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That should have been "I'm on board." Hahaha
DC Comics presents to you a 12-issue maxiseries from the critically acclaimed team of writer Geoff Johns, artist Gary Frank and colorist Brad Anderson. You are not prepared for what lies ahead within these pages, good readers.
I give Johns and Frank a perfect score for bringing the Watchmen back to life (figuratively speaking) in a sequel that many were very skeptical about, and knocking it out of the park. This book perfectly picks up where watchmen ends, and even though it mirrors Watchman in such a beautiful way its executed to feel like a true sequel and not just some stale copy of the original work by Alan Moore and Dave Gibbons. In an era that seems to feel a lot like the time when Watchmens themes were relevant, I cant think of a better time to pick these characters back up to see what truly has the bigger cost, hope or cynicism. Read Full Review
With masterful storytelling and a perfect tone, Doomsday Clock has all of the potential to become the rightful heir to Watchmen. Read Full Review
As it stands, the clock may be ticking but my interest in this series is by no means running out. Read Full Review
As first issues go, this one is an absolute winner. Yes, the DC Universe characters only appeared at the end of the issue, but what an appearance! The use of the Watchmen characters has been brilliantly, and respectfully handled. The writing is perfect, and I could wax lyrical about Gary Frank and Brad Anderson's art for days on end. Yes, I was initially very sceptical about any sequel to Watchmen ever being attempted, but I am now a believer. Fellow Dark Knight News reporter Steven Conroy and I will be reviewing alternate issues of this title, before coming together for the grand finale, 11 months from now. It's going to be a wild ride! Read Full Review
With Gary Frank at his side Johns is perfectly equipped to create yet another amazing comic. Though almost all of DC is starting to become his responsibility, Johns can still create one hell of a story. DC's prodigal son once again creates an unforgettable comic. Here's to many, many more. Read Full Review
Doomsday Clock isn't just another event series. It's shaping up to be one of the definitive comics of our time. Read Full Review
The return to the world of Watchmen is a dark, intriguing tale with beautiful artwork. Read Full Review
I'll say it looks great, reads great and feels exciting and fresh. Read Full Review
Doomsday Clock is Geoff John's return to comics after DC Rebirth and he comes back swinging. He encapsulated the feel and energy of Watchmen so perfectly you would think it was Alan Moore penning the book. Read Full Review
This is going to be a wild, year-long ride that promises to bring massive changes to the DCU. And I, for one, am completely on board. Read Full Review
That's apparent as there's not a major spoiler moment or unexpected reveal. Fans expecting that out of Doomsday Clock should definitely check out the latest installment of Action Comics. The fun of Doomsday Clock's kickoff is that Johns sets up a story that welcomes questions, imaginations, fan theories and everything in between. There's a mystery here and maybe Johns sprinkles in some clues this issue, but I've got a feeling this is a story that will need to unfold more to make sense of everything. I like that approach a lot as Doomsday Clock already reads like the next great DC story like Kingdom Come or 52. Read Full Review
We always wondered who watched the Watchmen. Now we ask, who's watching the world? Read Full Review
Time will tell if Doomsday Clock will be as revered as The Watchmen, but this is a good issue. Read Full Review
Doomsday Clock is maybe DC Comics biggest risk ever as they simultaneously are creating a sequel to arguably the greatest comic of all time, while also attempting to integrate this decaying world into a hopeful DC Universe. Its a risk that if handled correctly could become one of the greatest moments in comics history, and if issue one is any indication I think it safe to say Doomsday Clock couldn't possibly be in better hands. Read Full Review
After months, years, even decades of this strange admixture of apprehension and anticipation for the inevitable continuation of the Watchman narrative, Doomsday Clock #1 does not disappoint so long as one is willing to judge it on its own merits and is not looking for Moore to revolutionize the world again (for that, go read Jerusalem). Read Full Review
This is just the first issue of a 12 part maxi-series and it's immediately evident this is going to be something special. Whether or not it will be the historical piece of literature that the original Watchmen is has yet to be determined, but it is obvious that this will be the book to read this year. Doomsday Clock will be looked at with an uncommon level of scrutiny due to the significance of the original, but if it maintains this quality, then it will win over some of the most devout skeptics. Read Full Review
Doomsday Clock #1 sets us off on a year-long journey into what could become an instant classic. I'm ecstatic to be along for the ride, and I would invite anyone along who is interested to see the limits of the superhero comic book genre pushed to new heights. Read Full Review
Overall Doomsday Clock #1 works to legitimizes its existence as a necessary work to progress the medium of comics to its next chapter. This could work as a next step to the original Watchmen story without the additional element of the Superman mythos. What it lacks in major wow moments it makes up for in strong characterization, impressive art, and the construction of some intriguing questions and mysteries. Having eleven more issues it is far too early to know if these lofty goals are achievable. So far though there is plentyreason to have faith. Read Full Review
Overall Doomsday Clock #1 works to legitimizes its existence as a necessary work to progress the medium of comics to its next chapter. This could work as a next step to the original Watchmen story without the additional element of the Superman mythos. What it lacks in major wow moments it makes up for in strong characterization, impressive art, and the construction of some intriguing questions and mysteries. Having eleven more issues it is far too early to know if these lofty goals are achievable. So far though there is plenty reason to have faith. Read Full Review
In conclusion Johns writes a really strong first issue and Frank’s artwork is incredible. The artwork isn’t similar to that of Gibbons but uses the nine panel grid structure and builds dark and dreary world perfectly. It is easy to see why Johns wanted Frank on this book. The issue is both enjoyable and interesting, and the world he built just begs to be explored. He does introduce new characters which definitely could throw a spanner in the works, but also introduces us to characters from the original series, some the same and some different. This is a book worth picking up. Read Full Review
Johns sets the grand stage for the Watchmans entrance, and does so with tact. How do you follow up one of the greatest graphic novels of all time? Very carefully. Franks artwork shines bright here, from the bone chilling intro to the emotions seen in the new villain The Mime, the whole books looks amazing, albeit a little short. If you want to be on board for DCs latest event, then jump on board. Read Full Review
Doomsday Clock #1is a pretty solid introduction to the series. It acts as a good continuation ofWatchmenby retaining the look and feel of the original while bringing something fresh with it. Johns makes some pretty clear allusions to the current times in the world, making this book, as the original, very relevant to new and old readers alike. Franks and Anderson's combined artwork help the issue stand out with some great visuals that help Johns keep that old feeling. While it didn't feature a lot of Superman or Manhattan, it certainly did set up an exciting premise. Read Full Review
However, setting that aside for the purposes of this review: this issue is good. It's damn good, in fact. And while there's still plenty I would like to see and learn, this is still early days, and this issue provides and strong and intriguing start to a series that may yet prove to be a strong follow-up to the 1985 classic. Read Full Review
If any writer/artist combination is going to tackle the herculean task of following up the greatest comic ever written I put my money on Johns and Frank. They have the pedigree to create a classic and the first issue of Doomsday Clock is a great start. Read Full Review
Doomsday Clock #1 isn't quite the explanation we all want, but it is still an astonishing comic. Giving us an engaging narrative set after the events of Watchmen, the creative team present us with a product that begs further exploration. Not only does it touch upon the future of the classic Alan Moore series, but it also further teases the connection to Rebirth. So if this has been an event you're on the fence about, we recommend giving it a try. Read Full Review
After all the build-up and the hype, Doomsday Clock is finally here, and it doesn't shock and amaze the way a lot of people were expecting it to. On the contrary, it shows great restraint, taking the time to set the scene and properly revisit the Watchmen universe. This book easily could have just given us a quick shot of Ozy and Manhattan for two pages, then getting along to Superman and the Multiverse and teasing all kinds of crazy stuff without providing a lot of substance. Johns does the opposite of this, really making the Watchmen world feel like it's naturally continued from it's state at the end of the original series. Read Full Review
Geoff Johns gets this epic series off to a solid start with a number-one issue that not only gets new readers up to speed quickly and efficiently but also sets the stage for what's to come in a way that will leave long-time readers eager for more. Does Doomsday Clock #1 live up to the hype that surrounds it? You be the judge. As I am concerned, the hype matter not, Doomsday Clock #1 is a damn-good read. Read Full Review
An excellent first issue that kicks things off and should put 'Watchmen' fans at ease. Read Full Review
Going in I expected… not this and finishing it I was not only pleasantly surprised but excited to see what comes. An impressive start, Doomsday Clock #1 feels like a bridge from what was to what is. There's a clear reverence to the source material in its presentation, themes, and the characters. At a time when “event/gimmick comics” feel like they've burned themselves out, Doomsday Clock #1 is a pleasant surprise that has me looking forward to diving into the unknown. Read Full Review
When these events actually occur in conjunction with the timeline of the DC universe is not clear. Obviously there's a 25 year gap between the two. It's possible that Veidt and his team have been operating in the DC universe for that long undercover. We still don't know how the yellow smiley button of The Comedian got embedded in the walls of the Batcave, something it would seem only Doctor Manhattan could have done. But I'm sure we'll have more answers, and a ton more questions, next month when the second issue comes out. Read Full Review
Doomsday Clock looks to be a slow burn, but one that expertly captures the feel of a true comic book classic. Read Full Review
Not much of the story has been revealed yet, but so far, the creative team has laid out an intriguing and beautifully rendered opening. Not only do Johns and Frank need to craft a good story, they have the pressure of bringing character back into prominence for the first time since they were part of the best graphic novel of all time. We will see how this ends up stacking up to that, but so far, they haven't given any reason as to why this couldn't be a damn good book. Read Full Review
Geoff Johns launches us back into the world of WATCHMEN, delivering a mesmerizing premise that promises to break the boundaries of the DC Universe. Read Full Review
Doomsday Clock is an event book we rarely get anymore. There are no 50 million tie-ins across all of the books as past DC and all of Marvel books now tend to have. It is a standalone book that might not be as essential as the original Watchmen, at least not now but then the future is certainly bright for the future of DC Comics. Read Full Review
It's a huge undertaking trying to continue a story so iconic, but the first issue of this series manages to keep my interest in what could be coming next. Read Full Review
I'm definitely intrigued, which is a good way to start a series like this. Read Full Review
We'll see how it plays out - and yes, despite my reservations, I'll be reading along - but I'm not convinced that this is a good idea. Read Full Review
While not a perfect start, Doomsday Clock is off to a strong one. Things are setting up as dark forces begin to gather. Can a symbol of hope stand up to both a world of pessimism and an amoral god-like entity? We will find out as the clock keeps ticking on. Read Full Review
Where Johns exceeds Moore is in how much of a page-turner this issue is. Watchmen rewards slow and close readers of each panel, but never reaches a point where readers find themselves quickly devouring its issues. Doomsday Clock #1 is filled with dialogue and narration, but Johns’ skill in crafting a spectacle is second to none in the modern age of comics. This isn’t a mystery story and it isn’t perfect, but as the third act of an epic that began with Rebirth and continued in The Button, it’s hard not to get chills at the onset of this blockbuster comic. Read Full Review
This is no doubt a daunting project, something the creative team is very aware of and have said as much in interviews, but they seemed to have handled it deftly. This is well worth a DC Comics fan's time and an extremely welcome change of pace from some of the other event content being published concurrently. Read Full Review
DC's massive 'years-in-the-making' comic event kicks off with an impressive debut issue with amazing writing and spectacular art. Read Full Review
I have high hopes for this big event. I think that DC may have a massive hit on their hands with Doomsday Clock. I will say that after just one issue, Doomsday Clock already blows away Marvel's last two big event in Civil War II and Secret Empire. Read Full Review
Honestly, I had little interest in this series going in, but the first issue is a strong set-up and I am now a little curious to see how events may unfold. I am surprised that almost the entirety of the issue takes place in the Watchmen reality, and I wonder just how Ozymandias and company plan on getting to the DCU. Worth a look. Read Full Review
While it's unlikely to win over ideological purists, Doomsday Clock #1 works quite well taken on its own terms. It's far too early to make comparisons between this series and the original Watchmenbut this series seems to be moving in an interesting direction. It may yet crash and burn, but it will be a spectacular wreck if it does! Read Full Review
So I do not think that Geoff Johns and Gary Frank will produce in Doomsday Clock anything nearly as impressive or as memorable as Watchmen. I do think Johns and Frank could produce a comic book that is better than most superhero comic books that DC Comics currently publishes or has published in the last 30 years. Doomsday Clock #1 hints that it could happen. Read Full Review
I was expecting more from all the hype with this ending up being just a better than average comic. There's too much of the Watchmen for my tastes, but I'm more than eager to continue to see how Rebirth came to be. Read Full Review
So, Doomsday Clock was a good read. It didnt blow my mind, but my expectations werent hyped up for it anyway. Its good, and I enjoyed it. I recommend it, and you should definitely check it out. Read Full Review
Doomsday Clock #1 shows that for better or worse, Geoff Johns, Gary Frank, and Brad Anderson are taking their time with their DC Rebirth/Watchmen crossover and spend time reestablishing and tearing down the world of Alan Moore and Dave Gibbons' comic before having Superman punch Dr. Manhattan or having Ozymandias and Lex Luthor swap plans for world domination over vodka sodas. Johns' writing is awkward, but his plotting is focused and gets the proverbial clock ticking while Gibbons' art is a real treat. Some parts of Doomsday Clock are pretty groan worthy, but others are pretty damn cool. Read Full Review
Now don't go thinking you're going to get a big old combination of both Watchmen and DC superheroes in this book because while this is the bridge to both those worlds, this issue primarily sets up what's been going on since Ozymandias tried to fool the world into peace and as far as that aspect to the story goes.......... It was pretty decent and the art looked great. Sadly, it really feels like people who aren't Watchmen fans might be lost in this event so far and I hope that it doesn't remain that way and opens itself up to a more casual reader. All in all though, I'm pretty excited for what the Doomsday Clock has to offer. Read Full Review
So here it is… Doomsday Clock #1. Was it what I was expecting? Not exactly but I'm interested to see how these two worlds will clash. Obviously Rorshach somehow gets to the DCU and more than likely Doctor Manhattan has been interfering with this universe as hinted in Rebirth and other titles. All in all, it was an interesting yet slow start with some engaging text by Geoff Johns plus the amazing art of Gary Frank who was born to draw Superman. Read Full Review
This is a bold series, there's no question about that, and I'm sure there are a number of readers who are going to pick it up out of sheer curiosity. I can't say that I blame them, though it's much better than a mere curiosity; Doomsday Clock is a good comic in its own right. It isn't perfect, but given the pedigree of the talent involved, this series could easily become a classic. Read Full Review
For anybody calling this series a future classic, or for anybody writing it off completely as a pathetic quick cash-grab from DC, they're all idiots. We'll only know those things at the end of this. All anybody can say for now is what they thought of Doomsday Clock #1. And what I'm saying, again, is that Doomsday Clock #1 is okay. Take from that what you will. Read Full Review
Doomsday Clock, the Watchmen sequel, is off to a fine start, but this first issue fails to do anything particularly exciting or gripping. Top notch work, but in service of a low key introductory issue. Read Full Review
There's a lot more that could be said about the introduction of Blackness as a device in this issue, or the pleasantly surprising expanded cast that harkens back to more of Steve Ditko's original vision for the inspirations behind Watchmen. Without spoilers, it's difficult to dive in too deeply on some of these details that are sure to grow and expand in future issues. But my hope is that this series, curious and aesthetically pleasing as it is, will touch on some of them in a way that will resonate more deeply than they may have in the fleeting glance of a first issue. Read Full Review
It's not a bad comic; it's not. You'll probably hear and read the spectrum on this one of people praising or hating it. I go back to that bible reference that I've been milking in this review; you're either old or new. Myself, I find Doomsday Clock to be rather dull so far. Maybe that'll change. Maybe they'll be something later on that will make reading this first issue exciting for different reasons, but for now, all I have is this first issue. All I can review is this first issue, and it's pretty average and honestly forgettable. Read Full Review
A flawed book that traffics mostly in imitation and nostalgia. Read Full Review
Ultimately, I was just bored with Doomsday Clock, and that is not a good sign for DCs second big event. These are supposed to be exciting, but theres nothing compelling about diving back into the Watchmen universe for no reason aside from DC happening to own the property and wanting to eek as many dollars out of it as they can. Read Full Review
As an overall Watchmen fanboy, I had a smile in my face all along while reading this issue. I tried to be very careful in my expectations of this event, while still having a great confidence that if one person could pull it off, it was Goeff Johns. Not only did he deliver in making the mystery a real delight to follow since the DC rebirth special, but he also managed to capture the feel and the tone of the orignal watchmen pretty spot on. It's a HUGE risk making a follow up to basically the best comic book EVER (ok, my opinion leaks through here, but one can assume it's true for a lot of other people too), but the payoff is more than worth it when you achieve this level of quality, for DC as much as for the fan. Time will tell how the 12 is more
Great start to this series! I dig it! If anyone can write a sequel to Watchmen, it’s Geoff Johns. And Gary Frank’s illustrations are amazing. Not only is his style similar to Dave Gibbons’, but he’s so detail oriented. I loved this issue!
P.S. [Possible spoiler, if my guessing is right] Is it possible that the new Rorschach is the kid reading Tales of the Black Freighter from the Newsstand?
The words are scant...
I can't wait for the next issue to surprise me¡
Outstanding!
It's not easy to write a sequel to a cult classic story, one of the most iconic, important and timeless comics ever made. It's not easy to stay faithful to its spirit, and recapture what made it so great the first time. Watchmen prequels didn't spark nearly as much controversy as Doomsday Clock, due to the fact they didn't have place for storytelling freedom - they've got to lead to Watchmen after all.
The first issue of Doomsday Clock starts in Watchmen universe and slowly builds up the idea of Ozymandias, Rorschach and two new additions - Mime and Marionette (being Watchmen versions of Punch and Jewelee) traveling to the main DC universe, where all the other comics take place.
I can't stretch it enough how much I love the more
I'm not someone who bows at the feet of Watchmen. It's a great comic, surely, but it's not my favourite. That being said, I loved Doomsday Clock. Not much happens in it, but reading it, you get a sense of what's to come and all the world building being done by Johns and Frank. It has the feel of an epic, in a way I haven't felt in a while (probably not since the Rebirth one-shot, at least). Metal is shaping up nicely, but it's a different sort of event than Doomsday Clock. That's the balls-to-the-wall, non-stop action like modern events. If you've missed a slow-burn story from the Big Two, certainly check out Doomsday Clock.
This is huge. This issue felt so packed. When you think about it, not a ton happens in this issue. It's mostly setup. But it still did so much, in my opinion. It's insane to see the continuation of Watchmen in this day and age, and Johns, Frank and Anderson are crafting something that is respectful of the source material and promises to do so much more with it. When I first read DC Rebirth #1, seeing that last page, I was shocked. I was very apprehensive. But I told myself - if anyone can do this, if anyone can make this work - it's Geoff Johns and co. And I think this is coming true. 11 more issues will confirm or disprove this...but I enjoyed this. And I can't remember the last time I read a comic without ads. That was a huge factor in my more
I haven't seen world-building this good since the original Watchmen (and maybe Saga). Johns' voice about current events is unifying yet grim. Frank's art is near-perfection. If you read this, you are guaranteed to want to see where the story is going next.
My only problem with using this source material is the constant need to compare it - and it can likely never reach the bar that is Watchmen. That said, this is an incredible book. So many details done right. The tone, the dialog, the art, the layouts - even the matte paper. This was worth the wait and it's going to be a fun year!
This issue KICKASS !!!!!!!!!!!!!!!!!
Who could the new Rorschach be?
The best comic I've read all year, a phenomenal start for the series.
The lenticular cover is really cool. Such a thick book and well worth the cover price. Very wordy and plenty of panels to accompany it. This is not a bad thing. Gary Frank is able to illustrate the world and allows Geoff Johns' detailed story to be told. Mostly a Rorschach story ending with the DC portion of this crossover. Very excite to see how deep this story gets.
This is an excellent issue. Geoff Johns successfully captures the tone and meaning of the original Watchmen in a worthy sequel that adds new characters to the franchise very smoothly. The dark and gritty nature of Watchmen as well as it's political significance are well represented here. Gary Frank's art is also perfect. It is the perfect kind of gritty, dark art we need to rival Dave Gibbons' original artwork. I can't wait to see where they go with the series next!
Well ... For a surprise, I sure didn't expect that. It's a bold move.
That's slow, but no too slow, but I expect those loving Watchmen hating it.
I don't want to spoil so ... I love the mystery. I like who's Rorschach's partner and the deal about Rorschach himself.
For now that not to dark. I don't know if the end is link to the new origin of superman, of it's a new change.
Time they are a changing' ... But for good.
Cover - The lenticular. Less disappointing that I fear when she was revealed. 1/2
Writing - Moore will be mad, but I don't care I like it. 3/3
Arts - I love Gary Frank from way back ... I love him much more than Gibbons (Sorry guys) ... So a big Hell Yes ! 3/3
Feeling - After Metal more
Not truly a "sequel" to Watchmen, but more the last chapter to a doomed universe. People worried that we'd get DC Universe in Watchmen or vice versa, but this first issue promises a desperate attempt to find hope from the DC Universe. I'm in bored after an issue of solid art, good writing, and clever hooks.
I thought this issue was really good on its own. Obviously it isn't exactly like the original Watchmen. That was created over a generation ago before the age of computers. Besides this is not Watchmen, it's Doomsday Clock, folks! Johns did a fine job helping new readers jump in on this Watchmen universe. He also pays enough homage to the original material without flat out replicating it. Give the team some credit. This should be a good ride.
Great first chapter to the follow-up of what is arguably the best story in comics of all time. Geoff Johns lays the foundation very precisely here, with Gary Frank's art looking stunning here. This is going to be one amazing and very wild ride. Let's go.
Geoff Johns does a incredible job with continuing the Watchmen story in a respectful manner. Gary Frank is one of DC's finest and he brings his A game to the table for this. Those expecting answers already will be disappointed but the story and playing field were established well in this issue. Can't wait to read the next issue.
Watchmen"The Masterpieces"! Geoff Johns did not right things about Watchmen's continues. We love Watchmen with a graphic novel. But this is actually curious. I like it. Good issue, good begining. There is nothing more about the DC Universe at this issue. Just Clark's nightmare. But next issues might be good. Art is very good.
I'm actually totally fine with using the concept of this series, We'll always have the original Watchmen regardless. I enjoyed the new characters and pacing. A promising start.
Doomsday Clock is a very hard series to review at the moment because, like Watchmen, it is really best critiqued as a full story instead of one single issue. With #1, it is very hard to tell where the story is going to go, but this book serves its purpose nicely. That being, to re-introduce and introduce some of the new characters and themes we could be expecting from the rest of the series. The book seems content to act as a sequel to Alan Moore's epic Watchmen, and besides for a brief cameo at the end by Superman, the DC heroes are nowhere to be found. However, what's here is written well enough, and is accompanied by ridiculously sweet art. To say that Johns and Frank knocked it out of the park in their respective roles is an understatem more
Hard to rate this as it appears this is going to read better as a trade. Very difficult to put a rating on this issue. Have no idea who the heck marionette or mime are. And I think it’s mistake having this be a direct sequel to end of Watchmen as it just doesn’t hold up to Alan Moore’s original story. Johns should write like Johns and not try to continue what Moore did, so overall very disappointed, but it is only one of twelve and Johns is playing the long game, so I am undecided on this so far.
Watchmen doesn't need a follow-up. It doesn't need to be connected to the main DC universe, nor to have its metaphors explained to the reader, nor to have forced jokes and continuous (and very distracting) references to the original comic-book.
They shouldn't have tried to replicate the structure of the original, because it just doesn't work. Don't get me wrong, Geoff Johns is a very good writer, but he's used to work with much more dynamic page structures. Alan Moore knows how to work with 3x3 panel grids, and so do Tom King and Jeff Lemire, but Geoff Johns doesn't. And that's perfectly fine, just don't make the guy write a comic book that bases its entire structure on the 3x3 panel grid. Jeez, they even tried to imitate Dave Gi more
a Watchmen comic with one page at the end where Superman is having a nightmare from going to the prom as a young teen. utter and complete garbage.
Do you remember that Britney Spears fan, the one from the "leave Britney alone" video? That's how I felt reading this. Geoff Johns knows he can't win over readers like me, but is like he didn't even tried. The art is kinda good, but... But... I'm sad. I'm so sad...
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