ANARCHY IN THE SPIDER-VERSE!
SPIDER-PUNK GETS HIS OWN SERIES!
• HOBIE BROWN is THE ANARCHIC SPIDER-PUNK - set to protect EARTH-138 with his ax in hand and his chaotic band of punk rockin' heroes backing him!
• NORMAN OSBORN is dead, but will the chaos he's created be too much for Spider-Punk and gang to handle?
• Feel the vibes as CODY ZIGLAR (AMAZING SPIDER-MAN) and JUSTIN MASON bring you the jams when "BANNED IN DC" begins here!
RATED T
Born out of Spider-Verse, the rocking Spider-Punk gains his very own miniseries as his punk style Earth gets the fleshed-out treatment. A rocking first issue from this creative team as they lean into the fun atmosphere of this character and his world while diving into some relevant pressing issues all wrapped up in a colorful dynamic and fun artistic package. Read Full Review
Spider-Punk rips. This book has everything you want out of superhero comics and snotty punk rock, all wrapped in one colorful, high-octane package. Read Full Review
Issue #1 is often the most important issue as it is what captures and brings us into the world we will be playing in. The team succeeds in sucking us in immediately and really takes me back to my teenage days. The story is full of adventure, the colors and art appease our eyes, and overall it's a really fun issue. Read Full Review
Spider-Punk #1 serves as the perfect intro to a fan-favorite character from the Spider-Verse, as its creative team has a clear love for Hobie Brown and the world he inhabits. Future issues will no doubt continue to expand the world of Earth-138 and present new challenges for the Spider-Punk, but fighting evil and shredding on his guitar is what he was born to do. Read Full Review
Spider-Punk #1 is a well-crafted, striking introduction to Marvel's anti-fascist arachnid. Read Full Review
Yeah, there's something ironic about a giant corporation that's owned by another that's very not punk putting out this comic. Still, Spider-Punk #1 is just a hell of a lot of fun. It leans into the concept without overdoing it and going up near the line of making fun of its punk world but never crossing it. It's popcorn entertainment with a bit of a left message to absorb. Read Full Review
While Spider-Man has a lot of alternate versions I would say this is definitely one of them and it is worth checking out if you are into the character. Read Full Review
Spider-Punk roars to life this week with a debut issue featuring Riri Williams, a sellout Kraven, and enough anarchy puns to satisfy any reader. Read Full Review
Spider-Punk #1 is on the nose with its puns and themes, it is a rocking good time with an amusing and diverse cast. Read Full Review
A fun storyline that puts some great twists on known characters, but until the final reveal of the true villain pulling the strings, it felt shaky on where it's going to go for the rest of the storyline. It still needs some more development but a good hook for a quirky miniseries. Read Full Review
Ziglar leans hard into the punk aspects, while Mason's art and design feels appropriately hardcore for the world they're creating. It may not be for everyone, but it's definitely a good start. Read Full Review
Spider-Punk #1 is a bizarre comic that mixes all the worst stereotypes about Leftist activists into a story about Spider pals fighting the evils of Gentrification and Capitalism. If this is a parody, it's cleverly disguised parody. If it's not, this comic practically dares you to make fun of it for the level of obnoxiousness it reaches. Read Full Review
This was so much fun! Exactly what I hoped for from a Spider-Punk series
Had a ton of fun with this, love the art, love the designs.
Cody Ziglar has got a fun voice for these characters and I'm curious to see where it goes.
Aint nothing subtle about punk and with the current wave of queer punk, it is something I am fully embracing. Them LA show's are so much fun.
I def wanna make a playlist for this series, I'm inspired!
I'm really excited for this run and I absolutely adore the punk call backs.
I'm not a punk guy (I caught maybe 2 of the spillion musical references here) and I'm really not a Cody Ziglar guy (I find his slang addiction intolerable), but this issue is a pleasant surprise to me.
The plot's nothing special -- but nothing terrible, either. The pace is a little wonky. But the dialogue's solid, with the author employing merciful restraint on the slang. And the art's a lot of fun to look at. It has the perfect blend of scruff, detail, and dynamism. The visuals do as much as the words to establish this comic's passionate street-level tone.
this is so lame