A big win for Marvel and a book that makes me even more excited to see whats coming after this summers Secret Wars bonanza, The All-New All-Diffferent Avengers Free Comic Book Day edition is THE book to grab today (or online later). Get in on the ground floor of what is most assuredly going to be a wonderful and exciting new world to come. Kudos all around.

For DC to choose to address fascism and dictatorship with its title character not in the fascist role may already put this effort far ahead of their competitions attempts, but the reality Abnett and Sejic instill in every panel and page is what truly elevates this title to the top of pile for the foreseeable future. Aquaman is dead. Long live Aquaman, I say.

Honoring well the tradition of frightening lullabies and urban mythologies, Court of Owls is truly fantastic work of writing and art, and an absolute must read for anyone even vaguely enamored with the macabre and horror genre not to mention anyone looking for a good old-fashioned disturbing scare. You wont find even a lick of Batman in these pages, and thats all for the better. For if the detective was here, you might think there was hope or possibility for escape from the terrors within. Better to descend into the darkness and let it wash over you. Just dont try to fall asleep too soon afterwards.

To say much more would be to give away the awesomeness of the issue, but its fair to say that everything we love about Damian Wayne today is a sincere product of the love of two men. Nay, its not Bruce and Alfred although they too are beautifully rendered in these monthly stories but Tomasi and Gleason who have crafted this boy from what you expect from a child hero in a comic book, to a deeply profound representation of what youd expect to see in a fully rounded hero, child or comic book character notwithstanding. If youve loved this book, heres more of the same. If you havent been on board, heres your chance to fall in love. Just bring some tissues along for the ride. Youll need them.

This is how you do it. This is your manual for seeing whats right in front of you. And for not taking it anymore.

One of the strongest Convergence mini-series to date, Hawkman captures the spirit of these characters so perfectly, and gives us a goodbye that no one with a heart could deny is moving. Thank you, gentlemen, for treating these heroes with such care and for having the determination to honor their history. It made for a perfect read and a book Im going to treasure for a long time to come.

The Question may not be the most intertwined title of the Convergence event, clearly operating on its own emotional plain, but it is for certain a love letter to characters I knew I missed, but had no idea how much until I read this issue. With a tear in my eye and an ache in my heart, Im going to treasure these two issues, and pray that the stars will align once again. Rucka, Hamner, The Question a perfect combination and a gift to all those who love them so.

A remarkably subtle beginning to what is clearly going to be Image Comics next great space epic, Descender #1 has everything you need to get hooked political intrigue, social unrest, planet-level danger, and, most importantly, a boy with his dog. If youve been a fan of Lemire and Nguyens work, you wont need any convincing of Descenders greatness. And if you havent had the pleasure yet, theres no better place to start.

Tightly written and beautifully rendered, Earth 2 Annual #2 pays off in a huge way on every expectation leading up to its release. Even the leak of Thomas Waynes identity could not have ruined what ended up a much more complicated story that resonates in a way we havent seen Batmans story told, and yet it manages to carry just as much weight nonetheless. Old school Justice Society fans may come away irked by one aspect of the story, but for what it brings to the table, I think it provides a plentitude of story possibility down the road. Thank goodness the next issue arrives in a week. I doubt I could contain myself otherwise.

This character, this narrative, this creative team " all deserve a blank check for publication. Caroline Sharp is a unique, and yet deeply recognizable, protagonist, and Visaggio and Liew are delivering on a book that I could read over and over and still find new ideas that speak to the heart of my condition and existence.

If you are looking to jump into a bold new world that is sure to hold a lot of surprises long term and give you a universe that actually truly is more diverse, Catalyst Prime: The Event is the free book to grab today. Dont miss it. This is the start of a better, more dangerous tomorrow for comics.

Bravo, gentlemen. You brought the scary back to Gotham.

And more than all that, its clear the story isnt over (and not just because the final page says so), as Jeff Lemire continues the legend of Green Arrow for many more months in the pages of Futures End. What will become of these characters after that? Who knows? But Ill say this: its going to be hard going back five years come October. What were left with here is just too good to let go.

An absolutely unique take on the always mandatory Christmas Lesson, Hawkeye #6 continues to breathe fresh life into the character and would get my highest recommendation at this, or any other, time of year. Youd have to be a Scrooge not to like this book.

As a whole, Jessica Jones #1 is a return to form for one of Marvel's most unique characters, someone I fell in love with so long ago and honestly wasn't sure I'd ever get back the way I remembered her. Now, with an extra layer of mystery added to her return to form, Bendis and Gaydos are doing the impossible " making me love Jessica more than I ever did before.

Can the Archie Horror line sustain another ongoing? Undoubtedly. And if the quality behind this special is any indication, Tieri and Walsh are the team to bring Jughead back into the moonlight again.

The Ray, in that regard, truly is an opportunity for rebirth, and exactly the kind of story among many many others of queer people telling their own stories that all creators and fans need to pay attention to. No story is going to fit everyones truth. The goal, of course, is to hit on a specific truth that can at least resonate genuineness, and not wallow in the point of view of the majority over that of the other. Orlando and Byrne have accomplished that, and developed a story that centers hope and brightness to the queer experience something those of us living and loving in that community needed to see.

I've never been a fan of Archie Andrews. When I first heard about the events of this issue (and who hasn't?), my first thought was, why not Life Without Archie then? He's not the most interesting of the Riverdale gang, and his place in the story, while central obviously, isn't what makes it the fascinating romp that it is. Well, Life with Archie #36 changed all that. I was totally, 100% wrong.

Overall, Mega Princess #1 is a strong champion for little girls and those who want to see them grow up to be free-thinking, challenging women. And its just plain fun along the way. Thompson, Drouhard, and Robado are giving us a real treat with Mega Princess, and if you missed it last Wednesday, thats understandable. But if you miss grabbing it from the shelf on your next trip? Well, thats just you missing out on a really, really good thing. Dont let that happen.

If you havent had the benefit of picking up Mind MGMT before now, buy this issue. Its a thorough introduction to the feel of the series without bogging you down too much in the minutiae of its complex, but fascinating history. Once you do, Im certain those first 12 issues will find their way into your collection pretty fast. Who knows? They may already be there without you even realizing it.

A book that will likely long be looked at for its emotional depth, brilliant pacing, and utterly complex tapestry of what makes a man like Scott Free tick, Mister Miracle continues to rate as the best read in comics today. King, Gerads, and Cowles have transformed Kirbys New Gods mythos on an emotional level to meet the demands of a culture 40 years older and devastatingly troubled. And what an overwhelming and mind-shattering trap it all is.

Its counterintuitive, and in this case almost monstrous, to think of choosing to do nothing to stop a war that could claim millions over the comfort of a single child. And yet. Isaac was not meant to be sacrificed, truly. And these creators know that. His mother knows it. The drama lies in the escape, not the sacrifice.

This series has been nothing if not thought-provoking, soul-provoking, and life-provoking from beginning to end. A quintessential piece of comic literature that deserves study, respect, and admiration. Tom King and Mitch Gerads have produced a riddle that provokes more questions than answers as you seek to unravel it, and thats a lot harder than it looks. And yet, Mister Miracle stands as a nearly effortless-looking masterpiece of deep thought and feeling. Bravo, gentlemen. Bravo, Scott Free. Youve done Jack Kirby proud.

Forget that other book featuring Hydra this week. Nick Fury #1 is a neon-lit, psychedelic secret agent dream with enough suave patter and glowing good looks to sweep any evil empire off their feet. James Robinson has outdone himself in letting the fun and frivolity back into international intrigue and ACO and Hugo Petrus are an art team that cant be beat for action, adventure, and enough explosions to fill a big budget box office thriller in just 20 pages. BUY THIS BOOK.

A creative team where every member is firing on all cylinders and delivering a book of the most stellar quality is a rare find indeed. But Robinson, ACO, Petrus, Rosenberg, and Latham are that team and Nick Fury #3, like the issues before it, is certainly that book. A masterpiece of teamwork and a masterpiece of style, this book shines as Marvels creative crown jewel at the moment. Let the missions never end.

A super fun, super funny, and superbly written and drawn comic, Princeless: Raven, The Pirate Princess #2 is definitely the cant-miss issue of the moment. Infusing this fantasy world with the lunacy of our every day gets it to the finish line, but doing so with genuinely smart and interesting characters is what pushes it over for me. This is a book that anyone of any age can enjoy, but the true secret is, youll probably get even more of a kick out of it if you as bored of collecting falsely put-upon male tears as Raven is. I know I am.

When this series began, I was deeply skeptical that I could find much of anything in the character of the Punisher to warrant adding it to my collection. Rucka proved, as always, that his ability to find the root of these deeply damaged figures and illuminate exactly what makes them tick would win me over. Both Castle and Cole-Alves have taken up permanent lodging in my brain, and their mission, greater than either of them individually, resonates with me in a way I could never have imagined prior to this run. Bravo to comics that still probe deeply, think hard, and read as if they were always meant to end the way they have. Bravo to Rucka on a deeply sophisticated take on a character I once believed to be one of the least sophisticated in the medium. Your continued contribution to Frank, and to Marvel in general, will be deeply missed.

Equal parts exhilarating and devastating for its finality, Stormwatch #30 makes me want more, more, more of this team Midnighter and his crew, as well as Sterling Gates and Jeremy Roberts. My eyes are peeled for the next appearance for all of the above, DC!

The truth is, Id read Supergirl: Being Super if Kara Danvers never became Supergirl, because the genuine voice and appearance Tamaki, Jones, and Fitzpatrick are establishing here are so much more interesting than the evolution of powers and the revelation of Karas Kryptonian heritage. Thats all a McGuffin to me. The real story here is the Girl, not the Super.

Fans of the Swamp Thing is all his incarnations cannot afford to pass this comic up, nor can anyone who spent their childhood paging through old Tales of the Crypt comics under the bed sheets with a flashlight. Wein and Jones have delivered a stunning reintroduction to an intelligent monster I can't wait to follow into the mysterious depths of the Louisiana swamps and beyond. Welcome back to the good old days, Swamp Thing. It's time to reminisce.

Masterful dialogue. Poetic monologue. A double page spread to inspire a deep grin. And more than a single books share of moments to draw tears from even the coldest of hearts. All these factors have made Lemires conclusion to such a deeply personal epic ever so perfect. While I am sad to say farewell to dear, sweet Gus and his family of endearing misfits, I cant imagine a better send-off. Bravo.

Once again, Snyder has conceived of a vision of horror that only gets scarier with each and every reread. Paired with the exceptional talent of Jock and Hollingsworth, the writer is clearly looking to unleash something new and deeply disturbing into the world with Wytches. Im happy to meet it head on. Just dont expect me to sleep tonight.

An exceptional issue of what has from the start been an exceptional series, Afterlife with Archie #4 is the finest moment yet for the sneak attack indie book of the year. If you havent been reading this book, I get it. But let this be a warning: you do not want that to be the case any longer. Stock up, buy your store out. Do whatever you need to do. Youll thank me later.

Another stellar edition to the Archie Horror line, Afterlife with Archie #8 continues to deliver an intriguing, frightening, and fascinatingly beautiful take on the town we all grew up in, whether in real life or on the page. Just be careful when you start to turn over these stones. You never know whats lying beneath them.

A brilliant new start for a heroine whose spent a good part of her career in the shadows, Black Canary #1 gives us our venue to cheer loudly, flick our lighters, and hope we dont get kicked in the face by the end of the issue. A book that stands out among everything that DC or Marvel are publishing today, Black Canary is a wonderful addition to the ever-growing diverse look of super-hero comics, and an inaugural piece in what could easily become a genre all its own: the punk rock music book with its side of kickass action.

Fletcher and company have developed something exceptional with this title and I implore anyone who loves kick-ass women, action, a sense of mystery, and the most gorgeous (and distinctive) art that could be gracing a comic, to jump in with both feet. Black Canary #4 is a great place to start too, because trust me, once you read this, youll be hitting the road back to grab #1-3 and pre-ordering the rest. This is a title we want in our pull boxes for a long time to come.

This book is what it is because every member of the creative team gives his or her all, forming a beautiful ensemble that creates magic with every performance. Black Canary #5 has deepened our sense of nearly every character in the book, and none less than our Dinah Drake herself. Where this title is going with kickass takedowns is enough to get it into my subscription box every month. But its the emotional melody thats playing behind the overt bangs of the drum that keep my lighter out, swaying in the audience, cheering the band on like I never want it to end.

Leaving us on a cliffhanger in issue #6 (oddly enough, like quite a few DCYou titles have), Black Canary continues to be a study in how many ways there are to produce a compelling comic book that breaks the mold on classic super-hero adventure. Fletcher, Wu, and Loughridge have synced up to deliver a command performance month after month, and left me yelling for the encore with every issue.

Like The Godfather Part II crossed with The Dark Knight, the new direction on Catwoman beginning in #35 is a magnificent revitalization not just for the ongoing title, but also for Selina Kyle herself. Valentine has solidified everything hopeful and true about Selina without any sense of artificiality in the process. I cant recommend this book highly enough.

A magnificent second chapter in what has overnight become THE book to add to your pull list, Catwoman #36 is a wonderfully tense affair that genuinely leaves you wanting to unfurl the new dons plans as fast as possible. Its grace and sophistication in storytelling is only matched by an exceptional intrigue and a deep level of characterization. If youve ever loved stories where the shadows get so grey that its hard to navigate the waters, this is the book for you.

If you loved the first arc of Valentines take on Selina as a mob boss, the drama only gets more complicated with issue #42. But if you are a fan of the Catwoman running rooftops in leather, youre going to have to jump back in, because were now seeing the perfect blending of the two. And theres no question where it will all lead: the inevitable explosion. And I cant wait.

A piece of writing and art that is so much stronger than weve ever seen with this character, Catwoman #44 has elevated Selina Kyle to Gotham royalty believably not because she flaunts her power, but because she is so weighted down by it. Valentine has given us a heroine with complicated morality, a deep sense of desire, and an understanding that none of what is seemingly there for the taking can ever truly be hers. Its the heartbreak of the honorable thief, never achieving that sense of completion that comes with genuine possession. Thats the space this title is occupying, and once again, it leaves me in awe, melancholy, and longing for the next installment.

A stunning issue that has done its best to prepare my heart and soul for what comes next, Catwoman #45 has me on edge, heartbroken, and smiling at its beautiful construction through the tears. Valentine has carried out a majestic tale of woe, love lost, and regret here, and I feel both blessed for having read it and raw for knowing that its all about to end.

A wonderful start to a truly eerie, but intellectually curious story, Clean Room #1 will likely never have the mystique to work with that biographers of the Church of Scientology had twenty some years ago, but the mystery isnt as simple as what goes on behind closed doors, really. The real mystery, it seems, is happening around us at every moment. And THAT is far more frightening to behold.

Look. Clean Room #2 defies any sense of sophomore slump, taking the strong beginning this series had with #1 and pushing it into scream mode and beyond. Gail Simone and Jon Davis-Hunt are magicians weaving the most disgusting (and yet most compellingly beautiful) Frankensteinian bunny I have ever seen, and I have to say, Im a little scared to see what gets pulled out next. Damn it.

Overall, Detective Comics #934 was not only a great start to an entirely new era for the Batman Family (or as I shall call it, the Batwoman Family), but also a rich look at major players and an excellent first chapter in a fresh story I cant wait to sink my teeth into. No mere preface or intermission, this comic is by far and away, the strongest debut of any Rebirth team to date. And I am once again damn glad to be getting another installment in two weeks. I couldnt possibly wait another minute longer.

With this prelude, Bennett, Tynion, and Oliver have issued just a little tease, but its a great reminder of what weve been missing all these many months. Because in essence, there are things that Batwoman can do that Batman cant. Chief among them is set and carry the kind of quiet, thoughtful tone we see here. Ive missed it more than I realized.

FF stands as a perfect collaboration between writer and artists, with just the right mix of fun and entertaining characters. This issue was a dare I say it fantastic introduction to what I hope will be a long lasting series, and in my opinion, the absolute best launch from Marvel NOW to date. Readers searching for smart, funny adventure should look no further. These two letters say it all.

If theres one thing to be said about this issue, then, in relation to previous issues, is that it comes as proof to Fractions culpability not just his artists for the high quality of the title. FF is the book Id always wanted Fantastic Four to be, a farce of sorts reveling in its own ludicrousness, but still at its heart, a beautiful tale of familial love. If previous versions of the First Family fell short for me, it would be for their dedication to the reality of family life amid chaos, when truly, the best and most honest moments are seeming to come through the chaos and insanity directly, not in spite of it. Ever the powerful and intrinsically fun read in equal measure, FF remains one of my favorite titles to come back to every month. Keep up the great work, team!

It took a long time for Jem and the Holograms to come back into vogue, but clearly the wait was worth it. Thompson and Campbell are delivering one of the most fun and sophisticated action (and romance) titles of the year, and I could never have imagined it could be this good. Brava to all the creators, and a special shout-out to Campbell, whose reflection in the back of this issue makes the success of this title all the sweeter.

We may be facing a genuine villain by the end of Jem and the Holograms #14, but if Thompson and Campbell have shown us anything, its that there are no two-dimensional characters in this world. Jerrica, Pizzazz, Blaze, Stormer, Kimber all so unique and all so compelling. This world is rich with color and personality and spirit, and its a song that I hope never stops playing.

Accepting yourself doesnt really change the physical or mental burden of what its like to have a body like Stormers or mine but it does help to build up courage. And Id like to think that some of that courage gets to rub off on those who choose to pick up Jem: The Misfits #2. Because what Thompson has built her with her collaborators is much more than just a licensed throwback to our youths. Its a revelation for every queer, overweight outcast that had to grow up and either be fine with who they were, continue to suffer, or fall somewhere in between. Thanks for delivering a vision of that experience to me this week. Its more important than most people think to see it outside of your own life.

Once again, Thompson, Campbell, St-Onge, and Robado deliver a magnificent look into these characters weve all come to know and love in Jem: The Misfits #3. I know theres a hiatus coming, and it haunts me even now, with two issues left to go. Praise the powers that be that realize the Misfits need to continue on as a solo act, separate from and in addition to Jem and the Holograms. I just cant go back now.

A book that had me grinning from ear to ear before I even made it halfway through, Starfire #1 is everything fans of this character have been asking for and more. I certainly didnt think it could have been this good. Way to go, creative team, and way to go, DC. Youve given us our girl back.

Truth be told, if youre solely looking for a beat them up adventure every month, Starfire is probably not going to make your pull list any time soon. True enough, this issue feels like a calm before a storm, but it also feels like something that I could embrace on a monthly basis a world of characters living their lives with funny stuff happening and an occasional earth-monster to fight. I daresay, it would be hard not to want more of what we get in issue #5 once weve seen how lovely a character Koriandr really can be. Because like Atlee, Stella, Benji, Sol, and all the other inhabitants of Key West, I want to be Starfires friend too.

A wonderful study in tension, fear, and what happens when nightmares eclipse normalcy so slowly you never noticed, The Chilling Adventures of Sabrina #3 is just that chilling right down to the bone. What Roberto Aguirre-Sacasa and Robert Hack are weaving here is simply too beautiful to look away from. Just dont expect to sleep well tonight.

A series long in the making and worth every single moment put into it by reader and creative team Chilling Adventures of Sabrina is a class act in horror and is outright gorgeous in its macabre presentation. Archie has a serious masterpiece on its hands. Lets hope our hearts are strong enough to take it.

A beautifully rendered introduction to the new status quo of one of DCs longest-lived heroes, Grayson #1 is the start of a bold new direction for the Dark Knights eldest son another fine example of how the New 52 can constantly surprise and delight. And the best part is, with Seeley and Janin at the helm, I have no worries that Dick will make it through with flying colors. They get the core of his character. Im excited to see where this new adventure leads.

A second issue that one-upped its first, if only because of the emotional moments slid in between the recon, Grayson #2 proves that if you stick mightily to the core of a character, no matter what their external circumstances are, youll be letting the best of him or her shine through.

If you havent grooved to Grayson yet, or still are tending your wounds over the loss of a costume, I may not be able to change your mind. Because ultimately, Grayson is doing something far beyond what we saw with Nightwing. Its fresh, funny, and utterly intoxicating, and now is the time to enjoy everything our man Dick has to offer. And if that doesnt sound appealing wow, not sure what I could say. Because YES. This is the stuff.

And what this means in practical terms is, I may never feel comfortable with him as a super-hero again, because I cant see Dick feeling comfortable there either. Its not that hes darkened or hardened, as he seems to imply to Superman. No, its that hes grown. And some homes you cant just go back to once youve left. From now on, Batman and company are going to have to come to him, not the other way around. And that feels right.

Its part of what makes this series so special (besides the breakdown of masculine identity and flip of the camera gaze which is still ever so impressive), that pure personality driving Dick Graysons portrayal in every scene and on every page. He is charm incarnate, and there are few characters in the DCU as endearing. King and Seeley have amped that aspect of Dicks character up to 11. Hes not just a great butt, friends. Hes a great butt that acknowledges cultural misogyny and respects you for who you are. So dreamy.

A fantastically thoughtful and deceptively complex narrative, Sheriff of Babylon is yet another genius contribution to the Vertigo brand by King and Gerads. This is the time to be looking at this moment in history, and I think the creators know it. The question is, are you ready?

And its that set of complications that draws me in, here and elsewhere, far from tales of the Great War and righteous fight against Hitlers troops in France. In a land where we sought to invade by telling ourselves we were protecting those who didnt want protecting, no story is simple. No motivation clear cut. And Sheriff of Babylon is capturing that sense beautifully. King and Gerads weave a terrible tale. But its one I cant look away from. Its too rich and its too messy, even in its graphic depiction and graphic perfection.

Its poetic, and one of the best character studies Ive seen in a comic in ages, but the true victory for Sheriff of Babylon #5 is the ability to take a deeply complex moment in history and distill it down to two people who have no business being friends, but can share a drink in solidarity, if not understanding. Not antagonists. Not lovers. Not political allies. Simply players in a game they can only try to impact in little ways. Its a truly lovely issue, and one worth picking up whether youve read #1-4 or have not. Because, trust me, once you finish #5, youll be in for the entire experience.

An intense first issue of the story that is most certainly going to lock me into Tom Kings vision for Batman for the long haul, I Am Suicide part one in Batman #9 is a book no fan of Kings work, Janins art, Batman, or the Suicide Squad can afford to miss. This one is a puzzle, and Im more grateful than ever to be getting the next piece in only 14 days.

A brilliant wrap-up to Kings first masterful story on Batman, as well as a beautiful ballet all its own, Batman #15 is this years first cant miss comic book. Give in to love and read it a few times. Youll never look at the Bat and the Cat the same again.

I Am Bane (not to mention I Am Gotham and I Am Suicide) continues to impress, if only because King manages to seduce me every time into thinking one thing, and being flabbergasted at my own naivet by the end. Batman #20 is only the latest in that pattern, and I sincerely doubt it will be the last.

I don't get to the end of Batman #21 frustrated or feeling incomplete. The moments King and Fabok lay out have crystallized and slowed in my mind to such a degree that the fight itself feels fulfilling. This is but one chapter in a much larger story much larger than this crossover will likely hold. But in this moment, I've gotten this epic fight that could only end one way, and a lionshare of things to think about until next week. What could be more fun than that?

Theres a lot more I could opine on, from the silly moments about Ace and Jumpa (!!) to the most appropriate reaction to Bruces weakness Diana could possibly give, but at its root, Batman #40 jumpstarts a ton of questions and ponderings about marriage and its place in Bruce and Selinas journey that feel like they take the series to the next level. Next time, just dont pop Diana into the center of it. She deserves more than to be that tool for a narrative.

If Batman #44 proves anything, its that the Catwoman is never just going to be another Batgirl, Batwoman, or Robin. She is her own force of nature, just like her betrothed and King, Jones, and Janin clearly know it. Seeing how they grow together in marriage and separately as well is going to be fun.

Whether you loved Midnighter, are coming to Midnighter and Apollo from years away, or jumping in for the first time, this book has it all. Action, deep characterization, kickass and emotional art, brilliant Easter eggs for the universally astute, and more than anything just an astonishing fun comic book adventure. Anything can happen, and likely will, and thats what makes comic books so damn great.

As a strong close to Act I of the six-part mini-series, this issue continues to show off Blanco and Orlandos work as simultaneously fun, frenetic, and deeply poignant. Like a bit of Shakespeare thrown in a blender with Dantes Inferno, post-modern gay drama, and a few flying monkeys for good measure, Midnighter and Apollo #2 is giving me everything I want in a super-hero joint. Just give me more Extrao with his sophisticated, greying temples. Let me catch a glance at burly Taz wandering out of the bedroom. Write me some more of Apollo and Midnighters love story so thick that theyre willing to punch through the afterlife for each other. I am so here for it.

An introspective mid-chapter that blows out these worlds M, Apollo, and Extrao are inhabiting, Midnighter and Apollo #3 once again proves that anything is possible in comics if you want it badly enough. My favorite queer leads, a showdown like none other, and the recuperation of one of the most badly thought-out characters in history. What else could I deign to ask for?

Midnighter and Apollos love is more. Our love is more. Because it has to be in order to survive. And Neron has no idea what hes about to face. None at all.

A beautifully bloody and endearing battle through hell for DCs best power couple, Midnighter and Apollo #5 does far more than simply excel in its penultimate chapter. It shines under Orlando, Blanco, and Fajardos handiwork. Time for fans to find the drive inside us all to fight as well fight for more of these lovers, their battle, and our enjoyment.

An absolutely stunning final issue that brings both men to the forefront on equal terms, Midnighter and Apollo #6 is only disappointing in its act of conclusion. In an era where visibility is needed more than ever, where gay people deserve to have happy endings they've been denied for so long, it's going to be a damn shame not to see Midnighter and Apollo on the shelves next month. Because now is when we need a book that focuses on love in equal measure with violence, and making sure it's intensely queer all the way around.

You might be tempted to pass All-New Miracleman Annual #1 up when you hit the comic shop today. Sure, its an exceedingly light week (only 9 books?) and it feels pretty flimsy for an Annual. Dont. Just buy it. You wont be sorry. Every page is a treat for the eyes worth the price of admission and more. And if you figured there wasnt any good reason to head into the shop one last time before 2014 ends, think again. This is the book to have this week.

If digital comics arent your thing, I can implore you to give them a shot, but I can also direct you to your comic shop as well. The first reprint of the series, Ame-Comi Girls Featuring Wonder Woman #1 is hitting stores October 10. If youve been asking for comics for kids, THIS IS THAT BOOK. If youve been wanting to see brilliantly fun superhero action without darkness and gore, THIS IS THAT BOOK. If youve been yearning to see young women kick ass on the comics page, THIS IS THAT BOOK. And if you want the big two to publish more of any or all of the above, tell a friend and support this title. Don't let this chance pass us by.

A tough issue to give full praise to without spoiling its contents, American Vampire: Second Cycle #6 is one of the best opening chapters to date for a storyline, and promises to take these characters to places readers are sure to enjoy. Snyder and Albuquerque have a classic run happening here, and its nice to see some revelations released so early on in its second half. The next issue cant come soon enough.

A perfectly wonderful interlude to a sadly troubling time in the life of Buddy Baker, Animal Man Annual #2 mirrors the best of what this title has done to date upend expectations and really encapsulate what it means to be human. We are no more immune to the disaster nature can bring than the animal kingdom is, but we certainly can delight in the beauty of its design amid the chaos. This issue illustrates that bittersweet dichotomy in spades.

A brilliant launch to what I desperately hope will not be an overlooked title, Avengers Assemble #9 was by far my favorite book of the week, and may even rank near the top of the year. It truly captures that feeling of being in on the ground floor with characters youd want to know personally and that is pretty darn marvelous.

A fitting conclusion to a stellar run, Batgirl: Futures End #1 is, in essence, a single story that mirrors the entire arc of Barbaras journey from Batgirl #1 to last months #34. It began with trauma, laid out a road to recovery that was harsh and unyielding, and concluded with Barbara exactly where she belongs surrounded by a loyal family and the self-confidence she needs to be herself at last. I cant think of a better way to say farewell and thank you to another version of Barbara Gordon that will live in my heart forever.

A knock-out gorgeous first issue of what I hope continues to be a slightly more psychological take on the relationship between DCs top two heroes, Batman/Superman #1 is, at $3.99, worth every penny, a rarity in comic purchasing today. Without question, any reader could pour over this book multiple times and still come away with new details and nuances with every page turn. How many books can we say that about these days?

Hands down, the best portrayal of Huntress and Power Girl yet seen in the New 52, Batman/Superman #8 is an incredible start to what I hope will be a story filled with tons of these types of moments. Sure, theres a villainous threat to be dealt with, but what really will piece together this narrative and make this encounter an instant classic is the care given to the little interactions. This is what being the worlds finest is all about, people.

BATMAN JAPANWritten by Chris BurnhamArt by Chris BurnhamBurnham follows up his absolutely delightful issue #11 with a short tale he writes and draws featuring both Jiro and his gal Friday, Shy Crazy Lolita Canary who frankly could become my new favorite heroine with a canary cry if Burnham keeps it up. Its a little bit gross, its a whole lot tongue-in-cheek, and everything youd want in a big action tale that blends the best of Japanese pop culture and the Wests biggest name super-hero.The

In short, Cooke is simultaneously reverent to Moores vision and adding significantly to the mythology on his own. This truly is the wildest dream, best-case scenario for a series of books that have been so polarizing for the comics community. Heres hoping every second issue of Before Watchmen rises to the occasion in the same manner.

The critical lost addition to the universe that Minutemen provides in this final issue shocked the hell out of me, which is a brave achievement considering we already assumed resolution on these characters over twenty-five years ago. That it saddened me to the extent that reliving Silhouettes death did surprises me, but am I disappointed in the reveal? Quite the opposite, for Cooke has given me yet another genuine moment of emotional resonance that actually lives up to what I felt the first time I read Watchmen. No small feat. For this reason alone, I can unapologetically applaud DC Comics for this series. Haters line up to the left, but Ill be placing Cookes Minutemen right next to Moores classic on my shelf as soon as I can. This is one for the ages.

But for the rest of our sakes, the readers and those looking to see the comics industry as a whole break beyond the narrow worldview its supported for over 80 years, we need this book and others like it to serve as an allegory for what can be possible. Elle and Mari knew something was missing, just like we do. And making that break to get something truly RIGHT is hard. But Bingo Love shows us its worth it. Its worth it.

If you want fun in your heroes, love these two ladies, or just want to see a really well done story develop in front of your eyes, this is the book for you.

A gorgeous introduction to a character I cannot wait to get to know better, Black Magick #1 is a piece of art if there ever was one. Anyone who asks about the cost of comics versus the value provided need only be pointed to this book, where we literally have been given magic on the page. Rucka and Scott have done wonders on their own for years. Having them together on a single book is nothing short of stunning. Dont pass this opportunity up. Believe.

Its this level of craft that elevates a book like Black Magick above its peers in such a transcendent way. Every issue is an artifact of some kind of miracle that happens when writer meets artist and they make something better than the sum of their parts. Black Magick defies the physics of comic book artistry every bit as much as Rowan and Alex defy the physics of the material world. And that kind of miracle within a miracle is magick indeed.

Another gorgeous chapter in a title that remains gawk-worthy in style and substance every month, Black Magick #10 has definitely set the tone for the remainder of the second arc and its clearly going to get nasty fast. Lets do this.

To be honest, Convergence: Justice League of America was the title going into this week I had the biggest doubts about. Could any creative team treat these characters with respect, knowing quite frankly most fans wouldnt? I clearly had nothing to worry about. Providing the book of the week in my estimation, Nicieza and company have done this team proud and given us a true representation of what it means to be a Justice League after all. I could read about their exploits for years if given the chance. Heres hoping I am.

My biggest regret? This adventure is now half over. I have a feeling that by the time May is over, Ill be feeling that way about quite a handful of these Convergence mini-series. And maybe thats the greatest meter of success DC has. Leaving us wanting more always more of something great is a whole lot better than asking, Isnt this over yet? With the film well on its way to becoming a reality, now is definitely the time to bring us more Suicide Squad like this, please.

But quite honestly, thats a minor quibble in an otherwise stellar introduction to the next big event in Cyborgs career. Weve followed him for 35 years and that it took this long to see an ongoing for the man, Ill never understand. But what I do know is that with Walker, Reis, and Prado at the helm, theres no question its going to be epic. Theyve already done Vic Stone justice. Im on the edge of my seat to see what comes next.

Ultimately, however, Reis and Walker pull off the subtleties in Cyborg #2, giving us one of the most fully realized super-heroes of our time. And that is so appropriate. Weve been waiting forever for Cyborg to be elevated to THE premier hero in the DC Universe. Not just the premier Black hero (although he is certainly that, and I adore the Black Vulcan appearance more than any man should), but the premier hero. Period. Hes got Superman and Batman beaten in the humanity and compassion department five times over.

No, the final verdict, like with any review, has to be on story, on art, on the pages in front of me and the experience I had as a reader. And that, unequivocally, was supreme. Whatever happens next, whatever potential or danger that comes with where this comic leads us, at its root DC Universe: Rebirth #1 delivered a magnificent and moving comic book story by Johns, with cohesive, compelling line art by Jimenez, Van Sciver, Reis, and Frank. The experience of this book is one I will remember for years to come, and hopefully will lead to a new era of love for comics that will take me into my next 33 years as a fan. And if it doesnt, and Johns swan song is just that, Ill cherish it for that alone.

This book is as personal and as emotional as we imagine Miller's other work to be political. With the nature of physical breakdown and aging so deeply woven into its graphic DNA, Dark Knight Returns: The Last Crusade is a profound addition to the Batman mythos, and one that holds up successfully to Millers work of three decades ago.

A fantastic single issue within a larger story that really functions on its own surprisingly well, Deathstroke #5 has got me convinced more than ever that Priest and Bennett especially are kings of comics narrative weve never properly given their due. And in the process, theyve brought Deathstroke along for their ascension into recognized greatness. How unpredictable is that?

If anything, Im frightened about one thing: this is merely Act One for Eugenic. With Act Two and Three to follow, each paced out 200 years into the previous chapters future, I wonder: despite its disgusting rationale and means, did Tynion and Donovans villain achieve the peace the planet so desperately wants? And if it hasnt, how much more of a tragedy will that be, truthfully?

A surprisingly enticing story for what Im sure a lot of readers are assuming is just buying time before the next creative team, The Flash #27 is the true crime drama Ive been waiting for with police scientist Barry Allen as much in the drivers seat as his alter ego. Say what you will about old Barry, but hes got a ton of potential to fuel some fascinating stories if given the chance. Thank goodness Buccellato and Zircher saw the potential in him.

A wonderful addition to last months debut issue, Gotham Academy #2 is yet another delightful experience and a must-buy for all the kids in your life. My shop may start wrinkling their nose at my clearing off the shelf for extras. Tough. Theyll just need to keep ordering more.

If you havent caught up on Gotham Academy, issue #8 (like #7s single issue story) is a perfect place to start while youre waiting for that trade of #1-6 to arrive. This is a book made for all ages, certainly women and men, and most importantly, for anyone who loves a good mystery. Dont let this one pass you by.

As a piece of the larger puzzle, Gotham Academy #10 definitely serves up a couple more tidbits that will leave smart readers on the edges of their seat. But as a single issue story, it delivers even far more enjoyment than youd expect. Cloonan, Fletcher, and Kerschl are pulling out all the stops in every single issue, packing it to the brim with the best of what a comic can be, and it shows. If you havent jumped on, this is the issue to try. And if you have been here all along, get ready. This is going to be one for the ages.

There are a million other little moments that strike me about Gotham Academy #12, from Coltons ability to be the one to physically save Kyle to Pomelines teen confusion about her own motives and reactions to Olive. But at its heart, this issue was about sadness underneath the surface, danger you cant see coming, and what it means to lose yourself to something thats already taken its toll on many others before you. Its a lonely, dark feeling underneath the camaraderie that this creative team is delivering, and its made this book the rich experience for all ages that it is.

A bold move for a title so young, the Gotham Academy Yearbook starts off with a bang in issue #14 and I couldn't be more pleased. Every creative team on this issue could launch an ongoing title at DC Comics " about anything " and I'd snatch it up in a second. Here's hoping this primer is just that, a way for DC to test the critical waters or get us to dip our toes into the magic that is some of these story styles. Because after reading Gotham Academy #14, I want more.

So, sit back, take in a yarn or two, revel in the gorgeousness of Niimuras line or the cleverness of Tynions dialogue, and thank the stars we get to watch a new generation of characters and creators expand right before our eyes.

So, if you thought you were going to have to miss Gotham Academy, well, sorry to disappoint. Because theres no stopping this title any more than Maps can be stopped. Robin knows it. Olive knows it. You know it, too. (If only there were a Maps emoji with heart eyes!)

Madcap without bordering on the ludicrous, laugh out loud hilarious while still maintaining Harleys dignity and smarts, Harley Quinn #2 is easily one of the best single issues in many months from DC Comics, and I cant recommend it highly enough for anyone looking for that fun ride we hear is so hard to find these days. Its right here waiting for you. Climb aboard.

Another fantastic issue from a team thats just producing the right kind of synergy, Harley Quinn is the book I didnt know I wanted or needed, but in retrospect, I cant believe we could live without. Id hate to see its formula duplicated, but Id love to see more chances like this one taken. Its clearly paid off.

A fantastic first issue and worthy successor to guest star She-Hulks own late lamented book for its sly sense of humor and sharp bite, Howard the Duck #1 is off to a rip-roaring start with both Zdarsky and Quinones giving us their all. Cant wait to see what pervy jokes and off kilter reckonings they have in store for us next month.

If youre a fan of True Blood, The Walking Dead or even The Vampire Diaries, this is a must-read series. Run, dont walk, to your local comic shop. And be sure to keep an eye out for hungry strangers along the way.

Without question, DC Comics has found its perfect team in Lemire and Janin. Here's hoping for a long run for what is actually shaping up to be the World's Greatest Super-Heroes after all.

An exemplary first issue for DC's preeminent gay male hero, Midnighter #1 is more than I could have hoped for, and my gratitude knows no bounds. It's been a long road getting to a place where we can see a man's sexuality and kick-ass ability intermingle on the page so vividly when the object of his affection is other men. But it's arrived and the result is blindingly great.

Another fun and sexy jog through Midnighters mission (and a date between two budding friends), issue #4 hands over exactly what readers have come to love about this title: hardcore action mixed with personal vulnerability that feels neither forced nor obvious. Midnighter rarely goes exactly where I think it will, emotionally, but always ends up exactly where I want to be. And seeing that level of complexity developed in a queer leading man is a gift that keeps on giving with every read.

Another fantastic issue of my newest favorite gentleman hero, Midnighter #5 gives new meaning to the phrase, The Spy Who Loved Me. And I cant stop giggling just thinking about how awesome that is. Orlando and Mooney have brought another great tale home, balancing the sweet with the kickass, and as always, is leaving me wanting more.

Its clear to me that Midnighter is not just the gay hero I always wanted, but its the comic Ive always wanted, period. Plus its the gay comic Ive always wanted, with a world I recognize so deeply and naturally in the place Ive been looking for it all my life. Its all of it and more, none subsumed or accelerated over the other, all in perfect harmony. Until it all falls apart and you reduce a forty-year-old homosexual to shock and awe on the floor. Yes, I am a sucker for Midnighters charms. But admit it, so are you.

A stunning spot in an likewise gorgeous run, this single issue story encapsulates what the Midnighter creative team have done best all along: the balance of fight with reason, action with emotion, with the sensuality of neither ignored. It's the reason why this title remains one of the best on the comic stands today. It does its creators and its publisher damn proud month in and month out.

Another exceptionally twisted story that masquerades itself as action when it really is emotionally charged character examination supreme, Midnighter #10 is just one more bit of proof that M is, by far, one of the most fascinating figures in the DC Universe. Riding him alongside Amanda Waller multiplies that factor exponentially. While weve already been apprised of this ongoing titles conclusion, one can hope to see Midnighter and Wallers Suicide Squad matched up in the near Rebirthed future and with Orlando, Petrus, and ACO again at the helm for maximum effect.

And so, as I wait the next 30 days out with dread, panic, excitement, and anticipation for the last issue (for now) of this crazy romance cum towering inferno, Im just going to roll over these pages again and again, the way I did when I was a kid trying to absorb every little detail, never knowing that I would have dozens of years of comics like the one in my lap ahead of me. Only this time, Im not so sure Im going to have one like Midnighter any time soon again. And that brings tears to my eyes as well.

So, thank you, Steve and ACO, Hugo, Stephen, and Romulo. DC Comics and Midnighters fans. For giving us 12 issues of heartfelt and determined realness in a gay man, while simultaneously providing the visual roller coaster ride of our lives. I dont know what the future holds for Midnighter, or for gay characters in general at DC. But Im going to be holding on to this book, rereading, re-loving it, for some time to come. At least until something better comes along to replace it in my heart. It may indeed be awhile.

Another fantastic issue of what is truly one of the best books on the stands for kids and adults of all ages, Ms. Marvel #7 ends with a lead-out that made me squeal with glee, and I'm not even an Inhumans fan. Nevertheless, I can't wait for the next issue. Bet you feel the same.

Comic publishers on notice: dont make us wait too long for more of this type of work from Franklin. Because if this story is any indication, theres a lot more to be said, and a whole lot of terrifying reasons not to leave us in the lurch for too long.

I often say that irregular schedules on comics are instant death for me. If I cant depend on a regular monthly (or even bi-monthly) release schedule, its not worth it for me to invest time and energy in a book. Throw that out the window here. Do I desperately want this book monthly (and word has it issue #7 is following very closely on the heels of #6)? Hell yeah. Would I wait as long as it takes to get this level of sublime beauty and thoughtful story at my local comic stand? Absolutely.

It's clear that Bunn and Van Sciver in particular have Sinestro in their blood, and can channel his complicated bravado in a way that few creators can. Getting this gift of Black Adam and what the two characters become when brought together is genuinely something to savor. More of this in months to come, please. And heck, why not another series? Grave and the Gold, anyone?

If you havent had a chance to sample this new effort at building out the Star Wars expanded universe, know that this is likely the best weve ever seen in those efforts. This series has slid right in comfortably to the post-Battle of Yavin period, reflecting the tone of the initial film so elegantly, but truly embarking on a new story that doesnt feel irrelevant in the slightest. The characters you loved as a kid (or adult) are all here and actually rendered with a sophistication and comfortable familiarity that is difficult to achieve in any film adaptation/expansion, much less such a high profile, well-treaded one. Do yourself a favor. Hit the comic shops (or digital store) and pick up the first six issues. Or if youre so inclined, pre-order the collection. Or both. This is one series worth spending the dollars on for the sheer enjoyment of it all.

And if all that doesnt convince you that this book is equally enticing for adult and child, let me tease a particular status quo changing moment toward the end of the issue. I wont give it away, but a MAJOR figure in Supermans past returns (for good, it seems) and no one that reads it can tell me it didnt crack a little bit of their heart off in that moment as Superboy and Supergirl cheer on her arrival. If only this same scene could be duplicated in the mainstream continuity oh the stories that could be told. But until then, Im hooked on the Family book. Might even have to add a second copy to that pull list. My niece is a great sharer. Me? Not so much.

An awesome start to what should prove to be a really fun time getting to know some excellent characters, Swords of Sorrow #1 is a real delight for the mind and the eye. You dont want to miss out on this series, or its partners in crime.

The only criticism I have of the title to date is that it is already preordained as a five issue mini, and not given the greenlight as a full ongoing series. Van Meters handling of the character out of the box should be propelling this title to everyones pull list, particularly if you have not had much exposure to the Valiant Universe to date. This is a great, isolated way to get a feel for what theyre doing, and an excellent way to let the publisher know immediately this is the kind of book we want more of. I cant wait for the next issue. Pins and needles, my friends.

A grand start to a series long in the making, The Multiversity #1 needed to be a slam-dunk for it to be worth the wait all these years since the conclusion of Final Crisis. I can say without hesitation, it made its quota for awesome, and perhaps then some. I expected to see the crazy mind of Morrison squirted all over the page. What I didn't expect, and got an abundance of, was the great admiration and respect for comics that got worked into every panel. This is a book that can't hide how deep labor of love it is, and I can't help but want to read it all over again. And again. And again.

This isnt a perfect comic. I could break it apart and find the seams that betray it. But what would be the point? At the end of the day, the Multiversity has always-already infiltrated our brains and inserted us back into the story directly. Were no longer reading this comic from the outside. Were part of the story. And isnt that every DC Universe fans greatest dream? It sure is mine. So, thank you, Grant Morrison, for reminding me that Im on a ride that never ends. May the next driver do you justice as you have done to those who helmed the wheel before you.

Sandman: Overture may not be the clearest story and it certainly carries the weight of a narrative that boasts of its own self-importance to a degree, but its lusciousness and sheer visual beauty cannot, and should not, be denied. Take it like a dream itself: powerful and complex, but fleeting. Because artistry like Williams on this series does not come but once in a great while. Perhaps even a lifetime.

A compelling story matched with art that one would think could only exist in dream itself, Sandman: Overture #3 is easily the match to the best stories Neil Gaiman has ever told, if not their better, and the best work weve ever seen from modern master J.H. Williams. This is a book well still be enthralled by for years to come and well into the far future.

And if not, rest assured, there are worlds of stories buried in these pages I am certain we are missing on first, second, and even third reads. Thats the magic of the world Morpheus inhabits, and the magic of sequential storytelling for the ages. The deeper you look, the more there is to discover.

So, I wonder, as I close Sandman: Overture #6 and open Sandman #1 anew: will I feel differently when I reach this moment again? Will there be even waiting for me when I return? Its possible. Its definitely possible. Because Gaiman has added to the world he created with such fervor and warmth that I think this series makes the original much more of an infinite loop than it could have been without. Sandman #80 was once an ending. Now its simply the place we pause before starting all over again. And thank the Endless for that.

So, why sort of, after all that? Because, in true fashion for one as complex and darkly opaque in character as the Shade, Robinson only gives us half the tale. A complete story (and one, I might add, worthy of reading even if you have not picked up any previous issue) this book certainly is, but hardly the end. There is still a great enigma to the Shades beginnings to be unraveled, and I am desperately glad for it. I suspect I would be deeply sad were this the last untold story. Knowing theres another one out there is both comforting and maddening, but ever wanting more is perhaps the best place to leave off with a beloved character. For as Dick Swifts good friend once wrote, The pain of parting is nothing to the joy of meeting again. May it be soon indeed.

A bold new addition to the Marvel stable that is certain to turn heads and elicit smiles, The Unbeatable Squirrel Girl #1 is a great move on the publishers part to reach out to different sensibilities and different demographics with its wide universe of characters. Squirrel Girl may not be able to save the universe (or maybe she can!), but she can definitely capture our hearts lickity-split.

Books taking on multiple time periods and storytelling perspective, jumping around frequently, are not easy to write or, frankly, read, but Synder and Murphy pull it off without question here. The Wake #2 takes what was best about the mini-series introduction and really grounds it in high concept and an increasingly rich experience. Theres little question in my mind that this book is a sincere classic in the making.

A beautifully designed first issue in what appears to be Jeff Lemires next successful heartbreaker, Trillium has a little bit of something for everyone mystery, time travel, sci-fi, and as would seem, even romance. And at the center of it all is a simple flower. Elegantly constructed, yet layered with complexity, this series is well on its way to becoming yet another classic Vertigo Comics masterpiece. For all those that thought the imprint was at its end earlier this year, this is one book (of a few brilliant launches of late) that clearly settles the score.

An exquisite Part 1 (to be continued in All New X-Men Annual #1) that doesn't rest on the intellectual laurels of time travel, Uncanny X-Men Annual #1 is a must grab for fans of these young characters Bendis is bringing to the fore, with Eva now poised to stand out among them most of all.

A brilliant start to a series I am over the moon to see on the stands, Velvet #1 is yet another masterpiece waiting to happen from the hands of Brubaker and Epting, and fills a lovely void in the market that of the comic featuring an older woman not just in a starring role, but in one that breaks through a significant genre fiction trope. Enough with middle-aged men moving real life chess pieces across a desk, with the ladies in slinky dresses simply standing by with the martini shaker in hand. A story of accomplishment and loss, honor and loyalty, Velvet is guaranteed gold for readers ready to see asses kicked across London, with enough mystery set up along the way to tickle your brain as well. Welcome back to the agency, Velvet. We didnt know how much we were missing you until just now.

It may be a story weve seen shades of before, but for this particular Batman and his (potential) future confidant, it feels like a tale that deserves revisiting. Heres hoping theres more Harper Row coming to these pages in the near future. No one can replace Damian (or Tim, or Jason, or Dick), but the opportunity to watch her and her brother develop further is a path well worth following.

Batman #24 is beyond exceptional in what it has managed to accomplish, against all odds, to give us a distinctly different take on Bruce Wayne than weve ever seen before. Far from a retelling, Zero Year is truly a tale that could only have been told in 2013, by these top-flight creators, who are obviously pouring everything they love and hold dear about Batman and comic book super-heroes into it. As a weighty single issue, this chapter feels as momentous in your hands as it should, but once you peel back the cover and are bombarded by the color and brightness of Batmans new world, you cant help but drop your mouth in awe. This is a masterpiece in the making, and thankfully, were only one third of the way through.

Its difficult to get everything Snyder, Capullo and company are doing in one reading (the reference to Tokyo Moon, for instance, now brings me right to the image of the Bat signal), so Id encourage you not to try. Read it again. And again. Revel in the pages. Mull it over. Enjoy it now. Enjoy it for years to come. Dont worry. Well still be talking about it, Im sure.

Ultimately, Batman #34 is a good tale that comes at a bad time. With the epic Zero Year having finished its 12 issue run, and a major cross-company event streaming through every title next month, Duggans done-in-one feels like it doesnt have the legs it needs to make an impact. Nevertheless, the visual design is a fun diversion, and worth checking into for the month at hand.

Leaving me on the edge of my seat with a furiously paced ending, Batman #36 shows a versatility in the Jokers rendering and motivation that I couldnt have imagined possible in such a short period of time. And its genuinely horrifying. Once again, Snyder and Capullo have proven just why theyre deserving of their reputation as modern masters. My only complaint? I have to shut my eyes tonight not knowing for sure whats going to happen next, but feeling like its going to be even worse than I think. Keep your fly swatter handy. Youll likely feel the same.

All of these elements from Snyders structure and scripting, to Capullo and Mikis dynamic, hedonistic linework, to Plascencias glowing palette have made this book into the one you just have to marvel at every single month. While Batman #40 may be an ending, it thankfully is not the end. And thank goodness for that. The next era of Gothams Dark Knight cannot come soon enough with them all still on board.

Its exhausting to think that we cant look up in the sky and shine the bat signal to solve all of our problems. It took humanity to expose Blooms evil to blinding light, and so it always is. Batman is just a touchstone. And this Batman the ghost Capullo and Snyder are putting back up onto the shelf soon enough is the best touchstone we could ever hope for. Not because hes seven decades strong. Not because he represents the best that we could ever hope to be. But because, in these pages, weve gotten to understand him more than we ever have before. We see him truly for what he is. And in doing so, we get a good glimpse at what we can be as well.

More than the story as a whole, some of the potential storylines spinning out of this issue get me super excited about the next year in Justice League. Yes, this is essentially Shazam's origin, but many more questions than answers are raised herein.

Overall, a heck of a lot happens here, and for a book often criticized for being the worst example of decompressed storytelling in the New 52, thats a great turnaround. If youve been disappointed in the past, this might be a great issue to try (if only for its newfound historical importance). If youve been enjoying the book to any degree to date, youre in for an incredible treat. Enjoy!

Overall, Justice League #15 is a perfect jumping on point (especially if youd left the book behind at some point in the past year) for finally getting to know these heroes and their relationship to each other. No longer gods in the sky, these heroes are now truly growing into a team of peers (if not friends), and that is a welcome development to watch unfold.

Take my advice. Buy this issue and revel in its accomplished twists and turns, gorgeous art, and maddeningly brilliant set-up for what is guaranteed to kick the DC Universe to its next level of pure excitement and honest-to-god jaw-dropping significance. You'll be glad you did.

An extremely exciting wrap-up to a story thats only just begun, Justice League #23 feels very much like the touchstone moment for the New 52 that its most certainly designed to be. Johns and company have clearly done their job in maintaining this title as the true flagship book for the larger DC Universe, blending the best of hardcore action, intrigue and character moments to flesh out this still relatively new landscape. As a capper to an event eliciting high hopes among fans of the Justice League, in my opinion #23 delivers on its promises and sets readers on course for quite an enjoyably bumpy ride into year three of this grand adventure.

If you are reading Justice League, Wonder Woman, Earth 2, Worlds Finest or Batman/Superman, you cannot afford to pass this issue up. As a lynchpin tale for what has come before (and what is still on the horizon), Darkseid #1 is critical reading. And as a villains origin that doesnt destroy what makes our bad guys just so bad, it also cant be beat. Pour over this one awhile and give Darkseid his due. He demands no less of humanity.

Ultimately, what probably dented my reading of this story was simply its inclusion in this months event, as it doesnt seem to fit the structure of every other book on DCs racks at the moment. But as a prelude for learning more about the lost world of Earth 3 and a little a what drives its refugees (not to mention supplying a ton of clues and hints for whats to come in Forever Evil), you could not do better.

A clever issue that hides tons of pertinent information within a compelling three scene structure, Justice League #24 is the perfect companion to Forever Evil. A little more focused, in fact, Id argue this is the superior book, giving us a personal take on one of the key players, much like JLA #8 did with the Manhunter and Secret Society #1 did with Owlman. For fans of the crossover, you cannot miss this issue. It is essential reading at its finest. And for those avoiding the overall fray that want to dip a toe, you couldnt do better. Youll walk away with a satisfying taste of the evil thats entered the world and get to see it play out on a smaller, more focused stage. Either way, this is one to sincerely entertain.

Another brilliant addition to the Forever Evil story that is consistently outshining all other tie-ins, not to mention the main book, Justice League #26 is proof that theres a lot of gold to be mined in these characters and the world they left behind. Hopefully the aftermath of the event will give us the space and venue to explore just that.

A superb reintroduction of classic characters that should please any and all fans of the Metal Men from any era, Justice League #28 proves once again that character moments and well-thought out updates is what makes DCs recent efforts so successful, where applied. A Cyborg and the Metal Men series needs to be on the docket NOW!

Another awesome chapter in the evolving event, Justice League #43 feels very much like the end of Act 1, which means things are about to get DARK. And I am so ready for the ride. Johns and Fabok are giving us a ton of excitement and a world of mythology and legend to piece together. Characterization, action, gorgeous art. Darkseid. This one has it all.

By comparison to DC Rebirth #1, this was an easy review to write. Johns is leaving monthly comics at the top of his game, but hes been at the top for nearly as long as I can remember. From Flash to Teen Titans to JSA to Green Lantern to Justice League, Geoff Johns has consistently given us the most heroic of heroes, the most challenging of circumstances, and the emotional connection with all of it so that everything every page matters. Thats what we have in Justice League #50. Thats what weve had with the entire epic of Darkseid. And Gods willing, well have it all again from him real soon.

A starkly beautiful chapter that continues to intrigue and excite me as much as the first three, Lazarus #4 is the perfect example of what is possible in the comic medium for those creators who pour their heart, soul, and brains into a project over and over and over again, relentlessly. This series demands your attention, but more importantly, it demands your love, because work crafted this carefully that it ends up looking so effortless as a result, is a rare feat indeed.

If my thoughts are spiraling down into incoherence, its only because the creators presentation of a world without hope leads me down the dark staircase. And Im pleased to follow, even though its bound to be a rough road. A book like Lazarus is no easy read if you take it seriously and give it time. Give those first five pages a long 90 seconds. 60 seconds, even. Time yourself, and youll start feeling a fraction of what this world must be like if youre not an omniscient reader if youre not floating above the page, above the fray. Breathe it in, if you dare. And then hug your kids if youve got them.

In truth, theres always something in Lazarus that makes me tap my fingers waiting for the next issue to arrive at my shop. Rucka and Lark are weaving a seriously complex world here, but one that is easy to get lost in. Every one in the book is a potential point of view character. Every one of those, even members of the family, can be related to by one reader or another. And every issue brings a new unraveling of what we dont know, or what we thought we knew. Thats brilliant serial storytelling, paired with a long view for the big picture, and pure enjoyment on every level.

The real power of the issue is, of course, the rise, with its ultra-violent, but almost cathartic characteristics. Lark and Arcas take that scene and break it down with just exceptional pacing that it feels like a hyperventilating cry, but bloody instead of tearful. The juxtaposition of the cool tones in the laboratory and the warm of Forever's movements " their joy and her pain " is just a magnificent example of how carefully this book (and its creators) considers violence and those who perpetrate it.

As an origin tale, #0 succeeds in spinning out an entirely new story that neither feels like a moment between minutes, nor a complete revision of the past. Yes, we see many minor changes, but the largest of these are strictly cosmetic the mask may have changed, but the girl underneath it is still the one we knew before. To Simone's credit, the abbreviated history we do get, right up until the familiar moment at her front door, actually tracks remarkably well with her previous origin, but still leaves many questions for fans to roll around in their heads and online. How much of the rest of her history may have changed (Babs being one of the characters most affected by DCs continuity reboot) is yet to be determined, but the beginning that manages to feel respectful, fresh and familiar all at once.

Ultimately, what this collection does best is highlight all the things that made Batgirl so different from her mentor over the years: her sense of humor, her emotional honesty, and above all, a blinding humanity that shines straight through the cowl. Beautifully rendered by series regulars Syaf and Cifuentes, Babs isnt the perfect heroine, but her determination and drive is infectious. Her victories are hard won, so when that unique look of joy runs across her face, its hard not to smile along.

No, regrettably, that moment will come next issue and I, like Babs, will be devastated, terrified, angry and thrilled in a terrible, glorious whirlwind. But Ill also be thankful for the journey in getting there.

In the end, Simone and her collaborators have devised a story that closed one chapter and opened another, all amid a maddening cacophony that ends up more pleasurable and harmonious than could have been predicted. All the more reason to celebrate the writers continued presence on a title shes clearly put her heart and soul into developing into this great song of triumph and terror. Things may look dire upon the last page of this issue (Maybe I should have mentioned Saw earlier, as well.), but I have more reason than ever to come back to this book and its gut-wrenching delights month after month.

If chapter one of Batgirl's journey in the New 52 was overcoming her encounter with the Joker, then chapter two definitely starts here with the spectre of James Jr. A beautifully rendered issue, from start to finish, from dialogue to art, and a magnificently tight plot throughout, Batgirl #19 is my book of the week, and perhaps even year. Thank you, DC Comics, for your commitment here to complex storytelling that raises the reader up, probes the unknown, and provokes emotional thought. It is not unappreciated by any means.

There is no doubt that this issue provides a palate cleanser before diving back into Barbara's problems that continue to build with her father, the injury to her boyfriend and life as a crime fighter.

Its a thrill to be able to dig deep into character in a super-hero comic, and Simone, Pasarin, and Glapion offer that opportunity with Batgirl #32, in spades. That this is only the first part of three in this long-awaited reteaming of friends is reason enough to count the days until the next issue. But knowing the kind of depth these creators deliver on a monthly basis makes the wait all the harder.

Look, this isnt the same Batgirl story youve been reading for three years. It isnt the Batgirl story before that, or the Barbara Gordon from the late 70s either. But it is Barbara Gordon, and damn if it isnt a great story and presentation to add to the bevy of awesome stories about this young lady. Brash, determined, fraught with challenges, uber-smart, dangerous in a battle, and not nearly ever perfect this is our next big Batgirl story, and I think Im going to enjoy every minute of it.

A moving and revelatory chapter that is moving us fast and furious toward a first arc conclusion next month not to mention the arrival of Black Canary #1 in June Batgirl #39 is the issue that starts tying up all the loose ends and bringing all the characters and their suspicions onto the same page at last. The creative team is running on all cylinders and it shows. Heres hoping we have a long line of Batgirl issues to look forward to from all of them.

Overall, issue #41 is an artistic bounce forward for a book that has inspired so much of the renaissance were seeing at DC Comics this month. The action is dynamic, but the relationships the creative team is showcasing are what really give the book its spark. A genuinely FUN comic, Batgirl #41 is the perfect place to jump in if you want to have a new, bold, and determined set of ladies to watch kick ass (and warm hearts).

Look, Batgirl is clearly a book I celebrate and one that DC looked to for a sense of where its future should take them. Both calls are the right one, and never more than this month. The strongest issue of the all-new run to date, Batgirl #42 is the joy I want out of my favorite character every month and more.

Another stellar issue that advances so much of what is wonderful about this series, Batgirl #43 gives us action, best friendships, young romance, mystery, conflict, and tigers. Having all that in one package is a stunning accomplishment, and it makes for the most fun title on the stands today. If it was weekly, Id still be lamenting the wait between issues. Cmon, Batgirl #44.

No issue of Batgirl to date has felt as cohesive and as strikingly on point as #45, a true testament to the team DC Comics has assembled and supported on this title. A year into their run, and we've seen not just Barbara, but her entire cast grow and change, and all for the better. And if the final page of this issue foreshadows, it looks like we may be up for yet another set of changes to come. And because I've so enjoyed where we've been, and am amazed at how far we've come, I really do want this adventure to go on forever.

Mysteries abound with Batgirl #46, but one thing is certain: Stewart, Fletcher, and Tarr are well on their way to making me want more Spoiler, more Team Batgirl more everything.

Batgirl #47 is definitely not a slam-dunk for the title, but with the law of averages being what it is, this day was bound to come. What it is, however, is a testament to the perfection the regular creative team has brought to the book month in and month out, even if a momentary blip on the radar of the series.

As a single issue, Batgirl #49 has done more to respect the core of Barbara Gordon and her legacy than any issue in modern memory, and thats saying a whole lot given all that Stewart, Fletcher, and Tarr as well as Gail Simone, Ardian Syaf, Daniel Sampere, and Fernando Pasarin have done since the relaunch of the New 52. Removing The Killing Joke from this Batgirls history is a gift of light and love to the character that, while long overdue and probably scary to all involved, is something I am deeply thankful for. And giving us a Batgirl with light in her eyes, surrounded by other kickass women who live up to her example well, thats just extraordinary.

An epilogue to the third Burnside arc that feels like the last hurrah it is, Batgirl #51 hits me right where it probably should: in the space between gratefulness for the world thats been crated and sorrow that come month after next, that world really wont exist as cohesively anymore. Lots of things ending these days heres hoping we have bright beginnings to follow soon after. For Batgirl, and for Fletchers vision elsewhere.

A welcome return to more adult stories set in the DC Universe, with not just sex, but sexiness throughout, Constantine: The Hellblazer #1 instantly convinces me of what every one who encounters John comes to know: hes a right bastard, and theres no avoiding falling for him. Over and over and over.

Another ravishing issue that reminds me of just what a special creation John is, Constantine: The Hellblazer #4 is a perfect picture of a deeply imperfect man, and it makes me feel dirty, titillated, tired, and wanting more all at the same time. Doyle and Tynion have mastered the bastard, and were reaping the reward. Even if it means giving up a little piece of our souls in tribute.

A pointedly funny, light-hearted take on Johns love life, even amid slaughter and environmental magic, Constantine: the Hellblazer #7 may be my favorite issue yet from the team of Doyle, Tynion, Rossmo, and company. We get a great same sex lust story. We get to see John at his glowing best. Even though we know in our hearts it can never last. But in the meantime, Im crushing on Hellblazer like Im 15 and in love all over again.

And its something to be able to palpably feel that on the page, as someone who isnt so far away from family, but truly, can never be too close either.

Crude may be all about oil and water, but creatively? This book blends seamlessly.

A stunning first issue for a series I hope to have lining my short boxes for a long time to come, DC Comics Bombshells #1 is quite simply the perfect cast with the perfect creative team at the perfect time. Hurrah for books designed and written by women. Hurrah for books that will appeal to women. Hurrah for these ladies on the page. Genius iterations all.

If you haven't picked up Bombshells yet, either in print or digital form (chapters 19-21), this is the story to dip your toe into. Self-contained, but super compelling, issue #7 expands out the universe of the statue line with the same vigor and grace Bennett has executed in every chapter previous. If there's one book that nobody really asked for, but it turned out everybody should always have wanted, it's this one. Because, as the cover says, this is our fight too! Let's enjoy it along the way.

Given that my expectation for DCs Zero Month books was simply to be one-shots that provide (marketing and sales-friendly) jump-on points for new readers, Green Lantern #0 was a great surprise. Not only did it succeed on that level, but the issue also stands as a great next step in the ongoing Lantern saga and a compelling beginning for an intriguing new character. This is indeed a high water mark towards which the rest of Septembers offerings can aspire.

In the end, we are treated to a single page portraying the near future of Green Lantern, and while that image ironically doesnt tell us a whole lot, I am confident were at the beginning of a very enjoyable run of new adventures. Skeptics, lay down your arms and give this one a shot. I think youll be pleasantly surprised by the effort.

A new, more empowering take on a classic tale, Red Sonja #3 continues to deliver a vital, three-dimensional version of one of comics most classic heroines. Like Palmiotti and Gray did for me with All-Star Western, Simone has managed to capture my attention on a genre book I could scarcely have imagined buying, much less enjoying, prior to this point. A standout book for Dynamites sometimes overwhelming pulp hero line, Red Sonja is highly recommended for those seeking out new, smartly written adventures that will hopefully capture your imagination as much as it has mine.

A beautiful ending to an adventure I never knew I wanted to take until I was already on it, Red Sonja #16 is the perfect completion to Gail Simones time on the Red Devil. Yes, we get to see much more of the writers take on the Barbarian over in Swords of Sorrows, but for now, this is a strong finish to a lovely run. Red Sonja, we hardly knew you until now. And Im so glad weve had this time together.

Honestly, I feel like Im getting the best of both worlds with Superwoman the artistic prowess of an artist who has gone from impressive to extraordinary, packing in page after page of story detail, and a feel of interpersonal drama and old school narration that I havent seen in great abundance since I was a kid. What I loved about DC Comics is back, without having lost so much of the gains in-between. Thats damn impressive, especially in a package that is mixing up the Superman mythology in new and exciting ways I can only pretend to anticipate as the months go on.

At any rate, Superwoman #4 is another great installment that may only fall short of the previous three issues for its position in the ongoing narrative. A lot had to be introduced and explored in this issue, most of it interior to the characters, and that slowed down the pace a bit. Nevertheless, what this issue means for the future of Lois Lane and Superwoman in general definitely has me tapping my foot waiting for the next installment.

If the natural world, be it jungle or rain forest, is said to be a living organism in itself full of danger and beauty and tranquility in equal measure it mirrors a life breath thats now pulsed back into Wonder Woman, into this title, into the heart of the DC Universe. I can feel it in these stunning pages. I can feel it in Dianas voice. I can feel it.

A series that genuinely gets better and better every single issue, Wonder Woman has far outweighed my expectations from the start and those expectations were high indeed. Rucka, Scott, and Fajardo have begun something exceptionally beautiful here, from top to bottom, and it pains me to have to wait a month for the next installment. Thankfully, in two weeks, well be graced with Liam Sharps next installment, and I may very well be saying the same thing all over again.

Its a testament to this creative trinity Rucka, Sharp, and Martin that I cant quite tell who is responsible for making it work, other than to say, all of them must. This unique congregation of creators, each weaving their talents around the others dialogue that pulls at the heartstrings combined with the passion and grace of line and color is a true testament to the power that Wonder Woman commands to inspire, to overcome distance, and to expose the truth. And most of all, to make us love.

Every aspect of Wonder Woman #4 from its rigorous unveiling of Amazon culture we should have known was there all along to the framing of Diana as a young woman ready to take on the world is handled with the kind of precision and care that shows you what true love is when poured out onto the page. Rucka and Scott love Diana and give us a Diana that simply loves, from a culture that could not have produced anyone but. Its warming and reassuring, fascinating and affirming. Its golden perfection.

Rucka isnt writing the next big smash-em-up title, and none of the women in Dianas life nor the man are worried about rushing into battle. The writers own deliberate pacing, careful rendering, and thorough characterization is so much of what makes Wonder Woman stand apart from the rest so much so I can only compare it to itself in bits and pieces. Two more weeks for another installment is suddenly a long wait for more of the Amazon Princess. And isnt that an amazing blessing?

Scotts full page delivery of their arrival in Wonder Woman #6, by the way, left me speechless. Every issue weve been granted a knock-down, no-holds-barred beauty of a full page, and its stunning to me that after seven issues and seven reviews I can still be so in awe of what this creative team is churning out. Its astonishing really, a stunning achievement for any modern creative team, and I hope I hope I hope it never ceases to amaze.

Its always magical to uncover a depth of thought and vision from a creative team as a narrative unfolds and not have to be told outright what we are meant to understand. As Rucka, Sharp, and Martin collaborate with Nicola Scott to build this richer sense of who Diana is and what risk she faces in embracing the word of her patrons, I am left in warm awe and grateful respect for their sophistication. Wonder Woman continues to be the emotional center of my reading experiences this summer and remarkably, blooms a little more every issue where so many other series would simply be dying on the vine.

An illuminating interlude that opens up another whole dimension in what we understand about Diana and Anns respective truths, Wonder Woman #8 is a road Im happy to travel and come back to wherever and whenever. Well be seeing Evely again come issue #16, but in the meantime, Ann has become the most surprising co-star of the series. Hopefully the wait for more of her story is not as long.

In the end, theres so much vulnerability Rucka, Sharp, and Martin are able to convey in this chapter largely in scenes between Diana and Steve, but also in briefer flashes with Sasha, Ann, and our returning villainess. All this may be the calm before the storm, but what Wonder Woman #9 truly represents is the foundation for everything these characters are, and will be, as the book goes on. These are some of their most raw moments, and theres a lot to be said for having the grace and wisdom to slow down and to appreciate them.

All in all, if youre sleeping on Wonder Woman either Nicola Scotts Year One story or Liam Sharps The Lies you arent just missing the best of what DC Comics has to offer in its Rebirth line. Youre missing some of the best comics youre going to read all year. The Wonder, the Glory, the Beauty. Its all in these pages.

A dark, sinister end to the first story arc of a rejuvenated Wonder Woman title, issue #11 has reached deeply into Dianas core and ripped out something she didnt know she was already missing. Rucka, Sharp, and Martin have given us the complete inverse of her golden moment in issue #9, and with that upending, I can feel exactly what Diana feels, measure her loss in precise calculation, and yearn for her return to hope, as we start feeling our way back to ours.

With the arrival of Wonder Womans ultimate challenger, Im left at the edge of my seat for Year Ones conclusion in issue #14. But truly, theres been no stone unturned along the way, as Rucka, Scott, and Fajardo craft this vision so succinctly and yet richly that I could simply immerse myself in any given issue for weeks on end. Thank goodness for the depth of Wonder Woman, the sheer commitment of its creative team, and the ability to have it all, maybe when we need it the most.

Every book has a transition moment and Wonder Woman #13 is theirs, with Rucka getting the cast and his readers where we need to be for the next big move and arc. Guedes and Fajardo ultimately serviced Steve Trevor admirably, just maybe not Wonder Woman. As part of the greater scheme of things, however, this issue does a great job of shaking up the status quo and making me even more excited to see whats at stake in just 30 days as The Truth begins.

And while it will only be 14 days before I get another dose of Greg Ruckas wisdom and craft, this is where we regrettably say goodbye and thank you to Nicola Scott. It has been an honor to read, absorb, and adore every page along the way.

The visual complexity of Wonder Woman #15 is a sight to behold, and like the Rebirth special that launched the previous two storylines, this issue asks far many more questions than it answers. What Rucka, Sharp, and Martin do accomplish so brilliantly, however, is letting the reader know that everything matters everything ties together. The braiding and inevitable unbraiding of all of these factors is what makes this series such an intellectual and visual delight month after month, week after week.

An interesting read, but a rough visual transition from previous issues Bilquis Evelys own, included Wonder Woman #16 has some necessary building blocks for the story as a whole. In particular, in witnessing the creation of a new villain, we get to see Wonder Woman start to rebuild her own rogues gallery from the ground up. With the promise of more to come (Circle, Dr. Poison, the Cheetah), theres no question youre going to want to return in four weeks to keep seeing where Dianas first year takes her. Hopefully we just get to do so with Evely on her own inks, settled into the series with as much fanfare and bravado as she deserves. (But damn it, isn't that cover just something else? Wowza.)

The visual and scripted narratives here intertwining the literal and metaphoric leaves me consistently astonished by Wonder Woman as a series, and particularly issue #17, for its craft and the synchronicity of its creative team. Rucka and Sharp are shaping something mythological of their own here, and like most myths, I suspect well get a nugget of truth at its core. But no more than a nugget. The rest, alas, must be left up to our fascinations and pondering. I wouldnt have it any other way.

That line, and the ones that ominously follow, are going to stick with me for a long while. And I suspect, with Diana and Barbara Ann through the rest of this arc, if not longer.

Another rich, magical issue from a trio of creators that clearly understand Princess Diana better and deeper than others have in years, Wonder Woman #19 blends the mystical and ancient with the modern and cold without ever forgetting whats truly at the heart of both sides of the conflict protection, heart, and a need to love. Thats what Wonder Woman stands for, and what shines through on every page of this series.

How this story wraps up in just two months time of course leaves me nervous, giddy, and impatient all at the same time. The depth of personality Rucka and Evely are delivering with Wonder Woman #20 makes me feel like were just beginning to scratch the surface on Cale, Doctor Cyber, and Circle, not to mention Dr. Poison, Cheetah, and the Gods. Godwatch is a revolution for Dianas foes, not to mention a wonderful extension of many oft ignored or abused female villains. Heres hoping theres much more to play with as stories converge and we move into year two of Rebirth.

Barreling toward the run conclusion with only one more issue of full Liam Sharp linework, Wonder Woman is pulling all the threads together and finally reaching the endgame: Ares. Rucka, Sharp, and Martin have played a masterful game this past year, and I both cant wait to experience its conclusion, and lament that time is running out on one of the most consistent and thoughtful series DC has published in years.

Ultimately, whether or not this is an important moment for the series or simply another chance to blow out some of what makes each woman so complex is up in the air. But Rucka, Andolfo, and Fajardo have delivered a tight story with strong characterization that leaves me eager to see how the artists first issues with incoming writer Shea Fontana will turn this book upside down. Until then, onward in two weeks for a much darker confrontation for Diana and Cale with Ares.

Beyond the grace and beauty of it all, Wonder Woman #23 conveys layers and layers of messaging for the times we live in, the timelessness of Dianas message, and the best explanation for the Amazons core message that I have ever seen grace the page. And all without a single punch being thrown by our dear heroine. If thats not a call to action for the world around us, I dont know what is.

One more issue and I know it wont be the happy ending every story about a fairy tale princess normally gets. Because ultimately, I think Rucka, Evely, Sharp, Fajardo, and Martin owe us the truth. The world isnt fair, and is far less fair to queer women of ambition than almost anyone else. But I dont know that Id be satisfied seeing this historic run end any other way. It concludes with The Truth after all.

After all is said and done, after 27 issues that tell a powerful, personal tale about women and how they do or do not let themselves be defined by their losses, I can honestly say I am satisfied. Not satisfied enough to stop counting the days until this creative team can reunite to tell their next great tale, but comforted by Dianas resolve, reunion, and relief. Perfect is indeed the apt title of this tale, and the right note upon which to rest this tale. Perfect. Yes, perfect.

Yes, I know. Matt thinks everyone is gay. Until proven otherwise, YUP. But small request: maybe we need an artist who will actually draw some nipples on Jason. Cmon. This is not OK.)

No issue of Wonder Woman is a bigger break from what came before and a stronger reminder of exactly who Diana is than Wonder Woman #51 as executed by Orlando and Braga. The hero among heroes is in safe hands in the coming months, thankfully. And while its long overdue, its also great to know Diana has been waiting for us all along. We just had to find our way back to her.

The start of a brand new story that promises to lead Diana and Artemis to a few new corners of the Earth, Wonder Woman #52 is once again Orlando and ACO working science that looks like magic together. Like space unfolding, this book is a visual and character-driven delight, revealing more the deeper you let yourself fall into it. And Im ready to go all in once again.

Batman and Robin Eternal has started off with a literal bang, but that's not all that impresses me about this issue (although I do admit to flailing my arms like Kermit the Frog after reading that last page). The care Tynion and Daniel have for each character and their relationships " both physical and emotional " to the others is clearly manifest on the page. If every issue of the 26 part story is this compelling, we're in for the biggest romp of the year. What an awesome way to celebrate Dick Grayson's " and the Batman Family's " seventy-five incredible years.

Its a beautiful issue, and feels like a strong beginning for how relationships will develop going into the future of Batman and Robin Eternal. Am I left to ship my new dears Harper and Cass (Casper?) or will this play out magnificently on the page without needing my imagination? Not sure. But I am certain that Valentines scripting and Martinezs pencils here have given me something I never even knew I wanted. And thats a grand feat worth celebrating.

Theres a lot to love about this series, and while I cant say I was tuned in to every twist and turn with the lot of the Robin family, I have certainly been riveted with Harper and Casss journey to this climatic moment. Seeing James Tynion IV moving on to helm Detective Comics with Batman and Batwoman and a few of these familiar faces couldnt be more perfect a leap. My hope is well see Eaton and Borges getting similarly fit assignments in the coming months with Rebirth. These two artists are too talented to sustain with partial issues or fill-ins.

Perfect for readers who have been craving new characters, ideas and a more complex look at the conditions of power in the DC Universe, The Movement could prove to fill the gap that Secret Six left behind nearly two years ago. Long in the making, this title is a welcome addition to a line striving for diversity, and Im already eagerly in queue for next months issue.

The Movement may not appear to be the flashiest book on the stands, but it deserves your attention (and hopefully some buoying first trade paperback sales) to keep quality work like this coming out month after month. Characters like Virtue and Katharsis, Vengeance Moth and Burden, need to be supported and not just because they represent traditionally underrepresented character types, but because they are truly unique and brilliant contributions to the DC Universe. These are our new Teen Titans or New Mutants, people. Lets get this book into more hands and dog-ear some pages with love.

With only two issues left of The Movement, there's a lot of sads to spread around about its demise for loyal fans, but it's damn hard not to read this issue and have the appreciation outweigh the negativity. The cast is fresh, the stories are thoughtful, and the feelings within will stand the test of time. Here's hoping for a long life in collected edition and other opportunities for these characters to grow into the DC Universe more fully in months to come. It needs this kind of influence to stay relevant, and I can't imagine reading a teen team book again without comparing it to this group's first run. That is, until another. Fingers crossed.

Let these characters into your heart and demand they show back up on the page. Too much work has gone into them to see them fade away, and to that point, Im not sure they could anyway. They will be demanding a presence for themselves thats how well they were built.

But the real trick is bringing in Batman Beyond, a character lots of DC television fans who may or may not have ever read a comic are familiar with, and will definitely serve as the entry point to the story. Will this book be great for the person who has no familiarity with DC and its heroes? Probably not. But is that the key demographic attending Free Comic Book Day? What this book does right is it rewards existing fans with a brand new dilemma to perseverate about AND give fans of DCs properties in other forms something to grab onto. The fact that the twist provided will lead to a whole new world of wonder? Thats really, really tasty gravy.

A really cohesive issue pulling together the most disparate heroes and really, writers imaginable, Futures End #4 is the moment this story really rocketed into high gear for me, and made me honestly desperate for the next one. And frankly, thats exactly what you want out of a weekly book. Next Wednesday cant come soon enough.

DCs weekly offerings have so far exceeded expectation across the board, and one hopes that Earth 2: Worlds End will prove to work out the same way upon its launch in October. In the meantime, Futures End is weaving a mystery that so far seems worth devoting DCs theme month to starting next week. I may end up buying far more of these books than I anticipated. If even half of them can live up to what the core series has been providing week after week, were in for a treat next month.

My one regret, of course, is that these three terrific characters cant simply be transported into the modern day DCU. We dont know whats to come after Convergence for DC, but my sincerest hope is that something launching involves one or more of these women, and by one of the terrific members of this large creative team. Theyve done a brilliant job of making me care. More of that next year!

Its difficult to properly express why this issue worked so magically without ruining its final moments for you, but heres a quick try: Futures End #48 gave priority to emotional beats over physical ones, brought the series full circle without losing what made it special along the way, and opened up what will hopefully be a fascinating stage of further exploration. A proper send off to the New 52 branding, this issue is undoubtedly my favorite of the week. Heres to whats on the horizon. Eye cant wait.

As a first chapter, theres a lot to unpack for fans in Adventures of Supergirl, but with Gates and Bengal so ably doing so, one can expect the series to take flight very fast. This is the Supergirl weve been waiting for well since the last time Sterling Gates wrote Supergirl. Hopefully, this is a sign of much more of the same to come.

That said, Adventures of Supergirl Chapter 3 once again delivers a fun story with a lot more of what makes Supergirl different from all the other young women super-heroes. Sterling Gates and Bengal continue to make the wait for an ongoing Supergirl comic seem inconsequential. As far as Im concerned, DC should consider this a prelude and bring on this team full time for Rebirth in the fall. You cant do better.

Truly, I may regret jumping onto this series eventually, if only because it will lead me to side-eye my cats and that squirrel who prances so casually out of my way on my walk to work. But its probably worth it to experience the complete horror and joy and the joy of horror from this new Bennett-de Latorre joint. In the meantime, however, I may keep my windows shut and that food bowl extra filled. You never know.

A fun romp, not just through Gotham, but through the world Barbaras contemporaries are inhabiting, Batgirl Annual #4 is a must-have for any fans of ANY of the ladies depicted, not the least of which Barbara herself. But more than anything, the combination of todays Batgirl with Gotham Academy elicits far too many squeees to pass up for any fan of great comics today. More more more, please.

An absolutely brilliant and long overdue addition to DCs bank of titles, Batman 66 is just another example of how the publisher is expanding its all-ages offerings through its digital first offerings, without exclusively dumbing them down for the pre-school set. Perfect for kids and adults alike, this title is a wholly different take on the Caped Crusader in the comic market, and one that has been sorely missed for decades. Glad to have you back, old chum!

A fantastic bold re-beginning for old and new readers alike, Batman Beyond Universe #1 is a great primer for any fan of the original series wanting to get into comics, and an even better book to hand off to kid and adult alike. With two great chapters crammed into each issue and new dynamics to watch play out among characters, theres plenty here to praise and welcome to your read pile. Take the opportunity to add this title to your routine. Youll be glad you did.

These series have been admittedly controversial, but now having begun the final installment, its clearly not over the issue of quality. DC has committed the very top talent heart and soul stuff to these books and it shows on every page. No matter what your convictions, its hard to argue against that.

 And then there's Booster #1.5, who is going to be unfrozen in the year 3000 this December. According to writer Keith Giffen, he comes from the conclusion of “I Can't Believe It's Not the Justice League” and an Earth in the Multiverse where Ted Kord was never shot by Maxwell Lord. Imagine that!

Courtesy DC Comics, the cover and sketch pages from Volume 2 of Coffin Hill, available now in stores and online:

While we've yet to get into the meat of the event, Convergence #0 offers a strong one-on-one story amid what's likely to be a pretty frenetic series. Van Sciver keeps both characters (and all their iterations) looking the best they ever have, and creates a visual feast of some cities we haven't seen in quite some time. DC definitely has me looking forward to the next two months to come.

Still confused about which Booster is which? Check out our handy dandy guide that follows our review of Booster Gold: Futures End #1!

If it seems like I spent the entire review just talking about the value of character and not about plot, well, I did. Thats the allure of the New Teen Titans. Villains were always secondary to how the team interacted with each other. An entire issue could be about getting fitted for a tuxedo, and it was the best issue you read that month. Wolfman and Scott have resurrected a concept that never gets old: the power of great character. The biggest failing? It all ends next month.

A lovely send-off for a set of characters near and dear to my heart, Convergence: Nightwing and Oracle #2 gives us the happy ending we always say we want for our favorite characters, but with enough drama and surprise to make it feel well earned. Simone and Duursema have, for now at least, gotten the last word on this iteration of Dick Grayson and Barbara Gordon, and Im happy to say, they did both of them mighty proud. My thanks to all involved for the opportunity to see this particular story come to pass. It was more than worth it.

With a last page surprise guest that no Giffen fan will want to miss out on, Supergirl: Matrix #1 is a packed issue for anyone looking for a bit of fun in their reading this week. Great dialogue, great art, funny characters. Who knew a look back at an era where the greatest hero of all-time is six feet under could be so amusing?

A full issue thats far more than just a recap of the Convergence set-up like a few other books weve seen, Adventures of Superman #1 is a flash from the past in every way possible due to the diligence of its creators to respect from which it came. And with an awesomely cinematic final page cliffhanger, #2 is sure to be as compelling and fun to read and revisit as #1.

Like I said, I never would have expected this type of book for Scott Summers, even two years ago, but Im exceptionally glad to have it in my hands. The realness Greg Rucka is infusing in every thought caption, combined with the sheer delight Dauterman lays out on the page, makes for a book that is sure to impress Cyclops fans old (well, Im not that old) and new.

Metal so far has proven itself to be a fun event, and no matter what grows out of it, I feel that will likely be its greatest legacy. Theres a lot of love flowing into these pages from Snyder and Capullo; Glapion, Plascencia, and Wands; and clearly from editors Rebecca Taylor and Dave Wielgosz as well. The moving parts in an epic like this are pretty substantial, but no one on board has forgotten to have a good time along the way. And that attitude is stunningly contagious.

A strong start to what looks to be a light-hearted, whimsical series tailor made for those fans looking for the fun in comics today, Dead Boy Detectives #1 is a must read for this last week of the year. 2013 wouldnt have been complete without it.

If you havent read Demon Knights before, or had abandoned the title at some point since its initial launch, issue 16 is a brilliant place to jump back in and fall in love. Unique characters in a unique setting. Smart writing with high quality art. And a great place to start experiencing it all. What could be better?

A fun primer giving readers who have been holding off a good jumping on point for some truly outrageous stories, Divergence #1 is exactly the kind of storytelling the best of the New 52 has provided. And as only the first of 43 total 8-page original stories fans can get for free in the month of May, this book is a fun start to what will be a fun year, no matter what kind of stories you enjoy.

The chapter that starts to answer as many questions as it asks, Doctor Fate #2 takes a 75 year old mythos and makes it fresh and honest for todays audience. Khalid is an everyman, but hes specifically who he is, and that balance plays out exceptionally well across dialogue and design. Doctor Fate may be a book you glance past on the stand, but dont let it be so. Pick up a few issues and enjoy watching a new era of heroism develop.

Theres a lot to not understand about what Gerard Way is constructing in Doom Patrol, and the deviation from even the most wacky super-hero fare is pronounced. Like Twin Peaks, we seem to be witnessing the return of the avant garde in comics that never was nearly this out there, except in our memory. The familiarity is a comfort. The originality is invigorating. And the possibility is beyond the scope of our vision. Just the way great art should be.

As Wonder Woman begins to appear around every corner with the arrival of the film, this is a great way to get the youngest among us on board and ready to experience the specialness that is Princess Diana of Themyscira (nee Olympus). I for one cant wait to read the entire story, but for now, this is a great way to tide the youngins over and bring home something the entire family can enjoy together.

Keeping in mind the landscape Dark Horse is working with, these two stories were brilliant choices. Brian Wood's Star Wars series, set in the days after A New Hope, has been a runaway success, bringing the comic franchise back to its roots and garnering a great deal of critical acclaim. Wood's story here is simple, but features the man in black himself, Darth Vader, in a tale of backstabbing and clever maneuvering that fits right into the monthly series thematically without either being required reading or contradictory. Ryan Odagawa's art is a little stiffer than the D'Anda's gorgeous monthly installments, but that is fairly mitigated by the focus here on masked and armored figures Darth Vader and Boba Fett.

A wonderful first issue in what could be a fantastic title to introduce to new readers, Fables: The Wolf Among Us #1 refocuses the Fables franchise right back down to its charming and compelling roots. The saga of the Fables universe is mighty and something Ive come to love, but every once in a while, its nice to remember how it all started. The mystery that begins here already has me hooked, and thinking about who else might be ready to give it a try. This is definitely a fun book that deserves sharing.

With the conclusion of The Button in The Flash #22, Joshua Williamson, Howard Porter, and Hi-Fi have given us more than simply a lead-in to Geoff Johns and Gary Franks confrontation between the Big Blue and the Big Blue. Theyve delivered a carefully pieced together character study of Barry Allen and Bruce Wayne that is illuminating in their differences, but far more provocative in how their similarities bare out.

If you didnt have an opportunity to read Trinity War threading through the Justice League titles in July and August, you wont feel lost here, although by the same token, key cliffhangers from that event go unanswered. Is the Justice League really dead (they were fit and breathing last week)? If not, where did they go? And just where is the Outsider? With an entire month ahead of us with no one appearing but the villains, I daresay Im a little impatient, but then again, maybe its time to just accept the Crime Syndicate as the new Worlds Greatest Super-Humans. If Johns can imbue them with the same depth of character hes given the League over the past year, I can probably be convinced.

With issue #4, Forever Evil is well on its way to redefining how we see the villains of the DC Universe, and giving us a rock solid adventure along the way. Paired with the Crime Syndicate origins peppering the Justice League tie-ins, this series is clearly delivering everything Johns loves about the super-villain genre onto the page, and were finally getting the best of that effort here.

A nice ramp-up of what seems like the roughest weekend ever for the DC Universe, Forever Evil #5 is the first time we get a sense that the Crime Syndicate might not be the worst villains yet. And even Batman should be frightened by that prospect. Something tells me Luthor isnt shaking in his purple metallic boots though. Like Geoff Johns himself, Lex is a man with a plan. Maybe hes the hero weve been waiting for after all.

One more issue to go and a lot of unanswered questions, but the possibilities of those answers are so intriguing, its a blessing rather than a curse. Forever Evil may seem like its taken a long road to get to this point, but one thing is certainly clear: Lex Luthor has had a plan from the start. I may have a new favorite super-hero come April.

Another chapter in the ongoing saga of one of comics most precious and entertaining reads, Gotham Academy: Next Semester #2 is the start of a new story that, while much more subdued that previous stories, is truly but a preface. As adventure ramps up, it would behoove us to prepare. Its not always going to be this serene on campus.

As saddened as I am by the news this series will reach its end with Olives story complete at issue #12, I am held by two truths. One, that it seems inevitable that Gotham Academy will continue to grow in other forms outside this particular comic book series, be it in novel, graphic novel, or animated form. And two, that we still have the glory of four issues like Gotham Academy: Second Semester #8 to enjoy, rounding out 31 issues of a book that stands as one of the greats of the recent era.

Fast-paced and full of brand new mystery, Green Arrow is destined to be the newest hit among DCs stable, a development that should put longtime fans and recent critics immediately at ease. It is a testament to the companys commitment to taking risks and trying new things that the Emerald Archer was given one last chance to shine, rather than joining some of his allies in the cancellation pile. The risk-taking completely paid off here. Green Arrow is a book, once again, that I can be proud to add to my pull list. Next months installment cant come soon enough.

A great first shot at what I hope is a new, long tenure on the title, Green Arrow #41 is a strong place to jump back in if youve given the Emerald Archer a pass for the last few months. Im ready to see Oliver return to some great social justice roots, and it seems like Percy and Zircher are too.

Green Arrow has recovered the stakes it needs to hit us square in the chest over the past six issues, and the moral and emotional judgments made in this issue have sealed the deal for me for the book. Where Percy, Schmidt, and Ferreyra go, so also will I travel. Youve won me back, gentlemen. (Now to work on my husband.)

A crazy romp that proves, once again, how special the work Conner, Palmiotti, and company are doing is, and how amazing it is that DC lets it happen month after month. I scratched. I sniffed. I laughed. And Im ready to do it all over again. And fast, before the buzz wears off.

Yet another funny and surprisingly warm chapter in the wacky narrative that is Harley Quinn, this Valentines Day Special gives us a great self-contained story with its own pace and flair. And to top it off, as a great place to highlight a few artists we rarely see on the DC Comics page, this issue is once again a sure bet for the pull list.

Theres a lot of fun potential to be found in these pages, and a lot of directions that the series could go (is that apartment complex the one from Melrose Place? Color me intrigued!)! No matter where the story takes us, I believe its going to be a wild ride to get there with DiDio and Giffen in the drivers seat! Heres hoping our Mother Boxes are ready for the trip!

A fun interlude in an ongoing tale that could easily suffer for its darkness, the Injustice Annual continues the fantastic character work with which Taylor has infused the series, and kicks it up a notch. In a world where a literal headhunter is sent to take down a clowns unwitting accomplice, you gotta appreciate a fake mustache. And if you cant find humor in that, theres ultimately no more hope for us than for the heroes in this comic.

A fantastic done-in-one story setting up Year Five for those who continue on, but leaving everyone with an enormously satisfying focus story of Plastic Man and his son, Injustice: Gods Among Us: Year Four Annual #1 is an awesome chance to revisit this world with Tom Taylor steering the ship. Don't pass it up, lovers of Injustice or classic super-heroes alike.

In the end, the only faltering I see about the issue is it functions more like a television season two premiere wrapping up the shocking conclusion of a summer break and easing into a new story rather than providing a brand new #1 jumping on point for readers. That said, Injustice is perhaps one of the easiest series today to catch up on digitally if one desires, so the quality and resonance of the issue as is far outweighs what would be missing for a new ongoing reader.

A super fun start to a character we've only started to reacquaint ourselves with, Jughead #1 has the potential to out-Archie Archie. And why wouldn't it? Archie may be the guy we all kind of wanted to be as kids, but as an adult, I look at Jughead and say to myself, "I wish I had been that cool in high school." That's the magic of this new brand of Archie Comics, and why Jughead may very well be at the center of that future.

For many longtime DC fans, this book may be a hard pill to swallow, as so much of its premise in the future initially feels so familiar. I suspect the wild ride is only beginning here, though, and what we are led to believe at the very beginning is not necessarily what we will be getting by the end. Embrace the difference and see where it leads. Theres no question were in good hands along the way.

With the first of a few old friends rejoining us next issue (I dont really need to spell this out, do I?), Justice League 3000 #11 is the perfect jump-on point and place to get excited about the possibilities ahead. No surprise: Giffen and DeMatteis have titled this one A New Beginning. It is indeed! And if youre long term fans of the duos work, then that is probably all thats needed to get you to sprint to the comic shop. Do it. Youll be sorry if you dont.

Like I said at the start, if you havent been reading Justice League 3000, you need to. Start here. Start at #11. Go back to #1. Or pre-order the just-announced Justice League 3001 #1 for June. A hilarious adventure off in the Multiverse that still feels like characters we can know and love, this title is a must-have for fans, old and new school alike. This is DC Comics honoring its history while trailblazing its future. Dont miss out.

An unlikely hit, but critical book to read if you are a fan of the greater DC Universe, I strongly recommend giving this book a try. Ignore the naysayers and those that question Vibes place on the racks. This title promises to stand out in a good way if given the chance. But dont support it because Vibes Puerto Rican, or a new(-ish) character, or simply not-Batman. Well, you can if you want, but Id say, give Vibe a shot because its a damn good comic book, and the kind of character we dont see in comics as much as we say wed like to an actual good guy.

Whether this book has flown under ones radar or been avoided outright for its title characters less than humble beginnings in the 1980s, Vibe is consistently one of the most underappreciated books in DC Comics stable. With the story ramping up to significant importance for the universe itself (Darkseids daughter anyone?) and a huge surprise reveal on the final page, this issue is a perfect place to jump in if you havent been picking this up. Show up for the ties to the multiverse and Vibes place in the Justice League of America. Stay for the exceptional handling of a positive, well-developed lead and his wonderful cast of friends, enemies and everything in-between.

A fun special that feels more like a beginning of something fascinating than a simple flash-in-the-pan, Justice League: The Darkseid War: Shazam is the kind of story Ive been hoping to see for so long from DC Comics on a monthly basis for one of their oldest and greatest characters. Steve Orlando and Scott Kolins nailed it, and if I had my druthers, theyd be chronicling Billy Batson and the New Gods of his pantheon month in and month out, ad infinitum.

If you havent checked out Archie Comics in a while, or the ongoing Kevin Keller series, theres really no time like the present. Perfect for adults and kids alike, this issue is well worth your time and money. Buy two and find some 12 year-old kid who could use some inspiration. You wont be sorry. And neither will he or she.

If nothing else, Leaving Megalopolis only begins to scratch the surface of the history and storytelling potential of this brand new world, with serious potential remaining in both the ongoing story as a whole and smaller vignettes, such as with Calafiores included solo story, Wonderboy. One hopes for opportunities for wider distribution (some comic shops took advantage of retailer offerings via the Kickstarter campaign, but Im sure those were few and far between) so more readers get to experience this brilliant universe of characters. And new stories of the same wouldnt be too shabby either. If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory weve all come to love from them, in creator-owned comics. The sooner we get to see that future, the better.

Im super fascinated about the set-up Black has provided and already find myself in love with the central figures, not to mention the final page reveal that had my mouth drop just a little bit. I know they say you cant go home again, but I kind of feel like whoever they are, they dont know Lucifer. Black and Garbett do. And Im definitely on board for the long haul.

There are about a dozen other smart things happening in Memetic that are worthy of analysis from strong characterization to inventive use of memetic theory but at my core I am most touched by Aarons condition, the human condition, and the kind of sadness that I dont like to remember having anymore. But it comes back faster than I would have expected. Amid the chaos and along with the smarts, Tynion has woven within this book a beautifully authentic rendition of isolation and loss that I cant and wont soon forget.

National Comics is precisely the kind of showcase DC needs in a universe reintroducing itself to decades of characters without a current home. With every story tightly constructed to be done-in-one and some top talent gracing these pages month after month, this book will assuredly be a place for experimentation and hopefully a launching pad for future series. Upcoming issues include Looker (August), Rose and Thorn (September) and Madame X (October). If Eternity is any indication, every one of these books will be a must-have for your read pile.

More Schultz and Liew Hawkgirl please! is my clarion call for New Talent Showcase #1, but in reality, theres no boners in the bunch. The writers are all fresh, eager, polished, and give their all, backed up with some of DCs finest young artists. If this book is the future of DCs publishing slate, then we havent seen anything yet. The future is bright indeed.

A good start to what is hopefully going to be both a fun ride and a tense exploration of what it means to hold a revolution, The Omega Men #1 gives me enough to go on to want to come back for more. Beautiful art, an interesting cast, and a classic set-up worth turning on its head all contribute to making this a series worth keeping up with in the coming months.

A fascinating series on a slow, enticing burn, Omega Men is proving itself the sci-fi equivalent to the latest fleet of war stories evolving out of our conflict in the Middle East. King, Bagenda, and Fajardo may be creating religions and alien worlds from scratch, but the root of their storytelling definitely hits home the deeper you dive.

A perfect blend of gorgeous art and whip-smart writing that combine to create a cinematic feast, Omega Men #3 is quite possibly DC Comics most dramatic book, and yet the bombs going off are rarely in the air. Our expectations for heroes and villains are being challenged and second-guessed here, and that gives this series a potential for greatness that has already peeked out from the edges. If you havent jumped on yet, give this issue a try. Youll want to rush out to grab the previous ones. Trust me.

As exhibited in each issue that has come before, Jenkins art style seems perfectly suited for the ongoing tale, combining with Wiebes range of emotional storytelling to create something bigger than its individual parts. Its a curious book that can hold my interest despite being focused on wartime exploits, and inspired by a legend I hold little fondness for. Month after month, the duo manage to deliver one of the most consistently interesting books in the market, and one that deserves a lot more attention than it seems to get. Do yourself (and the creators) a favor. Pick up a copy for your enjoyment and another for a pal. Like Sandman and Fables, Peter Panzerfaust is the kind of book lots of different types of readers can enjoy. It would be a shame not to see it land in as many hands as possible.

Prez #1 is only the start of Beth Rosss journey to the White House, set still well before the eight-page preview weve seen, but with a bunch of background and some sinister set-up, Russell and Caldwell have us off and running. Another female-led title this week that stands far apart from the expected and what we already have, Prez is most definitely the book to watch in the next few months.

So, where does that leave us? Is Prez too real to be futuristic or too light to be taken seriously? Neither. Russell and Caldwell strike the perfect balance of making fun of this craziness while also acknowledging that, hey, we just might be living it. And every time Beth has a smirk on her face or a sly comment escape her lips, its pretty clear shes talking to us as much as the men surrounding her in the book. And you know what? We deserve it.

If youve never read Princeless before, this is an exceptional place to start. A new adventure with characters that are easily adopted into your heart (even the sterner ones, honestly), the aptly named Be Yourself #1 sets up developments that so many adults and kids, male and female, can relate to. And if you are a longtime fan of Princess Adrienne and her world (as I am), youll be tickled to see your favorites arriving in the comic shop once again.

A welcome return to a team (and creative vision) that was one of the hardest felt losses at the start of the New 52, Secret Six #1 is clearly the beginning of a great mystery. Punctuated by a diverse cast of characters, whose sexualities are as complicated and widespread as their motivations, this book is going to be one that has people talking in the months to come. Don't miss out.

For all its small tender moments, Secret Six #3 is an issue I can heartily recommend to fans old and new alike. Its the best chapter so far to introduce you to the newest players and their personalities, and frankly, barely needs #1 and #2 to be understood and absorbed. But for old school fans of the teams debut in Villains United, seeing the team of Simone and Eaglesham reunited is more than worth the price of admission. Plus, weird sex on the couch. How can you beat that?

Tick tock. The first arc on the revitalized Secret Six is winding down, but the pace and danger is climbing quickly in the other direction. Simone and Eaglesham are giving longtime fans, not just of the Six, but of the DCU as a whole, something to squeal about with #5. If you pass this one up trust me, youre going to regret it.

In a market flush with so many comics that can be read in 3-5 minutes a piece, experiencing a book that makes you slow down and take it all in " not because it's wordy, but because it's that beautiful " is a rare treat in itself. Don't let this one pass you by.

My big regret, of course, is that with Stumptown #5, we are once again on hiatus from the ongoing disaster that seems to follow Dex wherever she goes. Readers of the previous volume are rewarded with a tease for the future, and Im already itching to get back into this world. Another case please, Mssrs. Rucka, Southworth and Renzi! And the sooner the better!

As a dedicated fan of Ostranders original run on the Suicide Squad in the late 1980s, Id be hard-pressed to say any try on the title will match the simple surprise that book brought month after month. It was, after all, the first iteration of this type of story-telling that now, years later, has shown up again and again here and over at Marvel with Thunderbolts. But for the first time in almost two years, I feel like we may have a shot at recapturing the feeling and ingenuity (if not the groundbreaking nature) of the original title. A brilliant sophomore effort for one of the New 52s first wave series, Suicide Squad #20 delivers on the promise its cover puts forth a renewal of energy from a fresh creative team ready to make a bit of necessary mess with the status quo. If this issue is any indication, this books going to be a lot of fun to clean up after.

I say that Superior Iron Man is the comic for those who dont like Iron Man, like me, because you dont need to in order to thoroughly enjoy this book. In fact, its probably a benefit to hate him, honestly. But youre probably going to envy him. And thats all right. Taylor and Cinar are making that abundantly possible, with a strong first issue, a compelling set-up, and a bastard who you just wont believe could get any worse. I may never want old Tony back.

A fantastic one-shot that truly deserves a significant follow-up, Lois Lane #1 takes the best of what we know and love about DCs intrepid reporter and digs even deeper. With Superman making only a single page appearance (gotta throw the big guy a bone), Im pretty satisfied that THIS is exactly what I was hoping for at the start of the New 52 with the changes to Lois romantic life. May we get many, many more stories like this, particularly with Marguerite Bennett at the keyboard, and SOON.

But in all seriousness, Superman: Lois and Clark #1 is a great start to a book that may prove itself to be a real crossover hit for fans of different generations. No creative team could be a better choice to usher this new era than Jurgens and Weeks, and no characters deserve the love they have to give more than Lois and Clark.

Pulp heroes are, of course, making quite the comeback in comics these days, but Black Beetle stands up strongly against his senior counterparts The Green Hornet, The Shadow and The Spider, and is beautifully reminiscent of a more recent, but currently absent, creation The Blue Beetle. An original creation of the artist, Black Beetle captures so much of what we love about feeling nostalgic for simpler times where dialogue may be a little more blunt, but it came through a magic sound box called radio, so it mezmerizes us nonetheless. With original stories beginning next month with a four-part tale subtitled No Way Out, Black Beetle is guaranteed to satisfy any reader who wants to experience a little bit of that nostalgia you didnt know you had. It seems the best things in comics, like life, are simply timeless.

The real trick will be accepting the tone shift, from outright humor to more subtle satire with a trace of melancholia. It may be too much for some fans of the original series and not subversive enough for fans for Russells previous series. But either way, its definitely worth watching. I have a feeling this is one where the series as a whole is going to get richer and richer as it goes along.

One year later, that future tale isn't even as outrageous as real life. It missed its moment of truth between fictional future and "gee, if only it was that simple" by a mere few months, leaving us now with a book that reaches far into the past (in both a literal and meta sense for fans of the original Flintstones television series, something that occupied a much more innocent time for most of us) and shows us a bit of how glaringly heinous our culture truly is today.

Not for the faint of heart, this adaptation follows through on all of the novels major themes, including extreme images of rape, sexual exploitation of women, Nazism, and the moral bankruptcy of corporate society. If you have a strong stomach, and want to experience a beautifully rendered tale of a horrific series of events, this is the book for you.

Theres no question this title remains tied to The Movement, if only in its complete opposite nature and perspective on the world. Our trillionaires dont see a world corrupted by authority (because if they arent the authority themselves, they certainly rest comfortably above such concerns), but they certainly dont believe they are living in a perfect world either. With details like remote laser surgery and new internet-based technologies (Imagine! A car run by the disagreements garnered over this review!) already taking center stage, this title is sure to give an equally curious perspective to the DC Universe as its sister book, and one which weve not quite seen fully explored to date. An excellent start to a very unique re-envisioning, The Green Team #1 is your look into a much more optimistic vision of youth in our culture, and a great win for expanding the vision of the New 52.

There's certainly a new mystery afoot in Wonder Woman's origin tale this time around, and more than anything, I'm curious to see how this new variation resonates with the audience meant to hear it. To my eye, De Liz and Dillon have their fingers on the pulse of what Wonder Woman can mean to women, in a way that's new, fresh, and smart. And where it can speak to core ideas " not just about the Amazon Princess, but about life in 2016 " is where the transformation from just another story to legend will ultimately take place.

For fans of the previous run or Superman Family Adventures for that matter youre going to find more of what you loved in these pages, albeit a few less gags than the best of the previous issues. For the curious who have never given Tiny Titans a chance, I demand you pick up this issue. I dare you not to chuckle and smile. Heck, you might even beam.

There is a huge mid-story reveal here that I would love to extol the virtues of from both the writing and artistic points of view but Id rather leave the spoiler out of the review and simply insist that you check this story out. Neither exactly what youd expect, nor more than is necessary to tell a beautifully-crafted short story, Trigger Girl 6 is the perfect addition to your read pile this week, especially if you want to read a damn good sci-fi story featuring one kickass lady taking on a mission way more important than she could have imagined.

As I said, Ill need to leave it to someone else far less informed about the players involved to judge whether this issue stands on its own merits and not simply on the history of the universe as a whole, but the satisfaction I feel in finally seeing a universe of characters find their home after wandering for far too long that satisfaction is worth the recommendation I give to check the book out.

And these are yet only four glimpses of this complex weaving of truth with violence and peace, culpability and innocence, that seem to pepper the most honest stories about Diana. Wonder Woman Annual #1 doesnt posit four points of view, but rather images out the true robustness of the Amazon Princesss character. We may not want to accept that a fictional heroine can be so many things, have such a verisimilitude of philosophies that drive her character. Its difficult to be sure. But thats part of what makes Wonder Woman so rewarding, and so enduring, 75 years later.

A strong character study-esque start to what already seems to be the next dramatic era of the Amazon Princess nearly 75 year history, Wonder Woman: Rebirth #1 is a welcome return for Greg Rucka, a nice send-off from Matthew Clark, and a lovely revelation from Liam Sharp. Thank goodness well have the next installment in just two weeks.

While this issue's plot was relatively light, starting a shorter, more whimsical story after somewhat of a dragging first four issues is a welcome change. Overall, Worlds' Finest #6 was a totally fun comic book. Here's hoping we see more of this style in the future of the title as well.

If this first issue is any indication, Batman: Eternal is clearly going to be a series that functions in spite of Batman, not because of him, and I for one am pleased to see that opportunity develop for this cast. Its been a long time since Gordon, Bullock, Sawyer, and many others have had their time in the limelight, and a mystery of their own to solve. Best begin here, and stick around for the bumpy ride to come!

As a series, Im very much enjoying Batman: Eternal, and even as an individual issue, #6 has a lot to love. But, the combination of the two at this point in the ongoing leaves me a little wanting. If every additional writer to come (Layman, Seeley, Higgins) have this sort of stop and start motion, its going to slow the momentum of excitement down to a crawl. And I want to have that rip-roaring adventure every week that we got in the first few issues. A weekly book really needs that to fulfill its mission.

Whether its Scorpiana practically leaping off the page, the crazy eyes of characters being chased across Rio, or the Edward Gorey-esque scene graveside with Batman and that final daughter figure that I just cant bring myself to spoil (I think this is going to be important, folks), this issue is a work of pure and unbridled beauty. A narrative so perfectly entwined with art that makes you want to savor every page, Batman: Eternal #11 is by far the best issue of the series to date, and my absolute favorite of the week.

One of my favorite issues to date of the series thats speeding toward its end on perfect pace, Batman Eternal #50 has given the final two issues a set-up that leave me itching for next Wednesday. Heres hoping season two launches with the same crew on creative sooner rather than later.

Its that uncertainty, the sense that anything can happen, that makes Earth 2 so compelling. Few moments in my 30 years of reading comic books have left me on the edge of my seat literally dissecting every panel for clues and endlessly speculating the way this book has, and almost none since I was a teenager. Every issue ups the ante and reassures me at the same time that these are the heroes Ive known and loved all my life. No small feat there. Kudos to the entire creative team and DC for taking a chance on it. It paid off in spades.

Ultimately, what were left with is an issue that moves the plot forward, gives the reader more details to ponder than when she started, and more than anything else, continues to lay out key differences between this brand new world and the one were more used to occupying in the DC Universe. Im on my third read of #5 in a single day, and Im pretty sure Ill be flipping through it a few more times before the week is up a pretty great return on a $3 investment.

While much about Fury and Steppenwolfs roles in this strange alternate worlds order is still unknown even after devoting the entirety of a single issue to them my hope is that this is merely prelude to a significant part to play in the near future. Im not sure I can stand to wait too long before getting more information on this mysterious new woman Wonder, or see her mentors rule get more fully developed. Like every other sharp turn Earth 2 takes, or Easter egg eagerly uncovered, the mystery of Fury (and the return of the full original creative team) has me counting the days to #9.

Yet another solid issue placing Earth 2 at the height of DC Comics' New 52 line creatively, #11 is sure to please fans of old and new iterations of these classic characters. Like its preceding issues, this chapter is yet another example of how one can re-envision an entire universe after decades of stories and develop new concepts and echoes of the past that feel fresher than ever.

From the glow of the fire pits and the revelation of the Red Files to the bright bold Bat symbol gracing the mysterious strangers chest, threads of crimson run through this issue, a perfect foreshadowing for the war that is about to commence and affect our heroes. What I wouldnt do to have 100 more issues like this one to expand on the details of this entirely different planet, but some small consolation remains in the fact that Robinson has so precisely detailed his vision to date that its future will likely benefit from his efforts for years to come. Yet another fantastically absorbing issue of world-building and intrigue, Earth 2 #13 is a perfect taste of what makes this title so special and so rewarding month after month to its loyal fans.

With little more plot to fill twenty pages than the nursery rhyme that inspired the lead character, Earth 2 #15.2: Solomon Grundy falls short of giving us an interesting tale for an already interesting character. If anything, it seems to unravel a bit of what made this version of the character so unique, and that regrettably seems counterintuitive to the mission of this month of one-shots.

Probably one of the best examples of the title truly living up to its name, Earth 2 #16 lays out the full scope of this title and doesn't pull any punches in letting the audience know just how dire the circumstances are, not just for the heroes, but for every inhabitant on this war-scarred planet. That all of this is demonstrated so elegantly in Robinson's final issue on the title is both fitting and saddening. The dilemma he has set up for his successor is nearly perfect in design, for sure, but as I have said before in much detail, I will certainly miss James' commitment and touch to this series. Something truly special has evolved here, and we all owe Robinson a great deal of thanks.

The biggest challenge Taylor faced in this issue was juggling so many moving parts as the heroes are scattered throughout the issue, recuperating from their encounter with Steppenwolf when last we saw them as well as introducing new elements, and having it all seem like a great jumping on point for new readers. To that end, theres no question the new writer succeeded with room to spare. Simultaneously feeling like a brand new beginning and a solid continuation to one of my favorite titles, Earth 2 #17 should put a whole lot of minds and hearts at ease, and hopefully touch a few new ones in the process.

Another great installment for Earth 2 that seems to have finally found that perfect balance of character and movement, issue #22 is a great reminder that the core of this title is the genuine heroism (and yes, optimism) of its protagonists. Month in and month out, this book has burrowed just a little bit deeper into my heart and brain, such that I no longer worry about what it should be or was meant to do. I luxuriate in all that it is. And count the days until the next one.

Still running as one of my top two favorite titles in the market today, and always the one I cant wait to read the moment it goes live online, Earth 2 #24 is but the run-up to what looks like the biggest freefall excitement the title has had, coming next month. Whether its to see Vals emergence as the next Superman or Jimmys leap into the classic togs of Robin my jury is still out on whether that was a serious claim or not this is a book you do not want to miss. The action only gets bigger from here.

A brilliant conclusion to a true roller coaster ride, Earth 2 #26 gives me so much to love and get excited about for the future of the title. Seeing how Taylor weaves into every scenario an elegant solution that leaves things even better than they were before makes waiting for the next issue even harder than ever. Thank you, team, for your hard work, and most of all, thanks for our new Superman. We never knew he was exactly what we wanted (and needed) all along.

Multiversity: Pax Americana #1 is going to have its critics " those who decry non-linear storytelling and feel the protagonists are unnecessarily cold. But the magic Morrison and Quitely are creating here in comic book narrative is too substantial to ignore. This is clearly one comic I will read over and over and over, gleaning more meaning with every experience of it. Its respect for the source material is moving, but the true gift is the peek we get inside the collaboration between these two men. It's absolutely brilliant to behold.

A fun romp you could put into the hands of any kid or adult, that doesnt skimp on the talent and creative brains, Multiversity: Thunderworld Adventures #1 is probably the contribution to this series that I most want to see an ongoing spin-off from. I love my New 52 Shazam truly I do. But this world is so much more than a single character or concept. Its magic, like lightning, all in itself.

In the end, The Just concludes abruptly, but that seems fitting " leaving us on the edge of our seat about the kids' fate as they too have been on the edges of theirs. It's a wonderfully rich book that Morrison and Oliver have brought forward, and one that I sincerely want to return to as soon as possible.

There is so so much potential for the future of DC storytelling in this book, that owning a single copy that wont get dog-eared from wear would be near impossible. Look at it this way: youre buying one for adult you, and another for 10 year-old you. Hell thank you for it. Trust me.

Would that Mastermen #1 was a deeper dive into the prospects of a world where Adolf Hitler won the war and the implications of using Superman to do it but ultimately, this issue of Multiversity felt shallow in comparison to those that came before. There have been so many complex thoughts coursing through the veins of this series, that to get an issue where that stream seems to have run dry is a bit of a disappointment. Onwards to Earth-33 with better hopes.

How Ultra Comics fits into the streaming narrative of Multiversity with its presence as a haunted comic permeating so many worlds weve already seen will likely be a subject of debate and discussion for some time. In the meantime, Morrison and Mahnke are delivering a unique experience: a comic that is more self-aware than its reader. And that should scare the pants off of you. It did me.

Immonen does a great job of capturing the essence of each character, especially the original five X-Men in their earliest days. Im a bit confused as to how far back into the past Beast had to go to recruit Xaviers first class, but given how much fan outrage bubbles up whenever a hard date is inserted into the narrative, Im willing to forgo that knowledge. Nevertheless, Immonen captures small details in the original X-Men that implicate a simpler time from the slight flip in Jeans above-the-shoulder hair to Scotts handwriting a love letter to the girl of his dreams (Im almost certain kids no longer do that). While this issue loses a bit of its intensity from the early previews of the issues climatic scenes, biweekly shipping and a strong political premise should keep this title moving swiftly and at the top of my read pile every month.

Will every fan be pleased with the story of Iceman as it progresses from here (as it is far from over)? Hardly. It wouldn't be an X-Men story if its fandom all revered it universally. But for me, a guy who grew up watching Bobby Drake on his television screen and wondering (unrelatedly) if he would ever be able to be honest about himself to his family, his friends, and the world, All New X-Men #40 is an important comic " maybe the most important comic " I've read in a long time. And I imagine I won't be the only one with that experience. Here's hoping there's more than a few kids out there today that see themselves in this and know that they can be gay and happy too.

Archie #653 is another great chapter in the classic teen drama that proves you dont always have to use sex and violence to make a book compelling. Its not all going to be rosy in Riverdale, but Id still be able to hand this comic to my eight-year-old niece to read. Thats honestly refreshing.

The introduction to Harper Lodge may come off as a little heavy-handed, and as someone who spends a lot of time thinking about representation and diversity in comics, it may seem unsophisticated. But the reality is, Archie Comics is for everyone, not just the most astute or exposed among us, and the ability for all of us to come together once a month (or more) to follow the characters we love and meet brand new ones with the same potential is a tribute to diversity, too. Heres hoping fans from all paths in life get to meet over a Harper Lodge solo book sometime soon. Ive got my $3 ready for issue #1.

Lots of light fun, without the worry of how Archie is going to explain this craziness to his parents or Principal Weatherbee, Archie #659 is the next single issue I'll be shipping off to all my nieces and nephews to giggle over together and enjoy for the sheer delight of how cute comics can be.

And I could easily say the same for the readers. There is something about an Archie comic, and this issue #665 in particular, that just makes you want to be better. Thats a pretty astonishing thing, honestly. So, until we meet again, Harper in a different place and a different time farewell. Thanks for the smiles, the jokes, and the robot, biplane wheelchair. Its been a wild ride. Onwards to #666.

All in all, if you fell in love with the Batgirl of Burnside, you will find your new home in the pages Hope Larson, Rafael Albuquerque, and Dave McCaig lay out. Batgirl #1 is exactly the feel I was hoping for moving forward, and Im beyond excited to see where the next issue takes our heroine. DC made the right call this time out.

Overall, however, Batgirl #7 is a great jumping-on point for fans, especially YOUNG fans, who want to enjoy the world of a young college student who just happens to swing around at night in a bat-costume. Glad to see Larson has maintained her groove and Wildgoose seems so immediately at home with the title. Its going to be a great ride from here.

A somewhat complicated moral narrative thats getting down to its emotional simplicity, Noble #8, the penultimate issue of volume 2, keeps a lot of the questions I have had in play, but gives a payoff Ive been waiting since issue #1 for. Thomas and Robinson have been building Noble up issue by issue, and at last, were getting some of the joy of the characters coming through, without losing the complexity Ive come to admire.

Its a real pleasure to see the lead book in the Catalyst Prime universe evolve so strongly over the course of a year, and commit itself so much to treating its lead characters as equals. Noble #9 is a great respite, but at the same time, so flush with narrative. A powerful place to rest and reflect on the quality of the book and its characters.

The only disappointment I have with this story is that theres seemingly not more in the pipeline. The DC Universe needs more women like Kass Sage and I am eager to discover where she can show up next.

Rochas pencils are clean and crisp, although neither disappointing nor outstanding with one notable exception. His rendering of the new Blue Devil garb (for as long as it remains simply garb. We shall see!) is absolutely stunning, particularly on the last full page panel of the issue. I came into this comic as a huge fan of one character, but left perhaps even a bit more impressed by the other as a result. Thats a pretty mean feat. His Tobias Whale is appropriately grotesque and Los Angeles suitably grimy, even having silhoutted leaves pepper backgrounds as the equivalent of floating ash. If anything, Id just like to see a slightly more dynamic Black Lightning, reflecting the Olympic level athleticism I believe he still maintains in this brave new world. Nevertheless, this is a brilliant start to what I hope is a bright future for the Black and Blue in the DCU!

In a comic market that is currently at a crossroads " between material aimed at a long-time audience of mostly white men and that which appeals to the ENORMOUS number of women and persons of color that make up the comic-buying public today " Dark Knight III may prove to be a hybrid book that unites both. Or it may be the thing that elicits the fiercest divisiveness yet. I can't tell.

A strong issue that moves the narrative along and opens up the main conflict for the series, Dark Knight III: The Master Race #2 starts to ask the big questions that I hope remain on the table and get answered by series end. What is the best humanity can be? Is it still weaker than the worst of the gods? And what happens when our best example goes away?

As a counterbalance to the more traditional League also under Johns control, Justice League of America promises to provide a very different take on the Worlds Greatest Super-Heroes, and one that could potentially provide even more drama than its predecessor. Its not even just the interactions between heroes who seem to have no business sharing a room with each other, but layers of government shadow work and motivations behind motivations, that I am most eager to see begin to unravel. This series is a definitive one not to miss, in my opinion. Story, art, characters, importance to the greater universe no book is delivering all four of those (in such high doses) as this one does in only its first issue.

As a microcosm for the New 52, JLA and her sister titles are showing exactly what can be accomplished with a fresh slate, a cast of iconic heroes, and a whole lot of carefully laid background intrigue and conspiracy. As a piece of a much greater whole that can still stand on its own, Justice League of America is bringing something new to the table regarding both the heroes and villains, but still making it feel familiar and honest to the characters conceptual origins. Nearly two years in, this is exactly what I want out of DCs leading franchise, and what happens next is anyones guess, as it should be.

All in all, Justice League of America #6 is a solid breather in the wake of a jam-packed introductory chapter. While the issue may not offer too many more conclusive answers to questions already posed, it firmly establishes that this crossover is first and foremost a mystery story, and not simply the next super-hero brawl event of the year much to my delight.

Its been odd that the seemingly rougher team book among the three in the Justice League franchise is the one with the most focused character moments, but it is in fact the one Lemire and Johns are credited with collaborating the closest on. And to some degree, its more fascinating for that fact, as it would be so much easier for the pair to choreograph a few poignant fight scenes and take it home. Justice League of America #7 may not have furthered the mystery of Trinity War to any great degree, but it serves as an admirable and enjoyable second act, as the event wraps up and leads into the next big crisis on the horizon.

A fun, classic super-villain origin without the nasty old tropes that come along with being a woman on the job, Killer Frost is a highly enjoyable read and a real indication that we need to see more villainesses of different types in the DC Universe. Kudos to Sterling Gates for reintroducing us to someone I hope we get to see a lot more of in the coming months. If the ending to this story (and some amount of advance solicitation for Forever Evil) is any indication, Ill hopefully be getting my wish.

More than anything else, with Shadow Thief Im pleased to see another female spy launched on the scene. Its a character-type or role that will always draw me to pick up a title. Where Aviva, of course, differs from an Agent Chase or Tara Chace is in her lack of regret, and perhaps there lies the need to push her over onto one side of the classic hero-villain scenario. As the Shadow Thief traditionally opposes Hawkman, no stranger to an any means necessary behavioral pattern himself, I do wonder though. Could we see this lead character develop into more than a twirly-moustache of doom going forward? If so, DeFalco has certainly given us the bones to make it happen with creative ease.

Overall, a strong issue picking up the threads from two months ago where Trinity War left off, Justice League of America #8 is a great character study for the Manhunter, although left me wanting so much more from Stargirl, the supposed co-star of the story arc. If the next issue is as focused on Stargirl as this one was on the Manhunter, then all my worries will have been for naught. But I am as weary of Courtneys constant second fiddle status in the JLA as she seems to be. Its high time for her to break out the Cosmic Rod and show us what we know she can do.

A true rebirth not just of the League itself, but of that giddy excitement and intellectual curiosity I had as pre-teen holding that other great #1 Justice League of America: Rebirth #1 is an excellent start to a brand new era. Its not 100% clear where this team is headed, but all signs point to greatness.

Justice League of America is a beautiful concept for a League we very much need in 2017, and carries with it a cast that has the beginnings of looking very much like America itself. And for all of its relevancy, Orlando and MacDonald manage to pack in Easter eggs and important references without making the book feel isolating at all. The only hurdle for this teams ultimate success? Artistic consistency. If we can see that even out, there will be no stopping it.

Nevertheless, Justice League of America #11 stands out as a really great moment for elucidation on the nature of queer pain and the insidiousness of the closet, giving the Ray the level of depth he deserves as a shining star for the DCU. Orlando, Edwards, and the rest of the team deserve a round of applause for the sensitivity portrayed, particularly while not losing any of the excitement or building threads of the series as a whole.

A meaningful interlude that reintroduces a fascinating character (Aztek) and shines the spotlight on the very conscience of the League (Ray), Justice League of America #21 is another fine chapter from Steve Orlando, and a great chance to see Stephen Byrne do what he does best: shine.

For those worried that Superman/Wonder Woman was code for a 1960s-inspired Supermans Girlfriend, Wonder Woman, you can rest easy. Soule and Daniel have proven that it is possible, with the right care and smart characterization, to bring these two icons together without diminishing either one. Will this pairing last forever? Most certainly not, Im sure. But in the meantime, Im duly impressed with this bright start. Its certainly the best Ive seen Diana handled in a relationship to date, and gives us a whole new dynamic to consider for both characters. If youve doubted this pairing could work, or were frankly outright against it, Id encourage you to give it a shot. The respect and thought put into these pages by the creators will win you over.

Another solid issue in what is clearly a touchstone for the entire DCU for the year to come, Superman/Wonder Woman #3 may fall short on action overall, but makes up the difference in honest conversation and reflection. Clearly a bridging issue to lead into a larger (likely bloody) confrontation on two fronts, this is a chapter that may make or break it for readers going forward. Im on board for the long haul. Are you?

Ultimately, we may look back at this first 18 months of DC Comics Action Comics relaunch as a bold experiment that only resulted in a small number of successful moments. Much like Superman himself, struggling to find his way in the early days of his career, this titles been a bit rough around the edges, but offered some brief glimpses at something great. One can hope in retrospect that the intensity of those particular moments made it all worthwhile.

A great jump-on point for fans of Superman that may have been missing a little bit of the Smallville in their Clark Kent, Action Comics #25 gives us a brief respite in the past without distracting the audience with unnecessary tie-in elements. This is the kind of event we should strive for more often.

And that's what Action Comics #40 is destined to be, that comic that you just can't put down. It's the one you give your kid so that she'll secretly stay up hours past bedtime with a flashlight under the covers, imagining what it would be like to live in a world where up is down, and the moon really is made of cheese. Pak and Kuder have captured something incredible here, that blends what was so great about this concept in the first place, without losing sight of their own accomplishments with Superman over the past two years.

A slower start than weve gotten in previous issues but an interesting development nonetheless for the series secondary protagonists Astonisher #4 is still weaving its central mystery, and giving us great characterization as it does. de Campi and Mhan have been slowly building Sasha, Adila, and company, while accomplishing something of an onion peel on Magnus, and the inversion of the traditional hero formula in that sense is keeping me waiting for the next issue for more.

De Campi has pulled out all the stops this issue with a chase sequence that feels consequential, happening to a set of characters that seem assembled for a reason. With an art style that suits the book much more in my opinion and an incredibly dope cover by Cully Hamner Im damn pumped to see where this sort-of X-Files meets Cloverfield adventure story goes next.

Volume 2 of Astonisher is already off to an impressive start, with De Campi and company firing on all cylinders in terms of character and emotion. Its a far greater foundation for a book thats delving into issues of mental illness than a lot of what drove along the early issues of Volume 1. With next issue moving into training, I just hope that we get to see Magnus, Sasha, AND Adila in action. (Psst. And maybe Isabella? Because she is fantastic.)