Matt Santori Comic Reviews

Ultimately, we may look back at this first 18 months of DC Comics Action Comics relaunch as a bold experiment that only resulted in a small number of successful moments. Much like Superman himself, struggling to find his way in the early days of his career, this titles been a bit rough around the edges, but offered some brief glimpses at something great. One can hope in retrospect that the intensity of those particular moments made it all worthwhile.

A great jump-on point for fans of Superman that may have been missing a little bit of the Smallville in their Clark Kent, Action Comics #25 gives us a brief respite in the past without distracting the audience with unnecessary tie-in elements. This is the kind of event we should strive for more often.

And that's what Action Comics #40 is destined to be, that comic that you just can't put down. It's the one you give your kid so that she'll secretly stay up hours past bedtime with a flashlight under the covers, imagining what it would be like to live in a world where up is down, and the moon really is made of cheese. Pak and Kuder have captured something incredible here, that blends what was so great about this concept in the first place, without losing sight of their own accomplishments with Superman over the past two years.

As a first chapter, theres a lot to unpack for fans in Adventures of Supergirl, but with Gates and Bengal so ably doing so, one can expect the series to take flight very fast. This is the Supergirl weve been waiting for well since the last time Sterling Gates wrote Supergirl. Hopefully, this is a sign of much more of the same to come.

That said, Adventures of Supergirl Chapter 3 once again delivers a fun story with a lot more of what makes Supergirl different from all the other young women super-heroes. Sterling Gates and Bengal continue to make the wait for an ongoing Supergirl comic seem inconsequential. As far as Im concerned, DC should consider this a prelude and bring on this team full time for Rebirth in the fall. You cant do better.

An exceptional issue of what has from the start been an exceptional series, Afterlife with Archie #4 is the finest moment yet for the sneak attack indie book of the year. If you havent been reading this book, I get it. But let this be a warning: you do not want that to be the case any longer. Stock up, buy your store out. Do whatever you need to do. Youll thank me later.

Another stellar edition to the Archie Horror line, Afterlife with Archie #8 continues to deliver an intriguing, frightening, and fascinatingly beautiful take on the town we all grew up in, whether in real life or on the page. Just be careful when you start to turn over these stones. You never know whats lying beneath them.

I admit, impatience is a vice frequently exercised in comic book reading today, as arcs have gotten longer and longer, and one I just as often find frustrating inflated reader expecations. But when a book is marketed as the next big event, I do admit to wanting some reward for my $3.99, some cliffhanger reason to jump to the next issue. And this issue just didnt provide it. I hit the final page and was sincerely shocked that this was all there was. And thats not what event should mean in any sense of the word. Is it possible those moments I seek are in issue #2? Absolutely. And I suspect as a collection or chapter in a long form graphic novel, this would read a million times better. But as a biweekly comic upon which the greater publishing line orbits for the next few months, Age of Ultron is off to an inauspicious start. Im not sure Ill be sticking around to see if it turns around.

A story that has finally come together and seems to have real ramifications for the greater Marvel Universe (not too late to reboot, kids!), Age of Ultron is now living up to the potential that these type of events promise, and Bendis craft is shining through as a result. Very eager to get the next issue next week.

A brilliant start with some of the most challenging creative self-reflection Ive come across in a printed piece, Airboy #1 is a true joy to read, re-read, and re-re-read. Im on pass #6 and am probably not going to stop any time soon. If were in luck, neither will Robinson and Hinkle. Next month, get in my pants already. Im already jonesing for you.

Now, Airboy #2 is all about those transgender women the book dehumanizes, and theres no getting around it.

What I do know, however, is that this story is at it's very best when it makes these wild moments " like Hinkle's full page images of fighter jets dropping down from the sky " feel as real as the heartfelt ones, and the emotional tidbits get written with as much care as the poop and dick jokes.

So, was any of it true? It was all true in some ways, Im sure. Did Airboy just manifest as a shaming device? Did James really come crashing down in a heap of his own self-pity, only to come out the other side ready to do it all over again? Was Gregs penis ever really that large? Or was it all imagination? Does it matter?

You might be tempted to pass All-New Miracleman Annual #1 up when you hit the comic shop today. Sure, its an exceedingly light week (only 9 books?) and it feels pretty flimsy for an Annual. Dont. Just buy it. You wont be sorry. Every page is a treat for the eyes worth the price of admission and more. And if you figured there wasnt any good reason to head into the shop one last time before 2014 ends, think again. This is the book to have this week.

Immonen does a great job of capturing the essence of each character, especially the original five X-Men in their earliest days. Im a bit confused as to how far back into the past Beast had to go to recruit Xaviers first class, but given how much fan outrage bubbles up whenever a hard date is inserted into the narrative, Im willing to forgo that knowledge. Nevertheless, Immonen captures small details in the original X-Men that implicate a simpler time from the slight flip in Jeans above-the-shoulder hair to Scotts handwriting a love letter to the girl of his dreams (Im almost certain kids no longer do that). While this issue loses a bit of its intensity from the early previews of the issues climatic scenes, biweekly shipping and a strong political premise should keep this title moving swiftly and at the top of my read pile every month.

Will every fan be pleased with the story of Iceman as it progresses from here (as it is far from over)? Hardly. It wouldn't be an X-Men story if its fandom all revered it universally. But for me, a guy who grew up watching Bobby Drake on his television screen and wondering (unrelatedly) if he would ever be able to be honest about himself to his family, his friends, and the world, All New X-Men #40 is an important comic " maybe the most important comic " I've read in a long time. And I imagine I won't be the only one with that experience. Here's hoping there's more than a few kids out there today that see themselves in this and know that they can be gay and happy too.

A big win for Marvel and a book that makes me even more excited to see whats coming after this summers Secret Wars bonanza, The All-New All-Diffferent Avengers Free Comic Book Day edition is THE book to grab today (or online later). Get in on the ground floor of what is most assuredly going to be a wonderful and exciting new world to come. Kudos all around.

If digital comics arent your thing, I can implore you to give them a shot, but I can also direct you to your comic shop as well. The first reprint of the series, Ame-Comi Girls Featuring Wonder Woman #1 is hitting stores October 10. If youve been asking for comics for kids, THIS IS THAT BOOK. If youve been wanting to see brilliantly fun superhero action without darkness and gore, THIS IS THAT BOOK. If youve been yearning to see young women kick ass on the comics page, THIS IS THAT BOOK. And if you want the big two to publish more of any or all of the above, tell a friend and support this title. Don't let this chance pass us by.

A tough issue to give full praise to without spoiling its contents, American Vampire: Second Cycle #6 is one of the best opening chapters to date for a storyline, and promises to take these characters to places readers are sure to enjoy. Snyder and Albuquerque have a classic run happening here, and its nice to see some revelations released so early on in its second half. The next issue cant come soon enough.

A perfectly wonderful interlude to a sadly troubling time in the life of Buddy Baker, Animal Man Annual #2 mirrors the best of what this title has done to date upend expectations and really encapsulate what it means to be human. We are no more immune to the disaster nature can bring than the animal kingdom is, but we certainly can delight in the beauty of its design amid the chaos. This issue illustrates that bittersweet dichotomy in spades.

This may be the final issue of this series, but its certainly not an ending, and theres a great deal of comfort to be found in that thought. Animal Man has, for nearly three years, been one of the best examples of how DC used its new launch as a way to take chances and prosper from them. As a creative endeavor, this title has been a proud addition to DCs history. But more importantly, as a story of one man and the love he has for his family, its been a joy to read every month. Rest in peace, Cliffy, and sleep tight, Animal Man. Until we meet again.

Truly, I may regret jumping onto this series eventually, if only because it will lead me to side-eye my cats and that squirrel who prances so casually out of my way on my walk to work. But its probably worth it to experience the complete horror and joy and the joy of horror from this new Bennett-de Latorre joint. In the meantime, however, I may keep my windows shut and that food bowl extra filled. You never know.

That said, Johns more than pulls his share of the storytelling weight, making Aquaman #15 a chapter not to be missed in this developing saga. The tale of the Sea King and his fearsome bride has never been this compelling, and any possibility to get these two back among their underwater brethren to lead or do battle is a very exciting prospect.

I say these questions are frustrating, because some of them I have answers for, and some of them I still cant conceive of. Some I will never understand. Im not thankful to Aquaman #44 for raising these issues, because clearly, were still always engaging in them. Today. Last month. For years and years and years. And sadly, I suspect it will be years and years more yet. We didnt need this here. It smacks of disrespect for women, and perpetrates the idea that consent is negligible at least if youre a man. And thats not OK.

For DC to choose to address fascism and dictatorship with its title character not in the fascist role may already put this effort far ahead of their competitions attempts, but the reality Abnett and Sejic instill in every panel and page is what truly elevates this title to the top of pile for the foreseeable future. Aquaman is dead. Long live Aquaman, I say.

A strong opening to what is somewhat of a momentous occasion for the King of the Seven Seas, Aquaman and the Others #1 has launched with a mystery worth coming back to and a cast with unlimited potential. Glad to see DC continues to take risks in developing new ideas and characters. This is one arena where the effort has definitely paid off.

Casual buyers should be aware that this volume has significant issue overlap with Justice League Volume 3: Throne of Atlantis, but I daresay this is the superior collection by far. Toward providing a complete story, the inclusion of Aquaman #0 and 14 here is a far better prologue to the drama surrounding Arthurs decisions than Justice League #13 and 14 are in the previous hardcover release. They create a backstory to the conflict that adds a ton of depth and gravitas to the dilemma all the characters face, and truly give the end result a sense that modern mythology is being formed. One of the strongest volumes to be released by DC Comics in the New 52 to date, Aquaman Volume 3 is a great place to start if youve never encountered the Sea King before, but its also a bold continuation on one of the strongest runs of the past two years. Youd be hard pressed to find a better buy for your dollars.

Archie #653 is another great chapter in the classic teen drama that proves you dont always have to use sex and violence to make a book compelling. Its not all going to be rosy in Riverdale, but Id still be able to hand this comic to my eight-year-old niece to read. Thats honestly refreshing.

The introduction to Harper Lodge may come off as a little heavy-handed, and as someone who spends a lot of time thinking about representation and diversity in comics, it may seem unsophisticated. But the reality is, Archie Comics is for everyone, not just the most astute or exposed among us, and the ability for all of us to come together once a month (or more) to follow the characters we love and meet brand new ones with the same potential is a tribute to diversity, too. Heres hoping fans from all paths in life get to meet over a Harper Lodge solo book sometime soon. Ive got my $3 ready for issue #1.

Lots of light fun, without the worry of how Archie is going to explain this craziness to his parents or Principal Weatherbee, Archie #659 is the next single issue I'll be shipping off to all my nieces and nephews to giggle over together and enjoy for the sheer delight of how cute comics can be.

And I could easily say the same for the readers. There is something about an Archie comic, and this issue #665 in particular, that just makes you want to be better. Thats a pretty astonishing thing, honestly. So, until we meet again, Harper in a different place and a different time farewell. Thanks for the smiles, the jokes, and the robot, biplane wheelchair. Its been a wild ride. Onwards to #666.

A brilliant launch to what I desperately hope will not be an overlooked title, Avengers Assemble #9 was by far my favorite book of the week, and may even rank near the top of the year. It truly captures that feeling of being in on the ground floor with characters youd want to know personally and that is pretty darn marvelous.

As an origin tale, #0 succeeds in spinning out an entirely new story that neither feels like a moment between minutes, nor a complete revision of the past. Yes, we see many minor changes, but the largest of these are strictly cosmetic the mask may have changed, but the girl underneath it is still the one we knew before. To Simone's credit, the abbreviated history we do get, right up until the familiar moment at her front door, actually tracks remarkably well with her previous origin, but still leaves many questions for fans to roll around in their heads and online. How much of the rest of her history may have changed (Babs being one of the characters most affected by DCs continuity reboot) is yet to be determined, but the beginning that manages to feel respectful, fresh and familiar all at once.

A fun romp, not just through Gotham, but through the world Barbaras contemporaries are inhabiting, Batgirl Annual #4 is a must-have for any fans of ANY of the ladies depicted, not the least of which Barbara herself. But more than anything, the combination of todays Batgirl with Gotham Academy elicits far too many squeees to pass up for any fan of great comics today. More more more, please.

Ultimately, what this collection does best is highlight all the things that made Batgirl so different from her mentor over the years: her sense of humor, her emotional honesty, and above all, a blinding humanity that shines straight through the cowl. Beautifully rendered by series regulars Syaf and Cifuentes, Babs isnt the perfect heroine, but her determination and drive is infectious. Her victories are hard won, so when that unique look of joy runs across her face, its hard not to smile along.

No, regrettably, that moment will come next issue and I, like Babs, will be devastated, terrified, angry and thrilled in a terrible, glorious whirlwind. But Ill also be thankful for the journey in getting there.

In the end, Simone and her collaborators have devised a story that closed one chapter and opened another, all amid a maddening cacophony that ends up more pleasurable and harmonious than could have been predicted. All the more reason to celebrate the writers continued presence on a title shes clearly put her heart and soul into developing into this great song of triumph and terror. Things may look dire upon the last page of this issue (Maybe I should have mentioned Saw earlier, as well.), but I have more reason than ever to come back to this book and its gut-wrenching delights month after month.

If chapter one of Batgirl's journey in the New 52 was overcoming her encounter with the Joker, then chapter two definitely starts here with the spectre of James Jr. A beautifully rendered issue, from start to finish, from dialogue to art, and a magnificently tight plot throughout, Batgirl #19 is my book of the week, and perhaps even year. Thank you, DC Comics, for your commitment here to complex storytelling that raises the reader up, probes the unknown, and provokes emotional thought. It is not unappreciated by any means.

There is no doubt that this issue provides a palate cleanser before diving back into Barbara's problems that continue to build with her father, the injury to her boyfriend and life as a crime fighter.

Its a thrill to be able to dig deep into character in a super-hero comic, and Simone, Pasarin, and Glapion offer that opportunity with Batgirl #32, in spades. That this is only the first part of three in this long-awaited reteaming of friends is reason enough to count the days until the next issue. But knowing the kind of depth these creators deliver on a monthly basis makes the wait all the harder.

Look, this isnt the same Batgirl story youve been reading for three years. It isnt the Batgirl story before that, or the Barbara Gordon from the late 70s either. But it is Barbara Gordon, and damn if it isnt a great story and presentation to add to the bevy of awesome stories about this young lady. Brash, determined, fraught with challenges, uber-smart, dangerous in a battle, and not nearly ever perfect this is our next big Batgirl story, and I think Im going to enjoy every minute of it.

A moving and revelatory chapter that is moving us fast and furious toward a first arc conclusion next month not to mention the arrival of Black Canary #1 in June Batgirl #39 is the issue that starts tying up all the loose ends and bringing all the characters and their suspicions onto the same page at last. The creative team is running on all cylinders and it shows. Heres hoping we have a long line of Batgirl issues to look forward to from all of them.

Overall, issue #41 is an artistic bounce forward for a book that has inspired so much of the renaissance were seeing at DC Comics this month. The action is dynamic, but the relationships the creative team is showcasing are what really give the book its spark. A genuinely FUN comic, Batgirl #41 is the perfect place to jump in if you want to have a new, bold, and determined set of ladies to watch kick ass (and warm hearts).

Look, Batgirl is clearly a book I celebrate and one that DC looked to for a sense of where its future should take them. Both calls are the right one, and never more than this month. The strongest issue of the all-new run to date, Batgirl #42 is the joy I want out of my favorite character every month and more.

Another stellar issue that advances so much of what is wonderful about this series, Batgirl #43 gives us action, best friendships, young romance, mystery, conflict, and tigers. Having all that in one package is a stunning accomplishment, and it makes for the most fun title on the stands today. If it was weekly, Id still be lamenting the wait between issues. Cmon, Batgirl #44.

No issue of Batgirl to date has felt as cohesive and as strikingly on point as #45, a true testament to the team DC Comics has assembled and supported on this title. A year into their run, and we've seen not just Barbara, but her entire cast grow and change, and all for the better. And if the final page of this issue foreshadows, it looks like we may be up for yet another set of changes to come. And because I've so enjoyed where we've been, and am amazed at how far we've come, I really do want this adventure to go on forever.

Mysteries abound with Batgirl #46, but one thing is certain: Stewart, Fletcher, and Tarr are well on their way to making me want more Spoiler, more Team Batgirl more everything.

Batgirl #47 is definitely not a slam-dunk for the title, but with the law of averages being what it is, this day was bound to come. What it is, however, is a testament to the perfection the regular creative team has brought to the book month in and month out, even if a momentary blip on the radar of the series.

As a single issue, Batgirl #49 has done more to respect the core of Barbara Gordon and her legacy than any issue in modern memory, and thats saying a whole lot given all that Stewart, Fletcher, and Tarr as well as Gail Simone, Ardian Syaf, Daniel Sampere, and Fernando Pasarin have done since the relaunch of the New 52. Removing The Killing Joke from this Batgirls history is a gift of light and love to the character that, while long overdue and probably scary to all involved, is something I am deeply thankful for. And giving us a Batgirl with light in her eyes, surrounded by other kickass women who live up to her example well, thats just extraordinary.

An epilogue to the third Burnside arc that feels like the last hurrah it is, Batgirl #51 hits me right where it probably should: in the space between gratefulness for the world thats been crated and sorrow that come month after next, that world really wont exist as cohesively anymore. Lots of things ending these days heres hoping we have bright beginnings to follow soon after. For Batgirl, and for Fletchers vision elsewhere.

A fitting conclusion to a stellar run, Batgirl: Futures End #1 is, in essence, a single story that mirrors the entire arc of Barbaras journey from Batgirl #1 to last months #34. It began with trauma, laid out a road to recovery that was harsh and unyielding, and concluded with Barbara exactly where she belongs surrounded by a loyal family and the self-confidence she needs to be herself at last. I cant think of a better way to say farewell and thank you to another version of Barbara Gordon that will live in my heart forever.

As I leap into the next few months of Batgirl/Supergirl goodness over in Karas title, Im warmed and intrigued by the start here from Larson and Miranda. It can often be hard to make Annuals matter and equally hard to retread a history thats been in the drawer for so many years. But some things are meant to be. Kara and Babs side-by-side in friendship and fighting is definitely one of them.

All in all, if you fell in love with the Batgirl of Burnside, you will find your new home in the pages Hope Larson, Rafael Albuquerque, and Dave McCaig lay out. Batgirl #1 is exactly the feel I was hoping for moving forward, and Im beyond excited to see where the next issue takes our heroine. DC made the right call this time out.

Overall, however, Batgirl #7 is a great jumping-on point for fans, especially YOUNG fans, who want to enjoy the world of a young college student who just happens to swing around at night in a bat-costume. Glad to see Larson has maintained her groove and Wildgoose seems so immediately at home with the title. Its going to be a great ride from here.

In short, they would have done mostly the opposite of what they pushed out here. This is hardly a rebirth of anything except the very book readers full-scale rejected at the start of the New 52. And in a line full of Rebirth specials that have gone well out of their way to recapture the best in DCs history, its sad to see one so focused on reliving the worst.

An absolutely brilliant and long overdue addition to DCs bank of titles, Batman 66 is just another example of how the publisher is expanding its all-ages offerings through its digital first offerings, without exclusively dumbing them down for the pre-school set. Perfect for kids and adults alike, this title is a wholly different take on the Caped Crusader in the comic market, and one that has been sorely missed for decades. Glad to have you back, old chum!

An exceptionally clever introduction to a villain with a ton of promise, Batman Annual #2 is a fantastic start for new writer Marguerite Bennett and a pleasant diversion from the overarching story Scott Snyder will be telling in Batman for many months to come. While the art within is not as spectacular as we are used to seeing month to month in DCs marquee title, fans of new and twisted villains for the universe at large will find a lot to love here.

It may be a story weve seen shades of before, but for this particular Batman and his (potential) future confidant, it feels like a tale that deserves revisiting. Heres hoping theres more Harper Row coming to these pages in the near future. No one can replace Damian (or Tim, or Jason, or Dick), but the opportunity to watch her and her brother develop further is a path well worth following.

Batman #24 is beyond exceptional in what it has managed to accomplish, against all odds, to give us a distinctly different take on Bruce Wayne than weve ever seen before. Far from a retelling, Zero Year is truly a tale that could only have been told in 2013, by these top-flight creators, who are obviously pouring everything they love and hold dear about Batman and comic book super-heroes into it. As a weighty single issue, this chapter feels as momentous in your hands as it should, but once you peel back the cover and are bombarded by the color and brightness of Batmans new world, you cant help but drop your mouth in awe. This is a masterpiece in the making, and thankfully, were only one third of the way through.

Its difficult to get everything Snyder, Capullo and company are doing in one reading (the reference to Tokyo Moon, for instance, now brings me right to the image of the Bat signal), so Id encourage you not to try. Read it again. And again. Revel in the pages. Mull it over. Enjoy it now. Enjoy it for years to come. Dont worry. Well still be talking about it, Im sure.

Ultimately, Batman #34 is a good tale that comes at a bad time. With the epic Zero Year having finished its 12 issue run, and a major cross-company event streaming through every title next month, Duggans done-in-one feels like it doesnt have the legs it needs to make an impact. Nevertheless, the visual design is a fun diversion, and worth checking into for the month at hand.

Leaving me on the edge of my seat with a furiously paced ending, Batman #36 shows a versatility in the Jokers rendering and motivation that I couldnt have imagined possible in such a short period of time. And its genuinely horrifying. Once again, Snyder and Capullo have proven just why theyre deserving of their reputation as modern masters. My only complaint? I have to shut my eyes tonight not knowing for sure whats going to happen next, but feeling like its going to be even worse than I think. Keep your fly swatter handy. Youll likely feel the same.

All of these elements from Snyders structure and scripting, to Capullo and Mikis dynamic, hedonistic linework, to Plascencias glowing palette have made this book into the one you just have to marvel at every single month. While Batman #40 may be an ending, it thankfully is not the end. And thank goodness for that. The next era of Gothams Dark Knight cannot come soon enough with them all still on board.

Its exhausting to think that we cant look up in the sky and shine the bat signal to solve all of our problems. It took humanity to expose Blooms evil to blinding light, and so it always is. Batman is just a touchstone. And this Batman the ghost Capullo and Snyder are putting back up onto the shelf soon enough is the best touchstone we could ever hope for. Not because hes seven decades strong. Not because he represents the best that we could ever hope to be. But because, in these pages, weve gotten to understand him more than we ever have before. We see him truly for what he is. And in doing so, we get a good glimpse at what we can be as well.

An intense first issue of the story that is most certainly going to lock me into Tom Kings vision for Batman for the long haul, I Am Suicide part one in Batman #9 is a book no fan of Kings work, Janins art, Batman, or the Suicide Squad can afford to miss. This one is a puzzle, and Im more grateful than ever to be getting the next piece in only 14 days.

A brilliant wrap-up to Kings first masterful story on Batman, as well as a beautiful ballet all its own, Batman #15 is this years first cant miss comic book. Give in to love and read it a few times. Youll never look at the Bat and the Cat the same again.

I Am Bane (not to mention I Am Gotham and I Am Suicide) continues to impress, if only because King manages to seduce me every time into thinking one thing, and being flabbergasted at my own naivet by the end. Batman #20 is only the latest in that pattern, and I sincerely doubt it will be the last.

I don't get to the end of Batman #21 frustrated or feeling incomplete. The moments King and Fabok lay out have crystallized and slowed in my mind to such a degree that the fight itself feels fulfilling. This is but one chapter in a much larger story much larger than this crossover will likely hold. But in this moment, I've gotten this epic fight that could only end one way, and a lionshare of things to think about until next week. What could be more fun than that?

Theres a lot more I could opine on, from the silly moments about Ace and Jumpa (!!) to the most appropriate reaction to Bruces weakness Diana could possibly give, but at its root, Batman #40 jumpstarts a ton of questions and ponderings about marriage and its place in Bruce and Selinas journey that feel like they take the series to the next level. Next time, just dont pop Diana into the center of it. She deserves more than to be that tool for a narrative.

If Batman #44 proves anything, its that the Catwoman is never just going to be another Batgirl, Batwoman, or Robin. She is her own force of nature, just like her betrothed and King, Jones, and Janin clearly know it. Seeing how they grow together in marriage and separately as well is going to be fun.

A knock-out gorgeous first issue of what I hope continues to be a slightly more psychological take on the relationship between DCs top two heroes, Batman/Superman #1 is, at $3.99, worth every penny, a rarity in comic purchasing today. Without question, any reader could pour over this book multiple times and still come away with new details and nuances with every page turn. How many books can we say that about these days?

Hands down, the best portrayal of Huntress and Power Girl yet seen in the New 52, Batman/Superman #8 is an incredible start to what I hope will be a story filled with tons of these types of moments. Sure, theres a villainous threat to be dealt with, but what really will piece together this narrative and make this encounter an instant classic is the care given to the little interactions. This is what being the worlds finest is all about, people.

Honoring well the tradition of frightening lullabies and urban mythologies, Court of Owls is truly fantastic work of writing and art, and an absolute must read for anyone even vaguely enamored with the macabre and horror genre not to mention anyone looking for a good old-fashioned disturbing scare. You wont find even a lick of Batman in these pages, and thats all for the better. For if the detective was here, you might think there was hope or possibility for escape from the terrors within. Better to descend into the darkness and let it wash over you. Just dont try to fall asleep too soon afterwards.

To say much more would be to give away the awesomeness of the issue, but its fair to say that everything we love about Damian Wayne today is a sincere product of the love of two men. Nay, its not Bruce and Alfred although they too are beautifully rendered in these monthly stories but Tomasi and Gleason who have crafted this boy from what you expect from a child hero in a comic book, to a deeply profound representation of what youd expect to see in a fully rounded hero, child or comic book character notwithstanding. If youve loved this book, heres more of the same. If you havent been on board, heres your chance to fall in love. Just bring some tissues along for the ride. Youll need them.

Batman and Robin Eternal has started off with a literal bang, but that's not all that impresses me about this issue (although I do admit to flailing my arms like Kermit the Frog after reading that last page). The care Tynion and Daniel have for each character and their relationships " both physical and emotional " to the others is clearly manifest on the page. If every issue of the 26 part story is this compelling, we're in for the biggest romp of the year. What an awesome way to celebrate Dick Grayson's " and the Batman Family's " seventy-five incredible years.

Its a beautiful issue, and feels like a strong beginning for how relationships will develop going into the future of Batman and Robin Eternal. Am I left to ship my new dears Harper and Cass (Casper?) or will this play out magnificently on the page without needing my imagination? Not sure. But I am certain that Valentines scripting and Martinezs pencils here have given me something I never even knew I wanted. And thats a grand feat worth celebrating.

Theres a lot to love about this series, and while I cant say I was tuned in to every twist and turn with the lot of the Robin family, I have certainly been riveted with Harper and Casss journey to this climatic moment. Seeing James Tynion IV moving on to helm Detective Comics with Batman and Batwoman and a few of these familiar faces couldnt be more perfect a leap. My hope is well see Eaton and Borges getting similarly fit assignments in the coming months with Rebirth. These two artists are too talented to sustain with partial issues or fill-ins.

A fantastic bold re-beginning for old and new readers alike, Batman Beyond Universe #1 is a great primer for any fan of the original series wanting to get into comics, and an even better book to hand off to kid and adult alike. With two great chapters crammed into each issue and new dynamics to watch play out among characters, theres plenty here to praise and welcome to your read pile. Take the opportunity to add this title to your routine. Youll be glad you did.

Had DC not taken the entire month as an opportunity to expound of the events of Batman Incorporated #8, perhaps the events of this issue would have a stronger effect, but as it stands, many of us feel as cold to the death of the boy we cried for weeks ago as his warring parents appear here. Heres hoping the compilation will ultimately redeem this chapter more than its read as a single issue has.

BATMAN JAPANWritten by Chris BurnhamArt by Chris BurnhamBurnham follows up his absolutely delightful issue #11 with a short tale he writes and draws featuring both Jiro and his gal Friday, Shy Crazy Lolita Canary who frankly could become my new favorite heroine with a canary cry if Burnham keeps it up. Its a little bit gross, its a whole lot tongue-in-cheek, and everything youd want in a big action tale that blends the best of Japanese pop culture and the Wests biggest name super-hero.The

A modern masterpiece worthy of the highest praise, Batman: Death of the Family takes the most psychologically challenging of our super-hero/villain mainstays and amplifies their traits times ten, delivering what could possibly be the defining Joker story of our generation. A beautifully written and drawn story from beginning to end that revels in its sickness the way only the best horror stories can, this volume is one no Batman fan dare I say, any fan of the comic medium can afford to pass up. Its a master class in comic book craft and insanely scary, thoughtful good time to boot.

The one hesitation I have about the book is Im not sure what I would have thought of this graphic novel had it been my first Batman book ever. Johns plays fast and loose with the origin, giving us familiar heroes, villains and supporting cast in roles new to them, almost to the point of eliminating any randomness in their creation. Everyone is connected, which is fascinating by comparison if you know Batmans in-continuity history, but could potentially seem pat if this was your first encounter. That said, Batman: Earth One is a beautifully rendered book and the plotlines introduced in the last 10 pages alone make me super eager for the next volume. Next year cant come soon enough.

Another great addition to the Earth One universe, establishing the youth and inexperience of these heroes in a way we havent seen on the comic page in decades, Batman: Earth One Volume 2 is a definite buy for any fan of the Dark Knight, but particularly a good one for the uninitiated when paired with Volume 1. He may not represent the monolith that we know him to be today, but this Batman is aggressively human, and is a great place to start if you want to see a Dark Knight built from the ground up.

If this first issue is any indication, Batman: Eternal is clearly going to be a series that functions in spite of Batman, not because of him, and I for one am pleased to see that opportunity develop for this cast. Its been a long time since Gordon, Bullock, Sawyer, and many others have had their time in the limelight, and a mystery of their own to solve. Best begin here, and stick around for the bumpy ride to come!

As a series, Im very much enjoying Batman: Eternal, and even as an individual issue, #6 has a lot to love. But, the combination of the two at this point in the ongoing leaves me a little wanting. If every additional writer to come (Layman, Seeley, Higgins) have this sort of stop and start motion, its going to slow the momentum of excitement down to a crawl. And I want to have that rip-roaring adventure every week that we got in the first few issues. A weekly book really needs that to fulfill its mission.

Whether its Scorpiana practically leaping off the page, the crazy eyes of characters being chased across Rio, or the Edward Gorey-esque scene graveside with Batman and that final daughter figure that I just cant bring myself to spoil (I think this is going to be important, folks), this issue is a work of pure and unbridled beauty. A narrative so perfectly entwined with art that makes you want to savor every page, Batman: Eternal #11 is by far the best issue of the series to date, and my absolute favorite of the week.

One of my favorite issues to date of the series thats speeding toward its end on perfect pace, Batman Eternal #50 has given the final two issues a set-up that leave me itching for next Wednesday. Heres hoping season two launches with the same crew on creative sooner rather than later.

The only thing I would possibly have changed was the location of the Mr. Freeze story, placing it later in the volume and not interrupting the flow of the Court of Owls storyline. Despite that, ending on the adoration Harper so quickly develops for the man (the myth) that rescued her and her brother is the sharpest decision of all. To read this overarching tale, something of a testament to Batmans ability to fail, its nice to be reminded by the end just how fantastic this creation is. We share in Harpers adoration, and can take inspiration from the Batman just as clearly as she can.

Far from a perfect package, Batman: The Dark Knight #23.4: The Jokers Daughter may not be an excellent example of a short story, but as a character study it succeeds in introducing to us a new type of evil. Reflecting a whole lot of the anger and oppression that young women still feel to this day abstracting it to a degree that eliminates any smell of an after-school special the Jokers Daughter is definitely of a different flavor than the Joker himself, but manages to capture that real sense of chaos. Whether I will continue on with Catwoman is a question to ponder for the following month, but for now, I am well pleased with the introduction this character got for the DCU. It seems like the potential to generate real fear and confusion is living up to her name.

This issue is just the beginning of a larger story, but it functions well as a starting point. True, the impetus for Kates mission to meet Diana is based completely on the events of the prior eleven issues, but enough information is shared in monologue to get the reader going. The true treat here, however, is seeing Kate Kane finally begin to interact with the larger DC Universe. I didnt know how much I wanted to see a Batwoman/Wonder Woman team-up until I grabbed this issue. Now I cant imagine why I havent been screaming for it nonstop since last September. Diana is every bit as compelling and ferocious as she is in her own title, but knowing that the two heroes are on their way to being fast friends? Thats been well worth waiting for.

As a single issue, Batwoman #21 stands as one of the most sophisticated of the series to date, and is by far an exceptional example of what is still possible to achieve in the super-hero genre today thats fresh, challenging and still satisfying to all types of readers. Theres not a creator-owned or off-beat title this series next to which this issue would wither, and thats a significant achievement for all the creators involved. Kudos.

Ultimately, though, Batwoman #26 is a stronger first issue to judge than last months Zero Year tie-in, and something of a breath of fresh air for Kate and Bette. After years of tumult and chaos in their lives, the two heroes embark on a new adventure, and in a story that actually involves smiling a lot of it! And while I suspect well soon be finding out much more about Evans nighttime activities, its still nice to see a gay character introduced as a confidant to the women of the book. Heres hoping he has a role to play going forward.

A solid chapter in a new storyline that might have been better off split across two or postponed one month, Batwoman #35 has a lot of visual fun, but just feels out of place as a 180 degree shift and jumping on point. Im committed to the book because I think the concept of the Unknowns is outstanding. Im hoping fans will have the patience to see where its going before taking a leap away.

The resulting combination of the two artists' work is not only beautiful, but curiously may express more about the story's main character than the script itself.

These series have been admittedly controversial, but now having begun the final installment, its clearly not over the issue of quality. DC has committed the very top talent heart and soul stuff to these books and it shows on every page. No matter what your convictions, its hard to argue against that.

In short, Cooke is simultaneously reverent to Moores vision and adding significantly to the mythology on his own. This truly is the wildest dream, best-case scenario for a series of books that have been so polarizing for the comics community. Heres hoping every second issue of Before Watchmen rises to the occasion in the same manner.

The critical lost addition to the universe that Minutemen provides in this final issue shocked the hell out of me, which is a brave achievement considering we already assumed resolution on these characters over twenty-five years ago. That it saddened me to the extent that reliving Silhouettes death did surprises me, but am I disappointed in the reveal? Quite the opposite, for Cooke has given me yet another genuine moment of emotional resonance that actually lives up to what I felt the first time I read Watchmen. No small feat. For this reason alone, I can unapologetically applaud DC Comics for this series. Haters line up to the left, but Ill be placing Cookes Minutemen right next to Moores classic on my shelf as soon as I can. This is one for the ages.

On the other hand, what isnt cheap in the least is the masterful artwork by Jae Lee. The amount of texture and depth in the details of every drawing is simply astonishing, particularly in contrast to his likewise shrewd use of silhouette. Moments of action and contemplation have equal power, bursting not out of the frame but almost forward into the readers field of vision. Page layouts are in perfect balance, every one a work of art in itself. Even if the book was poorly written (and it definitely is not), this one would be a must read, if only to drool over every spread.

This one is a real shame, and not because I wanted Betty & Veronica to be something its not. I was expecting conflict. I was expecting women who literally cannot get along to save their lives. But I expected it to be as well-thought-out and progressive as Archie Comics entire line has been since their revolutionary shift several years ago. And I expected Hughes to not disrespect his characters into the background, only to expose them as objects for a puerile gaze. Heck, I expected it to be about the characters named on the cover. This issue failed on all three accounts.

But for the rest of our sakes, the readers and those looking to see the comics industry as a whole break beyond the narrow worldview its supported for over 80 years, we need this book and others like it to serve as an allegory for what can be possible. Elle and Mari knew something was missing, just like we do. And making that break to get something truly RIGHT is hard. But Bingo Love shows us its worth it. Its worth it.

With the next issue crossing over with Talon (a book I have been enjoying quite a bit), Im pretty torn about where to go next. Should I keep the title, holding out hope that the book featuring some of my favorite leading ladies gets back on track? Or should I drop Birds of Prey, knowing that nothing changes so long as readers continue to reward poor creative decisions with our dollars? Im honestly torn.

This is how you do it. This is your manual for seeing whats right in front of you. And for not taking it anymore.

A fun, fast-paced issue that proves there is plenty of value in mining some of the fun and funny out of DC Comics, Bizarro #2 is the book youre going to read before going to sleep and then hand off to your kid to read at the breakfast table instead of the back of a cereal box. Corson and Duarte are bringing what is hopefully the first of many, many books like this from DC Comics. And thats not Bizarro-speak at all.

Pulp heroes are, of course, making quite the comeback in comics these days, but Black Beetle stands up strongly against his senior counterparts The Green Hornet, The Shadow and The Spider, and is beautifully reminiscent of a more recent, but currently absent, creation The Blue Beetle. An original creation of the artist, Black Beetle captures so much of what we love about feeling nostalgic for simpler times where dialogue may be a little more blunt, but it came through a magic sound box called radio, so it mezmerizes us nonetheless. With original stories beginning next month with a four-part tale subtitled No Way Out, Black Beetle is guaranteed to satisfy any reader who wants to experience a little bit of that nostalgia you didnt know you had. It seems the best things in comics, like life, are simply timeless.

A brilliant new start for a heroine whose spent a good part of her career in the shadows, Black Canary #1 gives us our venue to cheer loudly, flick our lighters, and hope we dont get kicked in the face by the end of the issue. A book that stands out among everything that DC or Marvel are publishing today, Black Canary is a wonderful addition to the ever-growing diverse look of super-hero comics, and an inaugural piece in what could easily become a genre all its own: the punk rock music book with its side of kickass action.

Fletcher and company have developed something exceptional with this title and I implore anyone who loves kick-ass women, action, a sense of mystery, and the most gorgeous (and distinctive) art that could be gracing a comic, to jump in with both feet. Black Canary #4 is a great place to start too, because trust me, once you read this, youll be hitting the road back to grab #1-3 and pre-ordering the rest. This is a title we want in our pull boxes for a long time to come.

This book is what it is because every member of the creative team gives his or her all, forming a beautiful ensemble that creates magic with every performance. Black Canary #5 has deepened our sense of nearly every character in the book, and none less than our Dinah Drake herself. Where this title is going with kickass takedowns is enough to get it into my subscription box every month. But its the emotional melody thats playing behind the overt bangs of the drum that keep my lighter out, swaying in the audience, cheering the band on like I never want it to end.

Leaving us on a cliffhanger in issue #6 (oddly enough, like quite a few DCYou titles have), Black Canary continues to be a study in how many ways there are to produce a compelling comic book that breaks the mold on classic super-hero adventure. Fletcher, Wu, and Loughridge have synced up to deliver a command performance month after month, and left me yelling for the encore with every issue.

If you want fun in your heroes, love these two ladies, or just want to see a really well done story develop in front of your eyes, this is the book for you.

A gorgeous introduction to a character I cannot wait to get to know better, Black Magick #1 is a piece of art if there ever was one. Anyone who asks about the cost of comics versus the value provided need only be pointed to this book, where we literally have been given magic on the page. Rucka and Scott have done wonders on their own for years. Having them together on a single book is nothing short of stunning. Dont pass this opportunity up. Believe.

Its this level of craft that elevates a book like Black Magick above its peers in such a transcendent way. Every issue is an artifact of some kind of miracle that happens when writer meets artist and they make something better than the sum of their parts. Black Magick defies the physics of comic book artistry every bit as much as Rowan and Alex defy the physics of the material world. And that kind of miracle within a miracle is magick indeed.

Another gorgeous chapter in a title that remains gawk-worthy in style and substance every month, Black Magick #10 has definitely set the tone for the remainder of the second arc and its clearly going to get nasty fast. Lets do this.

With DC Comics' Rebirth event on the very near horizon, I question the choice of publishing this title as executed, especially when solicits make it clear that SO many books of MUCH higher caliber have already been doomed to cancellation. Bloodlines #1 reads like the type of vapid fanboy wank that almost drove me out of comics as a teenager, and its presence in the publishing line at this moment is the first major fear I've had about DC's upcoming "new" direction since their WonderCon announcements. I want to believe that this is an aberration and not an omen for the day DC returns to servicing its "loyal longbox readers." Enough of the creators involved in that movement give me hope for the former. But I can't say I'm not far more skeptical after this Wednesday of what's to come.

 And then there's Booster #1.5, who is going to be unfrozen in the year 3000 this December. According to writer Keith Giffen, he comes from the conclusion of "I Can't Believe It's Not the Justice League" and an Earth in the Multiverse where Ted Kord was never shot by Maxwell Lord. Imagine that!

All in all, Captain Marvel is an excellent start to what I hope will become a core title for the publisher, one which reflects its mighty history, but charts a new flight path for its future.

A great starter for kids looking for some visual fun, but maybe not the best title to try out for sophisticated characterization, Accell is hitting a few bumps in the road for me with issue #7. Its mid-arc, so I am optimistic for where things can go, but for now, Ill probably look for innovation in some of the other Catalyst Prime titles.

A lot is riding on the next issue of Accell for me, as we will see a conclusion to the second arc, and see more of what Altheas involvement can mean for the hero. But with this chapter, there are enough thrills to keep me turning pages, but not all page turns are equal as the narrative moves from action to exposition.

As Accell enters its third volume in May, Im not feeling all that confident about the narrative being able to extract itself from the stereotypes its employed to date, no matter what developments arise from exploration of the stream. But any movement in the direction away from the spoiled, jealous girlfriend trope would be a welcome relief.

A slower start than weve gotten in previous issues but an interesting development nonetheless for the series secondary protagonists Astonisher #4 is still weaving its central mystery, and giving us great characterization as it does. de Campi and Mhan have been slowly building Sasha, Adila, and company, while accomplishing something of an onion peel on Magnus, and the inversion of the traditional hero formula in that sense is keeping me waiting for the next issue for more.

De Campi has pulled out all the stops this issue with a chase sequence that feels consequential, happening to a set of characters that seem assembled for a reason. With an art style that suits the book much more in my opinion and an incredibly dope cover by Cully Hamner Im damn pumped to see where this sort-of X-Files meets Cloverfield adventure story goes next.

Volume 2 of Astonisher is already off to an impressive start, with De Campi and company firing on all cylinders in terms of character and emotion. Its a far greater foundation for a book thats delving into issues of mental illness than a lot of what drove along the early issues of Volume 1. With next issue moving into training, I just hope that we get to see Magnus, Sasha, AND Adila in action. (Psst. And maybe Isabella? Because she is fantastic.)

Incidentals is still a bit rough for me, especially by comparison to some of its stronger peers in the Catalyst Prime universe, but issue #5 is a step in the right direction. With a clearer narrative and more succinct art, I suspect Ill be able to invest a bit more in the flock of characters at play here. Not quite feeling it yet, though.

Theres a ways to go for me to feel like The Incidentals can live up to the promise exhibited by much of the rest of the Catalyst Prime line, but issue #6 did have its moments that glimmer. Heres hoping more and more of those shine as volume 2 of the series continues.

Going into the latter half of this volumes story, Im looking for more of the best and less of the disappointing for these characters. Id like to say that I think they deserve the effort, but Im not entirely sure yet. Incidentals has remained almost a complete enigma, and not one Im dying to unwrap. If anything, its just frustrating to date, especially in comparison to its peers in the Catalyst Prime Universe.

A real surprise high concept in what looked at first glance as a run-of-the-mill super-hero story, Catalyst Prime: KINO is well worth jumping on board right away. Casey, Pallo, and Sotomayor are delivering an interesting book that, like all the other Catalyst Prime books, stands on its own, but broadens the macro and the micro of the universe theyre building quite effectively.

Ready to move into some integration, hopefully sooner rather than later, Im still left with the deceptive simplicity of Palos line and the clever narrative Casey continues to provide in Kino #3. Theres a lot to appreciate with this book, and it feels like something that is going to read even richer as a collection.

And thats a shame, because KINO has been, while not my favorite, one of the most surprising books in the Catalyst Prime line. It merges a fascinating concept with distinct art to give an amazing origin story. But if Casey and Palo and company cant get past that origin story, the charm of the concept will wear off quickly for me.

An awesome place to jump into the Catalyst Prime universe, and especially to jump onto the dilemma Alistair Meath is facing, KINO #5 is a fantastic showcase for CrissCross's work. I'm eager to see Meath face the real-real world soon, though. As much as I delight in revisiting #1, I don't want to end up in the same place come #4.

A somewhat complicated moral narrative thats getting down to its emotional simplicity, Noble #8, the penultimate issue of volume 2, keeps a lot of the questions I have had in play, but gives a payoff Ive been waiting since issue #1 for. Thomas and Robinson have been building Noble up issue by issue, and at last, were getting some of the joy of the characters coming through, without losing the complexity Ive come to admire.

Its a real pleasure to see the lead book in the Catalyst Prime universe evolve so strongly over the course of a year, and commit itself so much to treating its lead characters as equals. Noble #9 is a great respite, but at the same time, so flush with narrative. A powerful place to rest and reflect on the quality of the book and its characters.

As a book that feels like it could eschew the traditional rock-em-sock-em super-hero origin for a more nuanced, emotional awakening of power and mission, Summit seems like a book worth the time and investment needed to grow. Add to that a queer lead that could very well be the smartest woman in any room shes in, and Im loving the idea of what that character can accomplish and inspire. Chu and Duursema are thoughtful creators, and it shows in Valentinas character. I just may need a little more grounding in future issues for the book as a whole to really shine for me.

Summit #2 is exactly the book Ive been waiting on, providing the best introduction to a character I really want to read yet from the Catalyst Prime Universe. Its subtlety in characterization is backed up by a narrative framework that delivers everything I need to care about Valentina Resnick-Baker, now and for a long time to come. Brava.

Theres so much to explore in Summit, that as a book it almost feels like a fusion reactor ready to blow in itself. My want is simply more time, more space dedicated to just about everything.

With every issue, Im enjoying the interplay of Jonah and Kayla more, and Superb #6 does not disappoint by that measure in the least. And after years of reading teen heroes who act and talk like they just finished refinancing their second mortgage, Cosmosis and Amina are definitely capturing my attention and imagination.

Superb #7 is a bridge issue for the second arc, to be sure, but there are enough important moments to make the reader sit up and take notice. And given the state of politics the last few days in this country, its pretty nice to see a(nother) world where the kids are right and the adults maybe the adults need to take a backseat.

Howard, Walker, Height, Martinez, and company are delivering a remarkably consistent narrative with Superb, but the book as a whole would be better served with a lighter touch on inks, and an attempt at more consistency from page to page. That said, nothing beats motherfucking Abbie with a grenade-launcher, so I take my pleasures where I can get them.

With the close of volume 2, Superb remains one the most consistently enjoyable, and best written, books of the Catalyst Prime universe. As it seems volume 3 will be moving the book to date a universal outlier closer to the central conflict of the line, Im excited to see where the combination of A+ teenager characterization and broader universal connection will take Kayla and Jonah.

Like The Godfather Part II crossed with The Dark Knight, the new direction on Catwoman beginning in #35 is a magnificent revitalization not just for the ongoing title, but also for Selina Kyle herself. Valentine has solidified everything hopeful and true about Selina without any sense of artificiality in the process. I cant recommend this book highly enough.

A magnificent second chapter in what has overnight become THE book to add to your pull list, Catwoman #36 is a wonderfully tense affair that genuinely leaves you wanting to unfurl the new dons plans as fast as possible. Its grace and sophistication in storytelling is only matched by an exceptional intrigue and a deep level of characterization. If youve ever loved stories where the shadows get so grey that its hard to navigate the waters, this is the book for you.

If you loved the first arc of Valentines take on Selina as a mob boss, the drama only gets more complicated with issue #42. But if you are a fan of the Catwoman running rooftops in leather, youre going to have to jump back in, because were now seeing the perfect blending of the two. And theres no question where it will all lead: the inevitable explosion. And I cant wait.

A piece of writing and art that is so much stronger than weve ever seen with this character, Catwoman #44 has elevated Selina Kyle to Gotham royalty believably not because she flaunts her power, but because she is so weighted down by it. Valentine has given us a heroine with complicated morality, a deep sense of desire, and an understanding that none of what is seemingly there for the taking can ever truly be hers. Its the heartbreak of the honorable thief, never achieving that sense of completion that comes with genuine possession. Thats the space this title is occupying, and once again, it leaves me in awe, melancholy, and longing for the next installment.

A stunning issue that has done its best to prepare my heart and soul for what comes next, Catwoman #45 has me on edge, heartbroken, and smiling at its beautiful construction through the tears. Valentine has carried out a majestic tale of woe, love lost, and regret here, and I feel both blessed for having read it and raw for knowing that its all about to end.

A wonderful start to a truly eerie, but intellectually curious story, Clean Room #1 will likely never have the mystique to work with that biographers of the Church of Scientology had twenty some years ago, but the mystery isnt as simple as what goes on behind closed doors, really. The real mystery, it seems, is happening around us at every moment. And THAT is far more frightening to behold.

Look. Clean Room #2 defies any sense of sophomore slump, taking the strong beginning this series had with #1 and pushing it into scream mode and beyond. Gail Simone and Jon Davis-Hunt are magicians weaving the most disgusting (and yet most compellingly beautiful) Frankensteinian bunny I have ever seen, and I have to say, Im a little scared to see what gets pulled out next. Damn it.

Courtesy DC Comics, the cover and sketch pages from Volume 2 of Coffin Hill, available now in stores and online:

Ultimately, Collider #1 suffers from what is probably just a slow burn and lack of detail that I think makes it difficult to latch on to the new series. In a market that relies on immediate fan buzz to propel continuing sales (especially for creator-owned series), this seems like a critical error. A brilliant idea not fully executed for an immediate hook, Im unsure whether Ill be coming back next month. Time (and space) will tell, I suppose.

A welcome return to more adult stories set in the DC Universe, with not just sex, but sexiness throughout, Constantine: The Hellblazer #1 instantly convinces me of what every one who encounters John comes to know: hes a right bastard, and theres no avoiding falling for him. Over and over and over.

Another ravishing issue that reminds me of just what a special creation John is, Constantine: The Hellblazer #4 is a perfect picture of a deeply imperfect man, and it makes me feel dirty, titillated, tired, and wanting more all at the same time. Doyle and Tynion have mastered the bastard, and were reaping the reward. Even if it means giving up a little piece of our souls in tribute.

A pointedly funny, light-hearted take on Johns love life, even amid slaughter and environmental magic, Constantine: the Hellblazer #7 may be my favorite issue yet from the team of Doyle, Tynion, Rossmo, and company. We get a great same sex lust story. We get to see John at his glowing best. Even though we know in our hearts it can never last. But in the meantime, Im crushing on Hellblazer like Im 15 and in love all over again.

While we've yet to get into the meat of the event, Convergence #0 offers a strong one-on-one story amid what's likely to be a pretty frenetic series. Van Sciver keeps both characters (and all their iterations) looking the best they ever have, and creates a visual feast of some cities we haven't seen in quite some time. DC definitely has me looking forward to the next two months to come.

Still confused about which Booster is which? Check out our handy dandy guide that follows our review of Booster Gold: Futures End #1!

Like a few of the Convergence mini-series that didnt fully captured their era, Catwoman #2 is a good story. Im just not sure it represents the full scope of the event as it was pitched to fans.

At the end of the day, my connection to the dynamic duo of Huntress and Robin is pretty far removed, but it was nice to see one piece of major resolution come out of the story for those fans of the original. It was even nicer to see that that moment wasnt the be-all and end-all for the storys success. That alone puts Convergence: Detective Comics #2 a bit ahead of some other offerings this week.

One of the strongest Convergence mini-series to date, Hawkman captures the spirit of these characters so perfectly, and gives us a goodbye that no one with a heart could deny is moving. Thank you, gentlemen, for treating these heroes with such care and for having the determination to honor their history. It made for a perfect read and a book Im going to treasure for a long time to come.

As nice as it was to see these particular heroes in action again in their younger forms, that just didnt feel like enough to make for a strong read. Convergence: Infinity Inc. #2 is a great footnote to the history of Earth Two, but as an adventure all its own worth getting excited for, it falls noticeably short.

If I judge this Justice League International #1 so harshly, its because this book had a lot of potential and even more fans of an era that have been left with something less than stellar as what could be our very last shot at reading the lives of these characters we adore. If this book was about the L.A.W. or the Ravers or Team Titans, I likely wouldnt be as disappointed. But this is the Justice League International. Full stop. And its just too ho-hum for that crowd. Not a Bwah-ha-ha in sight this week.

To be honest, Convergence: Justice League of America was the title going into this week I had the biggest doubts about. Could any creative team treat these characters with respect, knowing quite frankly most fans wouldnt? I clearly had nothing to worry about. Providing the book of the week in my estimation, Nicieza and company have done this team proud and given us a true representation of what it means to be a Justice League after all. I could read about their exploits for years if given the chance. Heres hoping I am.

A missed opportunity that neither wows nor shocks, Convergence: Justice Society of America #1 is a far too long lead-in to a story I now dont have as much confidence in as Id like. The core of these heroes is missing, and its not because theyre old necessarily. Its because the spark that made them what they are is gone. And thats almost worse than not having them back at all.

If it seems like I spent the entire review just talking about the value of character and not about plot, well, I did. Thats the allure of the New Teen Titans. Villains were always secondary to how the team interacted with each other. An entire issue could be about getting fitted for a tuxedo, and it was the best issue you read that month. Wolfman and Scott have resurrected a concept that never gets old: the power of great character. The biggest failing? It all ends next month.

A lovely send-off for a set of characters near and dear to my heart, Convergence: Nightwing and Oracle #2 gives us the happy ending we always say we want for our favorite characters, but with enough drama and surprise to make it feel well earned. Simone and Duursema have, for now at least, gotten the last word on this iteration of Dick Grayson and Barbara Gordon, and Im happy to say, they did both of them mighty proud. My thanks to all involved for the opportunity to see this particular story come to pass. It was more than worth it.

My biggest regret? This adventure is now half over. I have a feeling that by the time May is over, Ill be feeling that way about quite a handful of these Convergence mini-series. And maybe thats the greatest meter of success DC has. Leaving us wanting more always more of something great is a whole lot better than asking, Isnt this over yet? With the film well on its way to becoming a reality, now is definitely the time to bring us more Suicide Squad like this, please.

Ultimately, Im underwhelmed by the story and art, but the real sadness is that I didnt get to see the Legion of Super-Heroes again even just to say my goodbye. I got a facsimile that didnt live up to how great these characters were in their day. But, to be fair, this team isnt the first to give me that. At this rate, they probably wont be the last either, until DC decides to fully revise the concept from scratch or finds that perfect magic that is one in a million. Heres hoping for the latter.

With a last page surprise guest that no Giffen fan will want to miss out on, Supergirl: Matrix #1 is a packed issue for anyone looking for a bit of fun in their reading this week. Great dialogue, great art, funny characters. Who knew a look back at an era where the greatest hero of all-time is six feet under could be so amusing?

A full issue thats far more than just a recap of the Convergence set-up like a few other books weve seen, Adventures of Superman #1 is a flash from the past in every way possible due to the diligence of its creators to respect from which it came. And with an awesomely cinematic final page cliffhanger, #2 is sure to be as compelling and fun to read and revisit as #1.

In terms of the final page, and the spoiler we all pretty much expected anyway, it would be easy to write off Convergence: The Atom as a story to just quickly right an egregious wrong: a continuity fix and no more. But the story is fun, and the telling light-hearted, and that sets it apart from some of the other more serious endeavors this week.

The Question may not be the most intertwined title of the Convergence event, clearly operating on its own emotional plain, but it is for certain a love letter to characters I knew I missed, but had no idea how much until I read this issue. With a tear in my eye and an ache in my heart, Im going to treasure these two issues, and pray that the stars will align once again. Rucka, Hamner, The Question a perfect combination and a gift to all those who love them so.

And its something to be able to palpably feel that on the page, as someone who isnt so far away from family, but truly, can never be too close either.

Crude may be all about oil and water, but creatively? This book blends seamlessly.

But quite honestly, thats a minor quibble in an otherwise stellar introduction to the next big event in Cyborgs career. Weve followed him for 35 years and that it took this long to see an ongoing for the man, Ill never understand. But what I do know is that with Walker, Reis, and Prado at the helm, theres no question its going to be epic. Theyve already done Vic Stone justice. Im on the edge of my seat to see what comes next.

Ultimately, however, Reis and Walker pull off the subtleties in Cyborg #2, giving us one of the most fully realized super-heroes of our time. And that is so appropriate. Weve been waiting forever for Cyborg to be elevated to THE premier hero in the DC Universe. Not just the premier Black hero (although he is certainly that, and I adore the Black Vulcan appearance more than any man should), but the premier hero. Period. Hes got Superman and Batman beaten in the humanity and compassion department five times over.

Like I said, I never would have expected this type of book for Scott Summers, even two years ago, but Im exceptionally glad to have it in my hands. The realness Greg Rucka is infusing in every thought caption, combined with the sheer delight Dauterman lays out on the page, makes for a book that is sure to impress Cyclops fans old (well, Im not that old) and new.

A compelling premise that completely misses the mark in characterization, Damian #1 is unfortunately not bringing back any shadow of the boy we all fell in love with, but regressing his development even as the years have passed. Could it simply be an imaginary story? Sure, but this isnt my Robin, and who would have thought Id feel that way for these reasons not so long ago?

Edwards is competent at depicting the script as it progresses, but Im not seeing a wide amount of creative license with this bold new world the team has landed in. Backgrounds, when drawn, are fairly plain and most facial expressions are nondescript, even in the lead characters. There are a few panels of greatness in this regard, including one where the son of the Hulk gives Moonstone a bit of shout-spray to the face, but with no follow-up in dialogue or gesture, its almost a wasted effort. After experiencing so many great titles in the last two months from the House of Ideas and seeing my pull list shift in their favor for the first time in a decade, Dark Avengers unfortunately cant come close to competing with its restarted brethren. The potential may have been there for something new and NOW!, but I'm not seeing it fulfilled in this issue.

In a comic market that is currently at a crossroads " between material aimed at a long-time audience of mostly white men and that which appeals to the ENORMOUS number of women and persons of color that make up the comic-buying public today " Dark Knight III may prove to be a hybrid book that unites both. Or it may be the thing that elicits the fiercest divisiveness yet. I can't tell.

A strong issue that moves the narrative along and opens up the main conflict for the series, Dark Knight III: The Master Race #2 starts to ask the big questions that I hope remain on the table and get answered by series end. What is the best humanity can be? Is it still weaker than the worst of the gods? And what happens when our best example goes away?

This book is as personal and as emotional as we imagine Miller's other work to be political. With the nature of physical breakdown and aging so deeply woven into its graphic DNA, Dark Knight Returns: The Last Crusade is a profound addition to the Batman mythos, and one that holds up successfully to Millers work of three decades ago.

Metal so far has proven itself to be a fun event, and no matter what grows out of it, I feel that will likely be its greatest legacy. Theres a lot of love flowing into these pages from Snyder and Capullo; Glapion, Plascencia, and Wands; and clearly from editors Rebecca Taylor and Dave Wielgosz as well. The moving parts in an epic like this are pretty substantial, but no one on board has forgotten to have a good time along the way. And that attitude is stunningly contagious.

A stunning first issue for a series I hope to have lining my short boxes for a long time to come, DC Comics Bombshells #1 is quite simply the perfect cast with the perfect creative team at the perfect time. Hurrah for books designed and written by women. Hurrah for books that will appeal to women. Hurrah for these ladies on the page. Genius iterations all.

If you haven't picked up Bombshells yet, either in print or digital form (chapters 19-21), this is the story to dip your toe into. Self-contained, but super compelling, issue #7 expands out the universe of the statue line with the same vigor and grace Bennett has executed in every chapter previous. If there's one book that nobody really asked for, but it turned out everybody should always have wanted, it's this one. Because, as the cover says, this is our fight too! Let's enjoy it along the way.

DC Super Hero Girls repeatedly braves territory that I think reflects the smarts of its creators and their dedication to addressing things that matter to the audience in question. I just wish in the case of Date with Disaster, more care was taken to at least allow the coding of queer content, even if having its direct presentation on the page isn't a goal. Heres hoping the next volume keeps this possibility in mind.

So, assuming youre not a little girl reading this review yourself (and if so, please do not click through to my column from last week where I swear a lot), do me a favor. Buy a copy of this book and give it to a little girl. If you want one for yourself, buy two. But get this in the hands of the people who need it most. Do it. Do it. Do it.

The only disappointment I have with this story is that theres seemingly not more in the pipeline. The DC Universe needs more women like Kass Sage and I am eager to discover where she can show up next.

Rochas pencils are clean and crisp, although neither disappointing nor outstanding with one notable exception. His rendering of the new Blue Devil garb (for as long as it remains simply garb. We shall see!) is absolutely stunning, particularly on the last full page panel of the issue. I came into this comic as a huge fan of one character, but left perhaps even a bit more impressed by the other as a result. Thats a pretty mean feat. His Tobias Whale is appropriately grotesque and Los Angeles suitably grimy, even having silhoutted leaves pepper backgrounds as the equivalent of floating ash. If anything, Id just like to see a slightly more dynamic Black Lightning, reflecting the Olympic level athleticism I believe he still maintains in this brave new world. Nevertheless, this is a brilliant start to what I hope is a bright future for the Black and Blue in the DCU!

No, the final verdict, like with any review, has to be on story, on art, on the pages in front of me and the experience I had as a reader. And that, unequivocally, was supreme. Whatever happens next, whatever potential or danger that comes with where this comic leads us, at its root DC Universe: Rebirth #1 delivered a magnificent and moving comic book story by Johns, with cohesive, compelling line art by Jimenez, Van Sciver, Reis, and Frank. The experience of this book is one I will remember for years to come, and hopefully will lead to a new era of love for comics that will take me into my next 33 years as a fan. And if it doesnt, and Johns swan song is just that, Ill cherish it for that alone.

A strong start to what looks to be a light-hearted, whimsical series tailor made for those fans looking for the fun in comics today, Dead Boy Detectives #1 is a must read for this last week of the year. 2013 wouldnt have been complete without it.

A fantastic single issue within a larger story that really functions on its own surprisingly well, Deathstroke #5 has got me convinced more than ever that Priest and Bennett especially are kings of comics narrative weve never properly given their due. And in the process, theyve brought Deathstroke along for their ascension into recognized greatness. How unpredictable is that?

If you havent read Demon Knights before, or had abandoned the title at some point since its initial launch, issue 16 is a brilliant place to jump back in and fall in love. Unique characters in a unique setting. Smart writing with high quality art. And a great place to start experiencing it all. What could be better?

A remarkably subtle beginning to what is clearly going to be Image Comics next great space epic, Descender #1 has everything you need to get hooked political intrigue, social unrest, planet-level danger, and, most importantly, a boy with his dog. If youve been a fan of Lemire and Nguyens work, you wont need any convincing of Descenders greatness. And if you havent had the pleasure yet, theres no better place to start.

A nice mix of origin, contemporary touchstone, and single issue snapshot, Poison Ivy #1 (or Detective Comics #23.1, as you prefer) may not inspire me to wanting a serious ongoing, but it definitely compels me to ask for more from this creative team for Ivy. And what the hell a little Batman couldnt hurt too.

A fantastic Gotham PD title that could honestly use less time on the Batman, Detective Comics is a great return for a much-loved character in Renee Montoya, but perhaps an even better development of Harvey Bullock as well. Heres to seeing more of their place in the world as time goes on and less of the Batmans. We know where to find him if (really when) we want to. For now, I want to revel in these other characters for awhile.

Overall, Detective Comics #934 was not only a great start to an entirely new era for the Batman Family (or as I shall call it, the Batwoman Family), but also a rich look at major players and an excellent first chapter in a fresh story I cant wait to sink my teeth into. No mere preface or intermission, this comic is by far and away, the strongest debut of any Rebirth team to date. And I am once again damn glad to be getting another installment in two weeks. I couldnt possibly wait another minute longer.

With this prelude, Bennett, Tynion, and Oliver have issued just a little tease, but its a great reminder of what weve been missing all these many months. Because in essence, there are things that Batwoman can do that Batman cant. Chief among them is set and carry the kind of quiet, thoughtful tone we see here. Ive missed it more than I realized.

A fast-paced and fascinating volume, Emperor Penguin delivers a solid crime drama without too many distracting and unnecessary frills. Batman feels like the detective we all talk about him being, and while that competence may not be necessary for every story of the Dark Knight, its certainly great to see it play out in the landscape of DCs titles today.

A fun primer giving readers who have been holding off a good jumping on point for some truly outrageous stories, Divergence #1 is exactly the kind of storytelling the best of the New 52 has provided. And as only the first of 43 total 8-page original stories fans can get for free in the month of May, this book is a fun start to what will be a fun year, no matter what kind of stories you enjoy.

Perhaps a book best suited for fans of the Western genre that arent particularly fond of the theater, Django Unchained is a good comic, but maybe only a fair adaptation. Its a testament to Tarantinos writing that the book works as well as it does, but ultimately Im not sure, as a fan of the movie (and I imagine the actual intended audience), its really hitting its mark.

And then again, its nearly impossible for me to say what the experience of this book would be for a reader completely unfamiliar with Tarantinos on screen version. Perhaps if the artists had not drawn each character to so closely resemble the actors (as this claims to be a draft that never made it to a read table) or the elements of the German mythology were played up more (a surprisingly lovely, if small, part of the collection here), this story would stand on its own more. By keeping so close to a work that just cant be captured so precisely on the two-dimensional page, Django Unchained loses some of its exceptional luster.

Overall, Doctor Crowe seems his most intriguing when we get to watch what he does and the critical result rather than hear his narration for what needs to be done. Its part and parcel to creating the suspense that these types of stories excel at. But given the relative success of the third chapter here, and the really curious design and set-up for Doctor Crowe himself, theres definitely reason for readers to return for more dark adventures.

The chapter that starts to answer as many questions as it asks, Doctor Fate #2 takes a 75 year old mythos and makes it fresh and honest for todays audience. Khalid is an everyman, but hes specifically who he is, and that balance plays out exceptionally well across dialogue and design. Doctor Fate may be a book you glance past on the stand, but dont let it be so. Pick up a few issues and enjoy watching a new era of heroism develop.

Theres a lot to not understand about what Gerard Way is constructing in Doom Patrol, and the deviation from even the most wacky super-hero fare is pronounced. Like Twin Peaks, we seem to be witnessing the return of the avant garde in comics that never was nearly this out there, except in our memory. The familiarity is a comfort. The originality is invigorating. And the possibility is beyond the scope of our vision. Just the way great art should be.

There's a lot more that could be said about the introduction of Blackness as a device in this issue, or the pleasantly surprising expanded cast that harkens back to more of Steve Ditko's original vision for the inspirations behind Watchmen. Without spoilers, it's difficult to dive in too deeply on some of these details that are sure to grow and expand in future issues. But my hope is that this series, curious and aesthetically pleasing as it is, will touch on some of them in a way that will resonate more deeply than they may have in the fleeting glance of a first issue.

This could be just another way of saying Geoff Johns and Gary Frank are messing with the integrity of a classic story. And a lot of comic book critics probably would. I'm not so sure I agree.

A warm start to a series Im curious enough about to continue, Dragon Age: Magekiller #1 may be a bit of an uphill battle for me. But with Ruckas involvement and some of the artistic nuances Im already seeing here, I think it will be worth the read.

Tightly written and beautifully rendered, Earth 2 Annual #2 pays off in a huge way on every expectation leading up to its release. Even the leak of Thomas Waynes identity could not have ruined what ended up a much more complicated story that resonates in a way we havent seen Batmans story told, and yet it manages to carry just as much weight nonetheless. Old school Justice Society fans may come away irked by one aspect of the story, but for what it brings to the table, I think it provides a plentitude of story possibility down the road. Thank goodness the next issue arrives in a week. I doubt I could contain myself otherwise.

Its that uncertainty, the sense that anything can happen, that makes Earth 2 so compelling. Few moments in my 30 years of reading comic books have left me on the edge of my seat literally dissecting every panel for clues and endlessly speculating the way this book has, and almost none since I was a teenager. Every issue ups the ante and reassures me at the same time that these are the heroes Ive known and loved all my life. No small feat there. Kudos to the entire creative team and DC for taking a chance on it. It paid off in spades.

Ultimately, what were left with is an issue that moves the plot forward, gives the reader more details to ponder than when she started, and more than anything else, continues to lay out key differences between this brand new world and the one were more used to occupying in the DC Universe. Im on my third read of #5 in a single day, and Im pretty sure Ill be flipping through it a few more times before the week is up a pretty great return on a $3 investment.

While much about Fury and Steppenwolfs roles in this strange alternate worlds order is still unknown even after devoting the entirety of a single issue to them my hope is that this is merely prelude to a significant part to play in the near future. Im not sure I can stand to wait too long before getting more information on this mysterious new woman Wonder, or see her mentors rule get more fully developed. Like every other sharp turn Earth 2 takes, or Easter egg eagerly uncovered, the mystery of Fury (and the return of the full original creative team) has me counting the days to #9.

Yet another solid issue placing Earth 2 at the height of DC Comics' New 52 line creatively, #11 is sure to please fans of old and new iterations of these classic characters. Like its preceding issues, this chapter is yet another example of how one can re-envision an entire universe after decades of stories and develop new concepts and echoes of the past that feel fresher than ever.

From the glow of the fire pits and the revelation of the Red Files to the bright bold Bat symbol gracing the mysterious strangers chest, threads of crimson run through this issue, a perfect foreshadowing for the war that is about to commence and affect our heroes. What I wouldnt do to have 100 more issues like this one to expand on the details of this entirely different planet, but some small consolation remains in the fact that Robinson has so precisely detailed his vision to date that its future will likely benefit from his efforts for years to come. Yet another fantastically absorbing issue of world-building and intrigue, Earth 2 #13 is a perfect taste of what makes this title so special and so rewarding month after month to its loyal fans.

With little more plot to fill twenty pages than the nursery rhyme that inspired the lead character, Earth 2 #15.2: Solomon Grundy falls short of giving us an interesting tale for an already interesting character. If anything, it seems to unravel a bit of what made this version of the character so unique, and that regrettably seems counterintuitive to the mission of this month of one-shots.

Probably one of the best examples of the title truly living up to its name, Earth 2 #16 lays out the full scope of this title and doesn't pull any punches in letting the audience know just how dire the circumstances are, not just for the heroes, but for every inhabitant on this war-scarred planet. That all of this is demonstrated so elegantly in Robinson's final issue on the title is both fitting and saddening. The dilemma he has set up for his successor is nearly perfect in design, for sure, but as I have said before in much detail, I will certainly miss James' commitment and touch to this series. Something truly special has evolved here, and we all owe Robinson a great deal of thanks.

The biggest challenge Taylor faced in this issue was juggling so many moving parts as the heroes are scattered throughout the issue, recuperating from their encounter with Steppenwolf when last we saw them as well as introducing new elements, and having it all seem like a great jumping on point for new readers. To that end, theres no question the new writer succeeded with room to spare. Simultaneously feeling like a brand new beginning and a solid continuation to one of my favorite titles, Earth 2 #17 should put a whole lot of minds and hearts at ease, and hopefully touch a few new ones in the process.

Another great installment for Earth 2 that seems to have finally found that perfect balance of character and movement, issue #22 is a great reminder that the core of this title is the genuine heroism (and yes, optimism) of its protagonists. Month in and month out, this book has burrowed just a little bit deeper into my heart and brain, such that I no longer worry about what it should be or was meant to do. I luxuriate in all that it is. And count the days until the next one.

Still running as one of my top two favorite titles in the market today, and always the one I cant wait to read the moment it goes live online, Earth 2 #24 is but the run-up to what looks like the biggest freefall excitement the title has had, coming next month. Whether its to see Vals emergence as the next Superman or Jimmys leap into the classic togs of Robin my jury is still out on whether that was a serious claim or not this is a book you do not want to miss. The action only gets bigger from here.

A brilliant conclusion to a true roller coaster ride, Earth 2 #26 gives me so much to love and get excited about for the future of the title. Seeing how Taylor weaves into every scenario an elegant solution that leaves things even better than they were before makes waiting for the next issue even harder than ever. Thank you, team, for your hard work, and most of all, thanks for our new Superman. We never knew he was exactly what we wanted (and needed) all along.

A book that Im still on the fence about, but leaning toward satisfaction, Earth 2: Society is perhaps a slow build or a bit of a jumble, but it wont be clear which until a few more issues in. Im willing to hang tight and keep reading, if only to visit with some of my favorite characters and cheer for their survival.

I dont know, but given the success linewide DC has been experiencing, and the results of this first issue Im eager to find out. Welcome back to my pull list, Earth 2. I missed you. A LOT.

Fans may have complained of late that every Earth 2 character hasnt had an opportunity at the spotlight, but clearly giving them all a shot at once isnt paying off. My hope is that this issue is merely a status quo prelude, and we can concentrate on each story arc more intently and with more pages than one or two at a time in the weeks to come. Theres a widescreen story to be told here that could amaze, but the stakes are going to be meaningless if I cant connect to the characters.

Like I said, its hard to look away, especially when something you love is whats laying underneath all that rubble. But the sight is not pleasant, and my true hope is that one worlds end leads to a better one tomorrow (or this June, as the case may be).

An interesting start to a book that could have great potential, particularly in giving Vertigo another fascinating female lead character, Effigy #1 does some really strong character work. Im left waiting for a bit more of the plot to hook me in issue #2. Knowing the pacing a lot of Vertigo titles take, Im pretty confident Ill get what I need to latch on soon enough.

This character, this narrative, this creative team " all deserve a blank check for publication. Caroline Sharp is a unique, and yet deeply recognizable, protagonist, and Visaggio and Liew are delivering on a book that I could read over and over and still find new ideas that speak to the heart of my condition and existence.

If anything, Im frightened about one thing: this is merely Act One for Eugenic. With Act Two and Three to follow, each paced out 200 years into the previous chapters future, I wonder: despite its disgusting rationale and means, did Tynion and Donovans villain achieve the peace the planet so desperately wants? And if it hasnt, how much more of a tragedy will that be, truthfully?

Ultimately, its nearly impossible to judge a book like Fables #150 against any other final issue, as weve never quite seen a conclusion like this before. It certainly reads as a true celebration for what this series accomplished. The final moments may not feel as compelling as many of the ones that got us to this point, but looking back, its a good place to stop and close our eyes and dream of it all over again, chapter by chapter, book by book.

A wonderful book for fans of Fables whether longtime or soon-to-be the Encyclopedia is a welcome resource for getting just enough knowledge about each character to be able to move forward in the narrative. And if youve already read through the last 130 plus issues of the series and its spin-offs, you might just want to regale in rediscovering all the characters and things you may have missed or since forgotten. Either way, youre in for a treat.

A wonderful first issue in what could be a fantastic title to introduce to new readers, Fables: The Wolf Among Us #1 refocuses the Fables franchise right back down to its charming and compelling roots. The saga of the Fables universe is mighty and something Ive come to love, but every once in a while, its nice to remember how it all started. The mystery that begins here already has me hooked, and thinking about who else might be ready to give it a try. This is definitely a fun book that deserves sharing.

A solid story that probably should have been restricted in its art choices a bit more, Fairest in All the Land is worth checking out if you have a favorite artist among the many listed below, or are a die hard Fables completist, but not something Id recommend to someone wanting their first taste of what is truly a magnificent world.

The volume does wrap up with a short story by Willingham himself, drawn by master artist Barry Kitson, starring the Princess Alder, tree nymph and beloved daughter to the Adversary himself. Its a cute tale of a predictably mismatched date gone wrong that makes for a fun contrast to the otherwise dramatic contents of the volume. Like most of the Fables universe to date, this volume proves that the opportunities for great storytelling are limitless when it comes to these characters, and Fairest continues to stand up to its parent book in quality and sheer entertainment value. I cant wait to see what the ladies of Fabletown have to offer us next.

A perfect jumping on point no matter whether youre voting Democrat (WOOT) or Republican (hisssss) Faith #5 gives us the purest, most affirming sense of super-heroics on the comics stand today. Anyone out there arguing to Make Comics Great Again? You clearly blinked. Because for the true Wednesday Warriors, Faith already did that, and then some.

As always, Phillips delivers a solid performance as co-creator and artist, capturing the era of this particular story with enough grit to be convincing, but not so much gruesome detail as to distract from the supernatural devastation that could be potentially unleashed. His Jo is a stunning beauty whose appearance betrays her deep intelligence and cunning as well, and it is from both creators hands (not to mention that of brilliantly talented colorist Elizabeth Breitweiser) that we continue to be gifted with one of comics newest, but most powerful, leading ladies. While this portion of Jos origin will undoubtedly propel the next round of modern day stories in the title, Ill admit to looking forward to a return to a more mysterious femme in the books lead. It seems to suit her (and Fatale overall) much more.

The illustration is gorgeous, of course, but at the end of the story, I'm left wondering what it is I just read, and whether this makes me want to read more. And sadly the answer is no. I'm actually less likely to pick up Infinity as a result of this effort " the exact opposite of my reaction to Captain Midnight, a book I probably would have ignored if not for its feature on this special day.

If you are looking to jump into a bold new world that is sure to hold a lot of surprises long term and give you a universe that actually truly is more diverse, Catalyst Prime: The Event is the free book to grab today. Dont miss it. This is the start of a better, more dangerous tomorrow for comics.

As Wonder Woman begins to appear around every corner with the arrival of the film, this is a great way to get the youngest among us on board and ready to experience the specialness that is Princess Diana of Themyscira (nee Olympus). I for one cant wait to read the entire story, but for now, this is a great way to tide the youngins over and bring home something the entire family can enjoy together.

Keeping in mind the landscape Dark Horse is working with, these two stories were brilliant choices. Brian Wood's Star Wars series, set in the days after A New Hope, has been a runaway success, bringing the comic franchise back to its roots and garnering a great deal of critical acclaim. Wood's story here is simple, but features the man in black himself, Darth Vader, in a tale of backstabbing and clever maneuvering that fits right into the monthly series thematically without either being required reading or contradictory. Ryan Odagawa's art is a little stiffer than the D'Anda's gorgeous monthly installments, but that is fairly mitigated by the focus here on masked and armored figures Darth Vader and Boba Fett.

FF stands as a perfect collaboration between writer and artists, with just the right mix of fun and entertaining characters. This issue was a dare I say it fantastic introduction to what I hope will be a long lasting series, and in my opinion, the absolute best launch from Marvel NOW to date. Readers searching for smart, funny adventure should look no further. These two letters say it all.

If theres one thing to be said about this issue, then, in relation to previous issues, is that it comes as proof to Fractions culpability not just his artists for the high quality of the title. FF is the book Id always wanted Fantastic Four to be, a farce of sorts reveling in its own ludicrousness, but still at its heart, a beautiful tale of familial love. If previous versions of the First Family fell short for me, it would be for their dedication to the reality of family life amid chaos, when truly, the best and most honest moments are seeming to come through the chaos and insanity directly, not in spite of it. Ever the powerful and intrinsically fun read in equal measure, FF remains one of my favorite titles to come back to every month. Keep up the great work, team!

A strong start to what looks to be a very exciting time travel story, The Flash Annual #3 does suffer from multiple artists, if only because the regular series artist far overshadows the guest. And in a sense, the drama behind the re-introduction of Wally West at such a young age and with a different physical appearance also overshadows whats just a really great story. But thats, at least, something the reader can control if he or she will see past any pre-conceived notions. The future is literally now. Lets see where it takes us.

A surprisingly enticing story for what Im sure a lot of readers are assuming is just buying time before the next creative team, The Flash #27 is the true crime drama Ive been waiting for with police scientist Barry Allen as much in the drivers seat as his alter ego. Say what you will about old Barry, but hes got a ton of potential to fuel some fascinating stories if given the chance. Thank goodness Buccellato and Zircher saw the potential in him.

With the conclusion of The Button in The Flash #22, Joshua Williamson, Howard Porter, and Hi-Fi have given us more than simply a lead-in to Geoff Johns and Gary Franks confrontation between the Big Blue and the Big Blue. Theyve delivered a carefully pieced together character study of Barry Allen and Bruce Wayne that is illuminating in their differences, but far more provocative in how their similarities bare out.

If you didnt have an opportunity to read Trinity War threading through the Justice League titles in July and August, you wont feel lost here, although by the same token, key cliffhangers from that event go unanswered. Is the Justice League really dead (they were fit and breathing last week)? If not, where did they go? And just where is the Outsider? With an entire month ahead of us with no one appearing but the villains, I daresay Im a little impatient, but then again, maybe its time to just accept the Crime Syndicate as the new Worlds Greatest Super-Humans. If Johns can imbue them with the same depth of character hes given the League over the past year, I can probably be convinced.

With issue #4, Forever Evil is well on its way to redefining how we see the villains of the DC Universe, and giving us a rock solid adventure along the way. Paired with the Crime Syndicate origins peppering the Justice League tie-ins, this series is clearly delivering everything Johns loves about the super-villain genre onto the page, and were finally getting the best of that effort here.

A nice ramp-up of what seems like the roughest weekend ever for the DC Universe, Forever Evil #5 is the first time we get a sense that the Crime Syndicate might not be the worst villains yet. And even Batman should be frightened by that prospect. Something tells me Luthor isnt shaking in his purple metallic boots though. Like Geoff Johns himself, Lex is a man with a plan. Maybe hes the hero weve been waiting for after all.

One more issue to go and a lot of unanswered questions, but the possibilities of those answers are so intriguing, its a blessing rather than a curse. Forever Evil may seem like its taken a long road to get to this point, but one thing is certainly clear: Lex Luthor has had a plan from the start. I may have a new favorite super-hero come April.

Theres a lot going on in this issue, and it may suffer a tad from first act set-up requirements, but Gates is opening up an entire world weve never had at DC before. The possibilities and convergences being constructed here play strongly into the Forever Evil event, but likely have ramifications that will play out for years to come. Get on board now and see what comes up for Trevor, Frost, Light, and more. Youll be glad you did.

As a first chapter in one of three spin-off mini-series to the Forever Evil main event, Arkham War falls short of the excitement generated by the mother book, and so far isnt showing much sign of being more than a villain versus villain fight book. Heres hoping the next chapter gives us a bit more of a peek into the mastermind thats interested in overthrowing the lords of this city, and why. It could go a long way toward making this a book worthy of its place in the overall crossover.

An excellent focus on some of the DC Universes highest profile villains, Rogues Rebellion is off to a great start, and brings these characters into a story that features not just action/adventure, but highlights their unique personalities and just how different they remain from the prevailing villain. Do I believe theyll beat out the Crime Syndicate? Not a chance? But theyll definitely go down swinging.

Maybe Marvels Free Comic Book Day offering got a few more regular fans to drop some extra cash one weekend this year, but I bet Dark Horses edition earned them a few brand new readers and consumers for every week of the next year and beyond. And if were lucky, it opened some eyes to something great along the way.

There's a lot to absorb in this graphic novel, and it's a safe bet that readers will leave it feeling like it was about so much more than another coming out story. Those stories are deeply important, still, and that's living here. But the framework of the larger world and sense of history that story slides into with Generations is impressive to contemplate and moving to experience. Take a shot at experiencing it with Matteo. You won't be sorry.

A really beautifully rendered first issue for any reader looking to indulge the classic fantasy hero story many of us grew up on, Sirens #1 is the start of a new set of adventures for George Perez. I, for one, couldn't imagine not going along for the ride.

Notos exquisite pencils throughout render an unquestionably beautiful woman without even a hint of objectification no easy task given the characters slightly more buxom artistic origin in the early 1990s. The fine line and shadow combinations Noto has become renown for over the years serves Ghost well, rendering a severity to her character without resorting to a hardening of expression. Capturing a wide range of facial emotion and body language that complements DeConnicks subtle narrative style, Notos pencils may at times appear simplistic, but they are deceptively so particularly on the last full, hauntingly beautiful page of the issue. Ever crisp and clean, but no less emotionally charged, his controlled sketch style and muted color palette set a remarkable tone for the four-part series. Ill definitely be back for more next month.

A wonderful addition to last months debut issue, Gotham Academy #2 is yet another delightful experience and a must-buy for all the kids in your life. My shop may start wrinkling their nose at my clearing off the shelf for extras. Tough. Theyll just need to keep ordering more.

If you havent caught up on Gotham Academy, issue #8 (like #7s single issue story) is a perfect place to start while youre waiting for that trade of #1-6 to arrive. This is a book made for all ages, certainly women and men, and most importantly, for anyone who loves a good mystery. Dont let this one pass you by.

As a piece of the larger puzzle, Gotham Academy #10 definitely serves up a couple more tidbits that will leave smart readers on the edges of their seat. But as a single issue story, it delivers even far more enjoyment than youd expect. Cloonan, Fletcher, and Kerschl are pulling out all the stops in every single issue, packing it to the brim with the best of what a comic can be, and it shows. If you havent jumped on, this is the issue to try. And if you have been here all along, get ready. This is going to be one for the ages.

There are a million other little moments that strike me about Gotham Academy #12, from Coltons ability to be the one to physically save Kyle to Pomelines teen confusion about her own motives and reactions to Olive. But at its heart, this issue was about sadness underneath the surface, danger you cant see coming, and what it means to lose yourself to something thats already taken its toll on many others before you. Its a lonely, dark feeling underneath the camaraderie that this creative team is delivering, and its made this book the rich experience for all ages that it is.

A bold move for a title so young, the Gotham Academy Yearbook starts off with a bang in issue #14 and I couldn't be more pleased. Every creative team on this issue could launch an ongoing title at DC Comics " about anything " and I'd snatch it up in a second. Here's hoping this primer is just that, a way for DC to test the critical waters or get us to dip our toes into the magic that is some of these story styles. Because after reading Gotham Academy #14, I want more.

So, sit back, take in a yarn or two, revel in the gorgeousness of Niimuras line or the cleverness of Tynions dialogue, and thank the stars we get to watch a new generation of characters and creators expand right before our eyes.

So, if you thought you were going to have to miss Gotham Academy, well, sorry to disappoint. Because theres no stopping this title any more than Maps can be stopped. Robin knows it. Olive knows it. You know it, too. (If only there were a Maps emoji with heart eyes!)

Another chapter in the ongoing saga of one of comics most precious and entertaining reads, Gotham Academy: Next Semester #2 is the start of a new story that, while much more subdued that previous stories, is truly but a preface. As adventure ramps up, it would behoove us to prepare. Its not always going to be this serene on campus.

As saddened as I am by the news this series will reach its end with Olives story complete at issue #12, I am held by two truths. One, that it seems inevitable that Gotham Academy will continue to grow in other forms outside this particular comic book series, be it in novel, graphic novel, or animated form. And two, that we still have the glory of four issues like Gotham Academy: Second Semester #8 to enjoy, rounding out 31 issues of a book that stands as one of the greats of the recent era.

Cops. Noir. And a big freaking ghost of terrifying justice. It doesnt get better than that.

Bravo, gentlemen. You brought the scary back to Gotham.

A smart sidetrack to the ongoing series adventure, Grayson Annual #1 shows more than even the monthly so far just how much potential lies in telling these tales of deception and spy vs. spy have for the DC Universe. Seeley and King have found that perfect balance of knowing these characters deeply and understanding under what conditions this type of story would work. And it does, magically. We may not fully grasp Helena Bertinellis or even Dick Graysons choices, but they make sense and inspire me to want to keep digging deeper. More than anything else, thats what will bring me back month after month.

A beautifully rendered introduction to the new status quo of one of DCs longest-lived heroes, Grayson #1 is the start of a bold new direction for the Dark Knights eldest son another fine example of how the New 52 can constantly surprise and delight. And the best part is, with Seeley and Janin at the helm, I have no worries that Dick will make it through with flying colors. They get the core of his character. Im excited to see where this new adventure leads.

A second issue that one-upped its first, if only because of the emotional moments slid in between the recon, Grayson #2 proves that if you stick mightily to the core of a character, no matter what their external circumstances are, youll be letting the best of him or her shine through.

If you havent grooved to Grayson yet, or still are tending your wounds over the loss of a costume, I may not be able to change your mind. Because ultimately, Grayson is doing something far beyond what we saw with Nightwing. Its fresh, funny, and utterly intoxicating, and now is the time to enjoy everything our man Dick has to offer. And if that doesnt sound appealing wow, not sure what I could say. Because YES. This is the stuff.

And what this means in practical terms is, I may never feel comfortable with him as a super-hero again, because I cant see Dick feeling comfortable there either. Its not that hes darkened or hardened, as he seems to imply to Superman. No, its that hes grown. And some homes you cant just go back to once youve left. From now on, Batman and company are going to have to come to him, not the other way around. And that feels right.

Its part of what makes this series so special (besides the breakdown of masculine identity and flip of the camera gaze which is still ever so impressive), that pure personality driving Dick Graysons portrayal in every scene and on every page. He is charm incarnate, and there are few characters in the DCU as endearing. King and Seeley have amped that aspect of Dicks character up to 11. Hes not just a great butt, friends. Hes a great butt that acknowledges cultural misogyny and respects you for who you are. So dreamy.

Fast-paced and full of brand new mystery, Green Arrow is destined to be the newest hit among DCs stable, a development that should put longtime fans and recent critics immediately at ease. It is a testament to the companys commitment to taking risks and trying new things that the Emerald Archer was given one last chance to shine, rather than joining some of his allies in the cancellation pile. The risk-taking completely paid off here. Green Arrow is a book, once again, that I can be proud to add to my pull list. Next months installment cant come soon enough.

A great first shot at what I hope is a new, long tenure on the title, Green Arrow #41 is a strong place to jump back in if youve given the Emerald Archer a pass for the last few months. Im ready to see Oliver return to some great social justice roots, and it seems like Percy and Zircher are too.

And more than all that, its clear the story isnt over (and not just because the final page says so), as Jeff Lemire continues the legend of Green Arrow for many more months in the pages of Futures End. What will become of these characters after that? Who knows? But Ill say this: its going to be hard going back five years come October. What were left with here is just too good to let go.

Green Arrow has recovered the stakes it needs to hit us square in the chest over the past six issues, and the moral and emotional judgments made in this issue have sealed the deal for me for the book. Where Percy, Schmidt, and Ferreyra go, so also will I travel. Youve won me back, gentlemen. (Now to work on my husband.)

Overall, Green Arrow: Rebirth leaves me optimistic for the future provided Percy and Schmidt (and eventually Ferreyra) give Ollie and Dinahs relationship the fresh start it deserves. And that doesnt mean relegating the Black Canary to sidekick status or Green Arrow to guest star in his own book. It means like any great relationship a challenge of equals. Like the best of times with the couples early days, Ollie and Dinah should make each other better. So far, so good.

Given that my expectation for DCs Zero Month books was simply to be one-shots that provide (marketing and sales-friendly) jump-on points for new readers, Green Lantern #0 was a great surprise. Not only did it succeed on that level, but the issue also stands as a great next step in the ongoing Lantern saga and a compelling beginning for an intriguing new character. This is indeed a high water mark towards which the rest of Septembers offerings can aspire.

In the end, we are treated to a single page portraying the near future of Green Lantern, and while that image ironically doesnt tell us a whole lot, I am confident were at the beginning of a very enjoyable run of new adventures. Skeptics, lay down your arms and give this one a shot. I think youll be pleasantly surprised by the effort.

A decent space adventure story that leaves us on a cliffhanger which may or may not get picked up next month, Green Lantern Corps #23 is clearly putting John Stewart in some well-deserved limelight, but perhaps not showing off all of his best features and potential. Hes not the agent of his own rescue nor more than a vessel through which his erstwhile girlfriend can move at will. Heres hoping for a more active Lantern in the months to come, as new recruits (in-story and in real life) can use a little more to look up to.

 Share this:TwitterEmailPrint

A preface that feels only that, Green Lanterns: Rebirth #1 is a solid start and delightfully rendered for its second half. Where Humphries and his art teams take the book next is the true test, but the bones of a great new adventure are here. Time to build a new era of Green Lanterns.

As this is just part one of four for Morrisons newest (and first of a new string of, I hear) creator-owned series, its difficult to judge on its own merits without knowing for sure where it leads. As pay-off for the writers work usually comes in cumulative reading, this issue is very much just a set-up for what is to come. That said, you couldnt find a more beautiful take on a more dreadful set of scenarios than this first issue of Happy! If this were the last tale told of a dark-and-gritty bygone age, youd certainly feel like it was paid its due, respectfully and in spades.

A crazy romp that proves, once again, how special the work Conner, Palmiotti, and company are doing is, and how amazing it is that DC lets it happen month after month. I scratched. I sniffed. I laughed. And Im ready to do it all over again. And fast, before the buzz wears off.

Madcap without bordering on the ludicrous, laugh out loud hilarious while still maintaining Harleys dignity and smarts, Harley Quinn #2 is easily one of the best single issues in many months from DC Comics, and I cant recommend it highly enough for anyone looking for that fun ride we hear is so hard to find these days. Its right here waiting for you. Climb aboard.

Another fantastic issue from a team thats just producing the right kind of synergy, Harley Quinn is the book I didnt know I wanted or needed, but in retrospect, I cant believe we could live without. Id hate to see its formula duplicated, but Id love to see more chances like this one taken. Its clearly paid off.

A fun romp through Christmas cheer with a character that may represent the best parts of good will and friendship after all, the Harley Quinn Holiday Special #1 is definitely what you want to find in your stocking this year. No, not that stocking. (Then again, why not? YOLO.)

Yet another funny and surprisingly warm chapter in the wacky narrative that is Harley Quinn, this Valentines Day Special gives us a great self-contained story with its own pace and flair. And to top it off, as a great place to highlight a few artists we rarely see on the DC Comics page, this issue is once again a sure bet for the pull list.

A fun first issue that pairs the most diametrically opposed leading ladies in comics and makes it work Harleys Little Black Book is off to a great start. The rare treat these days that is Amanda Conner interior art makes this issue one that should jump off the shelf and into your hands. Heres hoping future team-ups are as fulfilling as the first out of the gate.

An absolutely unique take on the always mandatory Christmas Lesson, Hawkeye #6 continues to breathe fresh life into the character and would get my highest recommendation at this, or any other, time of year. Youd have to be a Scrooge not to like this book.

Dont get me wrong. Heroes in Crisis #1 isnt a gimmicky comic. It doesnt feel exploitative. Its far worse than that. Its left me with utter indifference. And I dont imagine that was the goal for DCs next blockbuster event.

Hinterkind isnt the most original concept, pulling elements together that have been central to such other books as Fables, Sweet Tooth, and The Hunger Games, but it seems to be founded on strong characterization. Where Edginton and Trifogli takes the series is what will determine its success. Looks like its off to a great start!

A fantastic first issue and worthy successor to guest star She-Hulks own late lamented book for its sly sense of humor and sharp bite, Howard the Duck #1 is off to a rip-roaring start with both Zdarsky and Quinones giving us their all. Cant wait to see what pervy jokes and off kilter reckonings they have in store for us next month.

Easily the best start of all three Freedom Fighters launches, Human Bomb is exactly that great combination of modern concepts with classic storytelling traits, and above all is a book I'm eager to come back to next month.

If youre a fan of True Blood, The Walking Dead or even The Vampire Diaries, this is a must-read series. Run, dont walk, to your local comic shop. And be sure to keep an eye out for hungry strangers along the way.

As a look back on the previous (now revised) DC Universe, the Infinite Crisis Omnibus cant be beat. This is as complete a story and look at a critical year of publishing for DC Comics as you will ever get at least until Novembers release of the 52 Omnibus, the weekly follow-up to these tales. As a narrative in itself, the Infinite Crisis Omnibus tells a compelling tale of hero versus villain, hero versus hero (a theme clearly popular these days), and hero versus the unknown. The latter of these is perhaps what gave these comics such a punch, one that holds up brilliantly to this day.

Theres a lot of fun potential to be found in these pages, and a lot of directions that the series could go (is that apartment complex the one from Melrose Place? Color me intrigued!)! No matter where the story takes us, I believe its going to be a wild ride to get there with DiDio and Giffen in the drivers seat! Heres hoping our Mother Boxes are ready for the trip!

A fun interlude in an ongoing tale that could easily suffer for its darkness, the Injustice Annual continues the fantastic character work with which Taylor has infused the series, and kicks it up a notch. In a world where a literal headhunter is sent to take down a clowns unwitting accomplice, you gotta appreciate a fake mustache. And if you cant find humor in that, theres ultimately no more hope for us than for the heroes in this comic.

A fantastic done-in-one story setting up Year Five for those who continue on, but leaving everyone with an enormously satisfying focus story of Plastic Man and his son, Injustice: Gods Among Us: Year Four Annual #1 is an awesome chance to revisit this world with Tom Taylor steering the ship. Don't pass it up, lovers of Injustice or classic super-heroes alike.

A great first chapter launching an all-new campaign for the saving of the globe, Injustice Year Four #1 is a great place to jump in if youve been away, and a welcome visit with some versions of friends we dont get to see nearly enough.

In the end, the only faltering I see about the issue is it functions more like a television season two premiere wrapping up the shocking conclusion of a summer break and easing into a new story rather than providing a brand new #1 jumping on point for readers. That said, Injustice is perhaps one of the easiest series today to catch up on digitally if one desires, so the quality and resonance of the issue as is far outweighs what would be missing for a new ongoing reader.

It took a long time for Jem and the Holograms to come back into vogue, but clearly the wait was worth it. Thompson and Campbell are delivering one of the most fun and sophisticated action (and romance) titles of the year, and I could never have imagined it could be this good. Brava to all the creators, and a special shout-out to Campbell, whose reflection in the back of this issue makes the success of this title all the sweeter.

We may be facing a genuine villain by the end of Jem and the Holograms #14, but if Thompson and Campbell have shown us anything, its that there are no two-dimensional characters in this world. Jerrica, Pizzazz, Blaze, Stormer, Kimber all so unique and all so compelling. This world is rich with color and personality and spirit, and its a song that I hope never stops playing.

Accepting yourself doesnt really change the physical or mental burden of what its like to have a body like Stormers or mine but it does help to build up courage. And Id like to think that some of that courage gets to rub off on those who choose to pick up Jem: The Misfits #2. Because what Thompson has built her with her collaborators is much more than just a licensed throwback to our youths. Its a revelation for every queer, overweight outcast that had to grow up and either be fine with who they were, continue to suffer, or fall somewhere in between. Thanks for delivering a vision of that experience to me this week. Its more important than most people think to see it outside of your own life.

Once again, Thompson, Campbell, St-Onge, and Robado deliver a magnificent look into these characters weve all come to know and love in Jem: The Misfits #3. I know theres a hiatus coming, and it haunts me even now, with two issues left to go. Praise the powers that be that realize the Misfits need to continue on as a solo act, separate from and in addition to Jem and the Holograms. I just cant go back now.

As a whole, Jessica Jones #1 is a return to form for one of Marvel's most unique characters, someone I fell in love with so long ago and honestly wasn't sure I'd ever get back the way I remembered her. Now, with an extra layer of mystery added to her return to form, Bendis and Gaydos are doing the impossible " making me love Jessica more than I ever did before.

In the end, the only real shame of this single story is that there is so little direct contact between pairings, as the League and the Syndicate literally swap earths with each other over a twenty-four hour period. Meant to read more as a man versus the world tale than one of man versus man, JLA: Earth 2 is one of the Justice Leagues greatest challenges put to paper, but not for its physicality. What does it mean intellectually for the concept of justice to know theres a world out there upon which, no matter what, good will never win out? This is modern storytelling at some of its finest.

Early on, I was critical of Marvel NOW not renumbering some of its female-centered title launches to benefit from the massive sales opportunity the program could provide. Now, Im fairly certain that was a wise choice. This is definitely not a jumping-on point for the uninitiated. A new #1 would have been much more misleading than the marketing already was for this title.

Ultimately, the difference in presentation between the two stories leaves me in a quandary. Should I ride out a few issues to see which narrative style ends up dominating the book, or do I cut my losses from the first story, giving up potential tidbits of comic excellence along the way? What say you, readers? What is the far, far better thing to do?

A super fun start to a character we've only started to reacquaint ourselves with, Jughead #1 has the potential to out-Archie Archie. And why wouldn't it? Archie may be the guy we all kind of wanted to be as kids, but as an adult, I look at Jughead and say to myself, "I wish I had been that cool in high school." That's the magic of this new brand of Archie Comics, and why Jughead may very well be at the center of that future.

Can the Archie Horror line sustain another ongoing? Undoubtedly. And if the quality behind this special is any indication, Tieri and Walsh are the team to bring Jughead back into the moonlight again.

A solid new chapter that is sure to appeal to fans of Miller and Quitely's individual works to date, Jupiter's Legacy #3 may not be breaking new ground for the comic market, but it is certain to entertain those who would seek to deconstruct the super-hero genre. If nothing else, we get to take the beautiful trip down the spiral of these heroes demise, and appreciate the scenery all the way down.

More than the story as a whole, some of the potential storylines spinning out of this issue get me super excited about the next year in Justice League. Yes, this is essentially Shazam's origin, but many more questions than answers are raised herein.

Overall, a heck of a lot happens here, and for a book often criticized for being the worst example of decompressed storytelling in the New 52, thats a great turnaround. If youve been disappointed in the past, this might be a great issue to try (if only for its newfound historical importance). If youve been enjoying the book to any degree to date, youre in for an incredible treat. Enjoy!

Overall, Justice League #15 is a perfect jumping on point (especially if youd left the book behind at some point in the past year) for finally getting to know these heroes and their relationship to each other. No longer gods in the sky, these heroes are now truly growing into a team of peers (if not friends), and that is a welcome development to watch unfold.

Take my advice. Buy this issue and revel in its accomplished twists and turns, gorgeous art, and maddeningly brilliant set-up for what is guaranteed to kick the DC Universe to its next level of pure excitement and honest-to-god jaw-dropping significance. You'll be glad you did.

An extremely exciting wrap-up to a story thats only just begun, Justice League #23 feels very much like the touchstone moment for the New 52 that its most certainly designed to be. Johns and company have clearly done their job in maintaining this title as the true flagship book for the larger DC Universe, blending the best of hardcore action, intrigue and character moments to flesh out this still relatively new landscape. As a capper to an event eliciting high hopes among fans of the Justice League, in my opinion #23 delivers on its promises and sets readers on course for quite an enjoyably bumpy ride into year three of this grand adventure.

If you are reading Justice League, Wonder Woman, Earth 2, Worlds Finest or Batman/Superman, you cannot afford to pass this issue up. As a lynchpin tale for what has come before (and what is still on the horizon), Darkseid #1 is critical reading. And as a villains origin that doesnt destroy what makes our bad guys just so bad, it also cant be beat. Pour over this one awhile and give Darkseid his due. He demands no less of humanity.

Ultimately, what probably dented my reading of this story was simply its inclusion in this months event, as it doesnt seem to fit the structure of every other book on DCs racks at the moment. But as a prelude for learning more about the lost world of Earth 3 and a little a what drives its refugees (not to mention supplying a ton of clues and hints for whats to come in Forever Evil), you could not do better.

A clever issue that hides tons of pertinent information within a compelling three scene structure, Justice League #24 is the perfect companion to Forever Evil. A little more focused, in fact, Id argue this is the superior book, giving us a personal take on one of the key players, much like JLA #8 did with the Manhunter and Secret Society #1 did with Owlman. For fans of the crossover, you cannot miss this issue. It is essential reading at its finest. And for those avoiding the overall fray that want to dip a toe, you couldnt do better. Youll walk away with a satisfying taste of the evil thats entered the world and get to see it play out on a smaller, more focused stage. Either way, this is one to sincerely entertain.

Another brilliant addition to the Forever Evil story that is consistently outshining all other tie-ins, not to mention the main book, Justice League #26 is proof that theres a lot of gold to be mined in these characters and the world they left behind. Hopefully the aftermath of the event will give us the space and venue to explore just that.

A superb reintroduction of classic characters that should please any and all fans of the Metal Men from any era, Justice League #28 proves once again that character moments and well-thought out updates is what makes DCs recent efforts so successful, where applied. A Cyborg and the Metal Men series needs to be on the docket NOW!

Another awesome chapter in the evolving event, Justice League #43 feels very much like the end of Act 1, which means things are about to get DARK. And I am so ready for the ride. Johns and Fabok are giving us a ton of excitement and a world of mythology and legend to piece together. Characterization, action, gorgeous art. Darkseid. This one has it all.

By comparison to DC Rebirth #1, this was an easy review to write. Johns is leaving monthly comics at the top of his game, but hes been at the top for nearly as long as I can remember. From Flash to Teen Titans to JSA to Green Lantern to Justice League, Geoff Johns has consistently given us the most heroic of heroes, the most challenging of circumstances, and the emotional connection with all of it so that everything every page matters. Thats what we have in Justice League #50. Thats what weve had with the entire epic of Darkseid. And Gods willing, well have it all again from him real soon.

For many longtime DC fans, this book may be a hard pill to swallow, as so much of its premise in the future initially feels so familiar. I suspect the wild ride is only beginning here, though, and what we are led to believe at the very beginning is not necessarily what we will be getting by the end. Embrace the difference and see where it leads. Theres no question were in good hands along the way.

With the first of a few old friends rejoining us next issue (I dont really need to spell this out, do I?), Justice League 3000 #11 is the perfect jump-on point and place to get excited about the possibilities ahead. No surprise: Giffen and DeMatteis have titled this one A New Beginning. It is indeed! And if youre long term fans of the duos work, then that is probably all thats needed to get you to sprint to the comic shop. Do it. Youll be sorry if you dont.

Like I said at the start, if you havent been reading Justice League 3000, you need to. Start here. Start at #11. Go back to #1. Or pre-order the just-announced Justice League 3001 #1 for June. A hilarious adventure off in the Multiverse that still feels like characters we can know and love, this title is a must-have for fans, old and new school alike. This is DC Comics honoring its history while trailblazing its future. Dont miss out.

Justice League 3001 #1 isn't exactly the clean break I'd anticipated for a first issue, but it does showcase the cast of characters so well, and give us an enormous amount of fun along the way, that I still give it a huge recommendation to any of the following: fans of the original Justice League International, fans of the previous 14 issues, fans of super-heroes that are just plain funny, and pretty much anyone breathing. It's a wild ride, and you don't want to miss your chance to get onboard.

Were seeing a sea change in the book this month and next, with an all-new all-female team coming together in January, so I expect a little more dark before the dawn in Justice League 3001. Im OK with that, though, as the characters remain compelling, their interplay is quick and amusing without being ham-fisted, and theres lots to lavish over in issue #6 with Doran on board. Keep the bwah ha has and the gasps of horror coming, team JL3K1! Im enjoying every one of them.

Without question, DC Comics has found its perfect team in Lemire and Janin. Here's hoping for a long run for what is actually shaping up to be the World's Greatest Super-Heroes after all.

Halfway through the event and still hurdling forward at breakneck speed, Trinity War is certainly proving its worth as the culmination for nearly two years worth of plot threads and motivations. The most serious downside to this latest chapter? Having to wait three weeks for the next installment in Justice League of America #7 especially after the curious last page revelation in this book. For those who worry that $3.99 is an excessive cost for a 24-page tale, consider the amount of speculation and discussion youll have to engage in coming out of this issue. DC is earning every one of my pennies on this one.

One more issue to go in DC Comics prelude to their first big event of the New 52, and theres no question its been a wild ride. With Jeff Lemire stepping off Justice League Dark now, its perhaps an excellent time to thank him for delivering, month after month, the perfect blend of super-heroics and dark magical drama honestly, a feat we havent seen performed as well to date almost anywhere. Ending his run here, with a literal mlange of DC mythology racing across the page, could have become a mish-mosh, but instead is a true testament to his skill and dedication to the book itself.

A beautifully illustrated introduction that became weighed down by a fair bit of clunky storytelling, Eclipso has nearly as much going for it as working against it. That said, the character is one which seems to resonate with many fans (and many within the halls of DC) and this version is visually the best weve seen to date. Lets hope his next appearance inspires a bit more imaginative horror and a bit less of the unnatural narrative.

A fun read that brings all the pieces together to sync up with its Trinity of Sin compatriots Phantom Stranger and Pandora, Justice League Dark #25 brings us face-to-face with the evil the team is meant to face, but still gives us the sense that we havent even begun to scratch the surface on what this crossover event is meant to be. With 16 parts still to come, thats probably a good thing. In the meantime, watching the personalities start to fall into place is an enjoyable event in itself.

As a counterbalance to the more traditional League also under Johns control, Justice League of America promises to provide a very different take on the Worlds Greatest Super-Heroes, and one that could potentially provide even more drama than its predecessor. Its not even just the interactions between heroes who seem to have no business sharing a room with each other, but layers of government shadow work and motivations behind motivations, that I am most eager to see begin to unravel. This series is a definitive one not to miss, in my opinion. Story, art, characters, importance to the greater universe no book is delivering all four of those (in such high doses) as this one does in only its first issue.

As a microcosm for the New 52, JLA and her sister titles are showing exactly what can be accomplished with a fresh slate, a cast of iconic heroes, and a whole lot of carefully laid background intrigue and conspiracy. As a piece of a much greater whole that can still stand on its own, Justice League of America is bringing something new to the table regarding both the heroes and villains, but still making it feel familiar and honest to the characters conceptual origins. Nearly two years in, this is exactly what I want out of DCs leading franchise, and what happens next is anyones guess, as it should be.

All in all, Justice League of America #6 is a solid breather in the wake of a jam-packed introductory chapter. While the issue may not offer too many more conclusive answers to questions already posed, it firmly establishes that this crossover is first and foremost a mystery story, and not simply the next super-hero brawl event of the year much to my delight.

Its been odd that the seemingly rougher team book among the three in the Justice League franchise is the one with the most focused character moments, but it is in fact the one Lemire and Johns are credited with collaborating the closest on. And to some degree, its more fascinating for that fact, as it would be so much easier for the pair to choreograph a few poignant fight scenes and take it home. Justice League of America #7 may not have furthered the mystery of Trinity War to any great degree, but it serves as an admirable and enjoyable second act, as the event wraps up and leads into the next big crisis on the horizon.

A fun, classic super-villain origin without the nasty old tropes that come along with being a woman on the job, Killer Frost is a highly enjoyable read and a real indication that we need to see more villainesses of different types in the DC Universe. Kudos to Sterling Gates for reintroducing us to someone I hope we get to see a lot more of in the coming months. If the ending to this story (and some amount of advance solicitation for Forever Evil) is any indication, Ill hopefully be getting my wish.

More than anything else, with Shadow Thief Im pleased to see another female spy launched on the scene. Its a character-type or role that will always draw me to pick up a title. Where Aviva, of course, differs from an Agent Chase or Tara Chace is in her lack of regret, and perhaps there lies the need to push her over onto one side of the classic hero-villain scenario. As the Shadow Thief traditionally opposes Hawkman, no stranger to an any means necessary behavioral pattern himself, I do wonder though. Could we see this lead character develop into more than a twirly-moustache of doom going forward? If so, DeFalco has certainly given us the bones to make it happen with creative ease.

Overall, a strong issue picking up the threads from two months ago where Trinity War left off, Justice League of America #8 is a great character study for the Manhunter, although left me wanting so much more from Stargirl, the supposed co-star of the story arc. If the next issue is as focused on Stargirl as this one was on the Manhunter, then all my worries will have been for naught. But I am as weary of Courtneys constant second fiddle status in the JLA as she seems to be. Its high time for her to break out the Cosmic Rod and show us what we know she can do.

Justice League of America is a beautiful concept for a League we very much need in 2017, and carries with it a cast that has the beginnings of looking very much like America itself. And for all of its relevancy, Orlando and MacDonald manage to pack in Easter eggs and important references without making the book feel isolating at all. The only hurdle for this teams ultimate success? Artistic consistency. If we can see that even out, there will be no stopping it.

Nevertheless, Justice League of America #11 stands out as a really great moment for elucidation on the nature of queer pain and the insidiousness of the closet, giving the Ray the level of depth he deserves as a shining star for the DCU. Orlando, Edwards, and the rest of the team deserve a round of applause for the sensitivity portrayed, particularly while not losing any of the excitement or building threads of the series as a whole.

A meaningful interlude that reintroduces a fascinating character (Aztek) and shines the spotlight on the very conscience of the League (Ray), Justice League of America #21 is another fine chapter from Steve Orlando, and a great chance to see Stephen Byrne do what he does best: shine.

A true rebirth not just of the League itself, but of that giddy excitement and intellectual curiosity I had as pre-teen holding that other great #1 Justice League of America: Rebirth #1 is an excellent start to a brand new era. Its not 100% clear where this team is headed, but all signs point to greatness.

The Ray, in that regard, truly is an opportunity for rebirth, and exactly the kind of story among many many others of queer people telling their own stories that all creators and fans need to pay attention to. No story is going to fit everyones truth. The goal, of course, is to hit on a specific truth that can at least resonate genuineness, and not wallow in the point of view of the majority over that of the other. Orlando and Byrne have accomplished that, and developed a story that centers hope and brightness to the queer experience something those of us living and loving in that community needed to see.

An unlikely hit, but critical book to read if you are a fan of the greater DC Universe, I strongly recommend giving this book a try. Ignore the naysayers and those that question Vibes place on the racks. This title promises to stand out in a good way if given the chance. But dont support it because Vibes Puerto Rican, or a new(-ish) character, or simply not-Batman. Well, you can if you want, but Id say, give Vibe a shot because its a damn good comic book, and the kind of character we dont see in comics as much as we say wed like to an actual good guy.

Whether this book has flown under ones radar or been avoided outright for its title characters less than humble beginnings in the 1980s, Vibe is consistently one of the most underappreciated books in DC Comics stable. With the story ramping up to significant importance for the universe itself (Darkseids daughter anyone?) and a huge surprise reveal on the final page, this issue is a perfect place to jump in if you havent been picking this up. Show up for the ties to the multiverse and Vibes place in the Justice League of America. Stay for the exceptional handling of a positive, well-developed lead and his wonderful cast of friends, enemies and everything in-between.