Not a good issue. Seriously, this title should've stayed dead after Orlando's run, because since then it has played piggyback to whatever event was going on at the time and now it has barely anything to say as it drudges through its last few issues. I don't blame Jody Houser for this. Or Marc Andreyko before her. I know they can write good comics. I blame the editorial mandate that this book must have had. I saw some people complaining about this title going digital first, but really, it's not worth being in anyone's physical collection. The story is dumb and simple and not worth reading. I hope the US government decides nuking the hurricane is the best option in the next issue. more

Well I didn't expect that. I still have some ambivalent feelings about some of the decisions in this book. But, it's overall really good.

The pacing problems that Venditti's writing always has rears its ugly head here. Barely anything happens, and none of it is all that interesting.

This was fine, but I don't have much to say about it. And it's good to know the editors don't care enough to proofread the comics anymore. See: that page where Reverse Flash and Flash were suddenly switched.

This just doesn't interest me. It's a lot and it just goes on and on.

I have some problems with some of this ending, but overall I enjoyed this. I think this series is, like, the only success out of the Hill House imprint so...

Meh, this just isn't too interesting. Every time the story has a chance to go in an unexpected direction, it slides right into the obvious.

Wow is it just me or is the dialogue, like, really bad?

Honestly this was fine but just not what I really wanted in a spooky story. Also way too explain-y.

I struggled with the dialogue in this one, it didn’t feel like real people. The story itself isn’t anything special.

Nooo less math please. I think that this may be another horror story whose dread is somewhat undercut by the story’s progression.

Honestly I kind of love Black Swan.

This was pretty solid but nothing too special. Did it need to be made? Probably not.

This sort of ran out of steam for me towards the end but I did enjoy it and I liked the emotional moments. I don’t think I’ll be able to sustain this affection for this universe long-term though.

Well I’m still having fun.

I am so here for petty jerk Hawkeye, it’s unreal.

Man this is just not well written.

Like the rest of the series, this was fine. It didn't really work well. It needed.... more.

I'm slowly becoming ambivalent on this book. I find myself having a good time, mostly, but there's still this thought in the back of my mind that it's maybe a little too fragmented or a little too much. It's like when you go to a party and you realize there's a good chance your drink has been drugged, and now you make the choice whether to drink it anyway or throw it out. Jimmy Olsen is what happens when you chance drinking it. more

I really enjoyed this. Captain Marvel was written better here.

Nothing scarier than math.

This is a really great miniseries.

I feel like this issue is good overall, but it's constantly playing tug of war with my feelings towards it. Like, for instance, Willow and Xander are gone. On the one hand, I really like Willow and Xander, so I wish they were still in the book. But on the other hand, I mean, this just further differentiates this comic from the show, which is something that I ultimately want. And there's this whole multiverse element that I'm weary about. Not enough has happened to make me definitely decide I don't like it, but the idea itself is something I'm put off by. This series seems like it has no real direction right now, but it clearly does at the same time? It's just a weird book. more

This isn't too bad, but I don't like the art, and the story hits all the obvious beats. It exists.

I always felt like DCEASED was released a decade too late. If it came out during The Walking Dead craze, it may have been a zeitgeist classic, encapsulating everything about the zombie fad. In 2020, though, I feel fatigued, bored of this theme, since ultimately it always boils down to characters looking for a safe place that soon turns out to be unsafe, rinse and repeat, accompanied with random major deaths not really adding much to the story or developing other, surviving, characters.
I certainly hope DC will put DCEASED to rest for a while. Let it rest for a while and return when, or if, zombie apocalypse becomes fresher and more creative than it is now. Global pandemic causing downfall of volatile corporatist capitalism may be a hot subject, so I've heard. more

Much like Unkillables #3, this was fine. Luckily, Tom Taylor is no stranger to the format so this was well paced unlike The Adventures Continue. I just don't really care about any of this?