With DC Comics' Rebirth event on the very near horizon, I question the choice of publishing this title as executed, especially when solicits make it clear that SO many books of MUCH higher caliber have already been doomed to cancellation. Bloodlines #1 reads like the type of vapid fanboy wank that almost drove me out of comics as a teenager, and its presence in the publishing line at this moment is the first major fear I've had about DC's upcoming “new” direction since their WonderCon announcements. I want to believe that this is an aberration and not an omen for the day DC returns to servicing its “loyal longbox readers.” Enough of the creators involved in that movement give me hope for the former. But I can't say I'm not far more skeptical after this Wednesday of what's to come.

With the next issue crossing over with Talon (a book I have been enjoying quite a bit), Im pretty torn about where to go next. Should I keep the title, holding out hope that the book featuring some of my favorite leading ladies gets back on track? Or should I drop Birds of Prey, knowing that nothing changes so long as readers continue to reward poor creative decisions with our dollars? Im honestly torn.

This one is a real shame, and not because I wanted Betty & Veronica to be something its not. I was expecting conflict. I was expecting women who literally cannot get along to save their lives. But I expected it to be as well-thought-out and progressive as Archie Comics entire line has been since their revolutionary shift several years ago. And I expected Hughes to not disrespect his characters into the background, only to expose them as objects for a puerile gaze. Heck, I expected it to be about the characters named on the cover. This issue failed on all three accounts.

Edwards is competent at depicting the script as it progresses, but Im not seeing a wide amount of creative license with this bold new world the team has landed in. Backgrounds, when drawn, are fairly plain and most facial expressions are nondescript, even in the lead characters. There are a few panels of greatness in this regard, including one where the son of the Hulk gives Moonstone a bit of shout-spray to the face, but with no follow-up in dialogue or gesture, its almost a wasted effort. After experiencing so many great titles in the last two months from the House of Ideas and seeing my pull list shift in their favor for the first time in a decade, Dark Avengers unfortunately cant come close to competing with its restarted brethren. The potential may have been there for something new and NOW!, but I'm not seeing it fulfilled in this issue.

The illustration is gorgeous, of course, but at the end of the story, I'm left wondering what it is I just read, and whether this makes me want to read more. And sadly the answer is no. I'm actually less likely to pick up Infinity as a result of this effort " the exact opposite of my reaction to Captain Midnight, a book I probably would have ignored if not for its feature on this special day.

Dont get me wrong. Heroes in Crisis #1 isnt a gimmicky comic. It doesnt feel exploitative. Its far worse than that. Its left me with utter indifference. And I dont imagine that was the goal for DCs next blockbuster event.

In short, they would have done mostly the opposite of what they pushed out here. This is hardly a rebirth of anything except the very book readers full-scale rejected at the start of the New 52. And in a line full of Rebirth specials that have gone well out of their way to recapture the best in DCs history, its sad to see one so focused on reliving the worst.

If I judge this Justice League International #1 so harshly, its because this book had a lot of potential and even more fans of an era that have been left with something less than stellar as what could be our very last shot at reading the lives of these characters we adore. If this book was about the L.A.W. or the Ravers or Team Titans, I likely wouldnt be as disappointed. But this is the Justice League International. Full stop. And its just too ho-hum for that crowd. Not a Bwah-ha-ha in sight this week.

Ultimately, Im underwhelmed by the story and art, but the real sadness is that I didnt get to see the Legion of Super-Heroes again even just to say my goodbye. I got a facsimile that didnt live up to how great these characters were in their day. But, to be fair, this team isnt the first to give me that. At this rate, they probably wont be the last either, until DC decides to fully revise the concept from scratch or finds that perfect magic that is one in a million. Heres hoping for the latter.

A compelling premise that completely misses the mark in characterization, Damian #1 is unfortunately not bringing back any shadow of the boy we all fell in love with, but regressing his development even as the years have passed. Could it simply be an imaginary story? Sure, but this isnt my Robin, and who would have thought Id feel that way for these reasons not so long ago?

Early on, I was critical of Marvel NOW not renumbering some of its female-centered title launches to benefit from the massive sales opportunity the program could provide. Now, Im fairly certain that was a wise choice. This is definitely not a jumping-on point for the uninitiated. A new #1 would have been much more misleading than the marketing already was for this title.

That said, Johns more than pulls his share of the storytelling weight, making Aquaman #15 a chapter not to be missed in this developing saga. The tale of the Sea King and his fearsome bride has never been this compelling, and any possibility to get these two back among their underwater brethren to lead or do battle is a very exciting prospect.

I say these questions are frustrating, because some of them I have answers for, and some of them I still cant conceive of. Some I will never understand. Im not thankful to Aquaman #44 for raising these issues, because clearly, were still always engaging in them. Today. Last month. For years and years and years. And sadly, I suspect it will be years and years more yet. We didnt need this here. It smacks of disrespect for women, and perpetrates the idea that consent is negligible at least if youre a man. And thats not OK.

A missed opportunity that neither wows nor shocks, Convergence: Justice Society of America #1 is a far too long lead-in to a story I now dont have as much confidence in as Id like. The core of these heroes is missing, and its not because theyre old necessarily. Its because the spark that made them what they are is gone. And thats almost worse than not having them back at all.

With the upcoming slate of Secret Origins focus characters including Batman, Aquaman, Starfire, Green Lantern, Batwoman, Tim Drake, Harley Quinn, Green Arrow, and Damian Wayne, I wonder how long DC anticipates running this series. With very few remaining A-list characters Wonder Woman, Flash, Hawkman, Batgirl, Swamp Thing, Lex Luthor, Catwoman, Constantine, and (maybe) Lobo I have to wonder. I always hate reviewing books on the merit of what they arent, versus what they intrinsically are, but at the end of the day, Im not sure theres enough story being provided in this format to keep my interest.

Not enough of a character study to forgive the light plot, and not enough plot to offset some weak character traits, Trinity of Sin #1 is not the remarkable thought-provoker that so much of DeMatteis work to date has been. If anything, a more non-traditional approach, particularly in the art, might have transformed the story of these three historic menaces. Unfortunately, this one didnt do it for me. Heres hoping your luck with it is better.

As nice as it was to see these particular heroes in action again in their younger forms, that just didnt feel like enough to make for a strong read. Convergence: Infinity Inc. #2 is a great footnote to the history of Earth Two, but as an adventure all its own worth getting excited for, it falls noticeably short.

Fans may have complained of late that every Earth 2 character hasnt had an opportunity at the spotlight, but clearly giving them all a shot at once isnt paying off. My hope is that this issue is merely a status quo prelude, and we can concentrate on each story arc more intently and with more pages than one or two at a time in the weeks to come. Theres a widescreen story to be told here that could amaze, but the stakes are going to be meaningless if I cant connect to the characters.

Like I said, its hard to look away, especially when something you love is whats laying underneath all that rubble. But the sight is not pleasant, and my true hope is that one worlds end leads to a better one tomorrow (or this June, as the case may be).

For a new title launch at issue #1, Telos unfortunately fails in its most basic mission: capture the readers interest with a solid foundation and get them off on the right foot to want to learn more. King clearly is relying on a readership that already has an investment in Telos journey, and time will tell whether that readership actually exists or not. Either way, this is a pretty gorgeous piece of work from Paguyalan and company. The question is, is great art enough to keep me coming back?

One of the weaker starts Ive seen from either a Dark Circle or Archie Horror title, The Hangman #1 has a really classic premise to work with, and the idea of a literal hangman taking on this sacred role is a brilliant one, but the execution here still leaves me wanting. No pun intended.

The reality is, theres a million ways to make a powerful female character sexy, or even sexual, without making her into an object, but Im not sure the bulk of these creators are getting that. Vampirella grew out of an era of storytelling that embraced female sexuality, often in really interesting powerful ways. One only has to look to Barbarella or Rocky Horror Picture Show to imagine how much stronger a character she could be if given a chance. And THAT would be something to celebrate.

High expectations led to low satisfaction in this case, as Worlds Finest Annual #1 took what should have been a special event along the lines of the Silver Age annual crossovers of worlds, and made it into a story that could have been told anytime, and with little fanfare. I, like many Earth 2 fans, want a deeper look into what made the Huntress and Power Girl who they were before their recent travails not to mention clues about the world of 5 years ago and unfortunately, I came away with little to none of that. Heres hoping the next flashback opportunity can dig a little deeper.

Incidentals is still a bit rough for me, especially by comparison to some of its stronger peers in the Catalyst Prime universe, but issue #5 is a step in the right direction. With a clearer narrative and more succinct art, I suspect Ill be able to invest a bit more in the flock of characters at play here. Not quite feeling it yet, though.

Theres a ways to go for me to feel like The Incidentals can live up to the promise exhibited by much of the rest of the Catalyst Prime line, but issue #6 did have its moments that glimmer. Heres hoping more and more of those shine as volume 2 of the series continues.

Going into the latter half of this volumes story, Im looking for more of the best and less of the disappointing for these characters. Id like to say that I think they deserve the effort, but Im not entirely sure yet. Incidentals has remained almost a complete enigma, and not one Im dying to unwrap. If anything, its just frustrating to date, especially in comparison to its peers in the Catalyst Prime Universe.

Akins does a great job of maintaining the flow of this particular story in Cliff Chiangs absence. I must commend DCs editorial team on recognizing the need to maintain an artistic vision even while giving the main series artist a chance to get ahead and keep schedule. Akins may not live up to Chiangs crisp perfection across every single page, but there are some penciled moments in #13 that absolutely stunned me. The introductory three pages (somewhat still a bit of mystery although as with many of Azzarellos subplots, I have my own theories to their revelations) are beautiful beyond words, and set a foreboding tone for the months to come. Surely, nothing this past year has been easy for Diana, but I suspect the family drama is far from over. All the better for us.

A very well-done single issue that not only managed to shed deep and significant light on a villainess sure to be taking the spotlight soon, but also reintroduce a fan favorite to the New 52, Wonder Woman #23.1 is not to be missed. Ostrander is still, years after developing some of DCs most compelling villains in Suicide Squad, at the the top of his game, and I cant wait to see where he shows up next for the publisher.

A very disappointing start to a new run that fails not by comparison to its predecessors, but by its lack of understanding of Dianas basic nature, Wonder Woman #36 infantilizes DCs most powerful female character at the very moment her strength and maturity should be shored up. The tension on the island is a strong plotline, but its unlikely Ill be able to follow it through. The creators here just arent giving Diana her due.

Im not going to sit here and list all the ways that David Finch could have drawn that scene that could be better, or that Meredith Finch could have written the reintroduction of Donna Troy that would have made me happier. Its not my job (or right) to rewrite the stories I dont like. What I can say is that its possible to tell this same story and not have its female leads presented as vacuous dolls for dramatic effect. A choice was made here, and it was most certainly the wrong one.

Ultimately, Collider #1 suffers from what is probably just a slow burn and lack of detail that I think makes it difficult to latch on to the new series. In a market that relies on immediate fan buzz to propel continuing sales (especially for creator-owned series), this seems like a critical error. A brilliant idea not fully executed for an immediate hook, Im unsure whether Ill be coming back next month. Time (and space) will tell, I suppose.

A great starter for kids looking for some visual fun, but maybe not the best title to try out for sophisticated characterization, Accell is hitting a few bumps in the road for me with issue #7. Its mid-arc, so I am optimistic for where things can go, but for now, Ill probably look for innovation in some of the other Catalyst Prime titles.

A lot is riding on the next issue of Accell for me, as we will see a conclusion to the second arc, and see more of what Altheas involvement can mean for the hero. But with this chapter, there are enough thrills to keep me turning pages, but not all page turns are equal as the narrative moves from action to exposition.

As Accell enters its third volume in May, Im not feeling all that confident about the narrative being able to extract itself from the stereotypes its employed to date, no matter what developments arise from exploration of the stream. But any movement in the direction away from the spoiled, jealous girlfriend trope would be a welcome relief.

I admit, impatience is a vice frequently exercised in comic book reading today, as arcs have gotten longer and longer, and one I just as often find frustrating inflated reader expecations. But when a book is marketed as the next big event, I do admit to wanting some reward for my $3.99, some cliffhanger reason to jump to the next issue. And this issue just didnt provide it. I hit the final page and was sincerely shocked that this was all there was. And thats not what event should mean in any sense of the word. Is it possible those moments I seek are in issue #2? Absolutely. And I suspect as a collection or chapter in a long form graphic novel, this would read a million times better. But as a biweekly comic upon which the greater publishing line orbits for the next few months, Age of Ultron is off to an inauspicious start. Im not sure Ill be sticking around to see if it turns around.

A story that has finally come together and seems to have real ramifications for the greater Marvel Universe (not too late to reboot, kids!), Age of Ultron is now living up to the potential that these type of events promise, and Bendis craft is shining through as a result. Very eager to get the next issue next week.

The resulting combination of the two artists' work is not only beautiful, but curiously may express more about the story's main character than the script itself.

Like a few of the Convergence mini-series that didnt fully captured their era, Catwoman #2 is a good story. Im just not sure it represents the full scope of the event as it was pitched to fans.

Overall, Doctor Crowe seems his most intriguing when we get to watch what he does and the critical result rather than hear his narration for what needs to be done. Its part and parcel to creating the suspense that these types of stories excel at. But given the relative success of the third chapter here, and the really curious design and set-up for Doctor Crowe himself, theres definitely reason for readers to return for more dark adventures.

As a first chapter in one of three spin-off mini-series to the Forever Evil main event, Arkham War falls short of the excitement generated by the mother book, and so far isnt showing much sign of being more than a villain versus villain fight book. Heres hoping the next chapter gives us a bit more of a peek into the mastermind thats interested in overthrowing the lords of this city, and why. It could go a long way toward making this a book worthy of its place in the overall crossover.

A decent space adventure story that leaves us on a cliffhanger which may or may not get picked up next month, Green Lantern Corps #23 is clearly putting John Stewart in some well-deserved limelight, but perhaps not showing off all of his best features and potential. Hes not the agent of his own rescue nor more than a vessel through which his erstwhile girlfriend can move at will. Heres hoping for a more active Lantern in the months to come, as new recruits (in-story and in real life) can use a little more to look up to.

Ultimately, the difference in presentation between the two stories leaves me in a quandary. Should I ride out a few issues to see which narrative style ends up dominating the book, or do I cut my losses from the first story, giving up potential tidbits of comic excellence along the way? What say you, readers? What is the far, far better thing to do?

It may be a slow start overall for the mini-series, but theres plenty of room to grow. I'm glad to see DC committed to this family of characters, as The Ray mini-series was one of 2012s rare reinvented gems. One hopes that this series, when complete, stands up as well. I definitely see the potential.

Andersons pencils seem similarly perfunctory, not really capturing the terror, eeriness or danger that this story really could have used to heighten its drama. As it stands, the story just sort of happens on the page no grit, no grime it just is. After absolutely loving DiDios previous run on O.M.A.C. for its bombastic, jump-off-the-page ridiculousness, Phantom Stranger unfortunately really fell flat for me. And for a book that undoubtedly has important ties to many of next years universe-spanning events, the disappointment is easily doubled. Not a great start for the New 52s Third Wave of titles. Heres hoping for better next week.

Im far more intrigued by Phantom Stranger than I was after its initial offering, and with the promise of ties to Justice League, Pandora and the future Trinity War event, I feel Im definitely settling in for the long haul with this series. The potential repercussions for the Stranger, whether he rids himself of all thirty pieces of silver or not, have my mind reeling already. And with high profile victims such as the Spectre and Raven able to resurface in the DC Universe at any time, the time will come when this so-called sinner will have to answer for his betrayals all over again. Im ready when they are.

Ultimately, while the goal behind Batman, Katana, Deadman and the Strangers impromptu travel in the world beyond life is left unfulfilled, the journey to get there was very pleasurable. A tie-in issue well-worthy of inclusion with the main Trinity War series, Trinity of Sin: Phantom Stranger #11 sets the character up for his own disappearance in the wake of Villains Month, and, should he return, quite the conflict with heaven on his hands. October cant come soon enough.

Unfortunately, Poison Ivy: Cycle of Life and Death #2 shows that a good story and good art do not always add up to a good comic. The curation of the creative team is the issue here, not the effort put in. And sadly, no matter how you feel about Ivys characterization, change is going to go over much better everyone is working toward the same goal.

If youre going to have parallel running versions of your popular characters, its important to distinguish them from each other. Thats part of the magic of Afterlife with Archie, and while no one can expect Riverdale to move that far from the source material, its not unfair to ask it to mirror that which shares its name. Riverdale #1 is an okay Archie comic book, to be sure. But its not a great adaptation of what fans have come to love watching every Thursday night.

A good, but not great, start to an entirely new era of adventure for one of modern comic historys standards, Switch takes the legend of the Witchblade what it means in the comic and in the hearts and minds of comic readers and turns it on its head. The more we see Mary taking control of the legend, the more I want to see some of that legend let go in favor of building something new. Heres hoping that balance gets struck quickly as the series progresses.

Had DC not taken the entire month as an opportunity to expound of the events of Batman Incorporated #8, perhaps the events of this issue would have a stronger effect, but as it stands, many of us feel as cold to the death of the boy we cried for weeks ago as his warring parents appear here. Heres hoping the compilation will ultimately redeem this chapter more than its read as a single issue has.

Far from a perfect package, Batman: The Dark Knight #23.4: The Jokers Daughter may not be an excellent example of a short story, but as a character study it succeeds in introducing to us a new type of evil. Reflecting a whole lot of the anger and oppression that young women still feel to this day abstracting it to a degree that eliminates any smell of an after-school special the Jokers Daughter is definitely of a different flavor than the Joker himself, but manages to capture that real sense of chaos. Whether I will continue on with Catwoman is a question to ponder for the following month, but for now, I am well pleased with the introduction this character got for the DCU. It seems like the potential to generate real fear and confusion is living up to her name.

Perhaps a book best suited for fans of the Western genre that arent particularly fond of the theater, Django Unchained is a good comic, but maybe only a fair adaptation. Its a testament to Tarantinos writing that the book works as well as it does, but ultimately Im not sure, as a fan of the movie (and I imagine the actual intended audience), its really hitting its mark.

A warm start to a series Im curious enough about to continue, Dragon Age: Magekiller #1 may be a bit of an uphill battle for me. But with Ruckas involvement and some of the artistic nuances Im already seeing here, I think it will be worth the read.

An interesting start to a book that could have great potential, particularly in giving Vertigo another fascinating female lead character, Effigy #1 does some really strong character work. Im left waiting for a bit more of the plot to hook me in issue #2. Knowing the pacing a lot of Vertigo titles take, Im pretty confident Ill get what I need to latch on soon enough.

A preface that feels only that, Green Lanterns: Rebirth #1 is a solid start and delightfully rendered for its second half. Where Humphries and his art teams take the book next is the true test, but the bones of a great new adventure are here. Time to build a new era of Green Lanterns.

Justice League: Rebirth #1 isntt necessarily a bellwether for the series as a whole which Hitch isnt illustrating himself but it also doesnt do much for me beyond providing another vignette to say, ok, this is the Justice League. It serves a purpose, I suppose. Heres hoping, like Wonder Woman or Supermans own Rebirth specials, the first issue is just a warm-up, with the real meat of the series coming with issue #1 in two weeks.

Ultimately, Lobo is well-characterized throughout even if other characters remain more one-dimensional in his presence, but heres hoping as the series progresses well get a richer cast laid out in front of us. In the meantime, its pleasant to see that Bunn has such a strong vision for what this (new) character is going to be about and the type of worldview hell inhabit. Im looking forward to seeing his Lobo branch out and meet a bit more of the DC Universe. Jonah Hex, anyone?

Some creative issues aside, what isnt in question here is that Miss Fury #1 represents the start to what could be a rather unique plot for a character whose significant reintroduction is long overdue, especially in a comic market currently experimenting with female led titles to a significant degree. Ill certainly be back next month to see where that final page leads our erstwhile heroine next.

If youre looking for a visceral experience of dream and fantasy on the printed page, look no further than Nameless #1. Burnham and Fairbairn are delivering like youve never seen them do before. But just dont come in expecting questions to the answers Morrison is laying out here. I think, for me anyway, too much of the genius (and there is genuine genius behind this title) never reaches the page itself.

While this first issue certainly provides enough story to get any newbie (like myself) into Quantum and Woody with a fair amount of curiosity to spare, my hope is that what were getting here is simply a warm-up to characters who have never been handled to any great degree (and not for many years, in fact) by anyone other than their original creators. Like lukewarm TV pilots that can eventually lead to knockout hit series, the kernel of a great book seems to be in here. Just how long it takes to fully evolve is the big question. Given Valiants recent track record with title launches, however, its likely worth the wait.

A re-envisioning of the teen hero that far exceeds any attempts at the Teen Titans over the past 20 years, Teen Titans: Earth One is the reboot Ive been waiting for one that respects my favorite incarnation without being a slave to its mythology. Lemire has built the beginning of a fantastic new story here. Volume 2 cant come soon enough.

This may have been a well-executed teenage adventure story, but its not a Teen Titans story, really. And thats a difficult path to take by comparison to the other three properties in the Earth One line. In this case, its just not paying off.

It appears that the next issue leads with action, so all of this could turn on its head in an instant, and I think theres little doubt Valentine and Medel are up to the challenge. I may not have been hooked by the first issue of Xena Warrior Princess, but neither was I turned away. 30 days more, and Ill be back for sure. It would be hard to pass up a book with this creative team, or with queer leads both all but guarantee my attention and determination to settle in and get to know Rome just a little bit better.

There's a lot more that could be said about the introduction of Blackness as a device in this issue, or the pleasantly surprising expanded cast that harkens back to more of Steve Ditko's original vision for the inspirations behind Watchmen. Without spoilers, it's difficult to dive in too deeply on some of these details that are sure to grow and expand in future issues. But my hope is that this series, curious and aesthetically pleasing as it is, will touch on some of them in a way that will resonate more deeply than they may have in the fleeting glance of a first issue.

This could be just another way of saying Geoff Johns and Gary Frank are messing with the integrity of a classic story. And a lot of comic book critics probably would. I'm not so sure I agree.

Another great set of stories in a series that demonstrates just how versatile a character Wonder Woman is in 2015, Sensation Comics #8 delivers heart, soul, punches, and laughs. And wrapped in an insanely gorgeous Jae Lee cover, this issue is far too awesome to pass up, for yourself or for the young one in your life.

All in all, Sensation Comics #13 is a strangely constructed tale that pieces together some beautiful artwork in strange ways, and leaves me very confused about the message that the writers version of the Amazon Princess is meant to impart. Theres some very good things working here, and some straight-up wrong things. But in either case, I can say with confidence that Im not left indifferent.

We Are Robin! #1 isnt the strongest first issue one could hope for, but there is a lot of potential to the idea of all-new, racially diverse teenagers making the Robin name their own. I want this book to succeed, but it will need to coalesce its character work much faster and deeper going into issue #2 to keep my interest.

Will I feel as compelled to follow We Are Robin once the focus returns on multiple characters and the regular series art team is back in the saddle? Im not sure, but I do feel like issue #4 was the break in the action I needed to get up to speed and appreciate a little of the psychology behind the book. Bermejo and Harvey have taken us into the books premise in the most thorough way Ive seen so far, and left us with a feast for the eyes and mind in the process.

A strong opening to what is somewhat of a momentous occasion for the King of the Seven Seas, Aquaman and the Others #1 has launched with a mystery worth coming back to and a cast with unlimited potential. Glad to see DC continues to take risks in developing new ideas and characters. This is one arena where the effort has definitely paid off.

An exceptionally clever introduction to a villain with a ton of promise, Batman Annual #2 is a fantastic start for new writer Marguerite Bennett and a pleasant diversion from the overarching story Scott Snyder will be telling in Batman for many months to come. While the art within is not as spectacular as we are used to seeing month to month in DCs marquee title, fans of new and twisted villains for the universe at large will find a lot to love here.

On the other hand, what isnt cheap in the least is the masterful artwork by Jae Lee. The amount of texture and depth in the details of every drawing is simply astonishing, particularly in contrast to his likewise shrewd use of silhouette. Moments of action and contemplation have equal power, bursting not out of the frame but almost forward into the readers field of vision. Page layouts are in perfect balance, every one a work of art in itself. Even if the book was poorly written (and it definitely is not), this one would be a must read, if only to drool over every spread.

A fun, fast-paced issue that proves there is plenty of value in mining some of the fun and funny out of DC Comics, Bizarro #2 is the book youre going to read before going to sleep and then hand off to your kid to read at the breakfast table instead of the back of a cereal box. Corson and Duarte are bringing what is hopefully the first of many, many books like this from DC Comics. And thats not Bizarro-speak at all.

All in all, Captain Marvel is an excellent start to what I hope will become a core title for the publisher, one which reflects its mighty history, but charts a new flight path for its future.

With every issue, Im enjoying the interplay of Jonah and Kayla more, and Superb #6 does not disappoint by that measure in the least. And after years of reading teen heroes who act and talk like they just finished refinancing their second mortgage, Cosmosis and Amina are definitely capturing my attention and imagination.

Superb #7 is a bridge issue for the second arc, to be sure, but there are enough important moments to make the reader sit up and take notice. And given the state of politics the last few days in this country, its pretty nice to see a(nother) world where the kids are right and the adults maybe the adults need to take a backseat.

Howard, Walker, Height, Martinez, and company are delivering a remarkably consistent narrative with Superb, but the book as a whole would be better served with a lighter touch on inks, and an attempt at more consistency from page to page. That said, nothing beats motherfucking Abbie with a grenade-launcher, so I take my pleasures where I can get them.

With the close of volume 2, Superb remains one the most consistently enjoyable, and best written, books of the Catalyst Prime universe. As it seems volume 3 will be moving the book to date a universal outlier closer to the central conflict of the line, Im excited to see where the combination of A+ teenager characterization and broader universal connection will take Kayla and Jonah.

At the end of the day, my connection to the dynamic duo of Huntress and Robin is pretty far removed, but it was nice to see one piece of major resolution come out of the story for those fans of the original. It was even nicer to see that that moment wasnt the be-all and end-all for the storys success. That alone puts Convergence: Detective Comics #2 a bit ahead of some other offerings this week.

In terms of the final page, and the spoiler we all pretty much expected anyway, it would be easy to write off Convergence: The Atom as a story to just quickly right an egregious wrong: a continuity fix and no more. But the story is fun, and the telling light-hearted, and that sets it apart from some of the other more serious endeavors this week.

Ultimately, its nearly impossible to judge a book like Fables #150 against any other final issue, as weve never quite seen a conclusion like this before. It certainly reads as a true celebration for what this series accomplished. The final moments may not feel as compelling as many of the ones that got us to this point, but looking back, its a good place to stop and close our eyes and dream of it all over again, chapter by chapter, book by book.

Theres a lot going on in this issue, and it may suffer a tad from first act set-up requirements, but Gates is opening up an entire world weve never had at DC before. The possibilities and convergences being constructed here play strongly into the Forever Evil event, but likely have ramifications that will play out for years to come. Get on board now and see what comes up for Trevor, Frost, Light, and more. Youll be glad you did.

A really beautifully rendered first issue for any reader looking to indulge the classic fantasy hero story many of us grew up on, Sirens #1 is the start of a new set of adventures for George Perez. I, for one, couldn't imagine not going along for the ride.

Notos exquisite pencils throughout render an unquestionably beautiful woman without even a hint of objectification no easy task given the characters slightly more buxom artistic origin in the early 1990s. The fine line and shadow combinations Noto has become renown for over the years serves Ghost well, rendering a severity to her character without resorting to a hardening of expression. Capturing a wide range of facial emotion and body language that complements DeConnicks subtle narrative style, Notos pencils may at times appear simplistic, but they are deceptively so particularly on the last full, hauntingly beautiful page of the issue. Ever crisp and clean, but no less emotionally charged, his controlled sketch style and muted color palette set a remarkable tone for the four-part series. Ill definitely be back for more next month.

Cops. Noir. And a big freaking ghost of terrifying justice. It doesnt get better than that.

A smart sidetrack to the ongoing series adventure, Grayson Annual #1 shows more than even the monthly so far just how much potential lies in telling these tales of deception and spy vs. spy have for the DC Universe. Seeley and King have found that perfect balance of knowing these characters deeply and understanding under what conditions this type of story would work. And it does, magically. We may not fully grasp Helena Bertinellis or even Dick Graysons choices, but they make sense and inspire me to want to keep digging deeper. More than anything else, thats what will bring me back month after month.

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A fun first issue that pairs the most diametrically opposed leading ladies in comics and makes it work Harleys Little Black Book is off to a great start. The rare treat these days that is Amanda Conner interior art makes this issue one that should jump off the shelf and into your hands. Heres hoping future team-ups are as fulfilling as the first out of the gate.

Hinterkind isnt the most original concept, pulling elements together that have been central to such other books as Fables, Sweet Tooth, and The Hunger Games, but it seems to be founded on strong characterization. Where Edginton and Trifogli takes the series is what will determine its success. Looks like its off to a great start!

While Im not entirely sold on the storytelling potential of this latest addition to The New 52, I can absolutely, unapologetically recommend this title on the basis of its art alone, even after one issue. My hope is that as the narrative progresses, well see a little more clarity in direction and this book will be a standout for DC. We need more titles focusing on female leads, not to mention one with a woman of color at the forefront. Im willing to give Katana a shot to live up to its potential.

The only sincere disappointment about Kim & Kim #4? That its the last scheduled issue. And for no good reason that I can see. As it is one of the shining stars of Black Mask Studios recent line-up, I think a second (indefinite) series isnt just called for, its mandatory. Magdalene Visaggio, Eva Cabrera, and Claudia Aguirre have a great thing going here, but I cant help but feel its only the beginning for the creators, of course, but for new fan favorites Kim and Kim as well.

An elegantly illustrated first issue, in what will amount to an even dozen before the inspirational novel is fully adapted, King Conan is off to a well-honed start that is likely to please long-time fans of the genre and the legend of the Barbarian. Results for the casual reader may vary, but theres no question theres enough beauty amidst the panels in these pages to please almost anyone.

Ultimately, the biggest regret I have about Larfleeze #2 is the relative background nature of the title character to this chapter, after the first few pages. As curious as I am about the world this weird anti-hero is going to inhabit, I definitely want to experience it through his eyes, however much of an oddity that experience may be. Thats what will set this title apart from being just another strange adventure to something weirdly cool and unique for the DC Universe.

A solid issue, and one that will bring me back next month for more adventure, Legion of Super-Heroes #18 may just be one piece of the puzzle that puts the heroes of the 31st century back on track. With yet another hero possibly meeting his end in this issue (what is it with those initials?), its definitely worth jumping on for the ride to see where it takes us.

In the end, New Suicide Squad #1 has a solid foundation upon which to grow, even if it didnt wow me out of the gate. If the dilemma of the Walls new situation is expounded upon, and the team dynamics unravel a bit, this could be a really compelling book. For now, it boasts some wonderfully clean art and a cast of characters with real potential. Time will tell if the book can be more compelling than its premier chapter would lead me to believe.

The yo-yo effect this book has had to date (great art/lackluster story, great story/lackluster art) leaves me a little worried about what Ill encounter in the next issue, but if youre a fan of the characters particularly Black Manta New Suicide Squad #2 is worth the pick-up. Well just have to wait and see what shakes out in two months time with issue #3.

An excellent jumping on point for what I hope is not just a fill-in story, New Suicide Squad #17 is the book you can hand off to anyone excited by the recent trailer, or fans who just want to experience something exceptional in comic book art. Ferreyra and Seeley are surely at the start of something fun and beautiful here.

As an introductory issue, New Super-Man #1 does a good job of setting up the characters, motivations, and scenario behind the development of this new breed of government hero. My hope is that as the months go on, well get to see more of the differences between Kenan and his American counterpart Clark, and not simply develop a second universal Man of Steel. The cultural differences, as well as Kenans own personality, are far more interesting to me than just seeing another Superman on the racks.

But in any event, Higgins, McCarthy, White, and Cowles are driving a narrative that thankfully surpasses conflation and moves into more morally grey territory in thought and action. The real challenge will be living up to the promise of that kind of philosophical grounding as a story worth attention, discourse, and debate.

Overall, Quantum Teens Are Go is probably not a series designed with my current sensibilities in mind, but its technical proficiencies in writing and crystal clear point of view make it a very worthy read, particularly if you are still reeling from those moments of childhood where you wanted to leave more than anything. If you had a super happy, was sad to leave for college, prom queen-type childhood, Im not sure Sumesh and Nat are going to resonate for you. But man, if you ever wandered about counting the day until you could get out of your backwater town, pick this book up. Its going to echo in your brain like a quantum tunnel.

That said, my one disappointment in the matter of the elusive new reader friendliness is that this is not, in fact, a #1 like most of Marvels upcoming launches, but a #58 continuing the previous Hulk series with a new name. Petty difference? Maybe, but it still leaves me with the nagging feeling that Im a few years behind already. That, or that Marvels not really as invested in this character as they could be, so why should I be? Nevertheless, Red She-Hulk is definitely worth checking out if youre a fan of strong, smart women red and green alike going all out and busting heads across the comic page.

As a story in itself, Sonic BOOM #1 is not going to appeal to adults and kids equally, the way an issue of Adventure Time does, but it is a great gateway book for youngsters to a whole host of things their parents have enjoyed cartoons, comics, and video games. The script will make them laugh, the art will keep them excited, and the twist ending will make them gasp. What could be better than that?

A great look into the personal life of Dex Parios that might not be the best place for new readers to begin, Stumptown #1 is certainly a welcome sight for longtime readers who have been waiting for the series return since the end of volume 2. Im ready to settle in for the long haul for sure.

All in all, War Crimes is a comic Id hand anyone interested in seeing a quintessential take on the Suicide Squad, assuming I couldnt put hands on my original issues. Where the book lacks a bit of depth and fresh nuance, it makes up for it in reminding me just how special John Ostrander with his hand in the Squad really is. Lets get more from the man and these characters, stat. Im dying to dive back in all over again, and I doubt Im alone.

As difficult as the format for this issue was, Orlando and Lupacchino delivered a sound starting point for getting to know Supergirl all over again. I cannot wait to have issue #1 in my hands, if for no other reason that I can begin to see the seeds that are planted here break the surface and start to reach for the sun. I have a feeling were going to be seeing this book flower like we havent in ages.

A fun short story that, ironically, brings Clark Kent down to earth, Superman: American Alien #1 is a well-meaning one-shot that feels like its on the verge of greatness. But its not quite there yet. What does scratch at the surface, however, is the final two-page spread of the issue a story all its own by Landis and artist Matthew Clark detailing in artifacts some very interesting facts about Jonathan and Martha Kent. I would recommend this comic if only for those two pages. Its a wild pastiche that opens up worlds of stories to be told. And thats pretty damn exciting for a mythology with over 75 years of legend already.

The potential for a really challenging and entertaining piece on Supermans sexuality is intriguing, and this series would be the perfect vehicle for such, but the end result does not match the honesty Straczynski seems to be able to write into the rest of Clarks character. That said, for a solid read into Clarks conflicting emotions about his place in the world, and an undeniably gorgeous book, Superman: Earth One continues to merit a spot in my read pile.

By far the best of the three volumes to date in the Superman: Earth One series finally bringing the Man of Steel up to par with the two other subjects in the novel line volume 3 gives us everything to love about Superman from top to bottom: a charismatic hero who is strong without being perfect; a set of relationships, complex and compelling, that fill out who the man under the suit is, and more; and an engaging adventure that has real world resonance without losing itself in the darkness. Bravo, gentlemen. Youve brought Superman home to Earth One.

A palette cleanser perhaps, ultimately this issue felt a little too much like action just for the sake of plot advancement, over that which has been driven by character motivations to date. Maybe its a necessary evil to get the characters where they need to be for the next stage in the books evolution, but Im eager to get back to some quieter albeit snarky moments. Whats so sinister about these characters is not their ability to cut a swath across the worlds army or technology, but their propensity for undermining and controlling it before it ever even comes to light. Genius, we have seen, comes in many forms, but it rarely comes unprepared. That said, even a down issue of Manhattan Projects would rank near the top of my read pile every month. Theres too much sick delight inside for it to land anywhere else.

A good start to a book that may face some challenges along the way, Turok Dinosaur Hunter #1 is a moody adventure tale that ultimately may succeed based on the proliferation of antagonists young Turok needs to surpass to gain his independence and solitude. If that is his ultimate goal, that is. Amid century-tossed adversaries and vicious creatures from another age, will Turok realize the value of his people? Time will tell.

Beginning a crime story in the tradition of Brubakers Sleeper and Azzarellos 100 Bullets, Uncanny #1 provides some great tonal set-up, particularly in the art department, but falls a little short in giving me a reason to immediately care for the central protagonist. With issue #2s inevitable exchange of information between Weaver and his mysterious rescuer forthcoming, however, were likely to soon get more to go on. Im willing to give the book a little more time to develop its central character, especially since it manages to keep the action moving in such an engaging fashion throughout.

But it is a book Im interested in reading, a story that makes me chuckle at its gross bits more than once (although for the love of God, Dynamite. Who do you think is reading this book that you need to black out the swear words?), and gives me a developing relationship between two women that turns the table on my expectations immediately. Thats a pretty cool thing all by itself.

Overall, Im enjoying the build Bunn and Haun are bringing to this story, concentrating more on mood than outright frights to grab their readers and shakes the scares out of them. Wolf Moon #2 gives us just enough of the latter to live up to our expectations of a traditional werewolf story, but more than enough of the former to keep me on the edge of my seat, rocking nervously as I turn the page.

A strongly plotted first issue that leaves me with some questions about characterization, Zero #1 may end up falling by comparison to other, more deeply rendered spy stories such as Queen and Country, and oddly enough, some versions of Suicide Squad. That said, the idea of a significant part of this narrative occurring in our own future opens up tons of ideas and pathways for experiencing a soldier at different points in his timeline, not to mention the world as well. This is a story structure, like many Image books, that likely demands a cumulative analysis and theres certainly enough to compel within this framework to keep me coming back for more.

The one hesitation I have about the book is Im not sure what I would have thought of this graphic novel had it been my first Batman book ever. Johns plays fast and loose with the origin, giving us familiar heroes, villains and supporting cast in roles new to them, almost to the point of eliminating any randomness in their creation. Everyone is connected, which is fascinating by comparison if you know Batmans in-continuity history, but could potentially seem pat if this was your first encounter. That said, Batman: Earth One is a beautifully rendered book and the plotlines introduced in the last 10 pages alone make me super eager for the next volume. Next year cant come soon enough.

Another great addition to the Earth One universe, establishing the youth and inexperience of these heroes in a way we havent seen on the comic page in decades, Batman: Earth One Volume 2 is a definite buy for any fan of the Dark Knight, but particularly a good one for the uninitiated when paired with Volume 1. He may not represent the monolith that we know him to be today, but this Batman is aggressively human, and is a great place to start if you want to see a Dark Knight built from the ground up.

As a book that feels like it could eschew the traditional rock-em-sock-em super-hero origin for a more nuanced, emotional awakening of power and mission, Summit seems like a book worth the time and investment needed to grow. Add to that a queer lead that could very well be the smartest woman in any room shes in, and Im loving the idea of what that character can accomplish and inspire. Chu and Duursema are thoughtful creators, and it shows in Valentinas character. I just may need a little more grounding in future issues for the book as a whole to really shine for me.

Summit #2 is exactly the book Ive been waiting on, providing the best introduction to a character I really want to read yet from the Catalyst Prime Universe. Its subtlety in characterization is backed up by a narrative framework that delivers everything I need to care about Valentina Resnick-Baker, now and for a long time to come. Brava.

Theres so much to explore in Summit, that as a book it almost feels like a fusion reactor ready to blow in itself. My want is simply more time, more space dedicated to just about everything.

A nice mix of origin, contemporary touchstone, and single issue snapshot, Poison Ivy #1 (or Detective Comics #23.1, as you prefer) may not inspire me to wanting a serious ongoing, but it definitely compels me to ask for more from this creative team for Ivy. And what the hell a little Batman couldnt hurt too.

A fantastic Gotham PD title that could honestly use less time on the Batman, Detective Comics is a great return for a much-loved character in Renee Montoya, but perhaps an even better development of Harvey Bullock as well. Heres to seeing more of their place in the world as time goes on and less of the Batmans. We know where to find him if (really when) we want to. For now, I want to revel in these other characters for awhile.

A book that Im still on the fence about, but leaning toward satisfaction, Earth 2: Society is perhaps a slow build or a bit of a jumble, but it wont be clear which until a few more issues in. Im willing to hang tight and keep reading, if only to visit with some of my favorite characters and cheer for their survival.

I dont know, but given the success linewide DC has been experiencing, and the results of this first issue Im eager to find out. Welcome back to my pull list, Earth 2. I missed you. A LOT.

Overall, while the price may be a bit steep, and that will definitely hold off many skeptical readers from experiencing this title, I do have to be mindful of this storys value in comparison to the many Superman stories of the past two years Ive paid $2.99 of $3.99 a shot for. Superman Unchained #1 has already given me a lot more confidence in the character and story future than 6 issues of any other recent Superman series has. By that measure, $4.99 remains quite the deal.

With the conclusion finally in your hands, Superman Unchained #9 represents the closing of a stylish narrative loop that demands a bit of thought and a lot of compassion from the reader. Snyder and Lee have done Clark proud. May they be appreciated for it by all who hold this Kryptonian near and dear to their hearts.

A brilliant start with some of the most challenging creative self-reflection Ive come across in a printed piece, Airboy #1 is a true joy to read, re-read, and re-re-read. Im on pass #6 and am probably not going to stop any time soon. If were in luck, neither will Robinson and Hinkle. Next month, get in my pants already. Im already jonesing for you.

Now, Airboy #2 is all about those transgender women the book dehumanizes, and theres no getting around it.

What I do know, however, is that this story is at it's very best when it makes these wild moments " like Hinkle's full page images of fighter jets dropping down from the sky " feel as real as the heartfelt ones, and the emotional tidbits get written with as much care as the poop and dick jokes.

So, was any of it true? It was all true in some ways, Im sure. Did Airboy just manifest as a shaming device? Did James really come crashing down in a heap of his own self-pity, only to come out the other side ready to do it all over again? Was Gregs penis ever really that large? Or was it all imagination? Does it matter?

This may be the final issue of this series, but its certainly not an ending, and theres a great deal of comfort to be found in that thought. Animal Man has, for nearly three years, been one of the best examples of how DC used its new launch as a way to take chances and prosper from them. As a creative endeavor, this title has been a proud addition to DCs history. But more importantly, as a story of one man and the love he has for his family, its been a joy to read every month. Rest in peace, Cliffy, and sleep tight, Animal Man. Until we meet again.

As I leap into the next few months of Batgirl/Supergirl goodness over in Karas title, Im warmed and intrigued by the start here from Larson and Miranda. It can often be hard to make Annuals matter and equally hard to retread a history thats been in the drawer for so many years. But some things are meant to be. Kara and Babs side-by-side in friendship and fighting is definitely one of them.

This issue is just the beginning of a larger story, but it functions well as a starting point. True, the impetus for Kates mission to meet Diana is based completely on the events of the prior eleven issues, but enough information is shared in monologue to get the reader going. The true treat here, however, is seeing Kate Kane finally begin to interact with the larger DC Universe. I didnt know how much I wanted to see a Batwoman/Wonder Woman team-up until I grabbed this issue. Now I cant imagine why I havent been screaming for it nonstop since last September. Diana is every bit as compelling and ferocious as she is in her own title, but knowing that the two heroes are on their way to being fast friends? Thats been well worth waiting for.

As a single issue, Batwoman #21 stands as one of the most sophisticated of the series to date, and is by far an exceptional example of what is still possible to achieve in the super-hero genre today thats fresh, challenging and still satisfying to all types of readers. Theres not a creator-owned or off-beat title this series next to which this issue would wither, and thats a significant achievement for all the creators involved. Kudos.

Ultimately, though, Batwoman #26 is a stronger first issue to judge than last months Zero Year tie-in, and something of a breath of fresh air for Kate and Bette. After years of tumult and chaos in their lives, the two heroes embark on a new adventure, and in a story that actually involves smiling a lot of it! And while I suspect well soon be finding out much more about Evans nighttime activities, its still nice to see a gay character introduced as a confidant to the women of the book. Heres hoping he has a role to play going forward.

A solid chapter in a new storyline that might have been better off split across two or postponed one month, Batwoman #35 has a lot of visual fun, but just feels out of place as a 180 degree shift and jumping on point. Im committed to the book because I think the concept of the Unknowns is outstanding. Im hoping fans will have the patience to see where its going before taking a leap away.

So, assuming youre not a little girl reading this review yourself (and if so, please do not click through to my column from last week where I swear a lot), do me a favor. Buy a copy of this book and give it to a little girl. If you want one for yourself, buy two. But get this in the hands of the people who need it most. Do it. Do it. Do it.

DC Super Hero Girls repeatedly braves territory that I think reflects the smarts of its creators and their dedication to addressing things that matter to the audience in question. I just wish in the case of Date with Disaster, more care was taken to at least allow the coding of queer content, even if having its direct presentation on the page isn't a goal. Heres hoping the next volume keeps this possibility in mind.

A perfect jumping on point no matter whether youre voting Democrat (WOOT) or Republican (hisssss) Faith #5 gives us the purest, most affirming sense of super-heroics on the comics stand today. Anyone out there arguing to Make Comics Great Again? You clearly blinked. Because for the true Wednesday Warriors, Faith already did that, and then some.

As always, Phillips delivers a solid performance as co-creator and artist, capturing the era of this particular story with enough grit to be convincing, but not so much gruesome detail as to distract from the supernatural devastation that could be potentially unleashed. His Jo is a stunning beauty whose appearance betrays her deep intelligence and cunning as well, and it is from both creators hands (not to mention that of brilliantly talented colorist Elizabeth Breitweiser) that we continue to be gifted with one of comics newest, but most powerful, leading ladies. While this portion of Jos origin will undoubtedly propel the next round of modern day stories in the title, Ill admit to looking forward to a return to a more mysterious femme in the books lead. It seems to suit her (and Fatale overall) much more.

A strong start to what looks to be a very exciting time travel story, The Flash Annual #3 does suffer from multiple artists, if only because the regular series artist far overshadows the guest. And in a sense, the drama behind the re-introduction of Wally West at such a young age and with a different physical appearance also overshadows whats just a really great story. But thats, at least, something the reader can control if he or she will see past any pre-conceived notions. The future is literally now. Lets see where it takes us.

An excellent focus on some of the DC Universes highest profile villains, Rogues Rebellion is off to a great start, and brings these characters into a story that features not just action/adventure, but highlights their unique personalities and just how different they remain from the prevailing villain. Do I believe theyll beat out the Crime Syndicate? Not a chance? But theyll definitely go down swinging.

There's a lot to absorb in this graphic novel, and it's a safe bet that readers will leave it feeling like it was about so much more than another coming out story. Those stories are deeply important, still, and that's living here. But the framework of the larger world and sense of history that story slides into with Generations is impressive to contemplate and moving to experience. Take a shot at experiencing it with Matteo. You won't be sorry.

Overall, Green Arrow: Rebirth leaves me optimistic for the future provided Percy and Schmidt (and eventually Ferreyra) give Ollie and Dinahs relationship the fresh start it deserves. And that doesnt mean relegating the Black Canary to sidekick status or Green Arrow to guest star in his own book. It means like any great relationship a challenge of equals. Like the best of times with the couples early days, Ollie and Dinah should make each other better. So far, so good.

As this is just part one of four for Morrisons newest (and first of a new string of, I hear) creator-owned series, its difficult to judge on its own merits without knowing for sure where it leads. As pay-off for the writers work usually comes in cumulative reading, this issue is very much just a set-up for what is to come. That said, you couldnt find a more beautiful take on a more dreadful set of scenarios than this first issue of Happy! If this were the last tale told of a dark-and-gritty bygone age, youd certainly feel like it was paid its due, respectfully and in spades.

A fun romp through Christmas cheer with a character that may represent the best parts of good will and friendship after all, the Harley Quinn Holiday Special #1 is definitely what you want to find in your stocking this year. No, not that stocking. (Then again, why not? YOLO.)

Easily the best start of all three Freedom Fighters launches, Human Bomb is exactly that great combination of modern concepts with classic storytelling traits, and above all is a book I'm eager to come back to next month.

A great first chapter launching an all-new campaign for the saving of the globe, Injustice Year Four #1 is a great place to jump in if youve been away, and a welcome visit with some versions of friends we dont get to see nearly enough.

A solid new chapter that is sure to appeal to fans of Miller and Quitely's individual works to date, Jupiter's Legacy #3 may not be breaking new ground for the comic market, but it is certain to entertain those who would seek to deconstruct the super-hero genre. If nothing else, we get to take the beautiful trip down the spiral of these heroes demise, and appreciate the scenery all the way down.

Justice League 3001 #1 isn't exactly the clean break I'd anticipated for a first issue, but it does showcase the cast of characters so well, and give us an enormous amount of fun along the way, that I still give it a huge recommendation to any of the following: fans of the original Justice League International, fans of the previous 14 issues, fans of super-heroes that are just plain funny, and pretty much anyone breathing. It's a wild ride, and you don't want to miss your chance to get onboard.

Were seeing a sea change in the book this month and next, with an all-new all-female team coming together in January, so I expect a little more dark before the dawn in Justice League 3001. Im OK with that, though, as the characters remain compelling, their interplay is quick and amusing without being ham-fisted, and theres lots to lavish over in issue #6 with Doran on board. Keep the bwah ha has and the gasps of horror coming, team JL3K1! Im enjoying every one of them.

Halfway through the event and still hurdling forward at breakneck speed, Trinity War is certainly proving its worth as the culmination for nearly two years worth of plot threads and motivations. The most serious downside to this latest chapter? Having to wait three weeks for the next installment in Justice League of America #7 especially after the curious last page revelation in this book. For those who worry that $3.99 is an excessive cost for a 24-page tale, consider the amount of speculation and discussion youll have to engage in coming out of this issue. DC is earning every one of my pennies on this one.

One more issue to go in DC Comics prelude to their first big event of the New 52, and theres no question its been a wild ride. With Jeff Lemire stepping off Justice League Dark now, its perhaps an excellent time to thank him for delivering, month after month, the perfect blend of super-heroics and dark magical drama honestly, a feat we havent seen performed as well to date almost anywhere. Ending his run here, with a literal mlange of DC mythology racing across the page, could have become a mish-mosh, but instead is a true testament to his skill and dedication to the book itself.

A beautifully illustrated introduction that became weighed down by a fair bit of clunky storytelling, Eclipso has nearly as much going for it as working against it. That said, the character is one which seems to resonate with many fans (and many within the halls of DC) and this version is visually the best weve seen to date. Lets hope his next appearance inspires a bit more imaginative horror and a bit less of the unnatural narrative.

A fun read that brings all the pieces together to sync up with its Trinity of Sin compatriots Phantom Stranger and Pandora, Justice League Dark #25 brings us face-to-face with the evil the team is meant to face, but still gives us the sense that we havent even begun to scratch the surface on what this crossover event is meant to be. With 16 parts still to come, thats probably a good thing. In the meantime, watching the personalities start to fall into place is an enjoyable event in itself.

The Justice League Canada team (as I will forever refer to them as) may be just the latest in a long line of group shake-ups that have come to define the nature of super-hero organizations over the last 30 years, but its definitely one that has grip. From the creative team themselves to their choices in character, setting, and split plot, this title has the stuff to be a fun, adventurous bright spot in Justice League history. May it be so.

Another chapter in the Infinitus Saga that doesnt seem to develop much in its twenty pages, but certainly gives fans a ton of action spreads to drool over, Justice League United #8 is our next step in figuring out just what to expect out of the Legion of Super-Heroes come next summer. Long live the Legion, as we say, no matter who they end up being.

A great starting point for a brand new set of stories, Nightwing #19 accomplishes exactly what DC needed to aim for with their gatefold cover month not simply an opportunity to surprise (for the cover here doesnt do much of a job of that, honestly), but to reengage the ongoing reader and grab the new one as well. Higgins and Booth have done that in spades here. Dick Grayson is back at the top of my read pile every month, and I couldnt be happier!

A strong start, a drawn out middle, and a fantastic finish pretty much sum up Nightwing #30, but knowing what we do about the creators involved and their roles in each part, I think we can expect great things out of Grayson #1.

Having read all four continuing Lantern titles this month, I think Red Lanterns stands as the best companion piece to Vendittis Green Lantern, almost a dark parallel to Hals journey as new leader of a Corps he didnt want, but is in fact perfect to command. All four books managed to prove that there is indeed life after Johns for the Green Lantern universe, but from my perspective, Soule is accomplishing a great feat in renewing my faith in a title I had long left behind me. Im already looking forward to where this title is taking my favorite rogue Lantern.

A fun and well-structured second issue that drew me into the series for good, Robin, Son of Batman #2 puts Damian on the right road for adventure and highlights Gleasons dual skills at their best yet. I should also add that the colors by Kalisz and Cox are absolutely brilliant throughout. They add a dimension to the book, and a bombastic flair to the story, that makes all the difference. This is a book that will take us places Batman rarely goes, and Im pretty excited for the trip.

By the end of issue #1, we have a fair bit insight into the personalities of each character, but with little to no background other than their current assignment. Normally, this would be an area of concern for me reviewing a first issue, but given how much this title will likely stand apart from others in its line, it's a factor worth overlooking. If you're a fan of independent noir or horror comics, Star Spangled War Stories (such an odd name) is certainly something you'd want to check out.

Rocafort delivers, as he has for the past year on Red Hood and the Outlaws, a sublime balance of realism and expressionist line depicting a Superman whose revised costume and new idiosyncrasies finally look perfectly at home to me. From the slight bit of stubble to just the right amount of shine on his body armor, Supermans appearance is every bit as commanding as we want it to be. From the mythological-looking beast that appears in the Metropolis skyline to the surprise guest star arriving at the end of the book, Rocaforts subjects are uniformly majestic proving that DC has finally landed just the right team on their lead character. As next month finally begins the mini-event entitled HEl on Earth, I now can say with every confidence that Superman is back on track and taking its rightful place at the forefront of the New 52.

As a warm-up to the DC Universe for Romita, Superman #32 has its faults, but the moments of beautifully subtle emotion we see here and there give me some reason to believe we could see tighter work in the months to come. Nevertheless, what we are getting in excess of expectation is a depiction of Superman's character that recaptures the specialness of the Clark-Superman relationship without retreading any previous waters. Johns has clearly nailed down what it means to be the Last Son of Krypton in the New 52, and it's neither maudlin nor bombastic, but just the right balance of courage and heartache. Kudos to that!

A beautifully crafted story that really gets the essence of Superman in personality and dialogue, but loses its way in the final rendering, Superman #34 gives us some moments that could easily be defining for the Man of Tomorrow. Its a hard decision for me whether Ill be back next month to see what comes of Ulysses and Clarks friendship. I want to. I really do. But more than ever before, I really see how important story AND art are to a storys success, and the latter is really holding me back. My hope is that it doesnt for you.

Sword of Sorcery definitely infuses The New 52 with several things its been light on to date younger female characters, fantasy style storytelling and alternative futures, among others. Im looking forward to the next installment already.

In the end, is this issue a complete reinvention of the Teen Titans for DCs new generation like some other books its announced of late? Not at all. And some might see a missed opportunity there. But this first issue is a good indication of what can be done with an existing cast and a new creative team that sees them from a slightly different perspective. If the focus remains on character, this book should please the Titans fans out there. The only caveat is, it may not be the best book to draw in new ones.

Weve seen a lot of what Archie Comics is capable of these past few years, but if Black Hood is any indication, we havent seen anything yet. A perfect start to a guaranteed modern classic, this book fulfills every expectation for what a brilliant first issue can be coming in fast and furious and leaving on a last page high. The pacing is smart. The art is disturbingly gorgeous. And more than anything else, the protagonist himself is utterly engaging. If you like your heroes less than shiny and crime dramas littered with authenticity, this is one book you cant afford to pass up.

An interesting exercise in taking one type of crime story and dropping it smack right down into another, The Black Hood #6 is intellectually curious, if not emotionally engaging. Im pleased to see that an LA-style detective story can be curated to such a perfect degree, but for my money, I cant wait to get back to Philly.

A strong start to a series that seems to be trekking over new ground in the mafia-themed literature genre, The Kitchen is a book Im eager to continue on with. Where Masters and Doyle are taking us, Im fairly uncertain, but wherever it is, its guaranteed to be a bumpy ride getting there.

Overall, The Massive #12 gives us a lot of information, but definitely steps away from previous issues in tone and content. Only 40% through the complete story, we seem to have reached an end to the first act where some books would be wrapping up in their entirety. Full of plenty more mysteries to come, The Massive appears ready to take another turn next issue, as the team arrives in New York, and where that leads them emotionally is anyones guess. I for one am eager to find out.

All in all, a strong debut for Titans Hunt #1, with the creative team setting up a mystery that has me intrigued, but also establishing a set of characters I can already feel myself drawn to in ways different from my connections with them in the past. Where this series will lead is still worth questioning, but for now, Im satisfied to enjoy the hunt as it progresses.

As a first issue, Pandora #1 reads a bit like a zero, although far more competently than her brothers, The Phantom Stranger. Given how little we knew of the character, really, before this moment, that seems appropriate, and any pages retelling previously depicted scenes are kept to an absolute minimum. Its the perfect balance between explaining too little and becoming overly pedantic, and to Fawkes credit, we leave #1 knowing exactly who this woman is, what her mission involves, and why exactly shes about to search out the Justice League. A unique addition to a DC Universe that should always greet iconic female characters with open arms, Trinity of Sin: Pandora is well worth the read, even if your interest in Trinity War is at a minimum. The potential for greatness begins here.

Ultimately, Williams has a huge canvas to paint with the 138 (and dropping) in Unfollow, and its already clear that he aims for the kind of sophisticated characterization that mirrors the best television dramas and serial storytelling of the past decade. And if the first seven issues and that presumed pedigree are any indication, this is going to be the book to watch for a long time to come. Do yourself a favor and catch up.

A real surprise high concept in what looked at first glance as a run-of-the-mill super-hero story, Catalyst Prime: KINO is well worth jumping on board right away. Casey, Pallo, and Sotomayor are delivering an interesting book that, like all the other Catalyst Prime books, stands on its own, but broadens the macro and the micro of the universe theyre building quite effectively.

Ready to move into some integration, hopefully sooner rather than later, Im still left with the deceptive simplicity of Palos line and the clever narrative Casey continues to provide in Kino #3. Theres a lot to appreciate with this book, and it feels like something that is going to read even richer as a collection.

And thats a shame, because KINO has been, while not my favorite, one of the most surprising books in the Catalyst Prime line. It merges a fascinating concept with distinct art to give an amazing origin story. But if Casey and Palo and company cant get past that origin story, the charm of the concept will wear off quickly for me.

An awesome place to jump into the Catalyst Prime universe, and especially to jump onto the dilemma Alistair Meath is facing, KINO #5 is a fantastic showcase for CrissCross's work. I'm eager to see Meath face the real-real world soon, though. As much as I delight in revisiting #1, I don't want to end up in the same place come #4.

Ultimately, we may look back at this first 18 months of DC Comics Action Comics relaunch as a bold experiment that only resulted in a small number of successful moments. Much like Superman himself, struggling to find his way in the early days of his career, this titles been a bit rough around the edges, but offered some brief glimpses at something great. One can hope in retrospect that the intensity of those particular moments made it all worthwhile.

A great jump-on point for fans of Superman that may have been missing a little bit of the Smallville in their Clark Kent, Action Comics #25 gives us a brief respite in the past without distracting the audience with unnecessary tie-in elements. This is the kind of event we should strive for more often.

And that's what Action Comics #40 is destined to be, that comic that you just can't put down. It's the one you give your kid so that she'll secretly stay up hours past bedtime with a flashlight under the covers, imagining what it would be like to live in a world where up is down, and the moon really is made of cheese. Pak and Kuder have captured something incredible here, that blends what was so great about this concept in the first place, without losing sight of their own accomplishments with Superman over the past two years.

A slower start than weve gotten in previous issues but an interesting development nonetheless for the series secondary protagonists Astonisher #4 is still weaving its central mystery, and giving us great characterization as it does. de Campi and Mhan have been slowly building Sasha, Adila, and company, while accomplishing something of an onion peel on Magnus, and the inversion of the traditional hero formula in that sense is keeping me waiting for the next issue for more.

De Campi has pulled out all the stops this issue with a chase sequence that feels consequential, happening to a set of characters that seem assembled for a reason. With an art style that suits the book much more in my opinion and an incredibly dope cover by Cully Hamner Im damn pumped to see where this sort-of X-Files meets Cloverfield adventure story goes next.

Volume 2 of Astonisher is already off to an impressive start, with De Campi and company firing on all cylinders in terms of character and emotion. Its a far greater foundation for a book thats delving into issues of mental illness than a lot of what drove along the early issues of Volume 1. With next issue moving into training, I just hope that we get to see Magnus, Sasha, AND Adila in action. (Psst. And maybe Isabella? Because she is fantastic.)

Immonen does a great job of capturing the essence of each character, especially the original five X-Men in their earliest days. Im a bit confused as to how far back into the past Beast had to go to recruit Xaviers first class, but given how much fan outrage bubbles up whenever a hard date is inserted into the narrative, Im willing to forgo that knowledge. Nevertheless, Immonen captures small details in the original X-Men that implicate a simpler time from the slight flip in Jeans above-the-shoulder hair to Scotts handwriting a love letter to the girl of his dreams (Im almost certain kids no longer do that). While this issue loses a bit of its intensity from the early previews of the issues climatic scenes, biweekly shipping and a strong political premise should keep this title moving swiftly and at the top of my read pile every month.

Will every fan be pleased with the story of Iceman as it progresses from here (as it is far from over)? Hardly. It wouldn't be an X-Men story if its fandom all revered it universally. But for me, a guy who grew up watching Bobby Drake on his television screen and wondering (unrelatedly) if he would ever be able to be honest about himself to his family, his friends, and the world, All New X-Men #40 is an important comic " maybe the most important comic " I've read in a long time. And I imagine I won't be the only one with that experience. Here's hoping there's more than a few kids out there today that see themselves in this and know that they can be gay and happy too.

Archie #653 is another great chapter in the classic teen drama that proves you dont always have to use sex and violence to make a book compelling. Its not all going to be rosy in Riverdale, but Id still be able to hand this comic to my eight-year-old niece to read. Thats honestly refreshing.

The introduction to Harper Lodge may come off as a little heavy-handed, and as someone who spends a lot of time thinking about representation and diversity in comics, it may seem unsophisticated. But the reality is, Archie Comics is for everyone, not just the most astute or exposed among us, and the ability for all of us to come together once a month (or more) to follow the characters we love and meet brand new ones with the same potential is a tribute to diversity, too. Heres hoping fans from all paths in life get to meet over a Harper Lodge solo book sometime soon. Ive got my $3 ready for issue #1.

Lots of light fun, without the worry of how Archie is going to explain this craziness to his parents or Principal Weatherbee, Archie #659 is the next single issue I'll be shipping off to all my nieces and nephews to giggle over together and enjoy for the sheer delight of how cute comics can be.

And I could easily say the same for the readers. There is something about an Archie comic, and this issue #665 in particular, that just makes you want to be better. Thats a pretty astonishing thing, honestly. So, until we meet again, Harper in a different place and a different time farewell. Thanks for the smiles, the jokes, and the robot, biplane wheelchair. Its been a wild ride. Onwards to #666.

All in all, if you fell in love with the Batgirl of Burnside, you will find your new home in the pages Hope Larson, Rafael Albuquerque, and Dave McCaig lay out. Batgirl #1 is exactly the feel I was hoping for moving forward, and Im beyond excited to see where the next issue takes our heroine. DC made the right call this time out.

Overall, however, Batgirl #7 is a great jumping-on point for fans, especially YOUNG fans, who want to enjoy the world of a young college student who just happens to swing around at night in a bat-costume. Glad to see Larson has maintained her groove and Wildgoose seems so immediately at home with the title. Its going to be a great ride from here.

A somewhat complicated moral narrative thats getting down to its emotional simplicity, Noble #8, the penultimate issue of volume 2, keeps a lot of the questions I have had in play, but gives a payoff Ive been waiting since issue #1 for. Thomas and Robinson have been building Noble up issue by issue, and at last, were getting some of the joy of the characters coming through, without losing the complexity Ive come to admire.

Its a real pleasure to see the lead book in the Catalyst Prime universe evolve so strongly over the course of a year, and commit itself so much to treating its lead characters as equals. Noble #9 is a great respite, but at the same time, so flush with narrative. A powerful place to rest and reflect on the quality of the book and its characters.

The only disappointment I have with this story is that theres seemingly not more in the pipeline. The DC Universe needs more women like Kass Sage and I am eager to discover where she can show up next.

Rochas pencils are clean and crisp, although neither disappointing nor outstanding with one notable exception. His rendering of the new Blue Devil garb (for as long as it remains simply garb. We shall see!) is absolutely stunning, particularly on the last full page panel of the issue. I came into this comic as a huge fan of one character, but left perhaps even a bit more impressed by the other as a result. Thats a pretty mean feat. His Tobias Whale is appropriately grotesque and Los Angeles suitably grimy, even having silhoutted leaves pepper backgrounds as the equivalent of floating ash. If anything, Id just like to see a slightly more dynamic Black Lightning, reflecting the Olympic level athleticism I believe he still maintains in this brave new world. Nevertheless, this is a brilliant start to what I hope is a bright future for the Black and Blue in the DCU!

In a comic market that is currently at a crossroads " between material aimed at a long-time audience of mostly white men and that which appeals to the ENORMOUS number of women and persons of color that make up the comic-buying public today " Dark Knight III may prove to be a hybrid book that unites both. Or it may be the thing that elicits the fiercest divisiveness yet. I can't tell.

A strong issue that moves the narrative along and opens up the main conflict for the series, Dark Knight III: The Master Race #2 starts to ask the big questions that I hope remain on the table and get answered by series end. What is the best humanity can be? Is it still weaker than the worst of the gods? And what happens when our best example goes away?

As a counterbalance to the more traditional League also under Johns control, Justice League of America promises to provide a very different take on the Worlds Greatest Super-Heroes, and one that could potentially provide even more drama than its predecessor. Its not even just the interactions between heroes who seem to have no business sharing a room with each other, but layers of government shadow work and motivations behind motivations, that I am most eager to see begin to unravel. This series is a definitive one not to miss, in my opinion. Story, art, characters, importance to the greater universe no book is delivering all four of those (in such high doses) as this one does in only its first issue.

As a microcosm for the New 52, JLA and her sister titles are showing exactly what can be accomplished with a fresh slate, a cast of iconic heroes, and a whole lot of carefully laid background intrigue and conspiracy. As a piece of a much greater whole that can still stand on its own, Justice League of America is bringing something new to the table regarding both the heroes and villains, but still making it feel familiar and honest to the characters conceptual origins. Nearly two years in, this is exactly what I want out of DCs leading franchise, and what happens next is anyones guess, as it should be.

All in all, Justice League of America #6 is a solid breather in the wake of a jam-packed introductory chapter. While the issue may not offer too many more conclusive answers to questions already posed, it firmly establishes that this crossover is first and foremost a mystery story, and not simply the next super-hero brawl event of the year much to my delight.

Its been odd that the seemingly rougher team book among the three in the Justice League franchise is the one with the most focused character moments, but it is in fact the one Lemire and Johns are credited with collaborating the closest on. And to some degree, its more fascinating for that fact, as it would be so much easier for the pair to choreograph a few poignant fight scenes and take it home. Justice League of America #7 may not have furthered the mystery of Trinity War to any great degree, but it serves as an admirable and enjoyable second act, as the event wraps up and leads into the next big crisis on the horizon.

A fun, classic super-villain origin without the nasty old tropes that come along with being a woman on the job, Killer Frost is a highly enjoyable read and a real indication that we need to see more villainesses of different types in the DC Universe. Kudos to Sterling Gates for reintroducing us to someone I hope we get to see a lot more of in the coming months. If the ending to this story (and some amount of advance solicitation for Forever Evil) is any indication, Ill hopefully be getting my wish.

More than anything else, with Shadow Thief Im pleased to see another female spy launched on the scene. Its a character-type or role that will always draw me to pick up a title. Where Aviva, of course, differs from an Agent Chase or Tara Chace is in her lack of regret, and perhaps there lies the need to push her over onto one side of the classic hero-villain scenario. As the Shadow Thief traditionally opposes Hawkman, no stranger to an any means necessary behavioral pattern himself, I do wonder though. Could we see this lead character develop into more than a twirly-moustache of doom going forward? If so, DeFalco has certainly given us the bones to make it happen with creative ease.

Overall, a strong issue picking up the threads from two months ago where Trinity War left off, Justice League of America #8 is a great character study for the Manhunter, although left me wanting so much more from Stargirl, the supposed co-star of the story arc. If the next issue is as focused on Stargirl as this one was on the Manhunter, then all my worries will have been for naught. But I am as weary of Courtneys constant second fiddle status in the JLA as she seems to be. Its high time for her to break out the Cosmic Rod and show us what we know she can do.

A true rebirth not just of the League itself, but of that giddy excitement and intellectual curiosity I had as pre-teen holding that other great #1 Justice League of America: Rebirth #1 is an excellent start to a brand new era. Its not 100% clear where this team is headed, but all signs point to greatness.

Justice League of America is a beautiful concept for a League we very much need in 2017, and carries with it a cast that has the beginnings of looking very much like America itself. And for all of its relevancy, Orlando and MacDonald manage to pack in Easter eggs and important references without making the book feel isolating at all. The only hurdle for this teams ultimate success? Artistic consistency. If we can see that even out, there will be no stopping it.

Nevertheless, Justice League of America #11 stands out as a really great moment for elucidation on the nature of queer pain and the insidiousness of the closet, giving the Ray the level of depth he deserves as a shining star for the DCU. Orlando, Edwards, and the rest of the team deserve a round of applause for the sensitivity portrayed, particularly while not losing any of the excitement or building threads of the series as a whole.

A meaningful interlude that reintroduces a fascinating character (Aztek) and shines the spotlight on the very conscience of the League (Ray), Justice League of America #21 is another fine chapter from Steve Orlando, and a great chance to see Stephen Byrne do what he does best: shine.

For those worried that Superman/Wonder Woman was code for a 1960s-inspired Supermans Girlfriend, Wonder Woman, you can rest easy. Soule and Daniel have proven that it is possible, with the right care and smart characterization, to bring these two icons together without diminishing either one. Will this pairing last forever? Most certainly not, Im sure. But in the meantime, Im duly impressed with this bright start. Its certainly the best Ive seen Diana handled in a relationship to date, and gives us a whole new dynamic to consider for both characters. If youve doubted this pairing could work, or were frankly outright against it, Id encourage you to give it a shot. The respect and thought put into these pages by the creators will win you over.

Another solid issue in what is clearly a touchstone for the entire DCU for the year to come, Superman/Wonder Woman #3 may fall short on action overall, but makes up the difference in honest conversation and reflection. Clearly a bridging issue to lead into a larger (likely bloody) confrontation on two fronts, this is a chapter that may make or break it for readers going forward. Im on board for the long haul. Are you?

If this first issue is any indication, Batman: Eternal is clearly going to be a series that functions in spite of Batman, not because of him, and I for one am pleased to see that opportunity develop for this cast. Its been a long time since Gordon, Bullock, Sawyer, and many others have had their time in the limelight, and a mystery of their own to solve. Best begin here, and stick around for the bumpy ride to come!

As a series, Im very much enjoying Batman: Eternal, and even as an individual issue, #6 has a lot to love. But, the combination of the two at this point in the ongoing leaves me a little wanting. If every additional writer to come (Layman, Seeley, Higgins) have this sort of stop and start motion, its going to slow the momentum of excitement down to a crawl. And I want to have that rip-roaring adventure every week that we got in the first few issues. A weekly book really needs that to fulfill its mission.

Whether its Scorpiana practically leaping off the page, the crazy eyes of characters being chased across Rio, or the Edward Gorey-esque scene graveside with Batman and that final daughter figure that I just cant bring myself to spoil (I think this is going to be important, folks), this issue is a work of pure and unbridled beauty. A narrative so perfectly entwined with art that makes you want to savor every page, Batman: Eternal #11 is by far the best issue of the series to date, and my absolute favorite of the week.

One of my favorite issues to date of the series thats speeding toward its end on perfect pace, Batman Eternal #50 has given the final two issues a set-up that leave me itching for next Wednesday. Heres hoping season two launches with the same crew on creative sooner rather than later.

Its that uncertainty, the sense that anything can happen, that makes Earth 2 so compelling. Few moments in my 30 years of reading comic books have left me on the edge of my seat literally dissecting every panel for clues and endlessly speculating the way this book has, and almost none since I was a teenager. Every issue ups the ante and reassures me at the same time that these are the heroes Ive known and loved all my life. No small feat there. Kudos to the entire creative team and DC for taking a chance on it. It paid off in spades.

Ultimately, what were left with is an issue that moves the plot forward, gives the reader more details to ponder than when she started, and more than anything else, continues to lay out key differences between this brand new world and the one were more used to occupying in the DC Universe. Im on my third read of #5 in a single day, and Im pretty sure Ill be flipping through it a few more times before the week is up a pretty great return on a $3 investment.

While much about Fury and Steppenwolfs roles in this strange alternate worlds order is still unknown even after devoting the entirety of a single issue to them my hope is that this is merely prelude to a significant part to play in the near future. Im not sure I can stand to wait too long before getting more information on this mysterious new woman Wonder, or see her mentors rule get more fully developed. Like every other sharp turn Earth 2 takes, or Easter egg eagerly uncovered, the mystery of Fury (and the return of the full original creative team) has me counting the days to #9.

Yet another solid issue placing Earth 2 at the height of DC Comics' New 52 line creatively, #11 is sure to please fans of old and new iterations of these classic characters. Like its preceding issues, this chapter is yet another example of how one can re-envision an entire universe after decades of stories and develop new concepts and echoes of the past that feel fresher than ever.

From the glow of the fire pits and the revelation of the Red Files to the bright bold Bat symbol gracing the mysterious strangers chest, threads of crimson run through this issue, a perfect foreshadowing for the war that is about to commence and affect our heroes. What I wouldnt do to have 100 more issues like this one to expand on the details of this entirely different planet, but some small consolation remains in the fact that Robinson has so precisely detailed his vision to date that its future will likely benefit from his efforts for years to come. Yet another fantastically absorbing issue of world-building and intrigue, Earth 2 #13 is a perfect taste of what makes this title so special and so rewarding month after month to its loyal fans.

With little more plot to fill twenty pages than the nursery rhyme that inspired the lead character, Earth 2 #15.2: Solomon Grundy falls short of giving us an interesting tale for an already interesting character. If anything, it seems to unravel a bit of what made this version of the character so unique, and that regrettably seems counterintuitive to the mission of this month of one-shots.

Probably one of the best examples of the title truly living up to its name, Earth 2 #16 lays out the full scope of this title and doesn't pull any punches in letting the audience know just how dire the circumstances are, not just for the heroes, but for every inhabitant on this war-scarred planet. That all of this is demonstrated so elegantly in Robinson's final issue on the title is both fitting and saddening. The dilemma he has set up for his successor is nearly perfect in design, for sure, but as I have said before in much detail, I will certainly miss James' commitment and touch to this series. Something truly special has evolved here, and we all owe Robinson a great deal of thanks.

The biggest challenge Taylor faced in this issue was juggling so many moving parts as the heroes are scattered throughout the issue, recuperating from their encounter with Steppenwolf when last we saw them as well as introducing new elements, and having it all seem like a great jumping on point for new readers. To that end, theres no question the new writer succeeded with room to spare. Simultaneously feeling like a brand new beginning and a solid continuation to one of my favorite titles, Earth 2 #17 should put a whole lot of minds and hearts at ease, and hopefully touch a few new ones in the process.

Another great installment for Earth 2 that seems to have finally found that perfect balance of character and movement, issue #22 is a great reminder that the core of this title is the genuine heroism (and yes, optimism) of its protagonists. Month in and month out, this book has burrowed just a little bit deeper into my heart and brain, such that I no longer worry about what it should be or was meant to do. I luxuriate in all that it is. And count the days until the next one.

Still running as one of my top two favorite titles in the market today, and always the one I cant wait to read the moment it goes live online, Earth 2 #24 is but the run-up to what looks like the biggest freefall excitement the title has had, coming next month. Whether its to see Vals emergence as the next Superman or Jimmys leap into the classic togs of Robin my jury is still out on whether that was a serious claim or not this is a book you do not want to miss. The action only gets bigger from here.

A brilliant conclusion to a true roller coaster ride, Earth 2 #26 gives me so much to love and get excited about for the future of the title. Seeing how Taylor weaves into every scenario an elegant solution that leaves things even better than they were before makes waiting for the next issue even harder than ever. Thank you, team, for your hard work, and most of all, thanks for our new Superman. We never knew he was exactly what we wanted (and needed) all along.

There is so so much potential for the future of DC storytelling in this book, that owning a single copy that wont get dog-eared from wear would be near impossible. Look at it this way: youre buying one for adult you, and another for 10 year-old you. Hell thank you for it. Trust me.

Would that Mastermen #1 was a deeper dive into the prospects of a world where Adolf Hitler won the war and the implications of using Superman to do it but ultimately, this issue of Multiversity felt shallow in comparison to those that came before. There have been so many complex thoughts coursing through the veins of this series, that to get an issue where that stream seems to have run dry is a bit of a disappointment. Onwards to Earth-33 with better hopes.

How Ultra Comics fits into the streaming narrative of Multiversity with its presence as a haunted comic permeating so many worlds weve already seen will likely be a subject of debate and discussion for some time. In the meantime, Morrison and Mahnke are delivering a unique experience: a comic that is more self-aware than its reader. And that should scare the pants off of you. It did me.

Multiversity: Pax Americana #1 is going to have its critics " those who decry non-linear storytelling and feel the protagonists are unnecessarily cold. But the magic Morrison and Quitely are creating here in comic book narrative is too substantial to ignore. This is clearly one comic I will read over and over and over, gleaning more meaning with every experience of it. Its respect for the source material is moving, but the true gift is the peek we get inside the collaboration between these two men. It's absolutely brilliant to behold.

A fun romp you could put into the hands of any kid or adult, that doesnt skimp on the talent and creative brains, Multiversity: Thunderworld Adventures #1 is probably the contribution to this series that I most want to see an ongoing spin-off from. I love my New 52 Shazam truly I do. But this world is so much more than a single character or concept. Its magic, like lightning, all in itself.

In the end, The Just concludes abruptly, but that seems fitting " leaving us on the edge of our seat about the kids' fate as they too have been on the edges of theirs. It's a wonderfully rich book that Morrison and Oliver have brought forward, and one that I sincerely want to return to as soon as possible.

As a first chapter, theres a lot to unpack for fans in Adventures of Supergirl, but with Gates and Bengal so ably doing so, one can expect the series to take flight very fast. This is the Supergirl weve been waiting for well since the last time Sterling Gates wrote Supergirl. Hopefully, this is a sign of much more of the same to come.

That said, Adventures of Supergirl Chapter 3 once again delivers a fun story with a lot more of what makes Supergirl different from all the other young women super-heroes. Sterling Gates and Bengal continue to make the wait for an ongoing Supergirl comic seem inconsequential. As far as Im concerned, DC should consider this a prelude and bring on this team full time for Rebirth in the fall. You cant do better.

Truly, I may regret jumping onto this series eventually, if only because it will lead me to side-eye my cats and that squirrel who prances so casually out of my way on my walk to work. But its probably worth it to experience the complete horror and joy and the joy of horror from this new Bennett-de Latorre joint. In the meantime, however, I may keep my windows shut and that food bowl extra filled. You never know.

A fun romp, not just through Gotham, but through the world Barbaras contemporaries are inhabiting, Batgirl Annual #4 is a must-have for any fans of ANY of the ladies depicted, not the least of which Barbara herself. But more than anything, the combination of todays Batgirl with Gotham Academy elicits far too many squeees to pass up for any fan of great comics today. More more more, please.

An absolutely brilliant and long overdue addition to DCs bank of titles, Batman 66 is just another example of how the publisher is expanding its all-ages offerings through its digital first offerings, without exclusively dumbing them down for the pre-school set. Perfect for kids and adults alike, this title is a wholly different take on the Caped Crusader in the comic market, and one that has been sorely missed for decades. Glad to have you back, old chum!

A fantastic bold re-beginning for old and new readers alike, Batman Beyond Universe #1 is a great primer for any fan of the original series wanting to get into comics, and an even better book to hand off to kid and adult alike. With two great chapters crammed into each issue and new dynamics to watch play out among characters, theres plenty here to praise and welcome to your read pile. Take the opportunity to add this title to your routine. Youll be glad you did.

These series have been admittedly controversial, but now having begun the final installment, its clearly not over the issue of quality. DC has committed the very top talent heart and soul stuff to these books and it shows on every page. No matter what your convictions, its hard to argue against that.

 And then there's Booster #1.5, who is going to be unfrozen in the year 3000 this December. According to writer Keith Giffen, he comes from the conclusion of “I Can't Believe It's Not the Justice League” and an Earth in the Multiverse where Ted Kord was never shot by Maxwell Lord. Imagine that!

Courtesy DC Comics, the cover and sketch pages from Volume 2 of Coffin Hill, available now in stores and online:

While we've yet to get into the meat of the event, Convergence #0 offers a strong one-on-one story amid what's likely to be a pretty frenetic series. Van Sciver keeps both characters (and all their iterations) looking the best they ever have, and creates a visual feast of some cities we haven't seen in quite some time. DC definitely has me looking forward to the next two months to come.

Still confused about which Booster is which? Check out our handy dandy guide that follows our review of Booster Gold: Futures End #1!

If it seems like I spent the entire review just talking about the value of character and not about plot, well, I did. Thats the allure of the New Teen Titans. Villains were always secondary to how the team interacted with each other. An entire issue could be about getting fitted for a tuxedo, and it was the best issue you read that month. Wolfman and Scott have resurrected a concept that never gets old: the power of great character. The biggest failing? It all ends next month.

A lovely send-off for a set of characters near and dear to my heart, Convergence: Nightwing and Oracle #2 gives us the happy ending we always say we want for our favorite characters, but with enough drama and surprise to make it feel well earned. Simone and Duursema have, for now at least, gotten the last word on this iteration of Dick Grayson and Barbara Gordon, and Im happy to say, they did both of them mighty proud. My thanks to all involved for the opportunity to see this particular story come to pass. It was more than worth it.

With a last page surprise guest that no Giffen fan will want to miss out on, Supergirl: Matrix #1 is a packed issue for anyone looking for a bit of fun in their reading this week. Great dialogue, great art, funny characters. Who knew a look back at an era where the greatest hero of all-time is six feet under could be so amusing?

A full issue thats far more than just a recap of the Convergence set-up like a few other books weve seen, Adventures of Superman #1 is a flash from the past in every way possible due to the diligence of its creators to respect from which it came. And with an awesomely cinematic final page cliffhanger, #2 is sure to be as compelling and fun to read and revisit as #1.

Like I said, I never would have expected this type of book for Scott Summers, even two years ago, but Im exceptionally glad to have it in my hands. The realness Greg Rucka is infusing in every thought caption, combined with the sheer delight Dauterman lays out on the page, makes for a book that is sure to impress Cyclops fans old (well, Im not that old) and new.

Metal so far has proven itself to be a fun event, and no matter what grows out of it, I feel that will likely be its greatest legacy. Theres a lot of love flowing into these pages from Snyder and Capullo; Glapion, Plascencia, and Wands; and clearly from editors Rebecca Taylor and Dave Wielgosz as well. The moving parts in an epic like this are pretty substantial, but no one on board has forgotten to have a good time along the way. And that attitude is stunningly contagious.

A strong start to what looks to be a light-hearted, whimsical series tailor made for those fans looking for the fun in comics today, Dead Boy Detectives #1 is a must read for this last week of the year. 2013 wouldnt have been complete without it.

If you havent read Demon Knights before, or had abandoned the title at some point since its initial launch, issue 16 is a brilliant place to jump back in and fall in love. Unique characters in a unique setting. Smart writing with high quality art. And a great place to start experiencing it all. What could be better?

A fun primer giving readers who have been holding off a good jumping on point for some truly outrageous stories, Divergence #1 is exactly the kind of storytelling the best of the New 52 has provided. And as only the first of 43 total 8-page original stories fans can get for free in the month of May, this book is a fun start to what will be a fun year, no matter what kind of stories you enjoy.

The chapter that starts to answer as many questions as it asks, Doctor Fate #2 takes a 75 year old mythos and makes it fresh and honest for todays audience. Khalid is an everyman, but hes specifically who he is, and that balance plays out exceptionally well across dialogue and design. Doctor Fate may be a book you glance past on the stand, but dont let it be so. Pick up a few issues and enjoy watching a new era of heroism develop.

Theres a lot to not understand about what Gerard Way is constructing in Doom Patrol, and the deviation from even the most wacky super-hero fare is pronounced. Like Twin Peaks, we seem to be witnessing the return of the avant garde in comics that never was nearly this out there, except in our memory. The familiarity is a comfort. The originality is invigorating. And the possibility is beyond the scope of our vision. Just the way great art should be.

As Wonder Woman begins to appear around every corner with the arrival of the film, this is a great way to get the youngest among us on board and ready to experience the specialness that is Princess Diana of Themyscira (nee Olympus). I for one cant wait to read the entire story, but for now, this is a great way to tide the youngins over and bring home something the entire family can enjoy together.

Keeping in mind the landscape Dark Horse is working with, these two stories were brilliant choices. Brian Wood's Star Wars series, set in the days after A New Hope, has been a runaway success, bringing the comic franchise back to its roots and garnering a great deal of critical acclaim. Wood's story here is simple, but features the man in black himself, Darth Vader, in a tale of backstabbing and clever maneuvering that fits right into the monthly series thematically without either being required reading or contradictory. Ryan Odagawa's art is a little stiffer than the D'Anda's gorgeous monthly installments, but that is fairly mitigated by the focus here on masked and armored figures Darth Vader and Boba Fett.

A wonderful first issue in what could be a fantastic title to introduce to new readers, Fables: The Wolf Among Us #1 refocuses the Fables franchise right back down to its charming and compelling roots. The saga of the Fables universe is mighty and something Ive come to love, but every once in a while, its nice to remember how it all started. The mystery that begins here already has me hooked, and thinking about who else might be ready to give it a try. This is definitely a fun book that deserves sharing.

With the conclusion of The Button in The Flash #22, Joshua Williamson, Howard Porter, and Hi-Fi have given us more than simply a lead-in to Geoff Johns and Gary Franks confrontation between the Big Blue and the Big Blue. Theyve delivered a carefully pieced together character study of Barry Allen and Bruce Wayne that is illuminating in their differences, but far more provocative in how their similarities bare out.

If you didnt have an opportunity to read Trinity War threading through the Justice League titles in July and August, you wont feel lost here, although by the same token, key cliffhangers from that event go unanswered. Is the Justice League really dead (they were fit and breathing last week)? If not, where did they go? And just where is the Outsider? With an entire month ahead of us with no one appearing but the villains, I daresay Im a little impatient, but then again, maybe its time to just accept the Crime Syndicate as the new Worlds Greatest Super-Humans. If Johns can imbue them with the same depth of character hes given the League over the past year, I can probably be convinced.

With issue #4, Forever Evil is well on its way to redefining how we see the villains of the DC Universe, and giving us a rock solid adventure along the way. Paired with the Crime Syndicate origins peppering the Justice League tie-ins, this series is clearly delivering everything Johns loves about the super-villain genre onto the page, and were finally getting the best of that effort here.

A nice ramp-up of what seems like the roughest weekend ever for the DC Universe, Forever Evil #5 is the first time we get a sense that the Crime Syndicate might not be the worst villains yet. And even Batman should be frightened by that prospect. Something tells me Luthor isnt shaking in his purple metallic boots though. Like Geoff Johns himself, Lex is a man with a plan. Maybe hes the hero weve been waiting for after all.

One more issue to go and a lot of unanswered questions, but the possibilities of those answers are so intriguing, its a blessing rather than a curse. Forever Evil may seem like its taken a long road to get to this point, but one thing is certainly clear: Lex Luthor has had a plan from the start. I may have a new favorite super-hero come April.

Another chapter in the ongoing saga of one of comics most precious and entertaining reads, Gotham Academy: Next Semester #2 is the start of a new story that, while much more subdued that previous stories, is truly but a preface. As adventure ramps up, it would behoove us to prepare. Its not always going to be this serene on campus.

As saddened as I am by the news this series will reach its end with Olives story complete at issue #12, I am held by two truths. One, that it seems inevitable that Gotham Academy will continue to grow in other forms outside this particular comic book series, be it in novel, graphic novel, or animated form. And two, that we still have the glory of four issues like Gotham Academy: Second Semester #8 to enjoy, rounding out 31 issues of a book that stands as one of the greats of the recent era.

Fast-paced and full of brand new mystery, Green Arrow is destined to be the newest hit among DCs stable, a development that should put longtime fans and recent critics immediately at ease. It is a testament to the companys commitment to taking risks and trying new things that the Emerald Archer was given one last chance to shine, rather than joining some of his allies in the cancellation pile. The risk-taking completely paid off here. Green Arrow is a book, once again, that I can be proud to add to my pull list. Next months installment cant come soon enough.

A great first shot at what I hope is a new, long tenure on the title, Green Arrow #41 is a strong place to jump back in if youve given the Emerald Archer a pass for the last few months. Im ready to see Oliver return to some great social justice roots, and it seems like Percy and Zircher are too.

Green Arrow has recovered the stakes it needs to hit us square in the chest over the past six issues, and the moral and emotional judgments made in this issue have sealed the deal for me for the book. Where Percy, Schmidt, and Ferreyra go, so also will I travel. Youve won me back, gentlemen. (Now to work on my husband.)

A crazy romp that proves, once again, how special the work Conner, Palmiotti, and company are doing is, and how amazing it is that DC lets it happen month after month. I scratched. I sniffed. I laughed. And Im ready to do it all over again. And fast, before the buzz wears off.

Yet another funny and surprisingly warm chapter in the wacky narrative that is Harley Quinn, this Valentines Day Special gives us a great self-contained story with its own pace and flair. And to top it off, as a great place to highlight a few artists we rarely see on the DC Comics page, this issue is once again a sure bet for the pull list.

Theres a lot of fun potential to be found in these pages, and a lot of directions that the series could go (is that apartment complex the one from Melrose Place? Color me intrigued!)! No matter where the story takes us, I believe its going to be a wild ride to get there with DiDio and Giffen in the drivers seat! Heres hoping our Mother Boxes are ready for the trip!

A fun interlude in an ongoing tale that could easily suffer for its darkness, the Injustice Annual continues the fantastic character work with which Taylor has infused the series, and kicks it up a notch. In a world where a literal headhunter is sent to take down a clowns unwitting accomplice, you gotta appreciate a fake mustache. And if you cant find humor in that, theres ultimately no more hope for us than for the heroes in this comic.

A fantastic done-in-one story setting up Year Five for those who continue on, but leaving everyone with an enormously satisfying focus story of Plastic Man and his son, Injustice: Gods Among Us: Year Four Annual #1 is an awesome chance to revisit this world with Tom Taylor steering the ship. Don't pass it up, lovers of Injustice or classic super-heroes alike.

In the end, the only faltering I see about the issue is it functions more like a television season two premiere wrapping up the shocking conclusion of a summer break and easing into a new story rather than providing a brand new #1 jumping on point for readers. That said, Injustice is perhaps one of the easiest series today to catch up on digitally if one desires, so the quality and resonance of the issue as is far outweighs what would be missing for a new ongoing reader.

A super fun start to a character we've only started to reacquaint ourselves with, Jughead #1 has the potential to out-Archie Archie. And why wouldn't it? Archie may be the guy we all kind of wanted to be as kids, but as an adult, I look at Jughead and say to myself, "I wish I had been that cool in high school." That's the magic of this new brand of Archie Comics, and why Jughead may very well be at the center of that future.

For many longtime DC fans, this book may be a hard pill to swallow, as so much of its premise in the future initially feels so familiar. I suspect the wild ride is only beginning here, though, and what we are led to believe at the very beginning is not necessarily what we will be getting by the end. Embrace the difference and see where it leads. Theres no question were in good hands along the way.

With the first of a few old friends rejoining us next issue (I dont really need to spell this out, do I?), Justice League 3000 #11 is the perfect jump-on point and place to get excited about the possibilities ahead. No surprise: Giffen and DeMatteis have titled this one A New Beginning. It is indeed! And if youre long term fans of the duos work, then that is probably all thats needed to get you to sprint to the comic shop. Do it. Youll be sorry if you dont.

Like I said at the start, if you havent been reading Justice League 3000, you need to. Start here. Start at #11. Go back to #1. Or pre-order the just-announced Justice League 3001 #1 for June. A hilarious adventure off in the Multiverse that still feels like characters we can know and love, this title is a must-have for fans, old and new school alike. This is DC Comics honoring its history while trailblazing its future. Dont miss out.

An unlikely hit, but critical book to read if you are a fan of the greater DC Universe, I strongly recommend giving this book a try. Ignore the naysayers and those that question Vibes place on the racks. This title promises to stand out in a good way if given the chance. But dont support it because Vibes Puerto Rican, or a new(-ish) character, or simply not-Batman. Well, you can if you want, but Id say, give Vibe a shot because its a damn good comic book, and the kind of character we dont see in comics as much as we say wed like to an actual good guy.

Whether this book has flown under ones radar or been avoided outright for its title characters less than humble beginnings in the 1980s, Vibe is consistently one of the most underappreciated books in DC Comics stable. With the story ramping up to significant importance for the universe itself (Darkseids daughter anyone?) and a huge surprise reveal on the final page, this issue is a perfect place to jump in if you havent been picking this up. Show up for the ties to the multiverse and Vibes place in the Justice League of America. Stay for the exceptional handling of a positive, well-developed lead and his wonderful cast of friends, enemies and everything in-between.

A fun special that feels more like a beginning of something fascinating than a simple flash-in-the-pan, Justice League: The Darkseid War: Shazam is the kind of story Ive been hoping to see for so long from DC Comics on a monthly basis for one of their oldest and greatest characters. Steve Orlando and Scott Kolins nailed it, and if I had my druthers, theyd be chronicling Billy Batson and the New Gods of his pantheon month in and month out, ad infinitum.

If you havent checked out Archie Comics in a while, or the ongoing Kevin Keller series, theres really no time like the present. Perfect for adults and kids alike, this issue is well worth your time and money. Buy two and find some 12 year-old kid who could use some inspiration. You wont be sorry. And neither will he or she.

If nothing else, Leaving Megalopolis only begins to scratch the surface of the history and storytelling potential of this brand new world, with serious potential remaining in both the ongoing story as a whole and smaller vignettes, such as with Calafiores included solo story, Wonderboy. One hopes for opportunities for wider distribution (some comic shops took advantage of retailer offerings via the Kickstarter campaign, but Im sure those were few and far between) so more readers get to experience this brilliant universe of characters. And new stories of the same wouldnt be too shabby either. If this first volume is any indication, Simone and Calafiore both have a bright future, full of the guts and glory weve all come to love from them, in creator-owned comics. The sooner we get to see that future, the better.

Im super fascinated about the set-up Black has provided and already find myself in love with the central figures, not to mention the final page reveal that had my mouth drop just a little bit. I know they say you cant go home again, but I kind of feel like whoever they are, they dont know Lucifer. Black and Garbett do. And Im definitely on board for the long haul.

There are about a dozen other smart things happening in Memetic that are worthy of analysis from strong characterization to inventive use of memetic theory but at my core I am most touched by Aarons condition, the human condition, and the kind of sadness that I dont like to remember having anymore. But it comes back faster than I would have expected. Amid the chaos and along with the smarts, Tynion has woven within this book a beautifully authentic rendition of isolation and loss that I cant and wont soon forget.

National Comics is precisely the kind of showcase DC needs in a universe reintroducing itself to decades of characters without a current home. With every story tightly constructed to be done-in-one and some top talent gracing these pages month after month, this book will assuredly be a place for experimentation and hopefully a launching pad for future series. Upcoming issues include Looker (August), Rose and Thorn (September) and Madame X (October). If Eternity is any indication, every one of these books will be a must-have for your read pile.

More Schultz and Liew Hawkgirl please! is my clarion call for New Talent Showcase #1, but in reality, theres no boners in the bunch. The writers are all fresh, eager, polished, and give their all, backed up with some of DCs finest young artists. If this book is the future of DCs publishing slate, then we havent seen anything yet. The future is bright indeed.

A good start to what is hopefully going to be both a fun ride and a tense exploration of what it means to hold a revolution, The Omega Men #1 gives me enough to go on to want to come back for more. Beautiful art, an interesting cast, and a classic set-up worth turning on its head all contribute to making this a series worth keeping up with in the coming months.

A fascinating series on a slow, enticing burn, Omega Men is proving itself the sci-fi equivalent to the latest fleet of war stories evolving out of our conflict in the Middle East. King, Bagenda, and Fajardo may be creating religions and alien worlds from scratch, but the root of their storytelling definitely hits home the deeper you dive.

A perfect blend of gorgeous art and whip-smart writing that combine to create a cinematic feast, Omega Men #3 is quite possibly DC Comics most dramatic book, and yet the bombs going off are rarely in the air. Our expectations for heroes and villains are being challenged and second-guessed here, and that gives this series a potential for greatness that has already peeked out from the edges. If you havent jumped on yet, give this issue a try. Youll want to rush out to grab the previous ones. Trust me.

As exhibited in each issue that has come before, Jenkins art style seems perfectly suited for the ongoing tale, combining with Wiebes range of emotional storytelling to create something bigger than its individual parts. Its a curious book that can hold my interest despite being focused on wartime exploits, and inspired by a legend I hold little fondness for. Month after month, the duo manage to deliver one of the most consistently interesting books in the market, and one that deserves a lot more attention than it seems to get. Do yourself (and the creators) a favor. Pick up a copy for your enjoyment and another for a pal. Like Sandman and Fables, Peter Panzerfaust is the kind of book lots of different types of readers can enjoy. It would be a shame not to see it land in as many hands as possible.

Prez #1 is only the start of Beth Rosss journey to the White House, set still well before the eight-page preview weve seen, but with a bunch of background and some sinister set-up, Russell and Caldwell have us off and running. Another female-led title this week that stands far apart from the expected and what we already have, Prez is most definitely the book to watch in the next few months.

So, where does that leave us? Is Prez too real to be futuristic or too light to be taken seriously? Neither. Russell and Caldwell strike the perfect balance of making fun of this craziness while also acknowledging that, hey, we just might be living it. And every time Beth has a smirk on her face or a sly comment escape her lips, its pretty clear shes talking to us as much as the men surrounding her in the book. And you know what? We deserve it.

If youve never read Princeless before, this is an exceptional place to start. A new adventure with characters that are easily adopted into your heart (even the sterner ones, honestly), the aptly named Be Yourself #1 sets up developments that so many adults and kids, male and female, can relate to. And if you are a longtime fan of Princess Adrienne and her world (as I am), youll be tickled to see your favorites arriving in the comic shop once again.

A welcome return to a team (and creative vision) that was one of the hardest felt losses at the start of the New 52, Secret Six #1 is clearly the beginning of a great mystery. Punctuated by a diverse cast of characters, whose sexualities are as complicated and widespread as their motivations, this book is going to be one that has people talking in the months to come. Don't miss out.

For all its small tender moments, Secret Six #3 is an issue I can heartily recommend to fans old and new alike. Its the best chapter so far to introduce you to the newest players and their personalities, and frankly, barely needs #1 and #2 to be understood and absorbed. But for old school fans of the teams debut in Villains United, seeing the team of Simone and Eaglesham reunited is more than worth the price of admission. Plus, weird sex on the couch. How can you beat that?

Tick tock. The first arc on the revitalized Secret Six is winding down, but the pace and danger is climbing quickly in the other direction. Simone and Eaglesham are giving longtime fans, not just of the Six, but of the DCU as a whole, something to squeal about with #5. If you pass this one up trust me, youre going to regret it.

In a market flush with so many comics that can be read in 3-5 minutes a piece, experiencing a book that makes you slow down and take it all in " not because it's wordy, but because it's that beautiful " is a rare treat in itself. Don't let this one pass you by.

My big regret, of course, is that with Stumptown #5, we are once again on hiatus from the ongoing disaster that seems to follow Dex wherever she goes. Readers of the previous volume are rewarded with a tease for the future, and Im already itching to get back into this world. Another case please, Mssrs. Rucka, Southworth and Renzi! And the sooner the better!

As a dedicated fan of Ostranders original run on the Suicide Squad in the late 1980s, Id be hard-pressed to say any try on the title will match the simple surprise that book brought month after month. It was, after all, the first iteration of this type of story-telling that now, years later, has shown up again and again here and over at Marvel with Thunderbolts. But for the first time in almost two years, I feel like we may have a shot at recapturing the feeling and ingenuity (if not the groundbreaking nature) of the original title. A brilliant sophomore effort for one of the New 52s first wave series, Suicide Squad #20 delivers on the promise its cover puts forth a renewal of energy from a fresh creative team ready to make a bit of necessary mess with the status quo. If this issue is any indication, this books going to be a lot of fun to clean up after.

I say that Superior Iron Man is the comic for those who dont like Iron Man, like me, because you dont need to in order to thoroughly enjoy this book. In fact, its probably a benefit to hate him, honestly. But youre probably going to envy him. And thats all right. Taylor and Cinar are making that abundantly possible, with a strong first issue, a compelling set-up, and a bastard who you just wont believe could get any worse. I may never want old Tony back.

A fantastic one-shot that truly deserves a significant follow-up, Lois Lane #1 takes the best of what we know and love about DCs intrepid reporter and digs even deeper. With Superman making only a single page appearance (gotta throw the big guy a bone), Im pretty satisfied that THIS is exactly what I was hoping for at the start of the New 52 with the changes to Lois romantic life. May we get many, many more stories like this, particularly with Marguerite Bennett at the keyboard, and SOON.

But in all seriousness, Superman: Lois and Clark #1 is a great start to a book that may prove itself to be a real crossover hit for fans of different generations. No creative team could be a better choice to usher this new era than Jurgens and Weeks, and no characters deserve the love they have to give more than Lois and Clark.

Pulp heroes are, of course, making quite the comeback in comics these days, but Black Beetle stands up strongly against his senior counterparts The Green Hornet, The Shadow and The Spider, and is beautifully reminiscent of a more recent, but currently absent, creation The Blue Beetle. An original creation of the artist, Black Beetle captures so much of what we love about feeling nostalgic for simpler times where dialogue may be a little more blunt, but it came through a magic sound box called radio, so it mezmerizes us nonetheless. With original stories beginning next month with a four-part tale subtitled No Way Out, Black Beetle is guaranteed to satisfy any reader who wants to experience a little bit of that nostalgia you didnt know you had. It seems the best things in comics, like life, are simply timeless.

The real trick will be accepting the tone shift, from outright humor to more subtle satire with a trace of melancholia. It may be too much for some fans of the original series and not subversive enough for fans for Russells previous series. But either way, its definitely worth watching. I have a feeling this is one where the series as a whole is going to get richer and richer as it goes along.

One year later, that future tale isn't even as outrageous as real life. It missed its moment of truth between fictional future and "gee, if only it was that simple" by a mere few months, leaving us now with a book that reaches far into the past (in both a literal and meta sense for fans of the original Flintstones television series, something that occupied a much more innocent time for most of us) and shows us a bit of how glaringly heinous our culture truly is today.

Not for the faint of heart, this adaptation follows through on all of the novels major themes, including extreme images of rape, sexual exploitation of women, Nazism, and the moral bankruptcy of corporate society. If you have a strong stomach, and want to experience a beautifully rendered tale of a horrific series of events, this is the book for you.

Theres no question this title remains tied to The Movement, if only in its complete opposite nature and perspective on the world. Our trillionaires dont see a world corrupted by authority (because if they arent the authority themselves, they certainly rest comfortably above such concerns), but they certainly dont believe they are living in a perfect world either. With details like remote laser surgery and new internet-based technologies (Imagine! A car run by the disagreements garnered over this review!) already taking center stage, this title is sure to give an equally curious perspective to the DC Universe as its sister book, and one which weve not quite seen fully explored to date. An excellent start to a very unique re-envisioning, The Green Team #1 is your look into a much more optimistic vision of youth in our culture, and a great win for expanding the vision of the New 52.

There's certainly a new mystery afoot in Wonder Woman's origin tale this time around, and more than anything, I'm curious to see how this new variation resonates with the audience meant to hear it. To my eye, De Liz and Dillon have their fingers on the pulse of what Wonder Woman can mean to women, in a way that's new, fresh, and smart. And where it can speak to core ideas " not just about the Amazon Princess, but about life in 2016 " is where the transformation from just another story to legend will ultimately take place.

For fans of the previous run or Superman Family Adventures for that matter youre going to find more of what you loved in these pages, albeit a few less gags than the best of the previous issues. For the curious who have never given Tiny Titans a chance, I demand you pick up this issue. I dare you not to chuckle and smile. Heck, you might even beam.

There is a huge mid-story reveal here that I would love to extol the virtues of from both the writing and artistic points of view but Id rather leave the spoiler out of the review and simply insist that you check this story out. Neither exactly what youd expect, nor more than is necessary to tell a beautifully-crafted short story, Trigger Girl 6 is the perfect addition to your read pile this week, especially if you want to read a damn good sci-fi story featuring one kickass lady taking on a mission way more important than she could have imagined.

As I said, Ill need to leave it to someone else far less informed about the players involved to judge whether this issue stands on its own merits and not simply on the history of the universe as a whole, but the satisfaction I feel in finally seeing a universe of characters find their home after wandering for far too long that satisfaction is worth the recommendation I give to check the book out.

And these are yet only four glimpses of this complex weaving of truth with violence and peace, culpability and innocence, that seem to pepper the most honest stories about Diana. Wonder Woman Annual #1 doesnt posit four points of view, but rather images out the true robustness of the Amazon Princesss character. We may not want to accept that a fictional heroine can be so many things, have such a verisimilitude of philosophies that drive her character. Its difficult to be sure. But thats part of what makes Wonder Woman so rewarding, and so enduring, 75 years later.

A strong character study-esque start to what already seems to be the next dramatic era of the Amazon Princess nearly 75 year history, Wonder Woman: Rebirth #1 is a welcome return for Greg Rucka, a nice send-off from Matthew Clark, and a lovely revelation from Liam Sharp. Thank goodness well have the next installment in just two weeks.

While this issue's plot was relatively light, starting a shorter, more whimsical story after somewhat of a dragging first four issues is a welcome change. Overall, Worlds' Finest #6 was a totally fun comic book. Here's hoping we see more of this style in the future of the title as well.

Perfect for readers who have been craving new characters, ideas and a more complex look at the conditions of power in the DC Universe, The Movement could prove to fill the gap that Secret Six left behind nearly two years ago. Long in the making, this title is a welcome addition to a line striving for diversity, and Im already eagerly in queue for next months issue.

The Movement may not appear to be the flashiest book on the stands, but it deserves your attention (and hopefully some buoying first trade paperback sales) to keep quality work like this coming out month after month. Characters like Virtue and Katharsis, Vengeance Moth and Burden, need to be supported and not just because they represent traditionally underrepresented character types, but because they are truly unique and brilliant contributions to the DC Universe. These are our new Teen Titans or New Mutants, people. Lets get this book into more hands and dog-ear some pages with love.

With only two issues left of The Movement, there's a lot of sads to spread around about its demise for loyal fans, but it's damn hard not to read this issue and have the appreciation outweigh the negativity. The cast is fresh, the stories are thoughtful, and the feelings within will stand the test of time. Here's hoping for a long life in collected edition and other opportunities for these characters to grow into the DC Universe more fully in months to come. It needs this kind of influence to stay relevant, and I can't imagine reading a teen team book again without comparing it to this group's first run. That is, until another. Fingers crossed.

Let these characters into your heart and demand they show back up on the page. Too much work has gone into them to see them fade away, and to that point, Im not sure they could anyway. They will be demanding a presence for themselves thats how well they were built.

But the real trick is bringing in Batman Beyond, a character lots of DC television fans who may or may not have ever read a comic are familiar with, and will definitely serve as the entry point to the story. Will this book be great for the person who has no familiarity with DC and its heroes? Probably not. But is that the key demographic attending Free Comic Book Day? What this book does right is it rewards existing fans with a brand new dilemma to perseverate about AND give fans of DCs properties in other forms something to grab onto. The fact that the twist provided will lead to a whole new world of wonder? Thats really, really tasty gravy.

A really cohesive issue pulling together the most disparate heroes and really, writers imaginable, Futures End #4 is the moment this story really rocketed into high gear for me, and made me honestly desperate for the next one. And frankly, thats exactly what you want out of a weekly book. Next Wednesday cant come soon enough.

DCs weekly offerings have so far exceeded expectation across the board, and one hopes that Earth 2: Worlds End will prove to work out the same way upon its launch in October. In the meantime, Futures End is weaving a mystery that so far seems worth devoting DCs theme month to starting next week. I may end up buying far more of these books than I anticipated. If even half of them can live up to what the core series has been providing week after week, were in for a treat next month.

My one regret, of course, is that these three terrific characters cant simply be transported into the modern day DCU. We dont know whats to come after Convergence for DC, but my sincerest hope is that something launching involves one or more of these women, and by one of the terrific members of this large creative team. Theyve done a brilliant job of making me care. More of that next year!

Its difficult to properly express why this issue worked so magically without ruining its final moments for you, but heres a quick try: Futures End #48 gave priority to emotional beats over physical ones, brought the series full circle without losing what made it special along the way, and opened up what will hopefully be a fascinating stage of further exploration. A proper send off to the New 52 branding, this issue is undoubtedly my favorite of the week. Heres to whats on the horizon. Eye cant wait.

Batman and Robin Eternal has started off with a literal bang, but that's not all that impresses me about this issue (although I do admit to flailing my arms like Kermit the Frog after reading that last page). The care Tynion and Daniel have for each character and their relationships " both physical and emotional " to the others is clearly manifest on the page. If every issue of the 26 part story is this compelling, we're in for the biggest romp of the year. What an awesome way to celebrate Dick Grayson's " and the Batman Family's " seventy-five incredible years.

Its a beautiful issue, and feels like a strong beginning for how relationships will develop going into the future of Batman and Robin Eternal. Am I left to ship my new dears Harper and Cass (Casper?) or will this play out magnificently on the page without needing my imagination? Not sure. But I am certain that Valentines scripting and Martinezs pencils here have given me something I never even knew I wanted. And thats a grand feat worth celebrating.

Theres a lot to love about this series, and while I cant say I was tuned in to every twist and turn with the lot of the Robin family, I have certainly been riveted with Harper and Casss journey to this climatic moment. Seeing James Tynion IV moving on to helm Detective Comics with Batman and Batwoman and a few of these familiar faces couldnt be more perfect a leap. My hope is well see Eaton and Borges getting similarly fit assignments in the coming months with Rebirth. These two artists are too talented to sustain with partial issues or fill-ins.

As an origin tale, #0 succeeds in spinning out an entirely new story that neither feels like a moment between minutes, nor a complete revision of the past. Yes, we see many minor changes, but the largest of these are strictly cosmetic the mask may have changed, but the girl underneath it is still the one we knew before. To Simone's credit, the abbreviated history we do get, right up until the familiar moment at her front door, actually tracks remarkably well with her previous origin, but still leaves many questions for fans to roll around in their heads and online. How much of the rest of her history may have changed (Babs being one of the characters most affected by DCs continuity reboot) is yet to be determined, but the beginning that manages to feel respectful, fresh and familiar all at once.

Ultimately, what this collection does best is highlight all the things that made Batgirl so different from her mentor over the years: her sense of humor, her emotional honesty, and above all, a blinding humanity that shines straight through the cowl. Beautifully rendered by series regulars Syaf and Cifuentes, Babs isnt the perfect heroine, but her determination and drive is infectious. Her victories are hard won, so when that unique look of joy runs across her face, its hard not to smile along.

No, regrettably, that moment will come next issue and I, like Babs, will be devastated, terrified, angry and thrilled in a terrible, glorious whirlwind. But Ill also be thankful for the journey in getting there.

In the end, Simone and her collaborators have devised a story that closed one chapter and opened another, all amid a maddening cacophony that ends up more pleasurable and harmonious than could have been predicted. All the more reason to celebrate the writers continued presence on a title shes clearly put her heart and soul into developing into this great song of triumph and terror. Things may look dire upon the last page of this issue (Maybe I should have mentioned Saw earlier, as well.), but I have more reason than ever to come back to this book and its gut-wrenching delights month after month.

If chapter one of Batgirl's journey in the New 52 was overcoming her encounter with the Joker, then chapter two definitely starts here with the spectre of James Jr. A beautifully rendered issue, from start to finish, from dialogue to art, and a magnificently tight plot throughout, Batgirl #19 is my book of the week, and perhaps even year. Thank you, DC Comics, for your commitment here to complex storytelling that raises the reader up, probes the unknown, and provokes emotional thought. It is not unappreciated by any means.

There is no doubt that this issue provides a palate cleanser before diving back into Barbara's problems that continue to build with her father, the injury to her boyfriend and life as a crime fighter.

Its a thrill to be able to dig deep into character in a super-hero comic, and Simone, Pasarin, and Glapion offer that opportunity with Batgirl #32, in spades. That this is only the first part of three in this long-awaited reteaming of friends is reason enough to count the days until the next issue. But knowing the kind of depth these creators deliver on a monthly basis makes the wait all the harder.

Look, this isnt the same Batgirl story youve been reading for three years. It isnt the Batgirl story before that, or the Barbara Gordon from the late 70s either. But it is Barbara Gordon, and damn if it isnt a great story and presentation to add to the bevy of awesome stories about this young lady. Brash, determined, fraught with challenges, uber-smart, dangerous in a battle, and not nearly ever perfect this is our next big Batgirl story, and I think Im going to enjoy every minute of it.

A moving and revelatory chapter that is moving us fast and furious toward a first arc conclusion next month not to mention the arrival of Black Canary #1 in June Batgirl #39 is the issue that starts tying up all the loose ends and bringing all the characters and their suspicions onto the same page at last. The creative team is running on all cylinders and it shows. Heres hoping we have a long line of Batgirl issues to look forward to from all of them.

Overall, issue #41 is an artistic bounce forward for a book that has inspired so much of the renaissance were seeing at DC Comics this month. The action is dynamic, but the relationships the creative team is showcasing are what really give the book its spark. A genuinely FUN comic, Batgirl #41 is the perfect place to jump in if you want to have a new, bold, and determined set of ladies to watch kick ass (and warm hearts).

Look, Batgirl is clearly a book I celebrate and one that DC looked to for a sense of where its future should take them. Both calls are the right one, and never more than this month. The strongest issue of the all-new run to date, Batgirl #42 is the joy I want out of my favorite character every month and more.

Another stellar issue that advances so much of what is wonderful about this series, Batgirl #43 gives us action, best friendships, young romance, mystery, conflict, and tigers. Having all that in one package is a stunning accomplishment, and it makes for the most fun title on the stands today. If it was weekly, Id still be lamenting the wait between issues. Cmon, Batgirl #44.

No issue of Batgirl to date has felt as cohesive and as strikingly on point as #45, a true testament to the team DC Comics has assembled and supported on this title. A year into their run, and we've seen not just Barbara, but her entire cast grow and change, and all for the better. And if the final page of this issue foreshadows, it looks like we may be up for yet another set of changes to come. And because I've so enjoyed where we've been, and am amazed at how far we've come, I really do want this adventure to go on forever.

Mysteries abound with Batgirl #46, but one thing is certain: Stewart, Fletcher, and Tarr are well on their way to making me want more Spoiler, more Team Batgirl more everything.

Batgirl #47 is definitely not a slam-dunk for the title, but with the law of averages being what it is, this day was bound to come. What it is, however, is a testament to the perfection the regular creative team has brought to the book month in and month out, even if a momentary blip on the radar of the series.

As a single issue, Batgirl #49 has done more to respect the core of Barbara Gordon and her legacy than any issue in modern memory, and thats saying a whole lot given all that Stewart, Fletcher, and Tarr as well as Gail Simone, Ardian Syaf, Daniel Sampere, and Fernando Pasarin have done since the relaunch of the New 52. Removing The Killing Joke from this Batgirls history is a gift of light and love to the character that, while long overdue and probably scary to all involved, is something I am deeply thankful for. And giving us a Batgirl with light in her eyes, surrounded by other kickass women who live up to her example well, thats just extraordinary.

An epilogue to the third Burnside arc that feels like the last hurrah it is, Batgirl #51 hits me right where it probably should: in the space between gratefulness for the world thats been crated and sorrow that come month after next, that world really wont exist as cohesively anymore. Lots of things ending these days heres hoping we have bright beginnings to follow soon after. For Batgirl, and for Fletchers vision elsewhere.

A welcome return to more adult stories set in the DC Universe, with not just sex, but sexiness throughout, Constantine: The Hellblazer #1 instantly convinces me of what every one who encounters John comes to know: hes a right bastard, and theres no avoiding falling for him. Over and over and over.

Another ravishing issue that reminds me of just what a special creation John is, Constantine: The Hellblazer #4 is a perfect picture of a deeply imperfect man, and it makes me feel dirty, titillated, tired, and wanting more all at the same time. Doyle and Tynion have mastered the bastard, and were reaping the reward. Even if it means giving up a little piece of our souls in tribute.

A pointedly funny, light-hearted take on Johns love life, even amid slaughter and environmental magic, Constantine: the Hellblazer #7 may be my favorite issue yet from the team of Doyle, Tynion, Rossmo, and company. We get a great same sex lust story. We get to see John at his glowing best. Even though we know in our hearts it can never last. But in the meantime, Im crushing on Hellblazer like Im 15 and in love all over again.

And its something to be able to palpably feel that on the page, as someone who isnt so far away from family, but truly, can never be too close either.