn't yet provide the action we've been waiting for for 15 issues, it does (finally) put the last domino in place allowing for what should be a heavy-action issue next month.

Batman admits to Lady Shiva that her daughter deserves better, but what is that? Just how powerful is Black Lightning now? What happens to Sofia Ramos and the rest of the heroes? These are a few of the questions left to be answered in next month's issue.

The choice to the tease from the very first panel to the last of who the main villain of the series might be (which I won't spoil it here) works very well. For fans of the show it's definitely worth picking up, but even if you never saw an episode it's still worth a look.

Although I'm still not sure about this new Catwoman, this issue does give me the one thing I always wanted from Batman Beyond – Dick Grayson. And that's enough for me…as long as they don't screw it up. Worth a look.

And then there's the final panel… Yeah. Um, yeah. I won't ruin for it for in case you plan to pick this one up, but lets just say the final panel flushes the promise of the previous pages right down the toilet. Sigh. I doesn't work, whether it's real or simply yet another twist (this comic has more than a Shyamalan marathon). We'll have to see if the series can rebound, but I have my doubts.

We also lean the new Catwoman's identity and Bruce and Terry have a nice bonding moment. It's not a great issue, and some of the clone's super-villain banter is way too forced, but for all-encompassing Bat-fans it might still be worth a look. Hit-and-Miss.

One thing the issue does well is show-off it's main star, letting those unfamiliar with him get to know Terry McGinnis. The issue also includes an appearance by the future version of the Justice League. It will be interesting to see how big a role they play in the new series.

The truncating of the Bat-Family's chronology in the New 52 reboot left a glut of former and current Robins all roughly the same age and not enough room for each to operate. Mercifully released from that regrettable Teen Titans title, I would have preferred Drake to have spun off his own book in the present but this at least affords him the opportunity to prove himself in new ways. Drake plus the Batman Beyond Universe, with a more dystopian feel, is an odd mix, but writer Dan Jurgens (at least initially) sells me on the concept while artist Bernard Chang shows he has what it takes for the series' unique visual look. I'll be curious to see where things go from here. Worth a look.

The appearance of Wonder Woman and the use of one of the television show's most popular villains works to provide Dan Jurgens with a way to close out his 50-issue run in style. Given what we see to close out the issue, it will be interesting to see if a Batman Beyond Justice League is in the works somewhere in the near future.

Joining the comic with this issue, artist Phil Hester manages to faithfully recreate the look of both series. I particularly love the flashback art. Best of the week.

Filled with plenty of action, hard choices, and Bruce Wayne loosing another adopted son and apprentice, the latest issue of Batman Beyond Universe is worth picking up even for those (like me) who may not stick around to see how the fallout between Bruce and Terry is finally resolved. Worth a look.

Fans of the show should enjoy this, but there's not much new here to explore (as with most Rebirth issues the main goal is to set the stage for what is to come). Batman Beyond: Rebirth #1 is mainly concerned with resetting the world with McGinnis back in the Bat-suit (mostly ignoring Tim Drake‘s New 52 run) and reintroducing readers to the series' core characters including teasing the possible return of Batman's most dangerous enemy. For fans.

So, let me get this straight, we get crappy redesigns for Deadshot and Red Robin, Stephanie Brown, Catman and the rest of the Secret Six are still in limbo, but Halo and Morrison's fetish creations get to run free in the New 52. Fuck you for this DC. This issue, which is in the running for the worst Batman comic I've ever read, is the kind of shit that makes me want to stop reading comics all together. Pass.

There's much speculation about who will fill the shoes the shoes of Robin whether it be Tim Drake, Helena, or even Stephanie Brown (who has yet to appear in the new DCU). Whatever the case, Damian's death wasn't necessary to accomplish the goal of replacing him as Robin, nor does his death serve any long term purpose in terms of Batman stories going forward (once DC moves past the obligatory couple months of characters grieving his death). This is a mistake and, as many of Morrison's stories are, a badly written one. Pass.

Or I could just say this: Grant Morrison has been planning the death of Damian Wayne for years, and if this is the best he can do with this amount of planning I don't know why anyone would want hire him to write a Batman comic ever again. Pass.

Very much a mixed bag, Batman vs. Robin #1 takes characters backwards in their developments instead of forwards. I'm also not too pleased with the gruesome depicted of the lynched Zatanna who Batman and Alfred come to find while searching for answers as to just what is going on. Alfred may be back, and Batman is certainly pleased with that, but what kind of death will a magically-fueled Robin bring to bear in what's to come?

Had this story been told the way a normal human being might tell it, this might be fairly enjoyable. Sadly, Morisson's reluctance to let the plot stand alone and instead rely on cheap theatrics and convoluted storytelling works against him here. But then again, Grant Morrison really pisses me off. Those who like his increasingly maddening style of writing may find more here than I did. Hit-and-Miss.

Other stories include “Demon Fist” which focuses on a single member of the League of Assassins hoping to land one punch on Batman, “Weight” gives us snapshots across Batman's timeline while focusing on the weight of his childhood vow, the Batcave becomes infested with Ninja Man-Bats in “First Flight,” and Emma Rios offers a dreamy tale of the external struggle of Batman.

In “The Spill” Batman is trapped in the Gotham spillway after an EMP goes off in Gotham City while pursuing the Joker who gloats for several panels about getting the see Batman's death before the barrier breaks and nearly drowns them both. And in “Dual” Batman tracks an all-white doppelganger across Gotham City.

Perhaps the most interesting story is “An Unquiet Knight” featuring Zatanna reaching out to the spirit of a deceased Batman and helping him finally find peace.

“A Father and Son Outing” offers a glimpse at Bruce Wayne's struggle to teach patience and the craft of making Batman larger than life to criminals. “The Man Who Flies” gives us a look at the city through the eyes of Nightwing, whose upbringing as a circus acrobat still colors his personality flying through the air with the greatest of ease. “Blue” offers a tale from the perspective of Harvey Dent‘s wife Gilda, examining her life both before and after the tragedy which created Two-Face. In “Signals” Commissioner Gordon chooses to act on a case personally rather than turning on the Bat-Signal and asking for assistance.

Less effective are Batman rushing to save a child from a war between a pair of chess-inspired groups in “Opening Movies” and Batman and Clayface working together, sort of, to investigate the disappearance of young women in “Like Monsters of the Damp.”

Also include here are a Zombie Batman story written and drawn by Neal Adams (weird, and a tad too preachy) and Batman hunting down a determined Ventriloquist by Howard Mackie and Chris Samnee (I liked the art better than the story). The only story that didn't work for me was the one offered by John Arcudi and Sean Murphy which turns the Dark Knight into a little too much of a gear-head for my tastes. Batman has had quite a career in comics over the years and this first issue gives us a little bit of everything from the Dark Knight's past. Despite a $5 cover price and the lack of color and inks, fans should enjoy this one. Worth a look.

Although I appreciated J.G. Jones's art in Dan DiDio's Man-Bat story, the hamfisted themes and Batman's questionable morality at the end left me cold. In much the same way, I liked the art and idea behind writer/artist Rafael Albuquerque Limbo storyline more than the final execution. Worth a look.

There's also an opening tale by Lee Bermejo about Batman's team-up with a young Jason Todd, and a beautifully rendered (if ultimately kinda empty) tale from Damion Scott featuring Batman chasing various members of his rogues gallery around a hall of mirrors. Worth a look. Worth a look.

Without any real weak stories this month, Black and White #4 also boasts a Mad Hatter and Penguin tale from Michael and Lee Allred where Cobblepot attempts to out-wit both the Hatter and the Dark Knight Detective (which features Micahel Allred's trademark smooth but quirky style), Dustin Nguyen does double duty writing and illustrating an average night for Batman in Gotham City ending with an appearance by Catwoman, Nathan Edmondson and Kenneth Rocafort offer up a tale of Batman taking on an invisible enemy, and David Macho and Rubn Pellejero deliver a tale of Batman getting the help of a homeless veteran (and his pet rat) to take down Killer Croc. Worth a look.