Brett Comic Reviews

007 #1 is an excellent beginning. The issue feels like the start to a film with the opening action sequence that leads to what's coming and of course muddles up Bond's ability to do his job in some way. For fans of spy adventure or James Bond, it's a solid get and perfect entertainment.

007 #2 begins to bring things together after an action-packed opening just as you'd expect in a James Bond film. We got the exciting pre-credit action sequence and now the story's settling in. Overall, it's a solid arc for fans of the character or just looking for a solid action spy thriller.

007: For King and Country #1 is an entertaining opening that puts Bond in an interesting position. It's one we've seen before to some extent but with how things are presented, it's never quite felt to this level. Add in how the issue wraps up, and this is a new series where it feels like everything is on the table and no one can be trusted. It's Bond on his own versus the world.

I'm really close to saying this should be a buy. The main reason I don't is I want to see where it goes from here. It could be great, or it could go off the rails, and the issue doesn't quite stand on its own, but it's really damn close.

2020 Ironheart #1 is a good comic. But, unless you're invested in the character or the two storylines that are connected, it's hard to say this is a must get. Still, there's some solid moments and debate about the role of superheroes within.

20th Century Men #1 stands out due to those details. From the characters' actions to what is said, everything feels carefully thought through. It's one for poli-sci nerds that like a "what if world. There's a lot to mull over and chew on after reading the comic and maybe I'll get through it by the time the second issue drops.

30 Days of Night: Falling Sun #1 is one of the early titles for IDW's horror line IDW Dark and should be a fun return for longtime fans of the property. It has a lot going for it with some nice underlying themes and a debut issue that new and longtime fans can both enjoy. If you want a vampire comic to dive into as the nights get longer and weather colder, 30 Days of Night has returned just in time.

The first issue has really impressed me and as the launch title of the next class of Black Mask Studios comic books, it's a hell of a start that shows off why this publisher is one to watch out for. Can't wait to read the second issue and see where this all goes, especially as to how that bank comes into play.

Just a fantastic ending that has me hoping for more but at the same time hoping we don't Rosenberg leaves a lot up to debate and does so in a way that the adventure will continue through our imagination. If you haven't read the series, this is one to go back to the beginning and see what you're missing. Being able to sit down and read it in one sitting without gaps ups the enjoyment immensely, but even after such a wait, it's completely worth it.

78 MPH #1 is a comic that almost dares you to not think too much about the details. It feels like a film pitched to Michael Bay or Roland Emmerich and even they said the concept was too far out there. I'm intrigued to see where it goes in further issues but right now it feels like a horror film where the sun is the stalker and those living are trying not to be hacked up. I want a bit more than that and here's hoping the comic can deliver.

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A Haunting on Mars #1 is fun pulp sci-fi. The characters each have their role and it hits familiar notes, but overall, it's a fun read that you can just sit back and enjoy. Now, to find that Resident Evil soundtrack to listen to while reading the rest.

A Mischief Of Magpies #1 is perfection and sticks out as one of the best comics of the year so far. A must get.

A Mischief Of Magpies #1 is perfection and sticks out as one of the best comics of the year so far. A must get.

A Quiet Place: Storm Warning #1 is based on the film franchise, but you don't need to watch the films to enjoy the comics.

Fire Chief Fry’s pleas went unheard in the last hours of Pearl, Iowa—but in the present, his sister, wingnut mayor Phair, is finally heeding his warning.

A Sailor's Story is a fantastic piece of history, giving us a first-hand account of what happened, and the sacrifice many made to defend freedom. A great example of using the graphic medium to capture and tell history.

A Town Called Terror #1 is an interesting start. It's not what I expected at all. I thought I was getting into a psychological horror story about a missing husband. While that's there, there's also elements of a pulp horror story about family. It'll be interesting to see where it all goes but as far as starts, this is an intriguing one.

A.X.E.: Death to the Mutants #1 is ok. It adds in details from the main event but that's the entire draw of the issue. It feels like it should have been a part of the main series but the flow wouldn't work combining everything. As is, you're left with a comic that acts more like an addendum than a story on its own. It doesn't work without all of the other issues released while those are fine without this. It's a comic that feels like it's the "director's cut that adds some context but overall it'll be mixed as to whether it really enhances the experience.

A.X.E.: Death to Mutants #2 feels like the expanded version of A.X.E.: Judgement Day. It fleshes out characters and events giving us more depth as to what's going on. It enhances the story, not working on its own but instead building on what's elsewhere creating a greater tableau.

A.X.E.: Eve of Judgement #1 is an interesting opening. It leaves no room to debate who is right and who is wrong. It treats the action Druig takes so nonchalantly as to make it feel like it's not a big deal. It just kind of is. Maybe with what's to come in the first issue it'll flow a bit better but as presented, the comic doesn't get me excited for what's to come, it sets up what feels like a rather predictable narrative to fill our summer months.

A.X.E.: Judgement Day #1 is a solid debut delivering more than just groups clashing before fighting the greater threat. There's a lot to chew on as Gillen lays out varying motivations and resulting in actions that are questionable for many. There's also shocks, lots of shocks as the Eternals make a hell of a move that is sure to anger many. Many events in the past have started with a bang and fizzled. This is a nuke drop and here's hoping it can keep it up.

A.X.E.: Judgement Day #2 is a solid second issue with an ending that really shakes up the event. It sends it in an unexpected direction but one that makes sense based on the title. Where it takes things overall, who knows, but so far, this might be Marvel's best major event in years.

A.X.E.: Judgement Day Omega #1 doesn't excite. It's what I've run into with the Eternals over and over. There's something rather dour about them. What I've read has been good but there's only so long you can read a bunch of depressing people before having to move on. This issue captures that aspect and hopefully it gets jettisoned before we see more of the Eternals.

Abbott continues to impress and for those that love a supernatural detective story, this is a must get. It's a perfect example of writing and art coming together and how you can use a time period to make the story even greater.

Absolute Batman #3 is another solid issue to the series that presents an opportunity for Batman to take his approach to his fight in a different direction. It also adds to Bruce's past and a much different childhood than what we've seen elsewhere. Overall, another interesting issue that adds new layers to this version of the Dark Knight.

Absolute Batman #7 is a solid start that introduces us to some new twists on classic characters and the fallout of the previous story arc. It definitely has a different feel and vibe but it's a welcome one that shows that the series doesn't have to be balls to the wall exaggeration with every issue. There's a horror tinge to this that could give us a very interesting take on things we've become familiar with.

The issue is a hell of a start and how you do an event. There's more than enough there to be inviting to new and old readers and it delivers a hell of a punch.

Absolute Carnage #2 is a good entry in the stand out event. The issue has some flaws but those are minor compared to the entertainment.

The comic absolutely delivers horror tropes but there's something to it that makes it all enjoyable. There's an unknown aspect to it the comic that makes its story all the more scary and disturbing. Add in just enough macabre and it comes together to create the perfect tone for a comic tied into Carnage.

Absolute Carnage: Symbiote of Vengeance is a comic that you read quickly and generally forget. It's entertaining but doesn't stand out a whole bunch. The comic feels like it'll become important down the line once Ghost Rider #1 is released. Stealthy is the best way to describe it all.

While I'm not quite there to say you should go out and buy the comic, I do think the trade will be a lot of fun to read.

The comic is good but not great. There's a reliance on knowing two characters and without that, it lacks the punch to really sell the issue. Still, as it progresses the action will likely be the draw and hopefully more explained. Absolute Carnage: Scream #1 is an interesting piece of the bigger puzzle but doesn't quite stand on its own yet.

Absolute Flash #1 is a solid debut introducing another interesting addition to the Absolute Universe. While that world still feels disconnected and not a cohesive universe, the parts are still interesting. Absolute Flash is packed full of familiar characters and concepts with slight twists and a narrative style that creates a mystery that should hook readers.

Absolute Power #1 is a solid start to an event that takes inspiration from real world fears and hits the zeitgeist in many ways. Waller deals a populist blow by manipulating the people to rise up against those who do have power, but also help society too in imperfect ways. Waid and the team have a start of an event that might seem like a flashy surface but underneath there's some interesting substance as well.

Absolute Power #4 is a rather predictable comic overall, but it has specifics that are still surprises. The ending leaves things in an interesting spot and sets up what's to come in multiple ways. It's a comic that ends one chapter for DC while setting up the next one to come.

Absolute Power: Ground Zero #1 is a nice chapter to the event that will likely get people interested in what's to come. It does feel like it'd have had greater impact as the Free Comic Book Day release, but as is, it does a good job of keeping long time readers engaged and introducing what's coming to new readers. It's a tease of a potentially solid event to come.

With Aaron's attention to detail and focus on class on Krypton and Superman's initial battle to protect exploited workers, Absolute Superman #1 is a hell of a start with a focus and statement to make. It's the standout of DC's "Absolute Universe" and a standout for all comics currently on the shelf.

Absolute Superman #2 is a hell of a second issue that is packed with action but at the same time is focused on letting readers to get to know the main characters. It delivers awe and ends with a shocking moment that highlight the good that's at the heart of this Superman.

Absolute Wonder Woman #1 isn't bad but it also never quite makes the case and hooks the reader. There's a lot of teasing as to the backstory but overall it's showing some cracks in the "Absolute" rollout. While we were teased of a world in the All In special, neither Absolute Wonder Woman #1 or Absolute Batman #1 have built off of that. Each comic feels like a standalone world and story and not a breathing world. It feels more like DC's series of Earth One graphic novels. Each was good but they never really felt like a whole new world. It's early and we'll see more of that world as each series progresses but right now Absolute Wonder Woman #1 is entertaining but doesn't bring the excitement.

This comic is both a throwback and very relevant to today. Pak and Kuder (and the rest of the Superman team) are trying to remind us that even though Superman is also Clark Kent, we the readers can be Superman too through our every day actions to improve our neighborhoods. You don't need to fight aliens and save the world to be a superhero, you can also just do some good in your own town too. This comic is a reminder of that, and hopefully will inspire some more folks to tie towels around their necks and attempt to be the hero they enjoy reading about.

Overall, the issue feels like its slipped a but with a muddied conclusion to this first arc. While it'll probably sit well in the overall story, on it's own, it just doesn't hold up.

In the first chapter of "Path to Doom" Jurgens and Zircher seems to be blending the old and the new together in a way that works and works really well. Action Comics #957 feels like a return to what Superman should be, and that's super.

I hadn't read Superman in quite some time, but this return of the classic Superman has brought with it new life and a return to what I remember loving about the character. This comic has action in the title, but it also remembers there's a lot of heart at the center of the story too.

"Action" might be in the title, but Jurgens brings the heart to realizing that you need it to connect with its hero. Superman is back and he's more exciting than he has been for a long time.

The series is solid so far. The story. The art. It all comes together for a great comic that feels like it's worthy of the big screen in how much action and excitement there is. But Jurgens also realizes with all of that, it's the characters relationships that really matters.

The Superman team continues to deliver action and excitement and has me interested in Superman for the first time in a very long time. Here's looking forward to the next issue and see if some of the mystery is finally revealed.

Overall though, Action Comics continues to live up to its title and continues to also focus on heart which allows the series to sore.

Overall, the comic is a good one. Jurgens continues to bring a classic feel about this Superman, but at the same time, it's updated in many ways. Superman continues to soar as new life is breathed into the character and franchise.

I'm blown away by the story which I can only describe as super. A fantastic ending that shows DC Comics has got a great grasp of mixing the old with the new.

Action Comics #987 set things up and Action Comics #988 lays a lot of it out and explains the "how." It really shouldn't work and should feel like a silly retcon, but what's presented is an entertaining story that captures the fun and tone of Jurgens' current Superman run. Entertaining overall (though I expect there'll still be a swerve at some point) and it gets me to want to see what happens next.

The issue is a good one and in a way is the dark middle chapter of the trilogy. Again, I'm sure things will work out but the team is weaving a story that at first seems silly but in reality has worked out in a way that defies expectations. An entertaining read that's another excellent chapter in this exciting drama and action adventure.

The comic is an interesting one. The arc as a whole will be a key one building to the eventual confrontation between the DC Universe and the mysterious manipulator but on its own it's a little hard to recommend. While I recognize there's a great storyline some have been able to balance self-contained arcs with the greater narrative. This however leans a little too much one way.

This is a solid follow up to an event that has shaken Superman and put into question the whole nature vs. nurture debate. But, it also sets up what feels like a hell of an adventure to come based on those final pages and it's an adventure I'm beyond excited to see.

The art helps with Jurgens taking the helm and a look that looks like DC of the past. That's not a bad thing at all but Jurgens and others from his era have a different style than artists from the last decade. So, art wise, it looks more like the Superman comics I read growing up as a kid. The panel layouts and flow have more in common with those comics than those of today.

Overall, the storyline is a fun one and a change of pace from the previous focus on Mr. Oz. At the same time, it also continues what's set up there. This is a prime example of the popcorn fun comics can be and continues a story I can't wait to see where it goes.

There's a lot packed in here and something for everyone. No matter the era of your enjoyment there's a story that fits it and this is really a comic that has an amazing amount of talent. It's truly a celebration of such an iconic character and for the celebration alone it's a purchase. At times, comics like this are a let down, but this is the exception with every story entertaining in some way and a few that shine. It's the rare oversized celebration comic that lives up to the occasion.

Action Comics #1050 is a pretty key issue setting up a new status quo for the character and setting up what's to come. It's not the spot to hop on for new readers but feels like a nice entry to shift from what was to what's coming. It's implications reverberate far beyond just the Superman comics and there's potential there's more to come than just what's presented. As a Superman comic goes, it's entertaining with a nice balance of what makes the character great and reminding us why he's so super.

Action Comics #1051 is a solid start to the series. With a new anthology focus, it has a little bit of everything making it easy to change things up and keep things fresh. The trio of stories each have their own strengths with a variety of styles and voices and a wide focus. Overall, a solid start to the "Dawn of DC."

Action Comics #1052 continues the new direction for the series and Superman family and continues to do an excellent job of balancing things. There's the action and long story but it also focuses in on what makes the Man of Steel and the characters around him great. There's a warm, welcoming, aspect to the comic that extends to every story within making this a series that focuses on Superman as well as his extended family.

Overall, there's something rather nice in Action Comics #1054. The comic doesn't have the doom and gloom of so much of what has been put out there and instead delivers the uplifting tale you'd hope from Superman. It has the action without the dark cloud hanging over everything. It's been a while since I've really been into Superman and DC is delivering a monthly dose of positivity that'll keep me coming back for more.

Action Comics #1067 is a fun comic. You don't need to be familiar with all that's going on with Superman and can just dive in and enjoy it. Both stories, while wildly different, have a lot that stands out for each and both entertain in different ways. It's a nice arc for each so far with two voices that bring something different and fun to the classic characters.

Action Comics #1082 is an interesting comic that does what entertainment, and John Ridley, does best, ask questions and explores out world through storytelling. We're left with no answers so far and a lot of questions but overall, it's an Superman story where the problem might not be able to be solved by punching things. And, it's a story arc that in the end might not have any answers.

At only $0.99 the comic is short but a nice addition for fans of the television series. It may be read better as print issues, and my reading as a PDF might not have been optimal, so your experience with it as a digital comic may be different than mine. Still, as a fan of the television series I was surprised to find it adds to the character and was enough that I might have found the first digital first series I'll make sure to read.

For $0.99 the comic is worth it for fans of the Supergirl television show. Though short, it adds a bunch to the character and continues the fun positive messaging of its small screen counterpart. The first chapter was a good start, bit it's here where it's starting to fly.

Each chapter is good, but the story as a whole is stronger when read together. That's where the big picture becomes apparent and a simple story of capturing an alien becomes so much more.

Adventures of Superman: Jon Kent #1 is a good start. It takes a bit to get to the end's big reveal and also the mission ahead, but it does a good job as an opening chapter. There's a lot we know that's coming, and that's part of the issue. While the comic sets up Jon's adventure, it doesn't get us to where we want it to go, him heading to the world of "Injustice." That's partially why it feels a bit slow getting to the point. Overall though, it's a first issue that'll fit in nicely as we get to read more of the series, sadly we need to wait for that to happen.

Where the series goes after Adventures Of Superman: Jon Kent #2 will be intriguing. It hints at a lot, not just Jon's dealing with "Injustice" Superman but also powers he can't really control. There's also questions that remain about Ultraman, Val-Zod, and so much more. While the debut dragged a bit, the second issue is a solid ride.

Adventures of Superman: Jon Kent #3 begins the upcoming conflict of idealism taking on the harsh absolutism of the world of Injustice. It should be interesting to see how Jon reacts in the next issue and you wonder if this event might be what breaks him a little in his journey onward. So far, it's nice to see Jon's general positive outlook in his journey and how that guides him here will be truly interesting.

It's a complete package that knows what it is from story through the art. And because of that, it's beyond fun.

The two stories feel so wildly different in quality not only am I scoring them separately but doing separate "recommendations." One is a story that has me wanting more right away while the other feels a bit more forgettable. Together, they "introduce" a character, and a world, that's long overdue for the West and welcome addition. Aero #1 isn't flawless but it has a sense of freshness about it that deserves your attention.

The comic is one that's a good introduction to the world and it's our first look as to what's going on. It's a primer to get readers interested in what's to come and what's show is interesting. It's a great way for those intrigued by this event to see what's coming and for those who want to see what's going on, this is a good way to do exactly that.

Alan Scott: The Green Lantern #1 leaves things in a bit of a shocker, and I was able to read the second issue which makes me even more confident in Sheridan's direction. It's a comic that feels like it's a nice mix of what was and what is, using history to blend it all together for a new adventure. I never really cared about Scott and the JSA, but this debut has me intrigued to go back see what I might have missed.

Alan Scott: The Green Lantern #2 is a fantastic issue that delivers a tragic origin while adding a dose of real history into it all. It takes Alan's continued evolution as a character to the next level creating even more motivation to his actions and setting up what should be an intriguing villain to come.

Alan Scott: The Green Lantern #3 is a solid piece to the puzzle teasing out the mystery while folding in so much. We have a solid one-on-one discussion with the Spectre along with some real world history, and the comic really blends fantasy and reality. It's another solid entry for a series that adds to the history of a classic character.

I came to this on the title alone and walked away more than pleased in what is a surprising read that was off my radar. If you're into this sort of genre than this is a graphic novel that's a must get.

Alien #1 is a solid start to Marvel's era with the franchise. It delivers a story that's familiar in ways but also charts a new course for the property. There's a willingness to add a little depth here and there without completely going in a different direction. The debut is perfect for long-time fans of the property as well as those new and want a good sci-fi action story with a bit of horror thrown in.

Alien #2 is one that fans of the franchise will want to check out. It blends what works so well for the series taking the best of everything and mixing it together to expand the world and also celebrate it.

Alien #1 is an intriguing start. It focuses on an aspect of the world that often feels like a story shoved to the side and dips its toes into a genre I haven't see the world play in before. There's a lot here that long time fans and new readers in what could be something really new for the franchise.

Alien #1 doesn't brake any ground but does break the ice (bad joke, we know). What it does is a solid build up slowly adding to the tension for what we know is coming. It's classic in a lot of ways and it should be interesting to see if it keeps that up or if there's twists and turns to come.

Alienated #1 is a solid start to the series that has us immediately wanting to come back to see more. Each character is interesting in their own way and where things end up should be fascinating to see their reactions. A fantastic debut that's definitely worth checking out.

Aliens vs. Avengers #1 is a nice start to the miniseries. It addresses the "how" and "why" of it all and teases so much else to explore. There's lots to ponder and enjoy from this single issue.

Aliens: Aftermath is a good addition to the mythos setting up what's to come. As a one-shot, the comic feels a bit rushed and packed in and might have benefitted from a second issue to expand upon the characters, their mission, and tension. The issue has some aspects that just aren't explained enough but are intriguing enough that I want to see what happens next. This is one to read if you're invested in Marvel's line of comics but doesn't quite stand on its own.

Published by Retrofit Comics, All the Sad Songs is the first full-length graphic memoir from Summer Pierre that takes us on a journey through the soundtracks that shaped her and remind us of the power of music.

For those that might not know Casey's history with Miss America, they may find a hero they want more of. For those that know the character, it's hard to not examine every word and every decision made. It's a fascinating comic on multiple levels but a frustrating one. Where Casey could have shown us what he'd have done with his creation that was far superior than what we've seen, instead we get what feels like a creator venting about having their toys taken away.

Overall, the comic is solid, and the reason I gave this a "buy" as opposed to the other Point One out this week is that this one looks like it really is the beginning of a greater story as opposed to just teasing a bunch. Not a bad start, not bad at all.

While I'd love to have seen more of a meta-discussion of online culture and fanfiction, there is some of that, but that's not really the point. The point is to provide something different and fun and this annual succeeds when it comes to that.

Overall, the comic got me much more enthused about the series within. There's a nice mix of look and tone within the comic, and it seems to do the job it's intended to do, get someone interested in what's coming. Overall, if you're interested in getting an idea of what to expect for the six series within, or the Marvel U as a whole, this is one you'll want to pick up when you're at the comic shop this week.

The comic is a good start. It didn't blow me away, but there's more than enough here that I want to read the second issue and see where Lemire is going. Part of that "didn't blow me away" is because Lemire is so good, I have higher standards for him (sorry!). Still, the comic is more than entertaining and makes us care about the characters within.

The art by Stefano Caselli is beautiful with some great design of characters, especially when it comes to the diversity of their look. There's little I can say about the art other than it's just great to look at.

All-New Venom #1 is a familiar concept but it's done well and seems to know its a familiar concept and runs with it. The writing delivers some action and some laughs and most importantly will keep readers guessing and want to come back for more to find out the answer. A good debut for the next chapter of the character.

Two issues in and the series is a home run. This is a bit of a grittier and darker take on Batman fitting in action, psychological examinations, character studies, and amazing art. Easily the best Batman book out there right now after two issues, and that's saying something.

A solid start that shows why this is one of the best comics on the shelves. Snyder continues to surprise at the quality and depth delivered (as well as bringing something new) and the addition of Albuquerque on art is the icing on the cake. Absolutely awesome.

All-Star Batman continues the series' impressive streak of adding rich character to Batman's world without rewriting his past in any major way. It shows you can add to a character who's been around for decades without rewriting the past. Snyder continues to impress and the entire series has benefited from a truly all-star creative team of artists. Easily one of DC's best releases with each issue and I look forward to what's to come.

This is a solid finale that has some really solid moments and Snyder has pulled off an impressive thing in adding depth to characters in a way that feels natural. Overall, this series has done a great job of exploring Batman in a way that we get to think about the themes of the character but at the same time it's done in stories that are entertaining from beginning to end.

All Star Section Eight #1 may be a continuation of obscure characters, but it's not a must to have read anything before the appreciate the issue. It features Ennis' signature humor and hyperbole along with solid art by McCrea. DC promised us something different, and this series might stand out as one of the most unique of the bunch, and that's not a bad thing.

Almighty #1 isn't a bad debut, it's just a teaser of what's to come and it's pretty standard. People are on the run and people are pursuing them. Beyond that, it's a thin for plot but there's potential here. Laroche has teased an intriguing world and hopefully that exploration delivers an interesting read. As is though, it's a story we've seen far too many times.

Almost Dead #1 kicks things off with an opening we've seen many times before and it just doesn't do it well. When there's so many options out there for this type of story, it doesn't make a case this is the one you should check out and stick with.

Alpha Flight #1 is a good start. I'm not sure if it's a series to read with each issue or collected based off the first issue, hence my "read." I think the first issue is a bit too predictable in that way so if there's more twists and turns to come, then that'd change things in the long run, but, it's a fun and entertaining read and solid addition to Fall of X.

The art is good and the characters all look like the Alpha Flight we love with some nice fights and dynamic moments. Still, the comic feels like it's playing it a bit safe instead of pushing the underlying concepts and themes of Fall of X.

Amazing Fantasy #1 is absolutely fantastic. The art is great. The story is entertaining and fun. It sets up a story that honors the pulp roots it comes from. This is a comic to pick up, relax, and just enjoy these summer months.

The debut of a new Electro! The "death" of a character! This is a lead up to Dead No More that's getting me excited to see what comes next.

The issue is a solid one. There's a bit of a classic mad-scientist/monster movie feel to it and Slott gives us more than "must fight Spider-Man" as motivation for action. Doc Ock even comes off a bit sympathetic at times. It's a fun issue, though not necessarily a vital one. It will catch up new readers as to some key goings on though. But even for long time readers, the issue still has more than enough to make it a fun read.

There's nothing bad here, there's also just nothing that has me super excited to where things are going. We've seen this before in some ways and none of it feels new enough to really get me wanting to see where it all goes. This is entertaining yet forgettable and feels like it'll be going down as a rather mediocre Spider-Man story when it wraps up.

The comic sets up a lot and features a return to the more humorous Spencer but something doesn't click like his previous work. I can only conclude it's the art which doesn't gell. There's some good ideas though, and potential fun. But, when a first issue has you longing for the previous creative team, that's not a good sign. Spencer had a goal with this issue, strip everything that Peter still has and in that sense, it succeeds in setting up what's to come with a new direction.

This is a hell of a debut that feels like it's a natural direction building off of the last two major runs and setting Peter and Spider-Man up for a new direction. It's good, really good. And it has this on-the-fence Spider-Man reader coming back for more… and excited about it.

I'm not the biggest Spider-Man fan. Amazing Spider-Man #76 ups the soapy drama of the series while delivering something that feels new and different. For this casual fan, it's an entertaining read. Most importantly, it has me wanting to see what's next and come back for more.

There's a lot to take in with Amazing Spider-Man #1. It shows a lot of potential with where the story's going and generally feels like a new and interesting direction for the first arc at least. Hopefully, things get a bit smoother going forward as it all plays out but as a start, it's just so-so.

Amazing Spider-Man #14 is an interesting issue. It feels like something that might normally be a "zero issue or one-shot leading into an event. "Dark Web kicking off in a regular issue that doesn't feature Spider-Man or anyone else other than the villains is interesting in a lot of ways. Overall, it's a nice issue that delivers motivation but doesn't quite have that punch that really excites. Still, it's more than enough to keep me interested in the event to come.

Overall, Amazing Spider-Man #26 might have had something had it not been spoiled but even then, the end comes off as cheap and short lived. We know Kamala will be back, it's just a question as to when and how.

Amazing Spider-Man #1 doesn't break any ground. Instead, it focuses on the Peter we know and the basics that make Spider-Man and himself such a loveable character. He's the screwup you want to see get ahead but know his doing the right thing will always make it an uphill climb. He's the superhero underdog you want to root for and see succeed. Kelly and Larraz seem to know that and celebrate it with this debut issue.

This is a nice start to this event though as a special issue I'm not quite so sure. There's a lot here that's intriguing and it looks great and impressively a hell of a lot happens within, I just wish this was part of the regular numbering for either series.

America Chavez: Made in the USA #1 is a decent start. While it could have been improved in some ways, it's a solid introduction to the character for new readers. It sets up an intriguing mystery and has a clear voice about it. With the character about to be in the spotlight, the comic does a solid job as a starting point for people to discover America and her world.

If you like stories where everything is on the table to make fun of, skewer, poke, jab, and nothing is sacred, American Caper #1 is for you. It's an out there start that'll keep you on your toes with no idea what to expect next for what will happen and to who. It's also a story where you'll cheer when everyone gets what they deserve. It's a cathartic middle finger to the state of things with a focus on the hyper polarization and self-centeredness that the world has become. It's a comic where lines are drawn and it's the reader against everyone on the page.

I finished reading the comic a bit disappointed, but I think that's due to such high expectations. It sets up an interesting story, and interesting characters, but the segmented style of the story without much explanation left me a little let down. Still, I plan on continuing to see where Azzarello and Doe go with it all before a final verdict.

American Psycho #1 isn't a bad comic but it just doesn't deliver the same witty commentary of its source material. It's just the first issue though and this is likely going to be a miniseries that'll have to be judged on the whole and not individual parts.

American Vampire 1976 #1 is a bit of the typical gathering of the key players story but it does it all in such an entertaining way both story-wise and look. It's a fun reintroduction to the world of Skinner Sweet, the American Vampire, and has me wanting to go back and read what has come before. It impressively pulls off a debut that's accessible for new readers and should excite longtime fans. Despite being years since the last chapter, American Vampire doesn't miss a beat with its return.

American Vampire 1976 #2 is a fantastic second issue. It takes a step back to make sure all readers are caught up and on the same page while hurtling the story forward balancing its various aspects. While it's the second issue, it feels like the true start to things and is as good a starting point as the first issue. If you were a bit confused by the debut or feel like you were missing something give this second issue a shot and get caught right up.

An amazing beginning that has me excited to see what Ridley will deliver in the subsequent issues and a set up that feels like we'll get the depth he's delivered elsewhere in comic form. Absolutely amazing on every level and it matches my anticipation in every way.

Just enough information is given for readers to understand what's going on, and enough information is held back to make you want to find out more as to what's going on too. The first issue blew me away. I can't wait to see where the series goes and how it tackles such a heated topic.A brilliant example of social commentary in an entertaining package.

Ancestral Recall #1 is a solid start to the series that leaves us wanting more. It feels like it does what sci-fi does really well, tell an intriguing story while also delivering something more underneath. It's a great debut and we're excited to see what the second issue brings.

The first issue does a great job of setting up the story with expectations you'd have due to the genre, then knocking that all down with some twists that make the comic really stand out.

I was intrigued by the concept when this series was launched, and the first issue has me beyond interested now. The combination of writing and art is entertaining and has a very "Marvel" feel about it all. It also gives us something new, which as a reader I appreciate and enjoy. So far, it's one of my favorite debuts of All-New, All-Different, and feels like it's actually worthy of that moniker.

Animal Pound #1 is the second series taking on Orwell's classic on comic shelves right now. Both are solid in different ways and each take on a different spin and direction. King and Gross' take looks to update things a bit warning us of the specter that currently overshadows so much of the world.

Animal Pound #3 is a solid issue taking us through various governments and what they bring to the table. The slide to where things go is slow but looking back, you can see the start of it all and the why of it all. Where things go next will be key and interesting but overall, the series is a wonderful new and updated take on a classic tale.

Overall, Annihilation 2099 #1 isn't bad but it's not what's expected concerning its name. If you go in think it's a new take on the classic story, you'll be disappointed like I was. But, it could be interesting to kick off an expansion of the 2099 universe, introducing new aspects and characters leading to… something. Overall, this could be one where the whole is better than the individual parts.

The comic is a fun one as expected. Ant-Man #1 has enough unique jokes and takes that makes it stand out as well. There's been so many different volumes and a lot of ground covered but this debut also feels unique in a few ways. It's still able to deliver something new to readers.

Antarctica #1 is an ok start. It takes a while to get going and there's some odd distractions along the way but the end of the comic delivers. It's enough to want to see what happens next, let's hope it gets more to the point going forward.

The issue is a good debut and leaves things open in how it ties into the greater story, read the first page, that'll make sense. There's a good set-up in the first issue and that's exactly what this is, the set up. Good action, good pacing, and some interesting characters takes a familiar story (it's The Terminator without the time travel) but presents it in an entertaining way. The opening of the issue indicates we might get more than that familiar story, we'll have to wait and see. This is a first issue that has me coming back for more.

The graphic novel is beautiful, and priced for a steal at $9.99. I highly recommend checking it out when it hits shelves in late May.

Cave has something with their focus of a company but this first issue doesn't really instill confidence they'll pull it off. Others have tried and it's looking like Cave may be just another attempt.

The overall story in Aquaman is very interesting, but there's some twists and turns that have not helped at all, with art issues added on top of it. Just not the quality it used to be, and that's a shame.

Art issues aside, the first issue is a solid read that sets the ground for what looks like not just an interesting take on Aquaman, but one that really considers all of the facets to the character. I'm looking forward to seeing what Abnett does, I'm just hoping I won't have to overlook the art to do so.

Abnett is laying some very interesting groundwork and the politically infused direction is a fresh way to go. I'm hoping there's a bit more intrigue in that direction, but we'll see. We've yet to get a real hardcore mix of the two that's as much about process and the dealing as it is fighting supervillains, and it looks like Abnett might be filling that niche. So far, so good though as he's shown he can balance the two worlds quite well.

If you dig the idea of Aquaman as the head of state and political aspects of the character, this is a fresh and fun take on that. I'm digging it and want to see where Abnett takes it. We just need more consistent art.

Maybe I'm being nitpicky about the specific details which takes me out of the comic, but overall the issue is entertaining and Abnett has ramped up the action well from the first issue. This is an interesting spin on Aquaman and I'm really interested in seeing where it goes from here. Hopefully the art issue gets stabilized before it drives people away.

The issue is really good in that it not only gets a lot of there as for as where Aquaman stands but it also really ups the pressure that he resolves the issues that have gotten him in so much trouble. Abnett is really upping the action and has given us a hell of a take on the classic character.

Things are interesting here. Abnett continues to really emphasize the crown that Aquaman wears which is a great thing to focus on. It makes the character stand out from the rest of the superheroes out there, it's one of his defining characteristics. A solid series when it comes to the writing.

There's not much depth here, this is big action popcorn theater. The scenes are over the top and the moments are checked off in predictable ways. The event has been a fun one overall and worth checking out in trade but overall, we've seen so much better from everyone involved.

Jackson and Lanzing have delivered another fun debut giving us high stakes, lots of action, and some great moments between Barry and Arthur. It's another example that if you see their names on a comic, it's one to pick up and give a chance, you'll rarely be disappointed.

The issue is a solid one that builds off of what's been building for the last few issues, but at the same time really sets forth what feels like a new dynamic for Aquaman. It's a dynamic though that feels natural for the character. This is a comic to watch, and it's one that went from some interest for me to a hell of a lot.

Arcbound #1 isn't a bad start but it also doesn't feel original enough to really stand out. It'll be interesting to see where it goes in the second issue as there's a few directions but overall, it's a debut that feels a bit too derivative.

Archaic #1 isn't a bad start, but it overall feels a little rough. There's small changes that'd make the comic a far better debut. A nip here and a tuck here and it'd make a world of difference. Still, there's some magical potential by the end, so this is one to keep an eye on and see where it goes.

While we don't get to see Batman with Archie in this issue, it's still a good start and one that gives us a Batman adventure you can read in one issue. It's a good start and brings the two properties together in a smooth way. Hopefully we'll get more of the two property's characters actually together in the second issue but kicking things off, this is a good way to go about it.

The first issue is good. It does a lot of build up, following the general formula of Predator films. It's fun, not too serious, and well worth the read. I found myself chuckling at different points, but I'm really looking forward to future issues (especially when the Predator REALLY gets going). The first issue will probably be slow for some, but by doing so it keeps up a tradition.

The criticism of Archie vs. The World isn't necessarily the comic itself. It's riff on Mad Max and Fist of the North Star is a lot of fan. The issue is, the comic is a series of shorts strung together as a narrative. There's clearly a lot in between each chapter creating a choppy reading experience. Hopefully the comic is a success and we can get an "expanded tale from this creative team taking us deeper into the story and world.

Archie x Army of Darkness #1 isn't bad but it also doesn't feel like it really hits the insanity one would expect from the crossover. The fact it strangely jumps to the past to show Archie getting a job at S-Mart kills the momentum the series could have had by sticking to the expected formula. There's some aspects that could work well going forward but as a debut, there's better Archie crossovers out there.

The second issue continues the excellence of the debut and is a slow build up. There's some emotional highs and lows and sincere feel to it all. It's not an over the top patriotic spin. It's a fantastic series so far that mixes real history with characters we love.

With added material in the back perfect for any dungeon master and dice slinger, Archon: Battle of the Dragon #1 is a fun new read for those who like a little sword and sorcery.

Arkham City: The Order of the World #1 is a solid start, perfect for the Halloween season. It answers some important questions raised after "A Day" that aren't being dealt with elsewhere. Most importantly, it ties into the greater narrative without being bogged down by it. This is a comic that has a style, voice, and vision all its own and for those that love horror or police procedurals, this a comic that's a must get.

Arrowsmith: Behind Enemy Lines #1 is a solid start to the series with a debut issue that's perfect for new readers. I've never read what has come before and knew very little but I dove right in without any issues. It's a fun start taking a familiar concept and setting and delivering a twist. It has me not only looking forward to what's to come but also wanting to go back and see what has already been released.

This is a flip to what has come before and the magic vs. technology set up is obvious. To see where it goes and how much it hearkens back to the first series will be interesting but if this first issue is any indication, it's a continuation that'll stand on its own bringing enjoyment to new readers and excitement for those who have been there since the beginning.

The comic is a fun one where the real entertaining conflict is the characters themselves. The big bad and plan that they need to stop feels a bit extraneous if anything. This team could put together IKEA furniture and it'd be entertaining.

Ash & Thorn #1 is a fun debut featuring some interesting protagonists you don't see every day. It has a light tone and is just going with the flow of fun. Sit back and enjoy something new and different and a new series featuring a type of main character we don't see too often.

Ashes though is a good read and if you enjoy a more family focused Backdraft, you'll dig this graphic novel. It's a bit rough at times, but a satisfying read, and a comic I was happy to back through Kickstarter to make sure it got made.

The first issue is good and feels like it ramps up to a finale that's so over the top, it's hard to not laugh and smile at the silliness of it all. I expected an action comic and got a massive laugh by the end. This is a solid debut that has me excited to see what comes next.

Astonishing Iceman #1 is an interesting debut that delivers some resistance to Orchis actions but doesn't create a dark cloud for it to fall under. There's a decent amount of humor and heart to it all creating a comic that takes a familiar concept but makes it kind of fun.

This is an interesting first arc that honors the past while setting up… something. I'm not 100% sure where Soule is going and have some guesses based on this issue. Out of the various "X" series out there, this one comes the closest to really capturing the X-Men of old and at the same time delivering something that feels new at the same time.

This is a great final chapter to the first arc of what Soule's setting up. There's a goal here and the use of the Shadow King is a nice nod to the character's increased recognition due to Legion. There's also something a little different about this Professor X and Soule has me really intrigued to see where he takes the character. This is a key issue that will have folks talking.

The issue is a middle grade one. It's not bad in any way and it has a goal of setting things up for the next couple of issues. It does that and does it really well. As part of the whole story, it's good but on its own it falls a little short.

The issue is new-reader friendly and should begin a payoff for followers of Pak's work. The debut is an entertaining one and a nice intro for what's to come. While it's not the best Pak has delivered it's still fun in many ways. Atlantis Attacks #1 gives new heroes the mini-event spotlight they deserve.

Atomic Robo is seriously one of my favorite comic series. It's so much fun to read, and reminds you comics are supposed to be exactly that. With a new publisher hopefully it'll become more available and on more people's radar, because it's one of the series I have no hesitation at all recommending. This first issue of this new volume is no exception.

Attaboy is an interesting read with art that'll leave you lingering on the pages. You'll ponder the deeper meaning as the story progresses and reveals new levels and bosses to battle.

And fun is a key thing here. Waid is clearly going for a tone between this series and Champions and that tone is a return to fun comics that don't linger on the grim and dark. I had gotten a bit tired of the Avengers as a team, but this first issue has me interested again and wanting to see where things go from here.

Go big or go home feels like the underlying motto of the first issue and this one kicks off what seems like an intriguing mystery and delivers us surprises too. Underlying it all is fun. I was skeptical about this event series but after this first issue, I'd be lying if I didn't want to read more. Thankfully with a weekly event, I won't have to wait long for that.

It feels like a lot of the recent stories have promised "epic" and have failed but this one has delivered so far with two issues that up the action and danger and tease out the mystery of it all. This is an "event" that's paying off and the weekly pace is helping a ton so far. I know I wouldn't want to wait a month or even another week for this fast paced adventure.

I'll admit I've been skeptical about this event but three issues in, it's held up and been fantastic. What easily could have been an issue with a lot of punching turns into something a bit unexpected with the spotlight on Quicksilver. Hopefully the rest of the event keeps me on my toes as much as this one.

This continues to be an event that's a hell of a lot of fun and living up to the hype, exactly what I was hoping it would be.

Another fantastic entry in the series. One that again changes the narrative style a bit focusing in on one character despite all of the chaos. This event has been delivering and is keeping us excited to see what's next!

That reveal too throws into questions some of the statements from previous issues. Who's the mysterious game piece that's been off the board? Is it the Hulk who know is returning? Or, is it the twist at this issue's end? We'll find out soon (yay weekly!) but this series has been a fantastic ride that has kept readers on their toes and is constantly playing with expectations. This is a perfect example of what events should strive to be.

The issue is the first bump in the event, but it's still an entertaining one. The creative team give us a break to catch up readers as to the Hulk's history while also setting him upon his destructive path. It's an issue that sets things up and has me scratching my head as to how the Avengers are going to deal with this new x-factor.

As I said, if this were a movie, it'd be a sequence that was just a few minutes. But, visually we'd have our jaws dropped and shocked as to where things go. In comic form though, it feels a little drawn out but there's some great dramatic effect. As part of the greater "No Surrender" storyline, it all feels great and adds to the epic nature of it all. This Avengers story continues to impress.

Just when you think things might have fallen into brainless punching, the series event series has no problem showing it can shake things up. Here we get a depth to the destruction and fighting that's unexpected and through subtle moments we also get different perspectives. A wonderful issue that continues the excellent narrative that's been weaved. "No Surrender' is proof that big events can work and is one of the most unexpected positive surprises of the year so far.

Another solid chapter of an event that has delivered again and again. We're moving towards that end game and it should be any moment before all of the Avengers come together to fight the bad guy. Even with that common ending, I'm expecting this story has something up its sleeve. So far so good as this is an event that hasn't disappointed yet.

This might be my favorite issue so far and that's from an even that has delivered with almost every issue. Yes, we knew this was coming but the details and how it's all put together makes it shine. Events are dragging down comics? Here's your exception and an example of what every one should strive to be.

The issue isn't bad and as part of the event it's a fine finale. It takes stock of what has become before but when it comes to what's next, it lacks excitement.

The issue is all about characters removing the flashy action from last issue and delivering a focus on characters and relationships. Last issue was the beginning of the set-up and this one continues that with some intrigue.

The issue is a good one with a lot of action and some interesting concepts. Though not perfect, it's a solid start to a story which feels like it could have been an event all on its own. With some minor tweaks this could have been a hell of a story reflecting on today's socio-political climate. We'll see where it goes but Aaron and the team have laid interesting groundwork.

Avengers #22 kicks off a new story arc and it's a solid point to hop on to the series. The story seems like it'll reveal more about the history of Ghost Rider and bring back some classic characters too. It's a solid mix of new and old moving things ahead in a flaming car.

The issue is a solid starting point. While there's not a ton to the comic itself, it has numerous shocking moments as Moon Knight makes quick work of the Avengers for some goal. It's an unexpected direction for the character and series and one that also feels welcome in many ways. Moon Knight has always played second tier with times of "indie cred" and it looks like now's his time to be in the spotlight.

After a lot of build-up and hype, Avengers #40 and "Enter the Phoenix" is an uninspired start. Like the title suggests, it's a riff on the tournament battle story we've seen so many times before. It delivers nothing new or interesting to the genre. Maybe down the line it will but as a beginning it's a hell of a stumble.

There's almost an emphasis the Avengers have been reactive and not proactive. Still, the issue builds the threats to come in a series that so far is entertaining but not yet memorable.

The new characters are interesting but the setup that they're a real threat isn't there.

Overall, for such a momentous issue, it fails to deliver a real celebration.

Avengers Assemble Alpha #1 has a lot going on. And that might be the issue. There's three different stories going on and none of them are given enough room to really breathe and become interesting. The cuts between them don't help making the comic feel unfocused disjointed at times. As far as the start of an event, it does its job of catching up readers as to what's happening. It just feels like that's about all it does. We've seen so much of the plot before, it's almost comical at this point how the hero vs. hero over a mistake is still being used. This could have been so much more but the end result lands with a thud.

Avengers Forever #1 feels like a been there, done that, sort of story. It doesn't deliver a start that hooks the reader to bring them back for more. It's a start that has a good idea but never delivers any new aspects that really stand out. Like so many "multiverse" stories that are now on the market, it takes a formula these comics deliver and little more. It's clearly leading to a major event down the line but I'm not sure this is the series that'll really make it an exciting one.

Writer Al Ewing, artist Leonard Kirk, colorist Alex Sinclair, and letterer Cory Petit deliver an intriguing Avengers team that mixes your typical spandex superheroes with a bit of a detective/crime spin.

As a set up for what's to come, this comic isn't bad, it's also not great either. It gets the job done, but doesn't exactly excite me for what's to come.

Avengers World is a series that's flown under the radar, overshadowed by the higher profile Avengers series. Barbiere and Dekal have turned it into a top tier series that not only entertains, but adds depth in both the greater world building and characters themselves.

Avengers: Armageddon #1 kicks off the latest Marvel event that promises to be as big as Avengers: Disassembled.

Avengers: Armageddon #3 has been interesting so far touching on concepts that have come before but feeling like the progression of them.

Avengers: Armageddon #4 is an issue that is likely to become a controversial one with folks either loving what it does or absolutely hating where it's taking everything.

It's not a bad comic at all but it also never quite pops the way it could. The story is good. The art is good. It never quite gets to that moment where there's something really exciting. The comic comes off as an attempt to sell some toys and that's it.

Avengers: Tech-On #1 is a fun comic. There's a popcorn entertainment aspect to it that it leans in to. While it's clearly a tie-in to a toy line, it still delivers a lot of heart and emotion and remembers the characters are what's important. Add in some solid artwork, this is a series that screams summer enjoyment.

Avengers: Tech-On #2 is a hell of a lot of fun. It doesn't take itself seriously at all. It's a comic that just throws crazy ideas out there and you run with it. The art is fantastic and just nails the tone and concept of the series. The designs are a hell of a lot of fun. It's a comic to just sit back and enjoy, going along for the ride.

Avengers: Twilight #1 shows off a lot of potential. There's something there as far as commentary about the current state of the world and the road we're marching down. There's something there about this particular future. The concept of heroes retired and a world that has rejected them is interesting. What's teased could be really good. But, Avengers: Twilight #1 lays a lot of groundwork, hinting at the bigger world and story. It's the setup but what's to come will be the meat to really determine if this is any good.

The art is decent, action interesting, but the concept continues to be far better than the execution.

Avengers: War Across Time #1 is a fun comic. I generally am not a fan of these types of stories by Levitz's writing style and the art by the team sucked me in. It balances old with new in a way that appealed to me as a reader. With Kang having such a focus this year, this could be a series to keep an eye on, as you never know what its impact across the Marvel timeline might be.

Bad Reception #1 is probably under the radar for many but this is a break out release featuring a hell of a story and art. It's one that'll get you to think of your own media consumption and social media use. It also entertains. Can't wait to see where this goes from here.

I really looked forward to this series, but this first issue just didn't sell me enough. I'll read the next to see if there's improvement, but the comic feels like a throwback and not in a good way.

Bang! #1 is a solid start. It might seem like a straightforward spy adventure with tips to the hat to James Bond. In reality, it's so much more as we learn the further along the story we go. Kindt nails it again with a debut that's as much a mystery to the reader as it is to the main character.

Barbara Gordon: Breakout #1 is really well done with a story that's familiar but just does it in a way that's engaging and you want to read more.

Barabric #1 is a hell of a start that sets things up nicely. By the end, we know the mission, we know the tone, and we know "the rules". There's an underlying intelligence in all of that's unexpected and makes this stand out. This is a comic for people looking for something a little smarter than your average hack and slash.

Barbaric #2 is another solid issue that continues a hell of a fun adventure. There's something fantastic about this series in that it adds to a genre that has been around for decades while also acting as an homage and a bit of a send-up as well. There's something for everyone here and in all of that, it's able to keep readers on their toes. The first issue was fantastic and this follow-up is able to keep up with another amazing entry.

Barbaric: Axe to Grind #1 is another fantastic debut for the series and a must for fans of the first volume and fantasy fans. It both embraces and spoofs the barbarian questing genre and most importantly entertains with every detail.

Barbaric: Hell to Pay #1 continues the fantasy series with a whole new adventure and the same old attitude. If you like your fantasy tales juiced up to 11, this is a series that's consistently for you. In a glut of extreme fantasy stories, this series has continually delivered and stood out with a great mix of action, humor, and attitude.

Barbaric: The Harvest Blades is a fun comic. It's one you'll enjoy reading but it's also one I'm not going back to and reading over and over. It doesn't feel like there's some major impact beyond setting Owen on his next adventure. But, if this is what we get while we wait for each volume, I'll take it. It expands Owen's world a bit showing some of his past and adding in characters I hope to see more of. It takes what works from the first volume and ups the humor of it all for a nice result.

Barrier is unconventional in every way exploring violence, language, and immigration in a story that weaves together in an unexpected way. Writing this review I have the hindsight of have read the entire series digitally but rereading it all this time later, I can't help be amazed at how good this is. Now, more individuals can read what is a comic that's as timely today as when it was first released a year ago.

I think fans who have been reading Barbara's adventures will enjoy the issue and new readers should have enough to stick around too. By sending Barbara abroad the idea is to help set her apart from the other Bat-books, but if this is really a worldwide trip, I need to see more to make me think she really is in Japan as opposed to the Japanese section of my town.

Batgirl #1 doesn't break new ground but it does everything really well. The storytelling is things we've seen before but Cass' observations and how that and the art come together to deliver the details feels fresh and different. While this may appeal mostly to fans of Cassandra Cain, it's a debut that's well worth checking out.

The first issue isn't bad in any way, it just is a bit predictable and the tone and interaction between the characters is a bit uneven. There's potential with these three characters, so we'll see where it all goes, but the first issue doesn't knock it out of the park unfortunately.

Batgirls #1 is a great balance of action, humor, and mystery. While it continues the back-up shorts, the first issue is a "fresh start" that new readers can easily pick up and enjoy and long time readers will want to see what's next. There's so much packed in a comic that knows what it is from the start and makes its vision and voice clear. One hell of a debut and great start to help wrap up DC's year.

Batgirls #2 is another solid issue. It delivers the same excitement and fun as the debut issue. There's a style about it that lets you know this is a comic that knows what it is… and that's a hell of a lot of fun. Even if you don't know the characters, this is a series to check out and join in on. It's hard to get through it without finding yourself smiling and enjoying the energetic ride.

Jorge Corona along with colors by Sarah Stern and Ivan Plascencia and lettering by Becca Carey deliver what feels like a pop art explosion. The series is a perfect match of attitude and visuals. The colors are bright and jump from the page creating a feel of kinetic energy that's beyond fitting for the series and characters. The art reflects the main villain who's a graffiti artist and the use of colors all comes together in a solid synergy of style and story.

The first issue doesn't give us the whole "meet" part of the series title, but sets up enough fun that I want to come back for the second issue to read more.

Overall, it's a digital chapter, so a bit short for me, but it does pack in a lot and continues the fun tone of classic Batman and Wonder Woman. I can't wait to read the next chapter and see where things go from here.

Batman '89 #1 is an ok start for the series. At moments it feels like the comic might have actually been helped with a digital release so it could take advantage of the focus on single panels as well as the ability to deliver cinematic transitions. It does a solid job of capturing the feel of the original film and delivers something new beyond the latest costumed "freak". We'll see where it all goes but for now, this is one to keep an eye on but no need to rush out and get.

Snyder and Capullo continue to make Batman a must read and consistently the best comic DC is putting out right now. Awesome with every issue.

This is an awesome issue with a huge payoff at the end. It feels like we're building a whole new legend in many ways, and this issue is a key one.

On its own, the issue doesn't hold up, but as part of the bigger story Snyder is putting together it's a vital issue. And that ending, it's so nice to see.

The comic is an interesting one where I go back and forth as to what I think. To me, that'll get settled in next issue, but I can see what was being attempted here. The emotional aspect is beyond top notch, it's just the backdrop of which that's present I'm a bit mixed about.

This is a great start to a new run on Batman and doesn't feel like too much of a deviation from what Snyder and Capullo put together for years. Batman was DC's top comic, and it looks like it'll be fighting to retain that title.

The second issue continues to add on the excellent first issue and lays the groundwork for what's to come months down the road. It's a fantastic comic that shows off both King and Finch's strengths and continues to show that Batman is one of the best comics DC is publishing right now.

The issue isn't bad, it's just too similar to the last two issues. There's a disaster and Batman doesn't trust the two new heroes. Hopefully next issue we get a change up because this is a bit repetitive.

I think some of the issues I'm beginning to see with the comic is due to it's twice monthly release which has slowed some things down, and sped others up. But, it doesn't feel like the right things are slowed down and the right things are being sped up. I want to get to know Gotham and Gotham Girl so I care about them before they're predictable broken down and/or turn. It'll be interesting to see how things continue. But right now we're seeing a few cracks in things.

Batman Annual #5 delivers both concepts and story. It feels more like an example of what Tynion's run has been missing up to this point. There have been concepts thrown around but not much of an exploration of them and definitely only a slight exploration through the events of each arc. Batman Annual #5 asks philosophical questions while delivering no answers. It makes me want to read more to see if I can ever come up with my own.

This is a good issue, but I go back and forth if it's a buy or a read. For folks reading up to this point it's probably a buy, but for new readers, maybe wait for the next issue to start.

This third part of "The Button" answers a lot of questions about the fate of Flashpoint and sends us off into the next chapter where we may get some answers? I'm still not convinced they're what we'll expect but as far as an event, each new issue adds a layer that builds upon the last and strengthens the whole.

I knew we were getting a clash of Batman's greats, but I didn't expect King to set it up in a way that the narrative feels like a perfect transition from how he has explored the world of Batman for the past 24 issues. While it doesn't quite feel like an "epic" 25th issue, it is a solid start that has me excited to see what comes next.

Is perfection too much to call something? The first part of Kite Man's story and this create two issues that for me is the best of the year for me. Kite Man has turned from a joke to a tragic character and one I have a lot of sympathy for. Just utter brilliance that can show that even joke characters can be made into something special.

After reading this issue, I find myself debating what King is saying and exploring which is a good thing. It's not the usual punching, there's a bit more to the comic and this is one that challenges to reader to think and come to their own conclusion. The cerebral aspect of it all is fitting for a comic featuring "the Detective" and King is absolutely creating his own mark for this classic character.

The comic is an interesting one and in some ways continues the fantastic story King has set up but in other ways things feel like a trip. This is a prelude in every way and sets up… something that could be interesting. King has proven he can do thought provoking before and this looks like it'll be that sort of arc. A step back but still an entertaining read.

Just when you think Tom King's stories can't get better, he outshines himself. Combo that with Mann's art and you've got an issue that's entertaining, gets you to think, and will put a smile on your face when it's all over. The first of a two-parter, I can't wait to see what comes next.

This is one of my favorite issues of the year giving us a new dynamic between Batman and Superman and making me want to see a Lois Lane and Selina Kyle road trip comic. Simple in concept but deep in execution, Tom King has cemented himself as one of the top writers of the year with just this one issue.

The last two issues have been some of the best of Tom King's run but this issue falls flat with weird dialogue and an odd take on Bruce Wayne and Wonder Woman. This is an attempt to continue the focus on Batman's relationship with other heroes as well as with Selina Kyle but what's presented is just bumpy. There's some solid stuff there, especially Selina's aspect of the story, but the rest is off. Maybe the next part will save this one, but what's presented just doesn't work.

The team have created a comic that gives us a Joker and Batman relationship as one that can be debated for some time. The details, the actions, what's said, can be dissected for a long time. This is what the relationship of the two is all about and we realize that it's not Dick, Jason, Damian, or Alfred that will come between Bruce and Selina, it's the Joker.

The issue is an interesting one that'll get you to think about the relationship between the Joker and Batman and with its ending, it'll be interesting to see the impact on both Batman and Catwoman. This is one I've been thinking about and the quality is solid. This isn't a comic you pick up for the action, this is a character study of two of Batman's greatest villains.

This is a chapter in King's larger story. There's much more to come as things weave together and that final panel indicates we've got a hell of a lot of excitement to come. As a single issue, this one has its good and its bad but as a piece of the larger puzzle it fits like a perfectly crafted piece of the larger picture.

Having been on a jury, the arc is hitting me a bit more than I'd expect without that experience. Like Wayne and those around him, the role is a tough one as you decide the fate of an individual and possibly condemn them to death. Luckily, the guilt in mine wasn't in doubt just if it was an pre-determined act. Still, this issue, and the last, have gotten me to think about the decisions we made and whether we debated everything properly. It's a fascinating piece of work that shows that even without the cowl, Batman works at an entertaining and amazing level.

This entire arc feels like a play with actors taking on roles and delivering an emotional punch. It's a story that helps define Batman not as a god who is always right, but as a man who makes mistakes. It's a realization of reality by Bruce. This is one hell of an arc and a story that I can go back to over and over to pick out the tiny details. A fantastic ending that launches both Batman and Bruce Wayne in a new direction and a dose of reality.

Awkwardness abounds in this issue which just stumbles at every opportunity. A story which relies on emotional connection doesn't give us any reason to care for a character's well-being and connect with them. They're cold and leaves the reader much the same.

Batman #86 is a new beginning and the next steps for the character. Long-time readers should be interested at what's hinted and winked at to come. New readers can slide into the comic without a need to catch up with what they've missed. The issue is a fresh start in many ways and hints at the next evolution of the character.

Batman #87 is a fine second chapter. There's solid action and moments for characters but it feels like a chapter. The comic doesn't have quite enough to stand on its own. It's part of the puzzle and features too much of a mystery to totally praise. As part of the arc, it'll be quite good but as a single issue, it lacks a little and doesn't stand on its own.

Batman #88 is a solid piece of the puzzle. It teases out so much that spells drama's coming but in the end it'll be judged as to how this arc sticks the landing. As a single issue, it's entertaining and can be a starting point for new readers which is impressive a few issues in. It has us wanting to see where this all goes which is a solid accomplishment. To get us to want to read more, then a comic has done its job in entertaining.

Batman #91 is the best issue so far of this opening storyline. It delivers so much packed into one issue from interesting discussions to great action. While it's not the best starting point, it is one hell of a comic.

Batman #92 is a fantastic balance by providing a story that can be enjoyed on its own and tying into the bigger story-arc. It entertains with lots of action, some humor, and thrilling moments. Batman #92 leaves the fighting to others and focuses on the intelligence of Batman as he battles a nemesis. It's a nice change from previous issues. Tynion is nailing it on his run and this only makes the upcoming "The Joker War" even more anticipated.

"Their Dark Designs" is an interesting arc. It's an entertaining read but the landing doesn't quite stick as it is revealed it directly ties into "Joker War" as opposed to being two stories running side by side. It takes what was an interesting new villain for Batman and turns him into a puppet, deflating the balloon. It's not bad and does the job of transition from the last run to the current but by issue's end, something felt a bit off. It no longer was the self-contained storyarc, it's just the beginning of something much longer.

The issue is an ok one and a step back in what has been a good run so far. The issue feels like it's full of cliches and tropes that never quite standout. Add in plotlines it feels like we've seen before. There's also groan-worthy moments that just feel like shallow attempts to recreate previous magic. Add in a lack of exciting visuals, the comic is a forgettable bridge to "Joke War." Batman #94 isn't a bad read at all but it also lacks the excitement or interesting ideas that Tynion has entertained us with so far.

Batman #95 isn't an explosive start but it delivers an interesting start. There's a lot of fascinating choices, the police standing up for Batman as an example, that will hopefully pay off nicely down the road. This feels like the opening of an epic film, a slow opening but one that does a fine job of setting things up. If you're interested in "The Joker War." Batman #95 is worth checking out. But, if you're new to Batman and want to see what this story is about, you may walk away wondering what the buzz was about.

Batman #96, and "Joker War" as a whole, has been an interesting event that has had some great concepts. But, much like a summer blockbuster film, those concepts never quite get the depth and focus they deserve. There's so many directions and levels this event could take place and we're getting the "action" version of it. It's not bad. It's actually quite entertaining. But, reading the two chapters so far, it's hard to not see the potential within and how many more interesting directions it could have gone.

"Joker War" hasn't really hooked me yet. Batman #97, and the event as a whole, isn't bad it just doesn't feel original enough so far. We've seen Batman trip on toxin. We've seen the Joker gas a lot of people. We've seen heroes lose their fortune. We've seen Gotham in chaos. But, it's still been entertaining with pretty visuals and beautiful colors and lettering. The story arc is a bit of a letdown from the previous one but here's hoping it keeps building to something a bit more interesting than what we've seen so far.

Batman #100 is what I've wanted from "Joker War" since the beginning. Yes, it does feel a bit like a transition to what's next, it's also a statement as to Batman's failures. This issue lays out the Joker's motivations and viewpoints and forces us to question Batman's effectiveness in multiple ways. We see how Batman's inaction has impacted a citizen of Gotham and perpetuated the violence. We also see that failure of definitive action being explored again perpetuating the cycle. This is the highlight of an uneven event and finally delivers meat on the bones.

Batman #101 sets the stage for the next direction of Batman and Gotham. It also feels like the start of a commentary on the state of our world. Corruption is underpinning society. Those who have, or have supported, heinous acts are hiding their masks from their neighbors. It's something we'll likely see happen depending on who wins the November election and starting to see now. There's a new status-quo in Gotham and Batman #101 begins our journey into that world.

Batman #102 is a rather thin issue that gets to the conflict between Ghost-Maker and Batman too quickly and doesn't build enough tension. In other words, it's just another person for Batman to fight not some difficult obstacle for him to overcome. Batman #102 rushes to its end fight without giving us much of a reason to care or much of a reason to think that this will be a tough battle. It needed to focus on setting up the issue itself not issues down the road.

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Much like much of the Ghost-Maker arc so far, Batman #104 continues a story which has potential but never quite nails the interesting meat of it. The issues feel like a build-up to what will be a packed final issue that really lays things out. This seems to be Tynion's pattern with his multiple arcs so far. The initial issues lay out some interesting concepts, dances around them, and the final issue lays out the theme and "conclusion" of the arc. It creates for issues where things don't feel satisfying and as a reader we're left with potential with little payoff.

Batman #105 sets up an interesting dynamic by the end of the issue but like the arcs before doesn't quite satisfy. It again feels like a piece of a bigger puzzle. And due to that, it's not all that satisfying. These aren't the classic days where Batman's adventures were confined to some issues that you could enjoy on their own. Instead, this is just part of a bigger story whose arcs don't feel like they quite stand on their own.

Batman #107 is a solid comic that really feels like it moves the series forward. It balances the current story while setting up what's to come. It doesn't feel like it's just focused on the future. More impressively, it takes the concepts that we know are coming and teases them out. It dances around what's to come hinting at the future and doing so in a way that makes it all the more exciting.

Batman #108 is a fantastic issue. It builds out the cast of Gotham with new characters and new aspects. It builds towards the city we saw in Future State. All of that is done with eye-popping art and in a way you come away with a different perspective on a possible enemy. This is the Batman I've been hoping for and excited to see where the series goes.

Batman #110 ups the action and really gets the ball rolling even more. It's a hell of an issue where the cards are laid out on the table and we can see the "fall of Gotham". We get a villain that feels like Batman's equal but left with questions as to how stupid people are, because it's clear as to who's behind everything. Still, it's a fantastic chapter as this latest arc of Batman is one of the best in a while.

Batman #112 is a really solid start to "Fear State". It amps up Scarecrow so he feels like a real threat to everyone. Tynion does is best to give us a new take on what we've seen before over and over. The visuals too give a slightly different take to what we've seen before. And, most importantly, it doesn't feel like a distraction from the direction the Batman titles are moving when it comes to "Future State" and a possible future Gotham. This is a great example of an event tying into the greater meta story. More of this please.

Batman has been an excellent series and Batman #113 does a good job giving us a slight break for new readers and laying out the challenge and what might be ahead. It's a slight pause to the flow but it's still not bad and does answer at least one issue, how did Scarecrow mess with Batman's head. As a slice of the overall story, it's solid. On it's own, it's a bit wobbly though.

Batman #114 is summer blockbuster worthy. There's a hell of a fight and a lot of surprises in the issue as the Peacekeepers battle it out in Gotham and Batman's caught in-between it all. This is some of the best additions to the Batman myth in a long time giving opponents who feel worthy to take on Batman and his entire time and also feel grounded in many ways. Where this is going to go remains unknown but it's a journey I'm all in for. It's one hell of a ride so far and hoping it to continue to be.

Batman #116 is another solid chapter of "Fear State". There's an epic scale to it all yet also feels like so much is packed into the issue. None of it feels shorted at all. It's an impressive balancing act and a highlight of one of the best Batman storylines in years.

Batman #118 is a new beginning that pumps the breaks from world shattering events. There's a grounded sense of it all that feels like it brings Batman back to basics in many ways. Here's hoping it stays that course delivering something classic in many ways.

Batman #119 is a solid issue that dials things back and gives us something that feels much more like a detective story. It also makes sure to remind us that this is a Batman who is generally stripped of his greatest tool, his wealth. With a nice mix of action, verbal sparring, and an intriguing villain, this continues an intriguing direction.

Batman #120 is another issue that just nails down the fundamentals of this character so well. It also delivers some nice twists and turns building to that last page reveal. While a lot of the comics' reveals aren't surprising, they still nail the moment in their delivery. To do that when it's expected is impressive. For those who might have been turned off by Batman's recent escalation of events in recent years, now is a time to give this series a new look.

Batman #121 is an entertaining issue and finale to an entertaining arc. It dialed things back after what feels like a decade of ever increasing threats. It feels quaint and grounded in a way but also makes things bit boring because of that. It's driving 30 after going 100 for a while. But, it's exactly what's needed before the next big storyline, "Shadow War."

There's nothing inherently bad or wrong about Batman #122 that makes it a "read". The comic is part of a mini-event that spans different series, so unless you're really invested in the story, it's an issue whose value really comes from that. There's some interesting aspects to Batman's actions but overall, unless you're into "Shadow War", this is an issue you can probably skip.

Batman #125 is a decent start to the new creative team's take. It lays it out that things aren't "normal in Batman's world and something is "off. But, what? It embraces what has happened to Bruce/Batman and focuses on a person who has been beaten down. At the same time, there's been a major shakeup involving a villain that points to some major revelations and changes. It all comes together for a rather intriguing start and a solid beginning for new and longtime readers.

Batman #131 is a decent opening to the second arc in Zdarsky's run. But, it feels like it's something we've seen before. It really needs to show how it's original and can stand out from what has come before. Overall, not bad but also nothing that really excites.

Batman #132 isn't a bad issue and the arc so far is ok. It feels a bit like a filler arc until the next big story. There's a lot here that could be interesting but it doesn't totally commit to its underlying themes that would make it truly stand out. Hopefully, this is one whose whole is stronger than its individual parts.

Batman #133 has solidified my thoughts on this arc, the main story and back-up are flipped. The comic should feature Tim and Jon Kent's attempt to find and rescue Bruce as the main draw. A story of a "rescue" of Bruce from an actual ideal world could have been a bit more interesting than Bruce again finding he needs to don the cowl in an alternate world to dispense justice. Overall, an entertaining, though overall ho-hum arc so far.

As a whole, Batman #134 isn't bad. The story arc isn't bad. It just doesn't feel fresh and interesting and feels like something we've seen a few times before. There's little that's surprising at all from a villain reveal that is exactly who you think it is to obstacles that surmount to character we know + venom. There was a lot of potential here to do something different, instead, it's played out as expected so far.

Batman #137 is a vast improvement on the opening chapter. You get a sense of the frustration within by everyone. There's also a solid case to be made no matter your viewpoint, so you get a sense of where everyone is coming from and where they are. And, add in some great visuals, this is a second issue "The Gotham War" needed.

Batman #138 isn't bad overall, it just could be so much more. There's an emotional ride that really works but the comic, and story, can't keep things focused on the simple aspects that really stand out, and instead takes things to another level adding in elements that don't need to be there for a good story. Savage's actions could be a whole other storyline. Instead, Batman #138, and "Gotham War" as a whole, feels like an interesting concept where more plotlines keep getting added and diluting what makes it stand out.

Batman #158 isn't a bad issue. It's entertaining and might lead to something great overall, but as a single issue, it falls short of the excitement and magic of that original release. Logic leaps along with art that doesn't quite blow things away creates a start that's just ok overall. In the end, this story arc will be measured by its whole but for a start, this one doesn't live up to expectations or hype.

There's nothing inherently wrong or bad about Batman: Fear State Omega. It acts as a real finale to the event letting readers know what the fates of so many characters are. But, beyond that, it doesn't quite feel like it does anything shocking or interesting that the finale in Batman didn't already. Whether it needed to be a one-shot instead of just another issue of Batman is the real rub. While it delivers some closure and sets up a lot to come, it doesn't deliver as memorable an ending as the "end" of the event in Batman #117.

Batman: Fear State Alpha is a solid start to the next Batman event. There's an awareness about it all that acknowledges what has come before and works it into the story. It works as a great introduction to the event while really laying things out for long time readers. There's a lot packed into the story and as far things go, a solid start for what's to come.

Overall, Batman: The Joker Warzone #1 is a solid one-shot. It adds some stories within "Joker War" without making them vital. There's a bit too much left to be experienced in 2021 which emphasizes my issues with "Joker War" overall. It doesn't feel self-contained enough. If you took those segments and left out the "too be continued," these would be really solid on their own. Even if you're not reading "Joker War," there's enough here to enjoy and worth checking out. It's the rare event one-shot where you can ignore the actual event.

Batman/Catwoman #1 is a bad start, it's just not as engaging as it thinks it is. There's some great ideas and each era could be a hell of a story by itself. The issue is that there's too much attempted in the first issue with not enough time spent on each. It makes for a beginning that sets things up but doesn't feel satisfying by itself. It's the teaser before a film's credit. It can catch your attention but rarely is it good by itself.

Batman/Catwoman #2 isn't a bad comic but on its own, it doesn't stand out. What should be major moments fall flat. The art is muddled in some ways though individual panels are beautiful. The comic could be so much more with some minor tweaks and changes. As is, the hype and high profile of the comic works against it. It should be so much better. This is one you might want to wait until its collected to dive into.

Batman/Catwoman #4 isn't a bad comic. It's just a frustrating one. It feels like two of the three plotlines don't really go anywhere and at least one will have you asking what the point is. Any of the three stories would be solid on their own as a trilogy of comics. But, as presented, they're chopped up too much never delivering enough to really satisfy.

This is a story that needed a few more months to breathe and grow naturally post Knight Terrors, as is, it's a bit of a snooze to start.

Batman/Dylan Dog #1 is a hell of a start. The comic delivers two characters in Dylan Dog and Batman/Bruce Wayne that are so perfect together in a story that makes sense and doesn't feel forced. It has a look and flair that is a throwback to pulp adventures and Batman team-ups of the 90s. It's a fun comic that even readers unfamiliar with Dylan Dog can enjoy. A solid debut that has us already wanting more of this new dynamic duo.

Batman/Fortnite: Zero Point #1 is for fans of Fortnite. With downloadable content included and how the story is presented, it's clear this is to get the video game players to check out comics and not comic readers to check out the game. There's a good chance that the story comes together but as presented, there's not enough for comic readers to really get sucked into the story. For Fortnite players, they might be more into it.

I'll admit, I came into Batman/Santa Claus: Silent Knight #1 not expecting much but boy I was wrong as far as that. The story is fun, entertaining, full of action, some laughs, good action, and perfect for the holiday season. Don't be naughty and sleep on this, it's what comics are supposed to be, fun entertainment. Just one issue in and I'm hoping this becomes a yearly tradition.

Batman/Santa Claus: Silent Knight #2 is solid entertainment. Perfect for the holiday season, it's popcorn fun with a nice ride throughout. The ending of the series feels slightly predictable but I don't really care. This is escapist entertainment at its best. A fun comic to site back and just enjoy.

Batman/Santa Claus: Silent Knight #4 is a solid finale to the series. The story is fun and while the last few pages are expected, the story itself has some nice surprises. It's filled with charm and cheer perfect for the holiday season. Hopefully, this one becomes a yearly tradition

Batman/Spawn #1 is very much a remnant of the 90s. It has some great ideas that are never fleshed out and what's presented is a choppy narrative that never flows. The art is the driver and even that isn't quite as good as we'd expect from this team. Overall, this is one for those who are hooked on nostalgia and not much more than that.

Batman/Superman #2 is a fantastic second issue. The cynicism for the concept has gone away. It's a ride I'm completely strapped in for. It hits the key beats perfectly delivering on expectations but doing so effortlessly and with a hell of a lot of fun.

I'm still not totally sold on team-up comics but Batman/Superman: World's Finest #1 is a hell of a start. The comic just nails things in every way. There's something really fun about it, the perfect comic to just lay back and lose some time reading. Fun writing and beautiful visuals come together for a fantastic beginning.

Batman/Superman: World's Finest #2 is fun. It's a hell of a lot of fun. The series is quickly becoming a favorite of mine with an energy that makes reading the comic enjoyable. It's a reminder that comics can be fun and entertaining and succeed without a dark cloud hanging over every aspect. It's a ray of light that's been missed and needed.

DC Comics and IDW are taking this miniseries seriously with top creative team that are showing that while the concept might seem silly, this isn't a cash grab. Can't wait to see where this goes next, as I was seriously amazed at how well it worked.

The issue is all setup, but does it in a way that's intriguing and really does well to play off the strengths of each set of characters. The first issue is a slow build but the emotional punch along with some of the twists and reveals make the issue one that's a solid entertaining read.

The issue is probably not on enough people's radars and that's there loss as this looks like it is taking some great elements from DC and just rolling with it and having fun. This may be the start of one of the most fun comic crossovers in a while.

Batman/Wonder Woman: Truth is a wonderful issue that shows Batman and Wonder Woman coming together and getting to know each other.

Batman and Robin: Year One #1 is a hell of a start that nails things in every way. The story has a great focus on the tepid relationship between Bruce and Dick and Batman and Robin and the art creates an atmosphere that feels like the best of Batman. It's a hell of a start and one that'll be a modern classic that readers go to for years to come.

Batman and Robin: Year One #2 is another fantastic issue that continues to help cement this series as a modern classic. Two issues in and it feels like this is one that'll be talked about and suggested as a "great Batman read" for years to come. Here's hoping it can keep up the high quality for all of the issues to come.

Batman & The Joker: The Deadly Duo #1 is exactly what one would expect going into it. Silvestri's art pops and the story itself is interesting enough. It's the tease before the main event and this team-up really gets going.

Batman & The Joker: The Deadly Duo #2 is an entertaining read. It doesn't fall into "90s issues we see from others who "return to comics and instead plays off Marc Silvestri's strengths that made his creator owned work stand out from the crowd. There's a lot here to enjoy and fans of Silvestri, want to see Batman and Joker team up, or like a little horror, will want to check this one out.

Batman & The Joker: The Deadly Duo #3 is beginning to deliver on the promise of its title. By the end, we finally get the duo together to figure out what's going on and track down whoever is behind the strange monsters and have taken Gordon and Harley. Here's hoping after such a wait it all delivers the back and forth we've been waiting for.

Batman and Robin #1 is an entertaining start that has a voice of its own and stands out from other comics in the Bat-family. It delivers a start that does a solid job of reminding us about the rather odd family dynamic and teasing enough of Bruce and Damian's personal life to let us know where they stand emotionally. This is one that's well worth checking out and swinging in to.

Batman and Robin #2 is a solid issue and between it and the debut, makes the case this is the Bat comic on the stands right now. It's a fun read with a mix of grounded and campy, seriousness and humor, with relationships at the center of it all. Sit back and enjoy this one.

This is a buy for Batman fans, those who aren't may not enjoy it as much. It feels like the start of an epic action filled story. And do I see the groundwork of Bruce as Batman's return? An intriguing comic that has me wanting to come back for the next issue.

The story of the comic itself is ok, basically a Terminator riff, but that's not the draw. It's the team that'll suck you in. While we've been delayed getting here, the fact we are here, and what's presented has me excited to see what's next.

The comic feels like the entire team is just having fun and has cracked the code of adding metahumans to the Batman universe. The first issue was good. The second issue is fantastic. This is a series that should be on your radar and your pull list.

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The three issues series feels like there's something missing. It wanted to do some reveals and explore some concepts but it never makes those concepts and reveals interesting. They tend to land as standard comic tropes and in just three issues it feels like it wraps up quickly leaving us with nowhere to go next. While none of it is bad, it's also not all that great, especially when compared to the excellent work being done in other Bat series. Duke Thomas is a character with great potential and by the end of three issues it feels like he was done a disservice.

Batman Beyond #1 brings the character into the main DCU, and it looks like it'll be one fun ride. Everything is on the table here, opening up a hell of a lot of possibilities in a familiar but strange world. The first issue was one that got more on my radar as time went on, and it looks like it'll be a series I'll be following for a while, especially after that ending.

The comic felt like one big fight, not something I generally enjoy, until the end, which features a twist that ties in what's currently going on in the various current Batman series directly into this. It's not something I thought about, and it shows there's a greater plan out there for what's going on. That ending had me more excited to see what's coming in the next issue.

Batman Beyond: Neo Year #1 is an interesting start and more than enough for me to come back to check out the next issue. It just doesn't feel quite as new reader friendly as I hoped leaving me feeling like I missed a lot. It's not so much a start as a continuation of… something. Still, it's an interesting continuation with a lot of potential.

The issue is good, though not great. As I said, it's got a reveal at the end that has me wanting to see what comes next, and hopefully, things pick up a bit more in the overall comic, but as far as getting people excited, the end results is a bit bland.

Batman: Bad Seeds - Gotham Central #1 is a fantastic issue that puts the spotlight on the GCPD during the chaos.

Batman: Bad Seeds - Sunset is a great start that blends sci-fi, horror, political thriller, and good ole-fashioned superhero action.

Batman: Black & White #1 is a hell of a start to the series. It had me lingering on pages in awe of what was before me and wanting more. It shows off some amazing art and will have you longing for more of this and fewer boxes on the page. This is a fantastic issue for Batman fans and fans of beautiful art. It also creates a high bar for future issues to reach.

Batman: City of Madness #1 is good. It's really good. There's so much going for it from the story, to the dialogue, and then how the art brings it all together. It's the perfect Batman story for the spooky season and one to absolutely pick up for fans of Batman or horror.

The comic is an improvement on the previous volume. It delivers an intriguing mystery that goes its own way while building off of the myth we already know. Cures of the White Knight delivers a straightforward Batman story that plays to Murphy's strengths. It shows growth as a writer and how to create a new volume that's both new reader-friendly and has a little extra for those who have been along for the ride.

Batman: Dark Patterns #1 is a solid start. It delivers a debut that feels like it emphasizes the detective aspect of the character while infusing horror aspects that could make readers wince at the visuals. It's a nice beginning for what should be an entertaining Batman series.

Batman: Fortress #1 is a fun and entertaining start but it's not necessarily a comic I left super excited about. It's good but overall fills like a filler arc in-between two major arcs in an ongoing series. Its direction should be interesting and I have my whole predictions about Superman but as far as a start, it's good. This is one for those that want the start of a summer blockbuster story featuring Batman or those that are a big fan of a character but overall, it might be one you want to wait for the collection.

The original Gotham by Gaslight is a modern classic. It'd be difficult for Batman: Gotham by Gaslight The Kryptonian Age #1 to come close to it. It's not bad in a vacuum but for the hyped return of Elseworlds as well as this beloved setting, it doesn't hit it out of the park. Where the issue, and where Elseworlds will have trouble, is that alternate takes on worlds and characters are a dime a dozen at this point. It's not special like it used to. Indicating the line of comics is a solid choice, but, much like this debut, they'll have a difficult road ahead to stand out.

Batman: Killing Time #1 is a good start. It's very much a setup of what's to come taking us through the crime. But, it also delivers solid action and some good twists. There's a bit of detail the comic delivers, like making it clear this is early in Batman's career, that make the comic stand out. It doesn't beat you over the head instead laying almost all of the cards out on the table. It's a debut that has me coming back to see what's next.

Batman: Last Knight on Earth #1 is a wild ride of a debut. I'll leave you wondering what is real and what's a hallucination. It'll also want you to immediately come back for more.

Batman: Last Knight on Earth #2 isn't a bad issue at all. It's a chapter in the greater narrative and will fit fine in the end. However, the dreamlike flow of the issue creates a choppy narrative that at times is jarring and others makes no sense. It's just not as good as the far superior first issue.

Batman: Legends of Gotham is generally a fun comic that new readers can just pick up and enjoy. It explains what you need to know and if it left out the very end, it'd be so much better. But, it clearly leads into something in the future. I have no idea what as I haven't been keeping up with things, which is a bit frustrating. Because, without that little segment, this would have been a far better one-shot.

Batman: Off-World #1 has moments. There's good details within and when it focuses on how it stands out, it does that really well. But, the overall plot feels like something we've seen so many times before on Earth. There's potential here and this is clearly a setup of more to come but as a first issue, it's entertaining but doesn't quite hook the reader with excitement.

It's not bad but Bane is a character that really has so much potential and this issue breaks things down in a way to simplifies his pathos instead of building upon it to return him as the juggernaut character he should be.

Kelly and Lanzing deliver a story of clay turning to quicksand as Karlo's actions spiral out of control. They present a person who could have found a happy life, at least one that was acceptable, but due to an inability of getting out of one's own way, it's another tale of tragedy.!

Batman: One Bad Day Riddler is a hell of a start to this series of one-shots. It delivers a rather unnerving tale as the Riddler unravels and builds himself back up. It's a new status-quo that hopefully becomes the Riddler we know going forward creating an even more frightening foe for Batman to tangle with. On it's own, it's one hell of a read that'll stick with you.

Batman: One Dark Knight #1 is a solid start. The story is familiar but it executes it in such a way that it still stands out. It's quality at every level.

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It's not all bad, there's something enjoyable about the comic but it's a bit breezy as far as a read and just misses the magic of what made the original animated series work. This feels like a comic aimed at kids. The cartoon was aimed at kids with maturity and complexity that could be appreciated by adults. Without the nailing of the nostalgia and some questionable dialogue and flow, the excitement for this new series has quickly deflated.

Batman: The Brave and the Bold #1 is a solid start to the series featuring a nice mix of stories that are fun and feature some great art. Why "Batman" is in the title is a bit of a headscratcher, especially if it features far more than just Batman and his family. Overall though, it's a great read and one that's a definite buy. It's a rate anthology where every story is top notch and something to get even if they were on their own.

Batman: The Detective #1 is a fun start to a self-contained Batman story. It takes him to unfamiliar territory and seems to mix his different aspects well. It's a nice break from the greater macro Batman story taking place currently in other series. There's some that's a bit classic about it, a comic you can just pick up and enjoy.

The issue is the weakest of the one-shots that have been released so far. There's an odd lack of connection with the character and his backstory and while all the rest have something that makes them standout, this one feels like something we'd see in the normal DC Universe. With some slight changes the comic might have held up, but as is it just fills in the background of the least interesting Dark Knight of them all. The comic is generally forgettable and really should only be read to fill in the background and origin of Doomsday Batman.

Dark Nights feels like it's getting better and better the more it goes on and these one-shots have helped make that the case by adding depth to each of these new villains. They're stories that can't fit in the main series but need to be told. Abnett and Tan deliver an issue that gives us everything we need packed into one comic. It's a prime example that you don't need to drag things out over multiple issues and spin-offs. This is how a comic should be and why Dark Nights: Metal is shaping up to be one of the best events in a long time.

Batman: The Imposter #1 is a fantastic start to the series. It isn't some dark and gritty read one might expect from DC Black Label. Instead, the issue has a very practical approach to it all. What Batman even faces is down-to-earth in some ways. Combine that with some great art and this feels like there's potential here for a memorable Batman story people will come back to for a while.

Batman: The Knight #1 isn't a bad start but it also doesn't excite. It's an interesting comic that doesn't quite yet make the case as to why it exists and also doesn't quite make a whole lot of sense character wise leaving out what has lead up to the current state. Zdarsky has show he can play the long game and pays off after a while, we just might need to wait a little bit more until we get to that moment.s

The issue is a good one and out of the four I'd place it third in quality. The twist at the end is what elevates it from mediocre. It wasn't until that moment that I really was interested in the issue and that's what makes it stand out. It's a detail that really changes how to perceive this character and makes him all that more scarier.

Overall, a solid issue that despite not quite living up to the quite high expectations set up from what has come before, it still has added a depth to the story and my appreciation for it all.

Coming out the other side of the issue, I want more of this nightmarish Dark Multiverse. No matter what happens at the end of Metal, this issue alone has me wanting to see DC explore these worlds more and give us the dark twisted versions of our heroes I never knew I wanted.

Batman: Three Jokers #1 isn't bad in any way. It's also not exciting. There's a joyless stiffness to it. The comic takes itself a bit too seriously and comes off stilted and honestly boring.

There's something to say about Jason's path in general. There's something to say about recovery from trauma and while we all have our own path, we still need support. All of that is there but it's never feels like any of it is really discussed or explored, it's all surface deep. Hopefully we get a bit more of these interesting ideas but as is, this is a series that feels like it knows what it wants to say but not how to say it.

Batman: Three Jokers #3 in the end was a boring let down. The idea and build up were intriguing but the conclusion felt like someone ranting for an hour with no point. It adds very little to Batman, Joker, Batgirl, and Red Hood. The characters are the exact same with little to no insight into them. If anything, it erases some of what makes the Joker interesting but attempting to give him backstory. Like a joke with no punchline, it misses its own point.

That isn't to say the whole of this might be something special. The first issue is the set up, which is some of its problems, and what comes next might actually get interesting. But, for a first issue that's supposed to hook us, it just feels like something that's been done before.

There's something that just feels off here. It hasn't quite promised on its promise and feels like a retread of our normal Joker/Batman dynamic but with a different Joker. The comic looks great though so as long as you're not going into this expecting anything more than you'll walk out happy.